Yannick Nézet-Séguin conducts works by Tchaikovsky and Ravel

16/06/2012

Berliner Philharmoniker
Yannick Nézet-Séguin

Walter Seyfarth, Rundfunkchor Berlin

  • Luciano Berio
    Sequenza IXa for clarinet (00:14:25)

    Walter Seyfarth Clarinet

  • Piotr Ilyich Tchaikovsky
    Romeo and Juliet, Fantasy Overture after Shakespeare (00:23:18)

  • Maurice Ravel
    Daphnis et Chloé, complete ballet music (01:04:50)

    Rundfunkchor Berlin, Michael Gläser Chorus Master

  • free

    Yannick Nézet-Séguin on Ravel’s “Daphnis et Chloé” (17:09)

The press wrote of a “memorable evening” with a “rising star in the conducting firmament” when Yannick Nézet-Séguin, chief conductor designate of the Philadelphia Orchestra made ​​his debut with the Berliner Philharmoniker in October 2010. For his return to the podium of the Philharmonie, he has put together a programme that traces the ups and downs of love in powerful orchestral colours.

The concert opens, however, with a solo piece. Walter Seyfarth, clarinettist with the Berliner Philharmoniker since 1985, plays Luciano Berio’s Sequenza IXa for clarinet – the conclusion of the Sequenza series which has been performed throughout this season by members of the orchestra. The evening continues with the greatest love story in world literature: Shakespeare’s Romeo and Juliet, here in the setting by Pyotr Ilyich Tchaikovsky. The composer, who was in fact an adherent of the symphony, experiments with the new genre of tone poem in this work. In doing so, he does not follow the narrative but portrays central characters and situations: a highly emotional distillation of the drama.

Based on an ancient Greek romance, Ravel’s ballet Daphnis et Chloé is also about a couple who have to defend their love against existential adversity – including two kidnappings – but at least there is a happy ending. In his score, Ravel wanted to create “an elaborate musical fresco.” What is particularly impressive is the way he organically combines angular, archaic rhythms with his typically delicate tonal language. In the concert hall, the work is normally heard in the form of two orchestral suites. However, for this performance, the Berliner Philharmoniker and Yannick Nézet-Séguin play the complete ballet music, which contains many additional musical gems.

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