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      <video:title><![CDATA[Philharmonic chamber music: Mozart versus Salieri]]></video:title>
      <video:description><![CDATA[Antonio Salieri does not enjoy a good reputation in the music world: as Mozart’s jealous rival, he is even – according to legend – said to have poisoned him. Miloš Forman’s film Amadeus also depicts Salieri as a mediocre, scheming composer. However, he was extremely successful during his lifetime. But are his works on a par with Mozart’s? Members of the Berliner Philharmoniker contrast two string quartets by Salieri with works by Mozart, including the amiable Horn Quintet.]]></video:description>
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      <video:title><![CDATA[Family concert: “Pulcinella”]]></video:title>
      <video:description><![CDATA[Wearing pointed hats and grinning cheerfully, the Pulcinelli scamper onto the stage, full of curiosity. They peer into the dark morning – today, the sun just won’t rise. But the Pulcinelli are resourceful. Together with the audience and the Berliner Philharmoniker, conducted by Kirill Petrenko, they set out to find it. Igor Stravinsky’s music is full of surprises: playful violins, dancing trumpets, and melodies that sound very old at first and then suddenly perform a somersault. A concert that invites people of all ages to join in.]]></video:description>
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      <video:title><![CDATA[Bernard Haitink conducts Schubert and Shostakovich]]></video:title>
      <video:description><![CDATA[The 31st of January 1997 marked the 200th anniversary of Franz Schubert’s birth. A few days before this anniversary, Bernard Haitink, together with the Berliner Philharmoniker, presented Schubert’s Third Symphony, a youthful work brimming with joie de vivre. Dmitri Shostakovich’s Fourth Symphony provided a counterpoint: a harrowing work of epic proportions, composed under the menacing shadow of Stalinist censorship.]]></video:description>
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      <video:title><![CDATA[Sakari Oramo conducts “Das Lied von der Erde” at the Mahler Festival Amsterdam]]></video:title>
      <video:description><![CDATA[The Mahler Festival Amsterdam has been running for over 100 years, founded in 1920 by Willem Mengelberg, chief conductor of the Concertgebouw Orchestra and a keen admirer of Gustav Mahler. In 2025, the Berliner Philharmoniker had the honour of performing the festival’s final two concerts. Under the baton of Sakari Oramo, they played the Adagio from the unfinished Tenth Symphony and, together with Dorottya Láng and Benjamin Bruns, Das Lied von der Erde.]]></video:description>
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      <video:title><![CDATA[Pangaea Trio Berlin with works by Shostakovich, Ravel and Brahms]]></video:title>
      <video:description><![CDATA[The Pangaea Trio Berlin is named after the primordial continent that once united all the continents of the Earth, highlighting the multicultural origins of its members. This programme is just as diverse: Shostakovich was 16 years old and in love for the first time when he wrote his wistful Piano Trio No. 1. Ravel’s Piano Trio combines French elegance with Basque rhythms. Brahms’s Piano Quintet is imbued with the dark, contemplative, and dramatic characteristics of late German Romanticism.]]></video:description>
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      <video:title><![CDATA[Gustavo Dudamel conducts Beethoven’s “Eroica”]]></video:title>
      <video:description><![CDATA[Inspired by the French Revolution, Beethoven pushed the boundaries of the symphony with his combative Eroica: it was longer, bigger and more innovative than anything that had gone before. Gustavo Dudamel pairs it with another work of rebellion: Gabriela Ortiz’s Revolución diamantina thematises the “glitter revolution”, the feminist protest against the ongoing violence against women in Mexico. According to Dudamel, Ortiz’s music is “full of intuitive, primeval rhythms and mysterious, soulful soundscapes”.]]></video:description>
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      <video:title><![CDATA[Kirill Petrenko and Jonas Kaufmann at the Waldbühne]]></video:title>
      <video:description><![CDATA[In the final concert of the season, the Berliner Philharmoniker and Kirill Petrenko transform the Waldbühne into a part of Italy: star guest Jonas Kaufmann, who sang his way to the top with his warm, powerful tenor, presents some of the most beautiful arias from Italian operas. Respighi’s sumptuous tone poems Pini di Roma and Fontane di Roma take us on a journey through the Eternal City – along the pine trees of Villa Borghese to the glittering Trevi Fountain.]]></video:description>
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      <video:title><![CDATA[Family concert: “Peter and the Wolf”]]></video:title>
      <video:description><![CDATA[Peter’s grandfather lives with many animals near the forest. A wolf, who also lives there, has his sights set on Peter’s animal friends. But the clever boy knows how to protect them: the chirping bird, the waddling duck, the stealthy cat. They all have their own melody in Sergei Prokofiev’s musical fairy tale Peter and the Wolf, played by a specific instrument. Author and narrator Tilman Birr brings the story to the stage in a new version, and a sound effects artist provides electrifying tension.]]></video:description>
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      <video:title><![CDATA[Franz Welser-Möst conducts Schubert, Deutsch and Strauss]]></video:title>
      <video:description><![CDATA[Franz Schubert was just 18 years old when he composed his Third Symphony – a sparkling work, rich in Romantic sensibility. It opens a programme with a contrasting perspective on Austrian music: Richard Strauss ingeniously adapted the joy of the Viennese waltz in his Rosenkavalier, from which Franz Welser-Möst has arranged a suite. The haunting composition Intensity by Bernd Richard Deutsch represents a leading contemporary Austrian composer.]]></video:description>
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      <video:title><![CDATA[Jakub Hrůša and Julia Fischer]]></video:title>
      <video:description><![CDATA[Jakub Hrůša conducts three works that combine the specific tone of Czech music with the musical language of the 20th century: Bohuslav Martinů’s First Symphony, written while in exile in America in 1942, evokes his lost homeland with folk melodies and dance rhythms. The yearning Suita rustica by his pupil Vítězslava Kaprálová is based on traditional folk themes. Julia Fischer also presents Josef Suk’s Fantasy for Violin and Orchestra.]]></video:description>
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      <video:title><![CDATA[Semyon Bychkov and Víkingur Ólafsson]]></video:title>
      <video:description><![CDATA[While the Napoleonic Wars were raging, Ludwig van Beethoven created one of his most brilliant works: the Fifth Piano Concerto – played here by Víkingur Ólafsson – defies the challenges of the time with its heroic optimism. Semyon Bychkov then conducts Dmitri Shostakovich’s Fifth Symphony, composed in the shadow of Stalinist tyranny. Triumphant at first glance, it reveals an ironic ambiguity – a work that feigns rejoicing and undermines it at the same time.]]></video:description>
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      <video:title><![CDATA[Mahler’s Third with Yannick Nézet-Séguin and Joyce DiDonato]]></video:title>
      <video:description><![CDATA[Mahler’s Third Symphony is akin to a musical creation story: “All of nature”, said the composer, “is given a voice in it”, and it also contains something deeply mysterious. The piece tells of plants, animals, and humans – and of divine love as the highest form of all existence. The conductor is Yannick Nézet-Séguin, and the vocal soloist is Joyce DiDonato, one of the leading mezzo-sopranos of our time.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/56430</loc>
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      <video:title><![CDATA[Klaus Mäkelä conducts Stravinsky’s “Firebird”]]></video:title>
      <video:description><![CDATA[With his ballet music The Firebird, the young Igor Stravinsky revolutionised dance theatre – through an unusual fusion of Russian folk music with iridescent timbres and pulsating rhythms. Klaus Mäkelä, chief conductor designate of the Royal Concertgebouw Orchestra in Amsterdam and the Chicago Symphony Orchestra, juxtaposes the ballet with Andrew Norman’s socially critical symphony Play, whose tonal language alternates between humour and aggressive abrasiveness.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/56427</loc>
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      <video:title><![CDATA[Kirill Petrenko and Gautier Capuçon]]></video:title>
      <video:description><![CDATA[Ludwig van Beethoven rebelled against his developing deafness with his optimistic Second Symphony. There are occasional flashes of the uncompromising nature of his later works, but the symphony is still rooted in the perfectly balanced music of his teacher Haydn. Stravinsky in turn revived Baroque and Classical stylistic elements in his Pulcinella, while Tchaikovsky’s Rococo Variations are an homage to Mozart. The virtuoso cello part is played by Gautier Capuçon, with Kirill Petrenko conducting.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/56425</loc>
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      <video:title><![CDATA[2026 Europakonzert with Kirill Petrenko and Gautier Capuçon from Esterházy Palace]]></video:title>
      <video:description><![CDATA[This year, the Berliner Philharmoniker’s Europakonzert with Kirill Petrenko follows in the footsteps of the First Viennese School: Joseph Haydn worked at Esterházy Palace for almost 30 years. After an overture by Haydn, the orchestra will then perform the Second Symphony by his pupil, Ludwig van Beethoven. Pyotr Ilyich Tchaikovsky’s Rococo Variations with cellist Gautier Capuçon offer a more Mozartian take on Classicism – and Igor Stravinsky’s Pulcinella even looks back to the Baroque era.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/56421</loc>
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      <video:title><![CDATA[Herbert Blomstedt conducts Bruckner’s Seventh Symphony]]></video:title>
      <video:description><![CDATA[At the premiere of his Seventh Symphony, Anton Bruckner was “applauded for ¼ hour at the end”. So much acclaim – an acclaim that continues to this day – was new for the notoriously unsuccessful composer. Herbert Blomstedt surmises that the reason for its popularity is that its themes are simpler, and have “Wagnerian scope”. The conductor is an authority on Bruckner’s works – and once again has the opportunity to demonstrate his fine grasp of the emotional depth of this music with the Philharmoniker.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/56417</loc>
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      <video:title><![CDATA[National Youth Orchestra of Germany and National Jazz Orchestra of Germany: “Feel the Jazz”]]></video:title>
      <video:description><![CDATA[The National Youth Orchestra of Germany is the “godchild” of the Berliner Philharmoniker. Germany’s best young classical musicians between the ages of 14 and 24 will join forces with the National Jazz Orchestra of Germany to present jazz highlights by Leonard Bernstein, Duke Ellington and Wynton Marsalis. Darius Milhaud’s La Création du Monde and Sofia Gubaidulina’s Revue Music show that classical composers know how to swing, too. Libor Šíma, whose Sledgehammer reloaded will be premiered, and singer Malika Tirolien, who will present her Grow Suite as a special guest, also have jazz in their blood.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/56418</loc>
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      <video:title><![CDATA[Mirga Gražinytė-Tyla makes her debut with Prokofiev’s “Romeo and Juliet”]]></video:title>
      <video:description><![CDATA[Sergei Prokofiev transformed Shakespeare’s Romeo and Juliet into a ballet full of vigour, lyrical melodies and folkloric dance scenes. Mirga Gražinytė-Tyla has compiled highlights from the score for her debut with the Berliner Philharmoniker. Beforehand, the conductor takes us to the cheerfully ironic world of a puppet maker with Mieczysław Weinberg’s The Golden Key Suite, and a new piano concerto by film music legend John Williams with soloist Emanuel Ax.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/56312</loc>
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      <video:title><![CDATA[Kirill Petrenko conducts Wagner’s “Das Rheingold”]]></video:title>
      <video:description><![CDATA[Only those who renounce love can make use of the power of the golden ring – Das Rheingold, the prelude to Richard Wagner’s Der Ring des Nibelungen cycle, sets in motion a dark story of power and intrigue. Wagner’s music vividly depicts both the dramatic plot and the inner conflicts of the characters. The Berliner Philharmoniker and Kirill Petrenko present a concert performance of the work, with Christian Gerhaher appearing as Wotan for the first time.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/56362</loc>
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      <video:title><![CDATA[Brahms Ensemble Berlin with works by Mendelssohn, Bruckner and Brahms]]></video:title>
      <video:description><![CDATA[Brahms and Bruckner both loved smoked meat with dumplings, but that was where the similarities ended. According to Brahms, “Bruckner’s works are not works, but a fraud,” and the dislike was entirely mutual. This programme features Bruckner’s Intermezzo, full of Ländler rhythms, and Brahms’s Second String Quintet, which shifts between joie de vivre and melancholy. This juxtaposition is accompanied by Mendelssohn’s effervescent String Quintet No. 2.]]></video:description>
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      <video:title><![CDATA[First time in Japan: the Berliner Philharmoniker and Karajan in Tokyo in 1957]]></video:title>
      <video:description><![CDATA[It was the beginning of a wonderful friendship that transcended borders: in October 1957, the Berliner Philharmoniker and Herbert von Karajan travelled to Japan for the first time. The orchestra and its chief conductor were greeted at Tokyo airport as if they were superstars, and queues formed outside the concert hall. NHK broadcast the concert live on Japanese radio and television using what was then the most advanced stereo recording technology – and an audience of millions tuned in to hear Beethoven’s Fifth and Richard Strauss’s Don Juan.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/51003</loc>
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      <video:title><![CDATA[Sir Simon Rattle conducts Haydn’s “Creation” in Lucerne]]></video:title>
      <video:description><![CDATA[Sir Simon Rattle was once asked, “If you could only conduct one piece, which would it be?”. Without hesitation, he replied, Joseph Haydn’s Creation. For him, the oratorio is one of the “most perfect pieces, one of the wisest and wittiest” – and the epitome of the musical Enlightenment. Simon Rattle and the trio of soloists Elsa Dreisig, Mark Padmore and Florian Boesch performed this masterpiece at both the opening concert of his final season as chief conductor of the Berliner Philharmoniker, and also shortly afterwards at the 2017 Lucerne Festival.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/56476</loc>
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      <video:title><![CDATA[Philharmonic chamber music: Schoenberg and Shostakovich]]></video:title>
      <video:description><![CDATA[As part of the season’s Controversial! focus, musical worlds collide – in this case, those of Arnold Schoenberg and Dmitri Shostakovich. The programme includes two witty and ironic arrangements by Shostakovich, who considered Schoenberg’s twelve-tone music to be “meaningless play with sounds”: the Suite for Variety Orchestra, better known as “Jazz Suite No. 2”, and the allusion-filled Symphony No. 15. Schoenberg’s String Trio, on the other hand, is an impressively complex work – and yet very expressive.]]></video:description>
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      <video:title><![CDATA[Kirill Petrenko conducts Schumann, Wagner and Brahms in Taipei]]></video:title>
      <video:description><![CDATA[Expect unbridled delight at this tour concert by the Berliner Philharmoniker and their chief conductor Kirill Petrenko at the National Concert Hall in Taipei: classical music holds a special place in the hearts of the people of Taiwan, and the orchestra’s regular visits since 2005 are always a major event. This concert’s programme featured Brahms’s First Symphony, a favourite showpiece of the Philharmoniker, preceded by Schumann’s impassioned Manfred overture and Wagner’s enchanting Siegfried Idyll.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/56400</loc>
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      <video:title><![CDATA[Daniel Harding conducts Strauss’s “Don Quixote”]]></video:title>
      <video:description><![CDATA[The unworldly Don Quixote and his pragmatic servant Sancho Panza make an unlikely partnership. Inspired by Miguel de Cervantes’s famous chivalric novel, Richard Strauss humorously captures their bizarre adventures in his Don Quixote – including tone-painting effects during the windmill fight. Beforehand, Daniel Harding conducts Richard Wagner’s splendid Tannhäuser overture and Hans Werner Henze’s orchestral work Barcarola, which depicts the transition from life to death in sombre tones.]]></video:description>
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      <video:title><![CDATA[Family concert: “Hommage à Paul Klee”]]></video:title>
      <video:description><![CDATA[Paul and his friend Lily set sail: they discover a lost island, a ship in the stars, a city on the sea, and a golden fish that reveals the secrets of the deep to them. Boris Friedewald’s story Pauls Reise zu den Fischen (Paul’s Journey to the Fish) is inspired by Paul Klee’s colourful seascapes – as is Sándor Veress’s sensuous Hommage à Paul Klee. Rufus Beck’s reading, Klee’s paintings and Veress’s music combine to create an enchanting interplay of storytelling, art and music.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/56397</loc>
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      <video:title><![CDATA[Tugan Sokhiev conducts Berlioz’s “Symphonie fantastique”]]></video:title>
      <video:description><![CDATA[In his Symphonie fantastique, Hector Berlioz set a dark drama of unrequited love to music with intoxicating intensity. It depicts contrasting scenes in visionary tonal colours: infatuation, a swirling ball, doubts that lead to a murder and an execution, and finally a sinister witches’ sabbath. Johannes Brahms’s Double Concerto is characterised not only by its emotional depth but also by its Classical clarity. The soloists under the baton of conductor Tugan Sokhiev are concertmaster Noah Bendix-Balgley and principal cellist Bruno Delepelaire.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/56395</loc>
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      <video:title><![CDATA[Michael Sanderling and the piano duo Lucas & Arthur Jussen]]></video:title>
      <video:description><![CDATA[The brothers Lucas and Arthur Jussen have revitalised the piano duo genre with their relaxed manner and the perfect harmony of their playing. They make their debut with the Berliner Philharmoniker with a work which another pair of siblings played to great success: Wolfgang Amadeus Mozart wrote his Concerto for Two Pianos for himself and his sister Nannerl. Michael Sanderling will also conduct Johannes Brahms’s First Piano Quartet in the sumptuous orchestral version by Arnold Schoenberg.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/56391</loc>
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      <video:title><![CDATA[Paavo Järvi and Lang Lang]]></video:title>
      <video:description><![CDATA[The joyous wind sounds, easy-going jazz motifs and Basque folk music in Maurice Ravel’s Piano Concerto in G major create a colourful mix. The second movement, which begins with a dreamlike meditation by the solo piano, is a highlight. This work allows star pianist Lang Lang to demonstrate all aspects of his skills. Paavo Järvi also presents Hans Rott’s lyrical First Symphony. Its tonal language reveals influences from Rott’s teacher Bruckner and echoes of the music of his fellow student Mahler.]]></video:description>
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  <url>
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      <video:title><![CDATA[Kirill Petrenko and Janine Jansen with Brahms’s Violin Concerto]]></video:title>
      <video:description><![CDATA[Johannes Brahms wrote the most famous violin concerto of the late Romantic period – a work that focuses less on virtuosic brilliance than on the symphonic fusion of solo instrument and orchestra. The concerto is a favourite of Artist in Residence Janine Jansen, who is able to demonstrate her seismographic sensitivity for sound and her eloquent expressiveness alongside Kirill Petrenko. Alexander Scriabin’s intoxicating Third Symphony is philosophical work, describing the ascent of the human spirit from darkness to enlightenment.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/56813</loc>
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      <video:title><![CDATA[Sir Simon Rattle and Ian Bostridge at the Lucerne Festival]]></video:title>
      <video:description><![CDATA[At the 2011 Lucerne Festival, the programmes focused on the theme of night. The Berliner Philharmoniker and Sir Simon Rattle contributed likewise: Benjamin Britten’s Nocturne, sometimes meditative and dreamy, but mostly dark and frightening, explores this nocturnal theme. The soloist in the evocative composition for tenor and small orchestra was Ian Bostridge. Simon Rattle paired the piece with Anton Bruckner’s unfinished Ninth Symphony – a “farewell to life”.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/56388</loc>
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      <video:title><![CDATA[Lahav Shani conducts Dvořák’s Symphony “From the New World”]]></video:title>
      <video:description><![CDATA[In 1892, Antonín Dvořák was appointed director of the National Conservatory of Music of America in New York – with the mission to develop an American national style. His symphony From the New World captures the vastness of the landscape and draws on the music of the indigenous population. However, Charles Ives, whose enigmatic Unanswered Question became a milestone, is regarded as the real father of an American idiom. Lahav Shani and concertmaster Daishin Kashimoto also present Dmitri Shostakovich’s First Violin Concerto.]]></video:description>
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      <video:title><![CDATA[Kirill Petrenko conducts Mahler’s Eighth Symphony]]></video:title>
      <video:description><![CDATA[“Symphony means constructing a world with all the technical means at one’s disposal.” Nowhere did Gustav Mahler realise this credo more impressively than in his Eighth Symphony. With eight soloists, three choirs and a gigantic orchestra, it goes beyond anything that came before. At the same time, Mahler brings together fundamental ideas of intellectual history in this profusion of sound – from medieval hymns to the conclusion of Goethe’s Faust. After 15 years, the Berliner Philharmoniker are bringing the work back to the concert stage under the baton of Kirill Petrenko.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/56383</loc>
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      <video:title><![CDATA[Petr Popelka makes his debut with Schumann’s “Spring” Symphony]]></video:title>
      <video:description><![CDATA[Robert Schumann in the throes of love: newly married to Clara Wieck, the ideas for his First Symphony poured out of him. With its lively optimism, the Spring Symphony reflects this spirit of new beginnings. In contrast to this is Alban Berg’s poignant Violin Concerto, which is a musical memorial to Manon Gropius, who died at a young age. The soloist is Gil Shaham. The concert opens with Antonín Dvořák’s The Wood Dove, which tells of death and guilt. Conductor Petr Popelka makes his debut with the Philharmoniker.]]></video:description>
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      <video:title><![CDATA[2025 New Year’s Eve Concert with Kirill Petrenko and Benjamin Bernheim]]></video:title>
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      <video:title><![CDATA[Raphaël Pichon makes his debut with Bach’s Mass in B minor]]></video:title>
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      <video:title><![CDATA[Family concert: “Holy Viola!”]]></video:title>
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      <video:title><![CDATA[Andris Nelsons conducts Shostakovich’s Tenth]]></video:title>
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      <video:title><![CDATA[Jordi Savall makes his debut with Mozart’s “Jupiter” Symphony]]></video:title>
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      <video:title><![CDATA[Sir Simon Rattle with Rachmaninov and Stravinsky at the Lucerne Festival]]></video:title>
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  <url>
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      <video:title><![CDATA[Emmanuelle Haïm conducts French Baroque music]]></video:title>
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      <video:title><![CDATA[Daniele Gatti conducts Brahms, Stravinsky and Webern]]></video:title>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/56465</loc>
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      <video:title><![CDATA[Daniel Barenboim conducts Schubert and Beethoven]]></video:title>
      <video:description><![CDATA[Schubert’s Seventh Symphony is shrouded in mystery – not only because it remained unfinished, but also because its inner turmoil allows us to look deep into the soul of Romanticism: anxiety and distress, idyll and joie de vivre are closely intertwined. Daniel Barenboim, honorary conductor of the Berliner Philharmoniker, juxtaposes this work with Beethoven’s Seventh – a symphony that knows no doubts, and radiates both optimism and fighting spirit. The programme opens with Weber’s Oberon overture.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/56323</loc>
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      <video:title><![CDATA[Thomas Guggeis debuts with “Also sprach Zarathustra”]]></video:title>
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  <url>
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  <url>
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      <video:title><![CDATA[François-Xavier Roth conducts “Le Sacre du printemps”]]></video:title>
      <video:description><![CDATA[The premiere of Igor Stravinsky’s Le Sacre du printemps triggered the greatest theatrical scandal of the 20th century. The ballet’s narrative of primitive rituals, ecstatic rhythms, and jarring music shocked audiences – and cemented the composer’s reputation. A new work by Ondřej Adámek pays tribute to Pierre Boulez on the 100th anniversary of his birth. Boulez himself is represented by his Rituel in memoriam Bruno Maderna, which achieves a spectacular sound effect with eight instrumental groups arranged throughout the auditorium. François-Xavier Roth conducts.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/56375</loc>
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      <video:title><![CDATA[Daniel Barenboim with Mozart, Berg and Beethoven]]></video:title>
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  <url>
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      <video:title><![CDATA[Season opening 2025: Kirill Petrenko conducts Brahms, Zimmermann and Schumann]]></video:title>
      <video:description><![CDATA[Johannes Brahms struggled with his First Symphony for a long time – only to present a work that made him the leading symphonist of his time. Kirill Petrenko and the Berliner Philharmoniker opened the new season with it and the emotional Manfred Overture, “demonstrating what top-class orchestral music is all about” (Frankfurter Allgemeine Zeitung). Albrecht Mayer more than did justice to the highly virtuosic solo part in Bernd Alois Zimmermann’s Oboe Concerto “with captivating precision and endless breath” (Berliner Zeitung).]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/56597</loc>
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  <url>
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      <video:title><![CDATA[Nikolaus Harnoncourt conducts Brahms]]></video:title>
      <video:description><![CDATA[“Art isn’t a pretty accessory – it’s the umbilical cord that connects us with the divine. It insures our humanity ”, is how Nikolaus Harnoncourt described his view of music in 1991. This sincerity as well as an unabashed humanity is palpable in his performances with the Berliner Philharmoniker – as in this concert, which was dedicated entirely to the music of Johannes Brahms. The Academic Festival Overture and the Variations on a Theme by Joseph Haydn were followed by the First Symphony.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/55852</loc>
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      <video:title><![CDATA[Family concert: “Classical music rocks”]]></video:title>
      <video:description><![CDATA[Wolfgang Amadeus Mozart was perhaps one of the first rock stars in music history. Why? Because he composed so many brilliantly catchy tunes that people whistled them in the streets. He was also an outstanding pianist: Mozart was highly talented at improvisation – he sat down at the piano and was able to compose spontaneously from his head. He was admired and acclaimed for this. Together with the music and comedy duo Carrington-Brown and children’s songwriter Suli Puschban, members of the Berliner Philharmoniker show how classical music rocks.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/55831</loc>
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      <video:title><![CDATA[Season finale at the Waldbühne with Gustavo Dudamel]]></video:title>
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      <video:title><![CDATA[Film music by John Williams]]></video:title>
      <video:description><![CDATA[What would films like Star Wars, Jurassic Park, Indiana Jones and Harry Potter be without him? John Williams, superstar of American film music, gave them all their distinctive sound. His sparkling soundtracks are not only memorable, but also ingeniously enhance stories and characters. Stéphane Denève, a close friend of the composer, conducts the concert in place of John Williams, who has unfortunately had to cancel his visit to Berlin for health reasons.]]></video:description>
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      <video:title><![CDATA[Klaus Mäkelä conducts Richard Strauss’s “Alpine Symphony”]]></video:title>
      <video:description><![CDATA[Klaus Mäkelä, 29 years young and already chief conductor designate of the Royal Concertgebouw Orchestra in Amsterdam, is a rising star among conductors. In Richard Strauss’s Alpine Symphony, he presents a magnificent musical panorama. Wolfgang Rihm also favours opulent sounds in Transitus III. “I love the intricate web of orchestral possibilities”, says the 2024/25 Composer in Residence, “the creation of states, of transformations”.]]></video:description>
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  <url>
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      <video:title><![CDATA[Chamber music: Philharmonic Octet Berlin]]></video:title>
      <video:description><![CDATA[The main work of this concert with the Philharmonic Octet Berlin is Beethoven’s early Septet in E flat major – one of his most popular works during his lifetime. The music is lyrical and colourful, and its slow moments are also deeply emotional. The programme also includes the Sextet for Clarinet, Horn and String Quartet by Composer in Residence Wolfgang Rihm, and arrangements of Schubert’s Moments musicaux.]]></video:description>
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      <video:title><![CDATA[Kirill Petrenko with Mahler’s Ninth]]></video:title>
      <video:description><![CDATA[The Ninth Symphony is Gustav Mahler’s last completed work – a farewell and at the same time a visionary foreshadowing of musical Modernism. In contrast to other works, Mahler did not live to see its premiere; he was denied the usual final balancing of voices. “This poses a particular challenge for all those who perform this musical testament when interpreting the musical text,” says Kirill Petrenko. The chief conductor takes on this challenge with the Philharmoniker.]]></video:description>
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      <video:title><![CDATA[Sakari Oramo conducts Mahler]]></video:title>
      <video:description><![CDATA[The Berliner Philharmoniker present two late works by Gustav Mahler, beginning with the expressive Adagio from the unfinished Tenth Symphony. It is characterised by an anguished melancholy, as is Das Lied von der Erde. Between a song cycle and a symphony, Mahler called it at the time “probably the most personal thing I have done so far”. Conductor Sakari Oramo stands in for the indisposed Daniel Barenboim.]]></video:description>
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      <video:title><![CDATA[Kirill Petrenko with Puccini’s “Madama Butterfly”]]></video:title>
      <video:description><![CDATA[For her it is true love, for him just an affair: Puccini turned the story of the geisha Cio-Cio-San and an American naval lieutenant into one of the most poignant operas ever – creating music brimming with sophistication and atmosphere. Following the staging of the opera in Baden-Baden, Kirill Petrenko conducts a concert performance of Madama Butterfly in Berlin. The title role is sung by Eleonora Buratto, who has already enjoyed success as Cio-Cio-San at the Metropolitan Opera in New York. The young star tenor Jonathan Tetelman joins her as Pinkerton.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/55678</loc>
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      <video:title><![CDATA[2025 Europakonzert from Bari with Riccardo Muti]]></video:title>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/55144</loc>
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      <video:title><![CDATA[Family concert: “Fabers Schatz”]]></video:title>
      <video:description><![CDATA[It’s a heavy blow for little Faber when his beloved grandad emigrates to America. At least he receives a parting gift: a carpet that is supposed to be able to fly! But how do you get such a magical thing to take off? You can find out in the story Fabers Schatz (Faber’s Treasure) by Cornelia Funke, which is presented in this family concert. In a staged reading, narrator Rainer Strecker and members of the Berliner Philharmoniker bring the exciting adventure to life – and at the same time explore the question: what is language anyway?]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/56269</loc>
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      <video:title><![CDATA[Claudio Abbado conducts a Wagner gala for the 1993 New Year’s Eve Concert]]></video:title>
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    <loc>https://www.digitalconcerthall.com/en/concert/55204</loc>
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      <video:title><![CDATA[Kirill Petrenko conducts Strauss’s “Elektra” at the Easter Festival in Baden-Baden]]></video:title>
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      <video:title><![CDATA[1990 New Year’s Eve Concert with Mstislav Rostropovich]]></video:title>
      <video:description><![CDATA[“Mstislav Rostropovich,” read the programme for the 1990 New Year’s Eve Concert, “is a universal artistic figure. He is regarded as the foremost cellist of our time”. In this concert, Rostropovich, together with the violinist Vladimir Spivakov, who was making his debut with the Philharmoniker, and the violist Yuri Bashmet, also provided a spectacular end to the year with a programme of Russian music.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/55647</loc>
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      <video:title><![CDATA[Music of the Romantic era with Sebastian Weigle and Himari]]></video:title>
      <video:description><![CDATA[Schubert’s Great C major Symphony is considered the epitome of Romantic orchestral music – it creates a world of sound that is both idyllic and full of yearning. The programme also includes Carl Maria von Weber’s overture to the magical opera Oberon and Henryk Wieniawski’s Violin Concerto No. 1 with its combination of soulful expression and breathtaking virtuosity. The soloist, Himari, aged just 13, made her debut, and conductor Sebastian Weigle took over at short notice from an indisposed Zubin Mehta.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/54309</loc>
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      <video:description><![CDATA[Artist in Residence Seong-Jin Cho was already impressed by Beethoven’s Piano Concerto No. 5 as a child, “by this masculine and brilliant style of music”. His view has since developed further, because “the music is not only fiery, but also lyrical, deep and broad”. Here he performs the work with Jakub Hrůša. The programme also includes Béla Bartók’s Concerto for Orchestra, one of the composer’s most popular works. Leoš Janáček’s suite from the opera Osud is a discovery.]]></video:description>
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      <video:title><![CDATA[Joana Mallwitz makes her debut with the Berliner Philharmoniker]]></video:title>
      <video:description><![CDATA[Joana Mallwitz says that when she conducts, she wants to “engage the audience from the very first note”. With this attitude, she has enjoyed a glittering career: after positions in Erfurt and Nuremberg, she has been chief conductor of the Konzerthausorchester Berlin since 2023. In her debut with the Philharmoniker, she takes us through different worlds of sound with works by Prokofiev, Hindemith and Ravel. Anna Vinnitskaya joins her as the soloist in Rachmaninov’s Piano Concerto No. 3.]]></video:description>
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      <video:title><![CDATA[Dalia Stasevska conducts Sibelius, Grieg, Saariaho and Debussy]]></video:title>
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  <url>
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      <video:title><![CDATA[David Robertson conducts Beethoven’s “Pastoral”]]></video:title>
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      <video:title><![CDATA[Philharmonic chamber music: Korngold, Rihm and Bruckner]]></video:title>
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      <video:description><![CDATA[Edward Elgar is to England what Jean Sibelius is to Finland: both composers gave their country its own musical language. In his Lemminkäinen Suite, Sibelius transports us to the world of Finnish legends and tells of the adventures of a high-spirited hero. Elgar’s Romantic and genteel Violin Concerto reflects the spirit of Victorian England. Violinist Frank Peter Zimmermann, acclaimed for his soulful tone, performs the concerto under the direction of Dima Slobodeniouk.]]></video:description>
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      <video:title><![CDATA[Daniel Harding conducts Holst’s “The Planets”]]></video:title>
      <video:description><![CDATA[Daniel Harding undertakes a visionary musical journey through our solar system with Gustav Holst’s atmospheric orchestral suite The Planets. From rugged Mars to mystical Neptune, each planet has its own character. One work that Holst greatly admired was Arnold Schoenberg’s Five Pieces for Orchestra, which fluctuate between late Romanticism and Modernism. Brett Dean’s Komarov’s Fall was commissioned by the Philharmoniker in 2006 as a companion piece to Holst’s Planets.]]></video:description>
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      <video:title><![CDATA[2024 New Year’s Eve Concert with Kirill Petrenko and Daniil Trifonov]]></video:title>
      <video:description><![CDATA[“He has everything and more – tenderness and also the demonic element. I never heard anything like that,” as Martha Argerich once said of Daniil Trifonov. To celebrate the end of the year, the star pianist performed Johannes Brahms’s monumental Piano Concerto No. 2 with the Philharmoniker and Kirill Petrenko. With the prelude to Wagner’s Meistersinger, dazzling waltzes from Strauss’s Rosenkavalier and the sensual veil dance from Salome, the concert ended with fantastic operatic highlights – described by the Tagesspiegel as “intoxicating in the best sense of the word”.]]></video:description>
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      <video:title><![CDATA[Claudio Abbado conducts a Beethoven Gala at the 1991 New Year’s Eve Concert]]></video:title>
      <video:description><![CDATA[Claudio Abbado and the Berliner Philharmoniker said farewell to the year 1991 in what was then known as the Schauspielhaus concert hall on Gendarmenmarkt – with a programme modelled on Beethoven’s own wide-ranging academy concerts. The line-up of participants was similarly large, including Evgeny Kissin and actor Bruno Ganz alongside the soloist ensemble led by Cheryl Studer and the Rias choir.]]></video:description>
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  <url>
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      <video:title><![CDATA[Herbert Blomstedt and Leif Ove Andsnes]]></video:title>
      <video:description><![CDATA[Herbert Blomstedt sees Anton Bruckner as “the greatest symphonist since Beethoven”. The conductor is recognised worldwide as an authority on this repertoire – thanks to his unerring feel for Bruckner’s darkly glowing tonal language. Herbert Blomstedt now conducts the composer’s last symphony. This is preceded by Leif Ove Andsnes as the soloist in Mozart’s Piano Concerto No. 20, a work of atmospheric shadows and uncompromising drama.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/55636</loc>
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      <video:title><![CDATA[Andris Nelsons with Bruckner’s Eighth]]></video:title>
      <video:description><![CDATA[For Andris Nelsons, Bruckner’s Eighth is a work with a unique aura: “Bruckner penetrated here into regions that were beyond the reach of other composers.” Accordingly, performing the symphony is “an existential experience” for him. This can be heard in Nelsons’s interpretation: the swelling and breaking of musical arcs develops a sonic maelstrom that is almost impossible to resist.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/55676</loc>
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      <video:title><![CDATA[Family concert: “Queen of Christmas”]]></video:title>
      <video:description><![CDATA[The organ is the undisputed queen of instruments. And this year, it is the festive guest of honour at the Berliner Philharmoniker’s Christmas concert, to which horn player and presenter Sarah Willis traditionally invites music lovers of all ages. Together with her brass colleagues and organist Sebastian Heindl, she presents a spectacular display of musical fireworks – and great entertainment.]]></video:description>
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      <video:description><![CDATA[Simone Young prefers to conduct Anton Bruckner’s symphonies in their original versions: “Perhaps these are not as perfect as the later ones. But they have a modernity that the later ones lack.” Here she combines the original version of the Second Symphony with Wolfgang Rihm’s nocturnal scene Das Gehege (soloist: Vida Miknevičiūtė). This sombre one-person piece is about a woman who, on the eve of German reunification, frees an eagle from its captivity, tries to seduce it, and ultimately kills it.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/56207</loc>
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      <video:title><![CDATA[Herbert von Karajan and Evgeny Kissin at the 1988 New Year’s Eve Concert]]></video:title>
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    <loc>https://www.digitalconcerthall.com/en/concert/55708</loc>
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      <video:title><![CDATA[Philharmonic chamber music: The fascination of the clarinet]]></video:title>
      <video:description><![CDATA[The music world owes a great debt of gratitude to clarinettist Anton Stadler. After all, he inspired Mozart to write a clarinet quintet that is one of the most beautiful pieces of chamber music ever. Wolfgang Rihm, this season’s Composer in Residence, wrote his Vier Studien zu einem Klarinettenquintett for the clarinettist and composer Jörg Widmann. According to Widmann, Rihm “understands and senses the essence of our marvellous instrument like very few others”.]]></video:description>
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      <video:title><![CDATA[Seiji Ozawa conducts Orff’s “Carmina Burana” at the 1989 New Year’s Eve Concert]]></video:title>
      <video:description><![CDATA[“O Fortuna” – Carl Orff’s Carmina Burana begins with a powerful invocation to the goddess of fate. The medieval texts deal with themes such as power and envy, drunkenness and gambling, and love and unbridled joie de vivre. The work became one of the most popular of the 20th century thanks to the emotional immediacy of its melodies. At the 1989 New Year’s Eve Concert, the Berliner Philharmoniker gave the audience a spectacular start to the new year with Carmina Burana under the direction of Seiji Ozawa.]]></video:description>
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      <video:title><![CDATA[Kirill Petrenko and Vilde Frang]]></video:title>
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      <video:title><![CDATA[Giovanni Antonini and Fatma Said with Haydn and Mozart]]></video:title>
      <video:description><![CDATA[Few people are as passionate about the music of Joseph Haydn as Giovanni Antonini. In this concert, he presents two Haydn symphonies of captivating originality and inspiration. Soprano Fatma Said also performs the cantata Arianna a Naxos, a poignant psychological drama about a woman who has been abandoned. The conductor will also present Mozart’s little-known entr’actes for the play Thamos, King of Egypt.]]></video:description>
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      <video:title><![CDATA[Daniel Barenboim and Martha Argerich]]></video:title>
      <video:description><![CDATA[They are two world stars who have known and admired each other since their childhood in Argentina – but Martha Argerich and Daniel Barenboim have only been performing together with the Berliner Philharmoniker for a few years. This season, they demonstrate their special bond in Ludwig van Beethoven’s youthful and spirited First Piano Concerto. Daniel Barenboim – honorary conductor of the orchestra – also presents Johannes Brahms’s Fourth Symphony.]]></video:description>
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      <video:title><![CDATA[Sir Simon Rattle conducts Messiaen]]></video:title>
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      <video:title><![CDATA[Lahav Shani and Alisa Weilerstein]]></video:title>
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      <video:title><![CDATA[Kirill Petrenko conducts Bruckner and Rihm]]></video:title>
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      <video:title><![CDATA[Family concert: “Grandpa’s journey”]]></video:title>
      <video:description><![CDATA[Melanie and Marlon have the most amazing grandad in the world: he is 107 years old and has set 857 records, such as in slow walking and arm wrestling with a gorilla. Now Grandad Winnie only has four weeks to live and wants to set one last record: to float away as the lightest person in the world. Markus Orth’s moving and light-hearted story deals with saying goodbye to a loved one. The Scharoun Ensemble presents Grandpa’s journey for the first time in a setting by Michael Langemann.]]></video:description>
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      <video:title><![CDATA[The Berliner Philharmoniker and Seiji Ozawa at Suntory Hall in 1986]]></video:title>
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      <video:title><![CDATA[“Schubert Marathon” – Part 3]]></video:title>
      <video:description><![CDATA[Schubert’s chamber music is a world of its own. In our Schubert Marathon, Berliner Philharmoniker ensembles explore the musical landscapes of the composer’s soul. Perhaps his most radical instrumental work is the String Quartet No. 15. Harmonically expansive and marked by extreme contrasts, it vacillates between hope and despair. The programme concludes with Schubert’s beautiful and highly dramatic string quintet, a chamber music swan song.]]></video:description>
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      <video:title><![CDATA[“Schubert Marathon” – Part 2]]></video:title>
      <video:description><![CDATA[Schubert’s chamber music is a world of its own. In our Schubert Marathon, Berliner Philharmoniker ensembles explore the musical landscapes of the composer’s soul. Here they present two string quartets with which Schubert wanted to “pave the way to the great symphony”. Song-like meets extreme drama and bold harmonies – especially in the quartet Death and the Maiden, whose turbulent mood is also shared by the Quartettsatz.]]></video:description>
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      <video:title><![CDATA[“Schubert Marathon” – Part 1]]></video:title>
      <video:description><![CDATA[Schubert’s chamber music is a world of its own. In our Schubert Marathon, Berliner Philharmoniker ensembles explore the musical landscapes of the composer’s soul. It all starts with the famous Trout Quintet. Two string trios and the melancholy Variations on “Trockne Blumen” for flute and strings complete this first part.]]></video:description>
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      <video:title><![CDATA[Claudio Abbado and Viktoria Mullova at Suntory Hall in Tokyo]]></video:title>
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      <video:title><![CDATA[Season finale at the Waldbühne with Kirill Petrenko and Yuja Wang]]></video:title>
      <video:description><![CDATA[Maurice Ravel’s ecstatic Boléro under Berlin’s night sky – the Berliner Philharmoniker and Kirill Petrenko could not find a more atmospheric way to end the season in the Waldbühne. Beforehand, star pianist Yuja Wang plays the solo part in Prokoviev’s First Piano Concerto – a work in which she dazzlingly displays her creativity. Ravel’s Suite No. 2 from Daphnis et Chloé transports listeners to a pastoral idyll from ancient mythology.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/55162</loc>
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      <video:title><![CDATA[Family concert: Vivaldi’s “The Four Seasons”]]></video:title>
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      <video:title><![CDATA[Gustavo Dudamel conducts Mahler’s Sixth]]></video:title>
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      <video:title><![CDATA[Simon Rattle conducts Bruckner and Widmann]]></video:title>
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      <video:title><![CDATA[François-Xavier Roth with Bruckner’s Third and a world premiere]]></video:title>
      <video:description><![CDATA[The Third Symphony is regarded as Anton Bruckner’s problem child. The three versions of this hymn-like work document how much the composer struggled with it. François-Xavier Roth considers the first version from 1873 the most successful, because it reveals the original Bruckner. Also on the programme is the world premiere of a work by Vito Žuraj, winner of the Claudio Abbado Composition Prize.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/55084</loc>
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      <video:title><![CDATA[Kirill Petrenko conducts Smetana’s “Má vlast”]]></video:title>
      <video:description><![CDATA[With his cycle Má vlast (My Country) Bedřich Smetana composed a musical declaration of love to his Czech homeland – to its countryside, its history, its legends. Kirill Petrenko presents the six symphonic poems, which take us to very different romantic sound realms. The best-known work of the cycle is unquestionably Vltava (The Moldau), the flowing tone poem that depicts the river of the same name.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/55188</loc>
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      <video:title><![CDATA[2024 Europakonzert with Daniel Harding and Lisa Batiashvili from Tsinandali (Georgia)]]></video:title>
      <video:description><![CDATA[Artist in Residence Lisa Batiashvili describes the Europakonzert in her Georgian homeland as the “highlight of my life”. With the Berliner Philharmoniker, a leading European orchestra is making its first guest appearance in the country, which is currently a candidate for EU membership – a powerful statement. Lisa Batiashvili performs Brahms’s Violin Concerto under the baton of Daniel Harding – “with dreamlike technical perfection and depth of feeling that moves the audience to tears” (Frankfurter Allgemeine Sonntagszeitung). Harding then conducts Beethoven’s famous Fifth Symphony.]]></video:description>
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      <video:duration>71</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/55078</loc>
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      <video:title><![CDATA[Schoenberg’s “Erwartung” and Rachmaninov’s Third with Eun Sun Kim]]></video:title>
      <video:description><![CDATA[This concert shows how different musical worlds were at the beginning of the 20th century. Arnold Schoenberg’s monodrama Erwartung (soloist: Ausrine Stundyte), an intense atmospheric painting between anxiety and hope, is innovative. Sergei Rachmaninov’s Third Symphony, on the other hand, is marked by a melancholy look back. The South Korean conductor Eun Sun Kim, music director of the San Francisco Opera, made her debut with the Philharmoniker.]]></video:description>
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      <video:publication_date>2024-04-25T14:40:00+00:00</video:publication_date>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/55070</loc>
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      <video:title><![CDATA[Hannu Lintu and Vilde Frang]]></video:title>
      <video:description><![CDATA[The Finnish conductor Hannu Lintu comes to his debut with the Philharmoniker as a musical ambassador of his homeland. The chief conductor of the Finnish National Opera presents Kaija Saariaho’s celestial Ciel d’hiver and the austerely Nordic Seventh Symphony by Jean Sibelius. The concert opens with Olivier Messiaen’s Le Tombeau resplendissant and Igor Stravinsky’s highly virtuosic Violin Concerto with soloist Vilde Frang.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/55068</loc>
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      <video:title><![CDATA[Kirill Petrenko conducts Strauss’s “Elektra”]]></video:title>
      <video:description><![CDATA[A woman in an exceptional situation: Elektra is driven by grief, pain and hatred. She wants to avenge the death of her father. The tragedy of the Greek king’s daughter was ideal operatic material for Richard Strauss, who describes the psychological profile of a desperate woman in stormy scenes. Kirill Petrenko conducts a concert performance of the opera. Nina Stemme, an acclaimed soloist in dramatic parts, sings the title role.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/55065</loc>
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      <video:title><![CDATA[The Feininger Trio with Schubert, Brahms, Zemlinsky and Gourzi]]></video:title>
      <video:description><![CDATA[The Feininger Trio, named after the painter Lyonel Feininger, captivates with its warm and nuanced sound. Here it takes us to the Vienna of the Romantic and late Romantic periods – with Schubert’s soulful Notturno, Brahms’s C minor Trio suffused with Hungarian fire and Zemlinsky’s Opus 3, which is unmistakably orientated towards the Brahms tradition. A contemporary counterpoint to these is provided by Konstantia Gourzi’s Apollon.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/54516</loc>
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      <video:title><![CDATA[Family concert: “Francesca da Rimini”]]></video:title>
      <video:description><![CDATA[In this Berliner Philharmoniker family concert, chief conductor Kirill Petrenko presents a story of forbidden love without a happy ending. The dramatic music is by Pyotr Ilyich Tchaikovsky, and Francesca da Rimini is the name of the story in which the carefree Francesca is to marry the warlike Giovanni in order to settle the long-standing dispute between their families. Giovanni wants to hide his ugliness from Francesca and sends his brother Paolo to her. Francesca falls in love with Paolo – and the chaos unfolds...]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/55222</loc>
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      <video:title><![CDATA[Kirill Petrenko conducts Mozart, Berg and Brahms at Suntory Hall in Tokyo]]></video:title>
      <video:description><![CDATA[As part of their first joint tour to Japan, the Berliner Philharmoniker and chief conductor Kirill Petrenko also performed various programmes at the famous Suntory Hall in Tokyo. In this concert, they presented works from the Philharmoniker’s core repertoire of Classical, Romantic and Modern music: in addition to Mozart’s elegant Symphony No. 29, they also performed Brahms’s momentous Fourth Symphony and Alban Berg’s groundbreaking Three Pieces for Orchestra op. 6.]]></video:description>
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  <url>
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      <video:title><![CDATA[“Late Night” concert with Jörg Widmann]]></video:title>
      <video:description><![CDATA[The clarinet is Jörg Widmann’s first instrument. Here, the composer in residence shows us its great variety of sounds – in his Drei Schattentänze, in which he elicits unusual effects from the instrument, and in the andante from Mendelssohn’s clarinet sonata, in which the instrument seems to sing a song without words. The Freie Stücke show another facet of Widmann’s sound world.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/55060</loc>
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      <video:title><![CDATA[Unfamiliar Bruckner with Christian Thielemann]]></video:title>
      <video:description><![CDATA[Anton Bruckner on the path to self-discovery: this concert presents two almost unknown symphonies by the composer, neither of which are included in the official count. The Symphony in F minor is Bruckner’s first attempt in the genre. Although the composer described the work as “school work”, it delights with its verve and Romantic warmth. In the case of the so-called “Nullte” (“No. 0”), it is fascinating how Bruckner’s unmistakable personal style takes shape. Conductor Christian Thielemann is known for his Bruckner interpretations, making this journey of discovery particularly rewarding.]]></video:description>
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      <video:publication_date>2024-03-07T10:10:00+00:00</video:publication_date>
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      <video:duration>121</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/55050</loc>
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      <video:title><![CDATA[Philharmonic chamber music: Dream sequences and harlequinades]]></video:title>
      <video:description><![CDATA[Franz Schreker and Arnold Schoenberg were among the musical visionaries of belle époque Vienna. Schreker, as Der Wind shows, remained attached to the sensuous tonal language of the fin de siècle. Schoenberg also made use of this style in his opulent early work Verklärte Nacht. Shortly after, he broke new ground with the avant-garde Pierrot lunaire. All three works captivate the listener with their dreamlike, rapturous atmosphere.]]></video:description>
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      <video:title><![CDATA[Kirill Petrenko and Lisa Batiashvili]]></video:title>
      <video:description><![CDATA[Intimate and passionate: Karol Szymanowski’s First Violin Concerto is thought to be a secret declaration of love to the violinist Paul Kochanski. Lisa Batiashvili, Artist in Residence for 2023/24, is able to reveal the poetry of this work. Richard Strauss does not depict his family life secretly but quite openly and humorously in his Symphonia domestica – including a child’s cries, a marital quarrel and reconciliation. Kirill Petrenko conducts.]]></video:description>
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      <video:title><![CDATA[Benefit concert “Together for humanity”]]></video:title>
      <video:description><![CDATA[With a charity concert, the Berliner Philharmoniker and their guests called for the release of all hostages kidnapped from Israel into Gaza and for the protection of the Palestinian and Israeli civilian population. Also taking part: chief conductor Kirill Petrenko, pianist Martha Argerich, baritone Thomas Hampson, cellist Steven Isserlis, violinist Lisa Batiashvili and others. Musicians from Israel, including the singer Noa, also performed. The proceeds went to the families of the hostages and to two peace organisations in Israel and Palestine.]]></video:description>
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      <video:title><![CDATA[Daniele Gatti conducts Schoenberg, Strauss and Wagner]]></video:title>
      <video:description><![CDATA[Daniele Gatti conducts three late Romantic works. In Transfigured Night, Arnold Schoenberg depicts the conflicted emotional state of a pair of lovers, while Richard Strauss’s Death and Transfiguration reflects the emotions and visions of a dying man. Passion transformed into music – the opera Tristan und Isolde, in which Richard Wagner celebrates a love that finds its ultimate fulfillment in death. We hear the Prelude and Liebestod.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/55048</loc>
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      <video:title><![CDATA[Kirill Petrenko conducts Schoenberg]]></video:title>
      <video:description><![CDATA[Kirill Petrenko devotes himself to two seminal works of the 20th century. Arnold Schoenberg’s Chamber Symphony No. 1 marks a turning point, away from late Romanticism to a more modern musical language. His unfinished oratorio Jacob’s Ladder also demonstrates the expressive power that developed from this transition. The work is based on Jacob’s dream about the ladder to heaven that leads to God – a parable about the human search for spirituality.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/55046</loc>
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      <video:title><![CDATA[Daniel Harding conducts Bruckner’s “Romantic”]]></video:title>
      <video:description><![CDATA[A horn call from the tower of a medieval city, forest murmurs, hunting scenes – Anton Bruckner had images like these in mind when he composed his Fourth Symphony. At this concert, Daniel Harding makes the richly coloured “Romantic” shine. Jörg Widmann’s Viola Concerto will be heard beforehand, in which Antoine Tamestit will elicit dark, warm and surprisingly percussive sounds from his instrument. The concert is dedicated to the memory of Claudio Abbado, who died ten years ago on 20 January.]]></video:description>
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      <video:title><![CDATA[The National Youth Orchestra of Germany with Mahler’s Ninth Symphony]]></video:title>
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      <video:title><![CDATA[Kirill Petrenko conducts Bartók’s “The Wooden Prince”]]></video:title>
      <video:description><![CDATA[Only when someone overcomes his pride does he encounter true love: that is the message of Béla Bartók’s The Wooden Prince. This exquisitely orchestrated dance pantomime, which alternates between sensuousness and realism, helped the composer achieve his breakthrough. Kirill Petrenko has also programmed another work that was a milestone in its composer’s career: Henri Dutilleux’s First Symphony.]]></video:description>
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      <video:title><![CDATA[2023 New Year’s Eve Concert with Kirill Petrenko and Jonas Kaufmann]]></video:title>
      <video:description><![CDATA[Blood feud, incest and the ultimate happiness of love: this New Year’s Eve with music by Richard Wagner was characterised by great drama. Siegmund from Die Walküre is one of Jonas Kaufmann’s signature roles, which he embodied with “technical bravura and exemplary clarity of text”. Together with Vida Miknevičiūte (Sieglinde) and Tobias Kehrer (Hunding), the Philharmoniker and chief conductor Kirill Petrenko presented the erotically charged music with “overwhelming openness – a live performance cannot unfold more magic” (Tagesspiegel).]]></video:description>
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      <video:title><![CDATA[Daniel Barenboim and Martha Argerich]]></video:title>
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      <video:title><![CDATA[Family concert: “Brass Christmas”]]></video:title>
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      <video:title><![CDATA[Robin Ticciati’s debut with Mahler’s Fourth Symphony]]></video:title>
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      <video:title><![CDATA[Anniversary concert of the Scharoun Ensemble Berlin]]></video:title>
      <video:description><![CDATA[Franz Schubert’s Octet is the reason the Scharoun Ensemble exists at all: forty years ago, members of the Berliner Philharmoniker founded the formation in order to perform the melodious work. It will of course be played at the anniversary concert – in addition to other composers on the programme the ensemble has close ties to. The world premiere of a work by Brett Dean with soprano Sarah Aristidou is a special anniversary treat.]]></video:description>
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      <video:title><![CDATA[Kirill Petrenko conducts Mozart, Berg and Brahms]]></video:title>
      <video:description><![CDATA[Kirill Petrenko traverses the German-Austrian musical tradition with works that repeatedly look into abysses. Mozart’s Symphony No. 29 fascinates with a combination of light-heartedness and subliminal despair; in Berg’s Three Pieces for Orchestra, echoes of waltzes and marches are nightmarishly distorted. Brahms’s Fourth Symphony is one of the most magnificent works of the late Romantic repertoire and is pervaded with touching melancholy.]]></video:description>
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      <video:title><![CDATA[A Mozart concert with Riccardo Minasi]]></video:title>
      <video:description><![CDATA[Deutschlandfunk called Riccardo Minasi’s recording of the composer’s late symphonies one of “the most exciting Mozart releases of our still young century”. One rarely hears this music played with as much drama as it is with this conductor, who makes his debut with the Philharmoniker in the elegant “Haffner” Symphony and Symphony No. 40. Also on the programme is the Concertone for two violins, a rarely performed work featuring two of the orchestra’s principals.]]></video:description>
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      <video:title><![CDATA[Gustavo Dudamel with Mahler’s Fifth Symphony]]></video:title>
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      <video:title><![CDATA[Tugan Sokhiev with Shostakovich and Liszt]]></video:title>
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      <video:title><![CDATA[Herbert Blomstedt conducts Beethoven’s “Eroica”]]></video:title>
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    <loc>https://www.digitalconcerthall.com/en/concert/55014</loc>
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      <video:title><![CDATA[Jörg Widmann with Felix Mendelssohn]]></video:title>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/55009</loc>
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      <video:title><![CDATA[Season opening 2023: Kirill Petrenko conducts “Ein Heldenleben”]]></video:title>
      <video:description><![CDATA[A hero, resentful adversaries and a faithful companion all appear in Richard Strauss’s Ein Heldenleben. The work, in which Strauss draws parallels to his own life, boasts an opulent richness of sound. With this tone poem, Kirill Petrenko opened the 2023/24 season – “captivatingly spirited, with due space for the composer’s caricatures and adorned with the delights of wonderful solos” (Frankfurter Allgemeine Zeitung). Also on the programme is Max Reger’s Mozart Variations.]]></video:description>
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      <video:title><![CDATA[Andris Nelsons and Klaus Florian Vogt at the Waldbühne]]></video:title>
      <video:description><![CDATA[For the second time, Andris Nelsons conducted the Berliner Philharmoniker’s end-of-season concert at the Waldbühne. Together with star tenor Klaus Florian Vogt, he created a programme that led from the stage works of Weber and Wagner to the exuberant sound world of Richard Strauss. Vogt shone in his signature role as Lohengrin and “captivated with his youthful tenor timbre” (Tagesspiegel).]]></video:description>
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      <video:title><![CDATA[Philharmonic String Quartet: Music of remembrance]]></video:title>
      <video:description><![CDATA[As a female composer in the 19th century, Fanny Hensel could not hope for acclaim. Yet her E-flat major quartet impressively demonstrates her extraordinary talent. It is played here by the Philharmonic String Quartet, a young generation of the Berliner Philharmoniker, together with her brother Felix Mendelssohn’s Sixth Quartet in which he commemorated his beloved sister Fanny Hensel who died at an early age. A sense of mourning also characterises the works of Puccini and Barber.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/55363</loc>
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      <video:title><![CDATA[Claudio Abbado conducts Mahler’s Seventh Symphony]]></video:title>
      <video:description><![CDATA[Claudio Abbado had no airs and graces and believed in collaborating on an equal footing. His words upon taking office as chief conductor of the Berliner Philharmoniker became legendary: “I am Claudio – to everyone”. Gustav Mahler’s symphonies played a central role for him from the very beginning. Abbado’s special flair for this music was evident not least in his handling of the less popular Seventh, with which he delighted audiences here.]]></video:description>
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      <video:title><![CDATA[String quartet Made in Berlin: A musical European journey]]></video:title>
      <video:description><![CDATA[They are not native Berliners, but feel as if they are thanks to their profession: three string players from the Berliner Philharmoniker founded the ensemble Made in Berlin in 2016 – together with violinist Ray Chen, first prize winner of the Concours Reine Elisabeth Competition. In this concert, they present an eclectic programme with works by Hugo Wolf, Wolfgang Amadeus Mozart, Eugène Ysaÿe and Maurice Ravel.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/53929</loc>
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      <video:title><![CDATA[Kirill Petrenko conducts Tchaikovsky’s “Queen of Spades” in Baden-Baden]]></video:title>
      <video:description><![CDATA[Love, gambling and madness are at the heart of Tchaikovsky’s opera Queen of Spades. The composer sets the action in sometimes ecstatic, sometimes touchingly intimate music. The Berliner Philharmoniker and chief conductor Kirill Petrenko presented the work at the Baden-Baden Easter Festival “and breathed life into the score. Everything was simply there. And almost incidentally, Kirill Petrenko was enormously attentive to his singers and the fabulous Slovak Philharmonic Choir” (Süddeutsche Zeitung).]]></video:description>
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      <video:title><![CDATA[Philharmonic chamber music: On the trail of your own identity]]></video:title>
      <video:description><![CDATA[Where do I come from, where are my roots? As part of the season’s focus on “identities”, this programme provides several answers: Bartók’s Second String Quartet is inspired by Slavic folk music. Smetana professes his love for his Czech homeland in his autobiographical string quartet “From My Life”. Mozart, on the other hand, shows what he learned from Joseph Haydn in his quartet known as “The Hunt”.]]></video:description>
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      <video:description><![CDATA[Zubin Mehta and Yefim Bronfman have been associates for many years. Here, they perform Béla Bartók’s Piano Concerto No. 2, and Zubin Mehta conducts Tchaikovsky’s Fourth, which depicts the composer’s suffering in the world, but also celebrates the joys of life at the end. The Romantic prelude is Schumann’s Genoveva Overture.]]></video:description>
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      <video:title><![CDATA[Kirill Petrenko conducts Tchaikovsky and two world premieres]]></video:title>
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      <video:title><![CDATA[2023 Europakonzert from Barcelona with Kirill Petrenko]]></video:title>
      <video:description><![CDATA[In the richly detailed architecture of the Sagrada Família, Kirill Petrenko conducted the Berliner Philharmoniker’s 2023 Europakonzert. The fact that, as he says himself, he “always finds his approach to Mozart through opera”, was evident immediately: in Mozart’s Symphony No. 25, the motet “Exsultate, jubilate” and the Coronation Mass, he explored dramatic contrasts with the orchestra, a renowned quartet of soloists and the Barcelona-based choir Orfeó Català.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/54509</loc>
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      <video:title><![CDATA[Daniel Barenboim conducts Fauré and Franck]]></video:title>
      <video:description><![CDATA[At the end of the 19th century, people were greatly moved by the tragic story of Pelléas and Mélisande. Maurice Maeterlinck’s symbolist drama about secret love and fatal jealousy inspired Gabriel Fauré to write incidental music that brings the mood of the material to life. As the main work of the evening, Daniel Barenboim conducts César Franck’s Symphony in D minor – music that blends Beethovenian spirit with French elegance.]]></video:description>
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  <url>
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      <video:title><![CDATA[Family concert: “The Four Seasons”]]></video:title>
      <video:description><![CDATA[What does spring actually sound like? For the composer Antonio Vivaldi, quite clearly like a dance! And not only spring, but also summer, autumn and winter inspired him to write violin concertos under the title The Four Seasons. With their instruments, the Stradivari soloists make birds chirp and winter shudder with cold. Magically flowing like the changes of the seasons, a ballerina and a ballet dancer transform Vivaldi’s music into a story.]]></video:description>
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  <url>
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      <video:title><![CDATA[Simone Young conducts Messiaen’s “Turangalîla-Symphony”]]></video:title>
      <video:description><![CDATA[Olivier Messiaen’s monumental Turangalîla-Symphony is a paean to joy and love in all their facets, inspired by the Tristan legend. Messiaen creates his magical soundscapes with an unusual orchestra that includes an imposing percussion section, electronic sounds and a highly virtuosic piano part, interpreted here by Cédric Tiberghien. The Berliner Philharmoniker will be conducted by Simone Young.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/54507</loc>
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      <video:title><![CDATA[A “Finnish Evening” with Mikko Franck]]></video:title>
      <video:description><![CDATA[The Finnish conductor Mikko Franck shows us the beauty of the music of his homeland. Jean Sibelius’s Fifth Symphony evokes associations with the austere beauty of the Finnish landscape – particularly in the finale, which was inspired by the sight of swans flying overhead. Esa-­Pekka Salonen’s Karawane also has mystical strength. From Einojuhani Rautavaara, we will hear one of the best-known 20th-century settings of the requiem.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/54506</loc>
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      <video:title><![CDATA[An “American Evening” with Gustavo Dudamel]]></video:title>
      <video:description><![CDATA[In this programme, Gustavo Dudamel sets out on a musical journey to America that leads from Mexico to Argentina to the US. Gabriela Ortiz’s Téenek – Invenciones de Territorio is a combination of Mexican folklore and avant-garde sounds. Sergio Tiempo appears as soloist in a piano concerto by Alberto Ginastera. In his Second Symphony, Charles Ives created a synthesis of European and US musical traditions.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/54540</loc>
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      <video:title><![CDATA[Chamber music with Bolero Berlin: From the sarabande to the tango]]></video:title>
      <video:description><![CDATA[The Bolero Berlin ensemble’s trademark is Latin American music with a philharmonic sound. Its programme spans a wide musical range: from Bach’s Baroque sarabande, Ravel’s Valses nobles et sentimentales plus songs by Kurt Weill and George Gershwin – to the Tangos Nuevos by Astor Piazzolla and a dream-like work by Nadia Boulanger.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/54449</loc>
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      <video:title><![CDATA[“Late Night”: A Klezmer evening]]></video:title>
      <video:description><![CDATA[A homage to Jewish music: Noah Bendix-Balgley, a lover of klezmer music since childhood, wrote Fidl-Fantazye, a concerto for violin and chamber orchestra which brings out all the magic of the musical style. Ödön Pártos – whose Yizkor is performed by Amihai Grosz – and Samuel Adler emigrated to Palestine and the USA respectively in the 1930s. Their music combines avant-garde stylistic devices with Jewish and Middle Eastern folk music.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/52557</loc>
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      <video:title><![CDATA[A Beethoven evening with the National Youth Orchestra of Germany]]></video:title>
      <video:description><![CDATA[Beethoven was already losing his hearing when he wrote his famous Eroica. Artistically, he defied his illness, but it led to social isolation. In this concert, the National Youth Orchestra of Germany and students from the Education and Counselling Centre for the Hearing Impaired in Stegen focus on the theme of hearing. The orchestra will also perform works by Brett Dean, Mark Barden and Bernhard Wulff, which were written with and for the hearing-impaired.]]></video:description>
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  <url>
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      <video:title><![CDATA[Kirill Petrenko conducts Strauss’s “The Woman without a Shadow”]]></video:title>
      <video:description><![CDATA[Can one base one’s own happiness on the unhappiness of others? That is the central theme of Die Frau ohne Schatten (The Woman without a Shadow), one of Richard Strauss’s most fascinating operas. The emperor’s wife needs a shadow to save her husband from turning to stone and to have children, so she must buy the shadow and fertility of a poor dyer’s wife. Kirill Petrenko conducts the splendid drama in a concert performance.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/54529</loc>
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      <video:title><![CDATA[Concerto Melante with cantatas by Bach and Telemann]]></video:title>
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      <video:title><![CDATA[Family concert: “La Mer”]]></video:title>
      <video:description><![CDATA[The French composer Claude Debussy just loved the sea! With beautiful timbres, he composed three “symphonic sketches” about the dawn on the water, the play of the waves, and the conversation of wind and sea. This music and special instruments are presented here by conductor Daniel Harding and violist Sebastian Krunnies. Debussy’s magical music is complemented by three poems about the sea – written by the young winners of our writing competition “More sea”.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/54496</loc>
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      <video:title><![CDATA[2022 New Year’s Eve Concert with Kirill Petrenko and Jonas Kaufmann]]></video:title>
      <video:description><![CDATA[To mark the end of 2022, the Berliner Philharmoniker and chief conductor Kirill Petrenko presented a captivating programme with tenor Jonas Kaufmann as the guest star. He presented Italian opera arias as a “wonderful interpreter” – sometimes powerfully, sometimes “full of languishing, doubting tenderness” (Berliner Morgenpost). The Philharmoniker also dazzled in Tchaikovsky’s Capriccio italien and an excerpt from Prokofiev’s Romeo and Juliet.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/54547</loc>
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      <video:title><![CDATA[Philharmonic chamber music: In search of the “I”]]></video:title>
      <video:description><![CDATA[Where does someone come from, where do they belong? In Debussy’s opera Pelléas et Mélisande, a fatal conflict develops from these existential questions. In Hubert Mouton’s arrangement for piano trio, the psychological drama has an intimate and mysterious effect. Smetana created his piano trio as a poignant memorial following the death of his daughter. Erich Korngold unfolds opulent sonorities in his Piano Quintet, which was written during a blossoming love affair.]]></video:description>
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      <video:title><![CDATA[Emmanuelle Haïm conducts an early Handel oratorio]]></video:title>
      <video:description><![CDATA[We have heard Emmanuelle Haïm several times with the Berliner Philharmoniker as an outstanding interpreter of the music of George Frideric Handel. This time, she conducts his early oratorio Il trionfo del Tempo e del Disinganno (The triumph of Time and Disillusion), a work with intense emotion, delicate arias and operatic ensemble scenes. The story tells of a young person addicted to pleasure who finally realises how fleeting all outward beauty is – a timeless theme.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/54308</loc>
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      <video:title><![CDATA[Paavo Järvi conducts Beethoven and a world premiere]]></video:title>
      <video:description><![CDATA[Beethoven presents himself from his militant side in his “Eroica”. Paavo Järvi is the ideal conductor to reveal the reflective and graceful facets of this music as well. Toshio Hosokawa conjures up completely different sound worlds in his music – evocative and mystical. The world premiere of his Violin Concerto Prayer can be heard here with Daishin Kashimoto, 1st concertmaster of the Berliner Philharmoniker, as soloist.]]></video:description>
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      <video:title><![CDATA[Alan Gilbert and Joshua Bell]]></video:title>
      <video:description><![CDATA[Alan Gilbert presents three 20th-century works that confront the music of the past. Boris Blacher takes one of the most famous themes from the violin literature as the point of departure for his jazzy Paganini Variations. Samuel Barber revitalizes the late Romantic violin concerto with distinctive colours, heard here with Joshua Bell. Henri Dutilleux’s Second Symphony completes the programme: a Baroque concerto grosso in the guise of Modernism.]]></video:description>
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      <video:title><![CDATA[Matthias Pintscher conducts Ligeti, Zimmermann and Martinů]]></video:title>
      <video:description><![CDATA[György Ligeti was inspired by the Catholic requiem mass to write one of the great choral works of the 20th century. His Requiem features an enthralling tonal language – performed here with Matthias Pintscher. And both Bernd Alois Zimmermann’s Musique pour les soupers du Roi Ubu and Bohuslav Martinů’s Viola Concerto (soloist: Amihai Grosz) make hidden references to requiem settings by other composers.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/54501</loc>
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      <video:title><![CDATA[Daniel Harding conducts Debussy, Ligeti, Sibelius and Britten]]></video:title>
      <video:description><![CDATA[György Ligeti was one of the musical beacons of the post-war avant-garde. Experimental and often humorous, he explored new worlds. In this concert, Daniel Harding conducts two key works by Ligeti, Atmosphères and Lontano. They are mirrored by three musical depictions of the sea: Jean Sibelius’s dazzling tone poem Oceanides, Benjamin Britten’s evocative Four Sea Interludes from Peter Grimes and Debussy’s La Mer.]]></video:description>
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      <video:title><![CDATA[Kirill Petrenko conducts Beethoven, Brahms and Schoenberg]]></video:title>
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  <url>
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      <video:title><![CDATA[“Late Night” with Esa-Pekka Salonen]]></video:title>
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      <video:title><![CDATA[Kirill Petrenko conducts Mendelssohn’s “Elijah”]]></video:title>
      <video:description><![CDATA[“Strong, zealous, even evil and angry and dark” – this is how Felix Mendelssohn imagined the biblical prophet Elijah, the protagonist of his oratorio of the same name. Full of drama, the composer portrays a man who struggles to convert the people to the true faith – in vain, as he is forced to realise at the end. Under the direction of Kirill Petrenko, the distinguished baritone Christian Gerhaher takes on the role of Elijah.]]></video:description>
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      <video:description><![CDATA[John Adams describes his piano concerto Must the devil have all the good tunes? as a “funky danse macabre”. Pianist Víkingur Ólafsson has chosen the energetic work for his debut with the Berliner Philharmoniker, with Santtu-­Matias Rouvali, principal conductor of London’s Philharmonia Orchestra, on the podium. Also on the programme are Helix, by Composer in Residence Esa­-Pekka Salonen, and Sergei Prokofiev’s Fifth Symphony.]]></video:description>
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      <video:title><![CDATA[Family concert: “Cello Christmas”]]></video:title>
      <video:description><![CDATA[Christmas spirit as far as the eye can see! Presenter Sarah Willis and the 12 Cellists of the Berliner Philharmoniker send magical wintry sounds through the auditorium and set the mood together for the upcoming festivities. A concert full of fun, wonder, participation and seasonal cheer. For the 12 Cellists, there is only one wish in their hearts for Christmas: sparkling eyes from young and old.]]></video:description>
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      <video:title><![CDATA[Christian Thielemann and Camilla Nylund with Strauss]]></video:title>
      <video:description><![CDATA[Christian Thielemann’s programme is absolutely intoxicating: the Prelude and Good Friday Spell from Richard Wagner’s Parsifal and Richard Strauss’s Four Last Songs with Camilla Nylund. The orchestral preludes to Hans Pfitzner’s opera Palestrina are performed less often – a combination of nostalgic retrospection and visionary ideas. Arnold Schoenberg’s orchestration of Johann Sebastian Bach’s Prelude and Fugue in E flat major can also be heard.]]></video:description>
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      <video:title><![CDATA[Andris Nelsons and Mitsuko Uchida]]></video:title>
      <video:description><![CDATA[Arnold Schoenberg’s Piano Concerto is a seminal work of Modernism, but pianist Mitsuko Uchida also finds “lightness, serenity and sadness” in it. For her, the Concerto is an homage to the Viennese musical culture that Schoenberg came from. An impressive work from this tradition is Anton Bruckner’s solemn Seventh Symphony. Andris Nelsons, a Bruckner specialist from the younger generation, conducts the Berliner Philharmoniker.]]></video:description>
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      <video:title><![CDATA[Tugan Sokhiev conducts music from “Swan Lake”]]></video:title>
      <video:description><![CDATA[Peter Tchaikovsky’s music for Swan Lake is characterized by the contrast between radiant elegance and the dark tones of a tragic fairy tale. Tugan Sokhiev has chosen excerpts from the score that have made a strong impression on him. Drama and beauty also converge in the Cello Concerto by the French Romantic composer Édouard Lalo. The solo part, played by Bruno Delepelaire, 1st principal cellist of the Berliner Philharmoniker, sings beautifully.]]></video:description>
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      <video:title><![CDATA[Kirill Petrenko conducts Sibelius, Janáček, Vasks and Silvestrov]]></video:title>
      <video:description><![CDATA[In this concert, chief conductor Kirill Petrenko and the Berliner Philharmoniker presented works by composers from Ukraine, Finland, the Czech Republic and Latvia. The programme, which was also performed at the Europakonzert in Liepāja, Latvia, reflects on the war in Ukraine in string compositions by Pēteris Vasks and Valentin Silvestrov. As an expression of European solidarity, the concert ends with Jean Sibelius’s Finlandia, whose radiant brass sounds symbolise the hope for freedom and self-determination.]]></video:description>
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      <video:description><![CDATA[The hero of Kurt Vonnegut’s novel Slaughterhouse Five is “unstuck in time”, a phrase that inspired the American composer Andrew Norman to write his stormy, virtuosic orchestral work Unstuck. The Symphony in F sharp major that Erich Wolfgang Korngold composed during his US exile also has American tones. Between these two works, chief conductor Kirill Petrenko and 1st concertmaster Noah Bendix­-Balgley present Mozart’s Violin Concerto No. 1.]]></video:description>
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      <video:title><![CDATA[A Mozart evening with Maxim Emelyanychev and Sabine Devieilhe]]></video:title>
      <video:description><![CDATA[Maxim Emelyanychev always felt so close to Mozart’s music that during his childhood he was even called Mozart sometimes. This enthusiasm has not diminished. Acclaimed as one of the most interesting young conductors, he makes his debut here with the Berliner Philharmoniker, naturally with a Mozart programme. Also appearing with the orchestra for the first time is Sabine Devieilhe, whose bright soprano makes her an ideal interpreter of Mozart arias.]]></video:description>
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      <video:description><![CDATA[Claude Debussy and Paul Dukas admired Richard Wagner’s music in their youth, resulting in a blend of French flavour and Wagnerian echoes in their early works. François-­Xavier Roth demonstrates that with Debussy’s mystical cantata La Damoiselle élue and Dukas’s overture Polyeucte. We also hear Dukas’s most popular symphonic poem, The Sorcerer’s Apprentice. Soloist for the concert is Isabelle Faust, who performs Béla Bartók’s Violin Concerto No. 2.]]></video:description>
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      <video:title><![CDATA[Daniel Harding conducts “Thus spoke Zarathustra”]]></video:title>
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      <video:title><![CDATA[Herbert Blomstedt conducts Schubert and Beethoven]]></video:title>
      <video:description><![CDATA[Herbert Blomstedt’s guiding principle is “to conduct fewer works, but to work on them thoroughly”. This invariably makes his interpretations events. Blomstedt is one of the long-standing artistic friends of the Berliner Philharmoniker. He conducts Franz Schubert here for the first time, however. In addition to Schubert’s Third Symphony, Beethoven’s Seventh is also on the programme. What unites the two works? Their infectiously optimistic spirit.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/54310</loc>
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      <video:description><![CDATA[With his Piano Concerto, Max Reger composed a companion piece to Johannes Brahms’s powerful Piano Concerto No. 1. The work surpasses its model in force and is considered one of the most difficult pieces of the genre. To celebrate Reger’s 150th birthday, it is presented here by pianist Marc-­André Hamelin. At his side will be conductor Marek Janowski, a specialist in Romantic repertoire, who has also programmed Robert Schumann’s euphoric “Rhenish”.]]></video:description>
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      <video:publication_date>2022-09-29T16:00:00+00:00</video:publication_date>
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      <video:duration>169</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/54289</loc>
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      <video:title><![CDATA[Kirill Petrenko conducts Dallapiccola’s “The Prisoner”]]></video:title>
      <video:description><![CDATA[Kirill Petrenko devotes this concert to three composers of the post-war avant-garde. Luigi Dallapiccola’s The Prisoner is about hope, freedom and their misuse. Bernd Alois Zimmermann and Iannis Xenakis also wrote works opposing injustice and oppression. Zimmermann’s Symphony in one movement leads the listener “from an apocalyptic threat to mystic immersion”, according to the composer, while in Empreintes Xenakis creates a shimmering soundscape.]]></video:description>
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      <video:duration>171</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/54288</loc>
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      <video:title><![CDATA[Thomas Adès makes his debut with the Berliner Philharmoniker]]></video:title>
      <video:description><![CDATA[Thomas Adès is one of the best-known English composers since Benjamin Britten. His sensuous works have been part of the repertoire of the Berliner Philharmoniker for years. Here he collaborated with the orchestra for the first time as conductor. In addition to two of his own compositions – the nostalgic Violin Concerto (soloist: Pekka Kuusisto) and the Exterminating Angel Symphony – Thomas Adès conducts works by Hector Berlioz and Gerald Barry.]]></video:description>
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      <video:publication_date>2022-09-16T11:00:00+00:00</video:publication_date>
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      <video:title><![CDATA[Season opening 2022: Kirill Petrenko conducts Mahler’s Seventh Symphony]]></video:title>
      <video:description><![CDATA[Kirill Petrenko first conducted Mahler with the Berliner Philharmoniker in 2020 with his Sixth Symphony. For the season opening in 2022, he conducted the Seventh – a piece characterised by night-time moods. “You will rarely hear the work with greater rhythmic precision”, the Frankfurter Allgemeine Zeitung pointed out, and the Tagesspiegel found that the Philharmoniker “played with sheer dizzying bravura, the solos of tenor horn and horn were unparalleled”.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/54714</loc>
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      <video:title><![CDATA[Daniel Barenboim conducts Bruckner and Schubert]]></video:title>
      <video:description><![CDATA[As a pianist, Daniel Barenboim made his debut with the Berliner Philharmoniker in 1964 with an “outstanding performance” (Der Tagesspiegel) – he was 21 years old at the time. Shortly afterwards he made his acclaimed debut as a conductor, and he has enjoyed a close partnership with the Berliner Philharmoniker ever since. Here, Barenboim conducts Bruckner’s Fourth and the rarely heard choral cantata Helgoland plus Schubert’s Gesang der Geister über den Wassern.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53845</loc>
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      <video:title><![CDATA[Kirill Petrenko and Kirill Gerstein at the Waldbühne]]></video:title>
      <video:description><![CDATA[The Berliner Philharmoniker and Kirill Petrenko ended the season at the Waldbühne with vibrant colours. Rachmaninov’s Second Piano Concerto was both yearning and rebellious. Kirill Gerstein, who made his debut with the orchestra in this work in 2016, stood in for an indisposed Daniil Trifonov. Mussorgsky’s Pictures at an Exhibition was also performed, a work in which a tremendous range of different scenes are depicted.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53922</loc>
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      <video:title><![CDATA[2022 Europakonzert from Liepāja with Kirill Petrenko]]></video:title>
      <video:description><![CDATA[The Europakonzert 2022 was originally scheduled to take place in Odesa. Instead, the Great Amber Concert Hall in Liepāja, Latvia, hosted a programme dedicated to solidarity with Ukraine and peaceful coexistence in Europe. The Berliner Philharmoniker, chief conductor Kirill Petrenko and Elīna Garanča presented works whose message is one of freedom and self-determination.]]></video:description>
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      <video:publication_date>2022-07-21T12:40:00+00:00</video:publication_date>
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      <video:duration>163</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/54706</loc>
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      <video:title><![CDATA[Alan Gilbert and Frank Peter Zimmermann with Bartók’s First Violin Concerto]]></video:title>
      <video:description><![CDATA[Recorded independently of Philharmoniker concerts, this performance of Béla Bartók’s First Violin Concerto with Frank Peter Zimmermann and Alan Gilbert offers an exclusive insight into the making of an edition for Berliner Philharmoniker Recordings. Bartók’s late-Romantic First Violin Concerto complements the repertoire of the edition: in addition to Bartók’s second, Zimmermann also recorded the concerts of Alban Berg and Ludwig van Beethoven.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/54490</loc>
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      <video:title><![CDATA[The Youth Symphony Orchestra of Ukraine and the National Youth Orchestra of Germany]]></video:title>
      <video:description><![CDATA[They are young and passionate about music: the Youth Symphony Orchestra of Ukraine and the National Youth Orchestra of Germany are made up of the best young musicians from their countries. In May 2022, they wanted to perform together in Odesa. But the war ruined this plan. Here the young musicians are performing together at the Philharmonie Berlin, with a programme that includes works by Beethoven and Dvořák, plus the Symphonic Ballad Grazhyna by the Ukrainian composer Borys Lyatoshynsky.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/54707</loc>
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      <video:title><![CDATA[Zubin Mehta conducts Stravinsky’s “Le Sacre du printemps”]]></video:title>
      <video:description><![CDATA[With the utmost precision and unbridled vitality, Zubin Mehta conducts Igor Stravinsky’s Le Sacre du printemps. To this day, the ballet music, which caused a furore at its premiere, has lost none of its thrilling effect. The concert opens with Mozart’s evocative Serenade in B flat major, K. 361, in which he demonstrated his sensitivity in the use of wind instruments.]]></video:description>
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  <url>
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      <video:title><![CDATA[Sakari Oramo and Janine Jansen with Sibelius’s Violin Concerto]]></video:title>
      <video:description><![CDATA[Violinist Janine Jansen is able to bring out the subtlest nuances of a work with focussed playing. This skill is ideally suited to the demands of Jean Sibelius’s Violin Concerto, with its delicate melodic lines. The Berliner Philharmoniker also play the First Symphony by the Danish composer Rued Langgaard – a late Romantic rarity, which the orchestra premiered in 1913. The conductor of this performance is Sakari Oramo.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53836</loc>
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      <video:title><![CDATA[Kirill Petrenko conducts Schulhoff, Sinigaglia and Zemlinsky]]></video:title>
      <video:description><![CDATA[Under this season’s theme “Lost Generation”, Kirill Petrenko devotes this concert to three Jewish composers who suffered anti-Semitic persecution during the Nazi regime. Erwin Schulhoff’s Second Symphony fascinates in its playing with styles such as jazz. Two works full of Italian temperament by Leone Sinigaglia will be heard, with concertmaster Noah Bendix-Balgley. The concert closes with Alexander Zemlinsky’s Lyric Symphony, with Lise Davidsen and Christian Gerhaher.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53799</loc>
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      <video:title><![CDATA[John Storgårds and Matthew McDonald]]></video:title>
      <video:description><![CDATA[Anton Bruckner wrestled with self-doubt, frequently revising his symphonies – but not his Sixth. He called the unconventional work with the eerie Scherzo, not without seriousness, his “cheekiest”. It will be conducted by John Storgårds, who makes his debut with the orchestra. Before the symphony, Matthew McDonald, 1st principal bass of the Philharmoniker, presents a world premiere: Gerald Barry describes his concerto for double bass as a dreamlike scene.]]></video:description>
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      <video:title><![CDATA[Paavo Järvi and Emmanuel Pahud]]></video:title>
      <video:description><![CDATA[His highly acclaimed recordings prove it: for Paavo Järvi, Beethoven is not simply an overpowering titan, Sibelius not merely a Nordic melancholiac – instead, he conveys the youthful power of this music. Järvi conducts Beethoven’s Eighth and Sibelius’s Seventh Symphony at this concert. In addition, Emmanuel Pahud gives the world premiere of a flute concerto by Erkki-Sven Tüür. The music of the Estonian composer and former rock musician is atmospheric and energetic.]]></video:description>
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      <video:title><![CDATA[“Late Night” concert with Simon Rattle]]></video:title>
      <video:description><![CDATA[Sir Simon Rattle is a big fan of Johann Sebastian Bach. He showed this many times during his time as chief conductor of the Berliner Philharmoniker with his acclaimed performances of Bach’s Passions. He dedicates this Late Night to the composer’s cantata works – together with Anna Prohaska, whose bright, clear soprano is ideal for Bach’s music, plus countertenor Christopher Ainslie, tenor Patrick Grahl and bass Jan Martiník.]]></video:description>
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      <video:title><![CDATA[Simon Rattle conducts Haydn and Stravinsky]]></video:title>
      <video:description><![CDATA[“I’m crazy about Haydn,” Simon Rattle once said. And in fact, there are few other conductors with such a deep understanding of this composer. During this concert, Sir Simon conducts the Symphony No. 102, which is striking because of its heartfelt slow movement. Igor Stravinsky is also extremely important to Simon Rattle, who presents unfamiliar facets of the composer with a Stravinsky Journey he compiled himself.]]></video:description>
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      <video:title><![CDATA[Simon Rattle conducts Roberto Gerhard and Antonín Dvořák]]></video:title>
      <video:description><![CDATA[During his tenure as chief conductor of the Berliner Philharmoniker, Simon Rattle frequently presented Dvořák rarities. The graceful yet dramatic Scherzo capriccioso could be heard at this concert. For the first time the orchestra played Dvořák’s “American” Suite, whose affinity with the Symphony “From the New World” is unmistakable. Another novelty was music by Roberto Gerhard, a student of Schoenberg, whose works combine avant-garde and Spanish sounds.]]></video:description>
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      <video:title><![CDATA[Anniversary concert of the Karajan Academy with Kirill Petrenko]]></video:title>
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      <video:description><![CDATA[Antonello Manacorda is at home in the great opera houses. As chief conductor of the Kammerakademie Potsdam, he has also made award-winning recordings, including the complete Schubert symphonies. Rarely has this music sounded “leaner, more logical, more exhilarating”, Der Spiegel wrote. For his debut with the Philharmoniker, Manacorda had programmed Schubert’s “Unfinished”. A further highlight is Mahler’s Rückert-Lieder, with baritone Christian Gerhaher.]]></video:description>
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      <video:title><![CDATA[Kirill Petrenko conducts Tchaikovsky’s “Queen of Spades”]]></video:title>
      <video:description><![CDATA[No opera demonstrates more vividly than Tchaikovsky’s The Queen of Spades the fact that people’s desires are often their undoing. The outsider Herman strives for success at cards but loses everything in the end. Lisa searches for her great love, is disappointed and takes her life. There is also a mysterious countess. Kirill Petrenko conducts the passionate music Tchaikovsky composed for this dark tale.]]></video:description>
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      <video:title><![CDATA[Claudio Abbado and Daniel Barenboim with Beethoven and Brahms]]></video:title>
      <video:description><![CDATA[With spirited determination, Daniel Barenboim thrilled audiences as the soloist in Johannes Brahms’s Second Piano Concerto. The Berliner Philharmoniker played under the baton of their then chief conductor Claudio Abbado. Abbado’s interpretation of Beethoven’s Eighth Symphony is characterised by elegant lightness. This concert can now be enjoyed for the first time in the archive of the Digital Concert Hall.]]></video:description>
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      <video:title><![CDATA[Daniel Barenboim conducts Verdi’s Requiem]]></video:title>
      <video:description><![CDATA[Hans von Bülow, the first chief conductor of the Berliner Philharmoniker, was deeply moved: “Even in a rather mediocre performance,” he wrote to Giuseppe Verdi, his Requiem had “moved me to tears”. The work does, in fact, have an emotional immediacy that is unusual for liturgical music – for example, in the Dies Irae, which depicts a shattering apocalypse. This performance will be led by Daniel Barenboim, honorary conductor of the Berliner Philharmoniker.]]></video:description>
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      <video:title><![CDATA[François-Xavier Roth and Albrecht Mayer]]></video:title>
      <video:description><![CDATA[Igor Stravinsky was a composer of the avant-garde, but he also took up the legacy of music history. François-Xavier Roth presents both sides: first, the groundbreaking ballet Petrushka, which combines a fairground atmosphere with a visionary musical idiom. In his charming Divertimento, on the other hand, Stravinsky pays his respects to Tchaikovsky’s ballets. No less graceful is Bach’s Oboe Concerto in A major, with the orchestra’s principal oboe, Albrecht Mayer.]]></video:description>
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      <video:title><![CDATA[Gustavo Dudamel conducts Mahler’s Second Symphony]]></video:title>
      <video:description><![CDATA[“Why have you lived? Why have you suffered?” These are the fundamental questions that Gustav Mahler deals with in his Second Symphony. Dark humour and yearning solos are also to be found in the work’s formidable spectrum of expression. The Berliner Philharmoniker, conductor Gustavo Dudamel, the Rundfunkchor Berlin and all the performers dedicated this performance of the “Resurrection Symphony” to the people affected by the Russian attacks on Ukraine.]]></video:description>
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      <video:title><![CDATA[Kirill Petrenko and András Schiff with works by Brahms and Suk]]></video:title>
      <video:description><![CDATA[One of Kirill Petrenko’s priorities is to introduce the music of Josef Suk to a larger audience. At this concert, he presents the symphonic poem The Ripening, which combines late Romantic tonal splendour with modern harmony. Johannes Brahms was a supporter of Suk. We hear Brahms’s Second Piano Concerto, in which brusque force and tender feelings collide. The soloist is Sir András Schiff, a long-time partner of the Berliner Philharmoniker.]]></video:description>
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      <video:title><![CDATA[2021 New Year’s Eve Concert with Lahav Shani and Janine Jansen]]></video:title>
      <video:description><![CDATA[Virtuosic, dance-like and dynamic: Lahav Shani, who stood in at short notice for an indisposed Kirill Petrenko, opened the 2021 New Year’s Eve Concert with Johann Strauss’s Fledermaus Overture before Janine Jansen presented Bruch’s First Violin Concerto. The way the Philharmoniker then “let Stravinsky’s wealth of timbres shimmer” in the Firebird was, according to Der Tagesspiegel, “simply phenomenal”. The spectacular programme concluded with Ravel’s La Valse and an encore.]]></video:description>
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      <video:title><![CDATA[The National Youth Orchestra of Germany and the National Youth Ballet with Ravel and Strauss]]></video:title>
      <video:description><![CDATA[Germany’s best young musicians gain their first professional experience in the country’s National Youth Orchestra. Since many members of the Berliner Philharmoniker used to play there themselves, they took on the patronage of the orchestra in 2013. Here the orchestra performs works by Strauss and Ravel with conductor Alexander Shelley and the Federal Youth Ballet.]]></video:description>
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      <video:title><![CDATA[Kirill Petrenko conducts Zimmermann, Lutosławski and Brahms]]></video:title>
      <video:description><![CDATA[Anyone who wants to continue the symphonic tradition must have self-confidence and creativity. In this concert, Kirill Petrenko presents two composers who took this risk: we hear Witold Lutosławski’s splendidly virtuosic Symphony No. 1 and the Janus-faced Second Symphony by Johannes Brahms, which the composer himself described as a “lovely monster”. The concert opens with Bernd Alois Zimmermann’s sound surface composition Photoptosis.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53832</loc>
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      <video:title><![CDATA[“Late Night” concert with Patricia Kopatchinskaja: “Nonsense in Residence”]]></video:title>
      <video:description><![CDATA[When violinist Patricia Kopatchinskaja hosts a Late Night, one thing is certain: it will be an unusual evening. The Artist in Residence with the Berliner Philharmoniker presents “Nonsense in Residence” here at a late hour – with music by György Ligeti, John Cage, György Kurtág and, for the first time, her own compositions.]]></video:description>
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      <video:title><![CDATA[Philippe Jordan conducts Strauss’s “Alpine Symphony”]]></video:title>
      <video:description><![CDATA[When a storm erupts during an orchestral work, there is a moment of overwhelming energy, followed by relief. Philippe Jordan conducts two powerful works in which such scenes occur: Richard Strauss’s An Alpine Symphony and excerpts from Wagner’s Rheingold. Expressive power is also unleashed with a blizzard and a thunderstorm in Alban Berg’s Altenberg Lieder. The soloist is Anja Kampe, who has enjoyed worldwide success as a Wagner interpreter.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53787</loc>
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      <video:title><![CDATA[Kirill Petrenko conducts Tchaikovsky’s “Iolanta”]]></video:title>
      <video:description><![CDATA[Pyotr Ilyich Tchaikovsky’s last opera, Iolanta, is tender, magical and ambiguous. The focus of the story is a blind princess, who regains her sight through love – a rare happy ending in 19th-century opera. Tchaikovsky composed poetic music for the work, in which we also hear his love for French opera. You can enjoy this unjustly forgotten gem in a performance conducted by Kirill Petrenko with Asmik Grigorian in the title role.]]></video:description>
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      <video:title><![CDATA[Anniversary concert of the 12 Cellists]]></video:title>
      <video:description><![CDATA[In 1972, the Austrian broadcaster ORF engaged the Berliner Philharmoniker’s cello section for a radio recording of Julius Klengel’s Hymnus for 12 cellos. This was the birth of an ensemble that today enjoys cult status. With their multi-faceted sound and a repertoire that ranges from classical to avant-garde, and from jazz to tango, the 12 Cellists delight audiences all over the world. They celebrated their 50th anniversary with this concert, a showcase of their very finest works and arrangements.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53724</loc>
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      <video:title><![CDATA[Daniel Barenboim conducts Verdi]]></video:title>
      <video:description><![CDATA[Daniel Barenboim has conducted acclaimed performances of the great Verdi operas. In this concert, he introduces works by the composer which were not initially intended for publication and offer insights into Verdi’s emotional life. The first work is his only string quartet, in a version for orchestra, in which operatic intensity is combined with elegance and melancholy. We also hear Verdi’s expressive Quattro pezzi sacri.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53786</loc>
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      <video:title><![CDATA[Zubin Mehta conducts Mahler’s Third Symphony]]></video:title>
      <video:description><![CDATA[“True horror” gripped Mahler when he realised the enormous dimensions of his Third Symphony. Its size, however, corresponded to his ideal conception: it was to reflect nothing less than “the whole world”. At its conclusion is a moving hymn to love. Zubin Mehta conducts this performance of the symphony, Okka von der Damerau sings Nietzsche’s words of warning “Oh Mensch, gib Acht” in the fourth movement.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53961</loc>
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      <video:title><![CDATA[Family concert: “The Firebird”]]></video:title>
      <video:description><![CDATA[Kirill Petrenko and the Berliner Philharmoniker sweep their audience away to magical Russian fairy-tale worlds: Igor Stravinsky’s music for the firebird is graceful and exotic, for the evil sorcerer it is sombre, and folksong and dance-like for the prince and princess. The Firebird is an exciting story of courage and humanity.]]></video:description>
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      <video:title><![CDATA[Family concert: “Jingle Bass Rock”]]></video:title>
      <video:description><![CDATA[“Jingle Bass Rock”! The title of this year’s Christmas concert says it all: Christmas spirit and the lowest notes you can imagine. This year, horn player and presenter Sarah Willis and her colleagues from the Berliner Philharmoniker have a wish list for Santa – they would like some beautiful melodies that are usually not played on the double bass, contrabassoon, bass clarinet, tuba or trombone. They would like to be in the limelight too...]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/53839</loc>
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      <video:title><![CDATA[Andris Nelsons conducts Stravinsky’s “Le Sacre du printemps”]]></video:title>
      <video:description><![CDATA[In its day, Stravinsky’s Le Sacre du printemps shook the musical world. The work sounded outrageously new, and its power and highly rhythmic tonal language still speak to us directly today. Here it is conducted by Andris Nelsons, who opens the concert with Jüri Reinvere’s homage to Mozart’s sister Maria Anna. Weinberg’s Trumpet Concerto is a discovery: dazzlingly virtuosic and full of irony. The soloist is Håkan Hardenberger.]]></video:description>
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      <video:title><![CDATA[Semyon Bychkov conducts Mahler’s Fourth and a new work by Larcher]]></video:title>
      <video:description><![CDATA[Mahler’s Fourth occupies a special place among his symphonies because of its delicate transparency: a sunny idyll that seems to be faced with a constant threat, however. “It contains the cheerfulness of a higher and, for us, unfamiliar world that holds something eerie and horrifying,” Mahler said. The conductor of this performance is Semyon Bychkov; also on the programme is a new piano concerto by Thomas Larcher, with Kirill Gerstein as soloist.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/54106</loc>
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      <video:title><![CDATA[Kirill Petrenko conducts Tchaikovsky’s “Mazeppa”]]></video:title>
      <video:description><![CDATA[Like the opera Eugene Onegin, which was premiered five years earlier, Pyotr Ilyich Tchaikovsky’s Mazeppa is based on a poem by Alexander Pushkin. Against the backdrop of historical events during the reign of Peter the Great, the work tells of the tragic life and loves of a Ukrainian Cossack leader. The opera’s score, as passionate as it is dramatic, was brought to life by a top-class ensemble of singers in this concert performance at the Philharmonie Berlin.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/53785</loc>
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      <video:title><![CDATA[Kirill Petrenko conducts Mendelssohn and Shostakovich]]></video:title>
      <video:description><![CDATA[In this programme, Kirill Petrenko first takes us to Great Britain. Inspired by a visit to Scotland, Mendelssohn composed his atmospherically dense Third Symphony. Shostakovich’s Tenth Symphony – the first he wrote after Stalin’s death in 1953 – is programmatically very different. The composer makes the repression of the Stalin era palpable with oppressive, often grotesque music, before closing with a movement full of hope.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/53894</loc>
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      <video:title><![CDATA[“Late Night” concert with Oksana Lyniv]]></video:title>
      <video:description><![CDATA[She was the first woman on the podium of the Bayreuth Festival: the Ukrainian conductor Oksana Lyniv made her acclaimed debut at the world-renowned festival in summer of 2021. She learned her trade thoroughly, including as Kirill Petrenko’s assistant at the Bayerische Staatsoper. She presents in this Late Night concert together with members of the Berliner Philharmoniker works by Igor Stravinsky.]]></video:description>
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      <video:title><![CDATA[Adam Fischer conducts Mozart and Haydn]]></video:title>
      <video:description><![CDATA[Adam Fischer is a conductor with an exceptional feeling for Viennese Classicism. That was already obvious at a concert devoted to Mozart and Haydn with the Philharmoniker in 2019. This time we hear Mozart’s exuberant Symphony No. 33 and the Kyrie in D minor, an anticipation of the Requiem. Fischer also presents Haydn’s choral scene The Storm and his penultimate symphony, which surprises listeners with a timpani roll at the beginning.]]></video:description>
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      <video:title><![CDATA[John Williams conducts John Williams]]></video:title>
      <video:description><![CDATA[The history of film music would be different without John Williams. Cinema classics like Star Wars, Indiana Jones and Harry Potter are inextricably linked with his musical style. His soundtracks captivate listeners with thrilling, moving themes and a tremendous range of atmospheres and sounds. John Williams makes his debut with the Berliner Philharmoniker at this concert, conducting several of his most famous scores.]]></video:description>
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      <video:title><![CDATA[Gustavo Gimeno and Augustin Hadelich make their debuts]]></video:title>
      <video:description><![CDATA[Rimsky-Korsakov’s Scheherazade is fascinating because of the contrast between the brutal sultan and the clever title heroine. The composer’s vision of the Orient sounds splendid – it is not surprising that he was a sought-after teacher of orchestration. One of his students was Prokofiev, who acquired from him a fondness for Russian folk melodies, as we hear in his Second Violin Concerto. Both conductor Gustavo Gimeno and violinist Augustin Hadelich make their debuts.]]></video:description>
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      <video:title><![CDATA[Herbert Blomstedt conducts Bruckner’s Fifth Symphony]]></video:title>
      <video:description><![CDATA[Bruckner’s Fifth Symphony is the documentation of an existential crisis. At the time of its composition, the 50-year-old composer was not accepted as an artist, nor had he found the desperately longed-for wife. With the confident architecture of the Finale and its solemn orchestral chorales, the Symphony displays more defiance than despair, however. Here it is conducted by Herbert Blomstedt, one of the outstanding Bruckner interpreters of our time.]]></video:description>
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      <video:title><![CDATA[Tugan Sokhiev and Nikolai Lugansky]]></video:title>
      <video:description><![CDATA[In this concert, Tugan Sokhiev presents three melodious discoveries: Ernest Chausson’s Symphony in B flat major, which the orchestra last performed in 1975. This work features shimmering French colours and a great lamento influenced by Wagner. Other rarities are Rimsky-Korsakov’s folklike overture to the opera The Tsar’s Bride and the First Piano Concerto by the 17-year-old Sergei Rachmaninov, with Nikolai Lugansky as soloist.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/53774</loc>
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      <video:title><![CDATA[Kirill Petrenko and Patricia Kopatchinskaja with Hartmann and Stravinsky]]></video:title>
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      <video:title><![CDATA[Jakub Hrůša conducts Bruckner’s Fourth and a world premiere]]></video:title>
      <video:description><![CDATA[Bruckner’s “Romantic” Fourth Symphony has a distinct feeling of longing and closeness to nature – for instance, in the horn call at the beginning and the melancholy singing of the strings. The work is conducted by Jakub Hrůša, who also presents the world premiere of Keyframes for a Hippogriff by Olga Neuwirth, one of the most sought-after composers of our time. Neuwirth says the work is about trying “to remain a free soul despite the despair and pain in this world”.]]></video:description>
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      <video:title><![CDATA[Season opening 2021: Kirill Petrenko conducts Schubert’s “Great” C major Symphony]]></video:title>
      <video:description><![CDATA[Kirill Petrenko opened the 2021/22 season of the Berliner Philharmoniker with the enchanting and mysterious world of Romanticism. The main work on the programme is Franz Schubert’s Great C major Symphony, in which exuberance, dance and nobility are shaken by moments of deep despair. Carl Maria von Weber transports us to the magical realm of Oberon, the king of the elves, which inspired Paul Hindemith’s colourful Symphonic Metamorphosis.]]></video:description>
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      <video:title><![CDATA[Concert from the Waldbühne with Martin Grubinger and Wayne Marshall]]></video:title>
      <video:description><![CDATA[Pure rhythm is in store at this Waldbühne concert – with a performance by Martin Grubinger. The multi-percussionist is a true entertainer who elicits a wealth of timbres from his instruments in the Special Edition with film music by John Williams. The concert also features Wayne Marshall, who makes his debut conducting the Berliner Philharmoniker with the music of Leonard Bernstein, and who is also the soloist in Gershwin’s Rhapsody in Blue.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/54016</loc>
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      <video:title><![CDATA[Zubin Mehta conducts Mozart, Liszt and Prokofiev]]></video:title>
      <video:description><![CDATA[Zubin Mehta made his debut with the Berliner Philharmoniker in 1961: no other conductor has been associated with the orchestra for such a long period of time. In 2019, he was made an honorary member. Particular highlights of this fruitful collaboration include unforgettable renditions of Bruckner symphonies and the performance of Verdi’s Otello. Here, Mehta and the Philharmoniker take a musical journey from the 18th to the 20th century with works by Mozart, Liszt and Prokofiev.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/53179</loc>
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      <video:title><![CDATA[Jean-Christophe Spinosi and Philippe Jaroussky]]></video:title>
      <video:description><![CDATA[Jean-Christophe Spinosi’s artistic home is the music of the 17th and 18th centuries. He also appears as an opera conductor, with acclaimed interpretations of works by Mozart and Rossini. For his debut with the Berliner Philharmoniker Spinosi has put together a varied programme including two works from the Baroque period, a symphony from the Viennese Classical School and Romantic bel canto. Philippe Jaroussky is also at home in this repertoire and contributes arias by Vivaldi and Rossini in his brilliant countertenor.]]></video:description>
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      <video:title><![CDATA[Family concert: “Magic Night”]]></video:title>
      <video:description><![CDATA[At midnight, something magical happens in the children’s room: the magic fairy brings the toys of two siblings to life with her song, which causes some turmoil. Whether ball, horse or cooker – they all suddenly have a mind of their own, with teddy bears and dolls dancing all over the place. Kurt Weill’s children’s pantomime Magic Night invites audiences young and old to dream and marvel – with colourfully dazzling music and captivating dance rhythms.]]></video:description>
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      <video:title><![CDATA[Herbert Blomstedt conducts Sibelius and Brahms]]></video:title>
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      <video:title><![CDATA[Sakari Oramo conducts Chin and Sibelius]]></video:title>
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      <video:title><![CDATA[2021 Europakonzert from Berlin with Kirill Petrenko]]></video:title>
      <video:description><![CDATA[As in 2020, the Berliner Philharmoniker and Kirill Petrenko again gave their 2021 Europakonzert in the Philharmonie Berlin, due to the corona pandemic – this time in the foyer of the building. Its special architecture is an invitation to present the music spatially: Blacher’s festive Fanfare, Ives’s enigmatic Unanswered Question, Mozart’s serene Notturno and Penderecki’s spherical Emanations consciously rely on the effect of spatial sound. Also in the Europakonzert programme: Pyotr Ilyich Tchaikovsky’s charming Orchestral Suite No. 3 and John Adams’s witty piece Short Ride in a Fast Machine.]]></video:description>
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      <video:title><![CDATA[Simon Rattle conducts Ginastera and Britten]]></video:title>
      <video:description><![CDATA[A programme which allows the Berliner Philharmoniker to show off their skills as soloists: Ginastera’s Variaciones concertantes and Britten’s The Young Person’s Guide to the Orchestra offer our musicians wonderful opportunities to showcase the tonal splendour of their instruments. Principal horn Stefan Dohr and tenor Andrew Staples lead us through different nocturnal moods in Britten’s Serenade, ranging from the tender and mysterious to the menacing.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/53173</loc>
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      <video:title><![CDATA[Susanna Mälkki conducts “Bluebeard’s Castle”]]></video:title>
      <video:description><![CDATA[Zoltán Kodály described Béla Bartók’s only opera Bluebeard’s Castle as “a masterpiece, a condensed tragedy, a musical volcano that erupts for 60 minutes and leaves us with only one wish: to hear the whole thing again”. Written in 1911, the one-act piece is a brilliantly orchestrated symbolist drama that takes us deep into the emotional world of the fin de siècle. “What do you see?”, Bluebeard asks Judith, who wants to open the seven doors of his past. Susanna Mälkki presents this musical psychoanalysis that will make you shudder.]]></video:description>
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  <url>
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      <video:title><![CDATA[Daniel Barenboim and Yefim Bronfman perform Brahms’s Piano Concerto No. 1]]></video:title>
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      <video:title><![CDATA[Zubin Mehta conducts Bruckner and Messiaen]]></video:title>
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  <url>
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      <video:title><![CDATA[Mariss Jansons conducts Shostakovich’s Seventh Symphony]]></video:title>
      <video:description><![CDATA[Mariss Jansons is one of the greatest Shostakovich conductors. His performance of the Seventh Symphony documented here was only the second time the Berliner Philharmoniker had tackled this work. Shostakovich wrote the symphony in Leningrad in 1941 while it was under siege. Although it was officially interpreted as a celebration of Soviet fighting power, the work carries an unmistakable humanist message condemning war and violence.]]></video:description>
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      <video:title><![CDATA[2020 New Year’s Eve Concert with Kirill Petrenko and Pablo Sáinz-Villegas]]></video:title>
      <video:description><![CDATA[This concert with chief conductor Kirill Petrenko provides an end to the year under the southern sun. The first stop is Spain, with sparkling ballet music by Manuel de Falla and Joaquín Rodrigo’s Concierto de Aranjuez, featuring star guitarist Pablo Sáinz-Villegas. There is a detour to South America with Heitor Villa-Lobos’s Bachianas brasileiras No. 4 and finally the Capriccio espagnol, in which Nikolai Rimsky-Korsakov exudes a vibrant southern temperament with Russia colouring. As a tribute to Ludwig van Beethoven, the concert opens with the Leonore Overture No. 3.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53133</loc>
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      <video:title><![CDATA[Semyon Bychkov and Lisa Batiashvili perform Tchaikovsky’s Violin Concerto]]></video:title>
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      <video:title><![CDATA[Paavo Järvi and Igor Levit perform Beethoven’s Piano Concerto No. 5]]></video:title>
      <video:description><![CDATA[Igor Levit describes Beethoven’s radiant E flat major concerto as a work that “makes you really happy”. Following Levit’s debut with the orchestra at the 2015 Easter Festival in Baden-Baden, he appeared for the first time with the Berliner Philharmoniker at the Philharmonie Berlin under the baton of Paavo Järvi. Another item on the programme is Prokofiev’s Symphony in E flat minor. Its opus number – a reference to Beethoven’s Piano Sonata op. 111 – reflects Prokofiev’s admiration for the First Viennese School composer.]]></video:description>
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      <video:title><![CDATA[“The Golden Twenties”: Christian Thielemann conducts Hindemith, Strauss and Busoni]]></video:title>
      <video:description><![CDATA[Christian Thielemann presents three contrasting musical worlds during our online festival “The Golden Twenties”: that of Paul Hindemith, who brilliantly combined his music with jazz elements in his parodistic opera Neues vom Tage (News of the Day), that of Ferruccio Busoni, the bridge builder between Romanticism and Modernism, and the musical world of Richard Strauss, who cultivated a rich late Romantic musical language in his orchestral songs and the cycle Die Tageszeiten (The Times of Day).]]></video:description>
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      <video:title><![CDATA[“The Golden Twenties”: Thomas Søndergård conducts Prokofiev, Sibelius and Weill]]></video:title>
      <video:description><![CDATA[Kurt Weill’s The Rise and Fall of the City of Mahagonny confronts us with the darker side of humanity and society. Written at the end of the 1920s, Weill wanted to create a work with this opera “that will deal with the utterly different expressions of life in our time in an appropriate form”. Thomas Søndergård, who is making his Berliner Philharmoniker debut, conducts compositions by Prokofiev and Sibelius in addition to the suite from the opera.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53191</loc>
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      <video:description><![CDATA[A film that was intended to shock and shake up its viewers: Kuhle Wampe (Empty Stomach) from 1932 depicts the bitter fate of a working-class family during the Great Depression. The music is by Hanns Eisler, who compiled a concert suite with a “best of” selection from the film. Music that was in step with the times: kinetic, exciting, stirring. Kurt Weill’s name is associated first and foremost with the Threepenny Opera. He worked in many different genres, however, as his Violin Concerto and Second Symphony demonstrate.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/53146</loc>
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      <video:title><![CDATA[“The Golden Twenties”: Kirill Petrenko conducts Weill and Stravinsky]]></video:title>
      <video:description><![CDATA[Kirill Petrenko brings the 1920s to life again with an early work by Kurt Weill. The influence of Liszt, Mahler and Strauss on Weill can be heard in his rarely performed Symphony in One Movement. The music is captivating, brash and brilliant, but also features delicate, chamber music-like passages. We also hear Stravinsky’s opera-oratorio Oedipus rex, composed in 1927 and set in ancient Greece. Its music is crystal-clear neoclassicism – how could it be otherwise?]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53139</loc>
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      <video:title><![CDATA[Kirill Petrenko and Daniil Trifonov]]></video:title>
      <video:description><![CDATA[“There’s this special moment when you truly feel the music and we all become one connected whole”, as Daniil Trifonov says enthusiastically in an interview for the Digital Concert Hall. Now he will perform Sergei Prokofiev’s youthful and exuberant Piano Concerto No. 1 with Kirill Petrenko. Also on the programme: a world premiere by the Icelandic composer Anna Thorvaldsdóttir, plus Josef Suk’s tone poem A Summer’s Tale.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53138</loc>
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      <video:title><![CDATA[Daniele Gatti conducts Stravinsky and Shostakovich]]></video:title>
      <video:description><![CDATA[Igor Stravinsky combines in his ballet Apollon musagète the cheerful light atmosphere of the classical era with the easy-going, urban lifestyle of the 1920s. Dmitri Shostakovich, on the other hand, composed his Fifth Symphony in 19th-century aesthetics of sound, ostensibly as a homage to socialism. But his music has a certain ambiguity: “The rejoicing is forced under threat,” the composer wrote. “One would have to be a complete fool not to hear that.”]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/53135</loc>
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      <video:title><![CDATA[Kirill Petrenko conducts Tchaikovsky and Rachmaninov]]></video:title>
      <video:description><![CDATA[In this concert, Kirill Petrenko presents three passionate symphonic poems from Russia. Pyotr Ilyich Tchaikovsky is represented by two tragic love stories: the Fantasy Overture Romeo and Juliet – the 29-year-old composer’s first masterpiece – and the fantasy for orchestra Francesca da Rimini. From Sergei Rachmaninov, a composer who is particularly close to Kirill Petrenko’s heart, we also hear his mysterious and sombre Isle of the Dead, inspired by Arnold Böcklin’s painting of the same name.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/53127</loc>
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      <video:title><![CDATA[Andris Nelsons and Baiba Skride]]></video:title>
      <video:description><![CDATA[Actually, eleven-year old Andris Nelsons was only looking for music for meditation when he came across Gustav Mahler’s First Symphony, where he was immediately enthusiastic about its mystical atmosphere of nature. Here the Latvian conductor – one of the leading Mahler interpreters of our time – is presenting the composer’s first symphonic work with the Berliner Philharmoniker. In addition, we will hear Igor Stravinsky’s violin concerto with soloist Baiba Skride, who for many years has been one of Andris Nelsons’s artistic partners.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/53606</loc>
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      <video:title><![CDATA[“Beethoven in close-up” – part 4]]></video:title>
      <video:description><![CDATA[A feast for all Beethoven lovers: our streaming event Beethoven in close-up celebrates the 250th anniversary of the composer’s birth with the performance of all his string quartets and other chamber music for wind instruments. The recordings of the concerts from the Chamber Music Hall of the Philharmonie Berlin were broadcast in the Digital Concert Hall between 14 and 17 December 2020, around the date of Beethoven’s anniversary. Part 4 is dedicated to the late string quartets, op. 127 to op. 135.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/53604</loc>
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      <video:title><![CDATA[“Beethoven in close-up” – part 3]]></video:title>
      <video:description><![CDATA[A feast for all Beethoven lovers: our streaming event Beethoven in close-up celebrates the 250th anniversary of the composer’s birth with the performance of all his string quartets and other chamber music for wind instruments. The recordings of the concerts from the Chamber Music Hall of the Philharmonie Berlin were broadcast in the Digital Concert Hall between 14 and 17 December 2020, around the date of Beethoven’s anniversary. Part 3 is dedicated to the middle period string quartets, op. 59 no. 1 to no. 3, op. 74 and op. 95.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53602</loc>
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      <video:title><![CDATA[“Beethoven in close-up” – part 2]]></video:title>
      <video:description><![CDATA[A feast for all Beethoven lovers: our streaming event Beethoven in close-up celebrates the 250th anniversary of the composer’s birth with the performance of all his string quartets and other chamber music for wind instruments. The recordings of the concerts from the Chamber Music Hall of the Philharmonie Berlin were broadcast in the Digital Concert Hall between 14 and 17 December 2020, around the date of Beethoven’s anniversary. Part 2 is dedicated to the early string quartets, op. 18 no. 1 to no. 6.]]></video:description>
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  <url>
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      <video:title><![CDATA[“Beethoven in close-up” – part 1]]></video:title>
      <video:description><![CDATA[A feast for all Beethoven lovers: our streaming event Beethoven in close-up celebrates the 250th anniversary of the composer’s birth with the performance of all his string quartets and other chamber music for wind instruments. The recordings of the concerts from the Chamber Music Hall of the Philharmonie Berlin were broadcast in the Digital Concert Hall between 14 and 17 December 2020, around the date of Beethoven’s anniversary. Part 1 is dedicated to the early works with wind ensembles.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53126</loc>
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      <video:title><![CDATA[Alain Altinoglu conducts Stravinsky and Bizet]]></video:title>
      <video:description><![CDATA[Alain Altinoglu conducts two works that in different ways deserve the attribute “enchanting”. On the one hand there is the graceful ballet Pulcinella, in which Igor Stravinsky enriches 18th century music with his own harmonies and rhythms. Georges Bizet’s Symphony in C major, on the other hand – the work of a 17-year-old! – conveys irresistible youthful energy.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/53601</loc>
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      <video:title><![CDATA[“Let’s celebrate” – 10 years of the Berliner Philharmoniker’s Christmas concerts]]></video:title>
      <video:description><![CDATA[To celebrate 10 years of Christmas concerts for families, Philharmoniker horn player Sarah Willis invited members of the Digital Concert Hall audience into the festively decorated video studio of the Philharmonie Berlin. In addition to a “best of” with the most evocative, surprising and funny moments from the last ten years, there were good-humoured guests, funny gifts and, of course, lots of music.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53125</loc>
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      <video:title><![CDATA[Daniel Barenboim and Emmanuel Pahud]]></video:title>
      <video:description><![CDATA[Hector Berlioz wrote countless love letters to actress Harriet Smithson – none were ever answered. The Symphonie fantastique became the composer’s outlet: the depiction of an extreme love drama in which the lover is murdered and the murderer is executed. The conductor of the spectacular score here is Daniel Barenboim. The programme also includes the flute concertos by Ferruccio Busoni and Jacques Ibert – captivating music which is dynamic, transparent and surprising. The soloist is Emmanuel Pahud, principal flute of the Berliner Philharmoniker.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53590</loc>
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      <video:title><![CDATA[A musical journey with the brass and percussion of the Berliner Philharmoniker]]></video:title>
      <video:description><![CDATA[The members of the Berliner Philharmoniker invite you on a musical journey from America and Russia to Asia with a delightful combination of brass instruments and percussion: Aaron Copland’s Fanfare for the Common Man is answered by Joan Tower’s Fanfare for the Uncommon Woman, and the meditations of a Chinese nun in Wen-Chung Chou’s Soliloquy of a Bhiksuni is contrasted with Mussorgsky’s powerful Pictures at an Exhibition.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/54006</loc>
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      <video:title><![CDATA[Kirill Petrenko conducts Shostakovich’s Eighth Symphony]]></video:title>
      <video:description><![CDATA[Following the performance of the Ninth Symphony at the end of October, the Berliner Philharmoniker with chief conductor Kirill Petrenko will now present Shostakovich’s Eighth, which will be broadcast from the Philharmonie Berlin without an audience. The stirring music, which was created in the middle of the Second World War, is characterised by not only sadness and despair but also by beauty and hope. Organised spontaneously for the Digital Concert Hall, the performance is intended for classical music fans from all over the world to bridge the period of closed concert halls.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53117</loc>
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      <video:title><![CDATA[Kirill Petrenko conducts Strauss, Shostakovich and Norman]]></video:title>
      <video:description><![CDATA[Chief conductor Kirill Petrenko presents two works that reflect the end of the Second World War in very different ways. On the one hand Richard Strauss’s Metamorphosen: a web of sound for 23 solo strings that with warmth and transparency mourns a devastated world. In the case of Shostakovich’s Ninth Symphony, the Soviet rulers hoped for a victory symphony – but received a bright, ironic work that refuses to rejoice. We also hear Andrew Norman’s Sabina, a sound painting full of iridescent reflections of light.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53116</loc>
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      <video:title><![CDATA[Daniel Barenboim conducts Smetana’s “Má vlast”]]></video:title>
      <video:description><![CDATA[Everyone knows Bedřich Smetana’s The Moldau – but almost no one knows the cycle Ma vlast, from which this wonderful river portrait is taken. But Smetana’s vision of creating a panorama of his Czech homeland is only conveyed in the complete work, with its vivid descriptions of nature and dramatic depictions of myths and historical events. At the helm of this performance is Daniel Barenboim, honorary conductor of the Berliner Philharmoniker, who has a particular flair for the powerful colours of late-Romantic music.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53112</loc>
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      <video:title><![CDATA[Marc Minkowski conducts Haydn and Beethoven]]></video:title>
      <video:description><![CDATA[God, rebel and bringer of fire – Prometheus is one of the most important figures in Greek mythology, a shining example of the Enlightenment and a symbol of its impossibility at the same time. Beethoven reworked Prometheus’s advocacy of mankind through his theft of fire into a heroic-allegorical ballet. It is preceded by a thematically related work, Joseph Haydn’s so-called “Fire Symphony” which is characterised by a passionate, dramatic tone.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53101</loc>
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      <video:title><![CDATA[François-Xavier Roth and Tabea Zimmermann]]></video:title>
      <video:description><![CDATA[Paul Hindemith is a composer close to Tabea Zimmermann’s heart. It thus comes as no surprise that as Artist in Residence she will perform his viola concerto Der Schwanendreher. The work owes its peculiar title to a German folk song whose melody forms the basis of the third movement. Béla Bartók was also inspired by folk music in his Divertimento. His work is based on Romanian and Hungarian dance music. The programme, conducted by François-Xavier Roth, opens with Carl Philipp Emanuel Bach’s First Symphony, which already clearly looks ahead to the First Viennese School.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53099</loc>
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      <video:title><![CDATA[Marek Janowski and Noah Bendix-Balgley]]></video:title>
      <video:description><![CDATA[With this programme we commemorate Max Bruch, the 100th anniversary of whose death is remembered in 2020. Our 1st concertmaster, Noah Bendix-Balgley, is the soloist in this performance of Bruch’s First Violin Concerto with the Berliner Philharmoniker under the baton of Marek Janowski. With its yearning opening movement and sparkling finale, this work became the composer’s most popular work. The second part of the concert is dedicated to Johannes Brahms, a contemporary of Bruch. His Serenade No. 2 is characterised by the dark, warm sound typical of Brahms and is considered a milestone on the composer’s path to the symphony.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53097</loc>
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      <video:title><![CDATA[Lahav Shani and Francesco Piemontesi]]></video:title>
      <video:description><![CDATA[Double debut with two rising stars: Lahav Shani, successor to Zubin Mehta as music director of the Israel Philharmonic Orchestra and principal conductor of the Rotterdam Philharmonic Orchestra, and pianist Francesco Piemontesi, considered one of the most interesting Mozart interpreters of his generation. In this concert, he introduces himself with the last piano concerto by the First Viennese School composer. The main symphonic work is Robert Schumann’s First Symphony, which the newly married composer wrote in the euphoric mood of a new beginning.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/53095</loc>
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      <video:description><![CDATA[“Alban Berg’s Violin Concerto is a piece that gets under your skin,” says violinist Frank Peter Zimmermann. Devastated by the death of Manon Gropius, the daughter of Alma Mahler and Walter Gropius, the composer created a musical memorial to the young girl with this work, and at the same time created one of the most poignant concertos of the 20th century. Antonín Dvořák strikes a completely different mood in his Fifth Symphony – one that is cheerful, relaxed and pastoral. The work is dedicated to Hans von Bülow, the first chief conductor of the Berliner Philharmoniker.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53094</loc>
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      <video:title><![CDATA[Daniel Harding conducts Beethoven’s “Pastoral”]]></video:title>
      <video:description><![CDATA[Alban Berg described his Lyric Suite as a “small monument to a great love”. In it, the composer musically encoded his passion for the married Hanna Fuchs, interweaving the tonal equivalents of the initials of them both, creating a highly personal piece of programme music. Beethoven’s symphony known as the “Pastoral” is also programme music, in which he expresses his love for nature – with bird calls, the splashing of streams and thunderstorms. A joyful homage to country life, conducted by Daniel Harding to mark the Beethoven anniversary year.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53488</loc>
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      <video:title><![CDATA[Concert with Kirill Petrenko and Daniil Trifonov]]></video:title>
      <video:description><![CDATA[In this concert, Daniil Trifonov presents himself for the first time with the Berliner Philharmoniker as a Beethoven interpreter – with the Third Piano Concerto, whose charm lies in the alternation of heroic gesture and dreamlike contemplation. At the same time, it is a musical homage to Mozart, who Beethoven greatly admired. Mendelssohn’s First Symphony, which he wrote at the age of 15, was also inspired by Mozart. An early work, yet it points to the style of the mature composer. “It sounds so wonderfully pithy and light, that the sudden glimpses of another, hidden world really do surprise” (Der Tagesspiegel).]]></video:description>
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      <video:publication_date>2020-09-10T10:30:00+00:00</video:publication_date>
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      <video:title><![CDATA[Season opening 2020: Kirill Petrenko conducts Schoenberg and Brahms]]></video:title>
      <video:description><![CDATA[The Berliner Philharmoniker’s opening concert of the 2020/21 season was awaited with particular excitement: on the one hand, it was the first time since the beginning of the corona pandemic that the orchestra was able to play in front of an audience, and on the other hand, chief conductor Kirill Petrenko was to play a work by Johannes Brahms with his orchestra for the first time. The Berliner Zeitung wrote about the performance of his Fourth Symphony: “The musicians play as if liberated, and you can hear: they have not forgotten anything in the past six months. The ending is triumphant.”]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53486</loc>
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      <video:title><![CDATA[Joint concert from Israel with the Israel Philharmonic Orchestra and Zubin Mehta]]></video:title>
      <video:description><![CDATA[This recording provides a historical retrospective of the Berliner Philharmoniker’s first tour of Israel in 1990 – a great moment in the orchestra’s history. At their last appearance on the tour, the Philharmoniker performed Beethoven’s Fifth Symphony together with the Israel Philharmonic Orchestra under the baton of its chief conductor Zubin Mehta.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/53487</loc>
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      <video:title><![CDATA[Bernard Haitink conducts Mahler’s Seventh Symphony]]></video:title>
      <video:description><![CDATA[Gustav Mahler’s Seventh Symphony is characterised by a mysterious and romantic mood, with the second and fourth movements bearing the designation “Nachtmusik”. The finale, however, is one of the composer’s brightest and most optimistic conceptions. Alongside Claudio Abbado and Sir Simon Rattle, Bernard Haitink has been the defining Mahler conductor in Berliner Philharmoniker concerts in recent decades. His performance of the Seventh was given 1992 during an entire series of performances of Mahler’s symphonies.]]></video:description>
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      <video:duration>101</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/52989</loc>
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      <video:title><![CDATA[Bernard Haitink conducts Mahler’s Fourth Symphony]]></video:title>
      <video:description><![CDATA[Gustav Mahler’s Fourth Symphony captivates with its slender dimensions and incomparable variety of expression. There is an interplay of naivety and irony, of childhood and presentiment of death, one of Mahler’s most beautiful slow movements, perhaps his most eerie scherzo, and finally an unconventional last movement with a radiant soprano solo. Here you can experience the work in a performance with Bernard Haitink, recorded at the Konzerthaus in Berlin.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53022</loc>
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      <video:title><![CDATA[The Berlin Phil Series: Tango and more]]></video:title>
      <video:description><![CDATA[With dance rhythms and exciting instrumental combinations – from piano trio to cor anglais quartet to viola ensemble – the members of the Berliner Philharmoniker bid farewell to their audience for the summer break. This also marked the end of the Berlin Phil Series, which made it possible to get together despite contact restrictions. After works by Erich Wolfgang Korngold, Étienne Perruchon and Jean Françaix, tangos by Astor Piazzolla in a recording with the 12 Cellists formed an extraordinary concert finale.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53020</loc>
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      <video:title><![CDATA[The Berlin Phil Series: Modern times]]></video:title>
      <video:description><![CDATA[Orchestral and chamber music of the 1920s and 30s from Hungary, Russia and England: in the penultimate episode of the Berlin Phil Series, members of the Berliner Philharmoniker presented the diversity of Modernism. In addition, Béla Bartók and the jazz composer Chick Corea had a musical encounter in short pieces for vibraphone and piano, and Bartók’s orchestral suite The Miraculous Mandarin is presented in an archive recording. Shostakovich’s virtuosic and sardonic First Piano Concerto with the pianist Denis Matsuev and the Philharmoniker’s trumpeter Guillaume Jehl formed a spectacular conclusion.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53018</loc>
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      <video:title><![CDATA[The Berlin Phil Series: Baroque concertos]]></video:title>
      <video:description><![CDATA[The music of the Baroque period represents a unique combination of tonal splendour and vibrant lightness. However, it is only occasionally performed in the everyday concert life of a symphony orchestra – and so this programme with solo concertos by Bach, Handel and Vivaldi is a particularly welcome rarity. The appeal of this episode of the Berlin Phil Series is further enhanced by the fact that members of the orchestra can be enjoyed here as soloists.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53016</loc>
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      <video:title><![CDATA[The Berlin Phil Series: Kirill Petrenko live – Serenades]]></video:title>
      <video:description><![CDATA[Mozart’s wind serenade “Gran Partita” and Dvořák’s Serenade for Strings combine youthful temperament and compositional maturity, chamber music intimacy with sonorousness and the amusing character of the serenade tradition with the musical weight of symphonic conception. Kirill Petrenko included both works in the programme for this concert of the Berlin Phil Series with members of the Berliner Philharmoniker. With this serenade concert, Kirill Petrenko also concluded his first season as chief conductor of the orchestra.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53014</loc>
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      <video:title><![CDATA[The Berlin Phil Series: Philharmonic Octet Berlin]]></video:title>
      <video:description><![CDATA[This episode of the Berlin Phil Series brought the familiar, the new and the unknown together in a captivating way. Schubert’s Octet for five strings and three winds, considered the founding work of this instrumental genre of chamber music, was programmed alongside a world premiere by Toshio Hosokawa and an almost forgotten piece for the same formation by Hugo Kaun. All three works were performed by one of the orchestra’s most venerable chamber music formations: the Philharmonic Octet Berlin.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/52561</loc>
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      <video:title><![CDATA[The Berlin Phil Series: A tribute to Daniel Stabrawa]]></video:title>
      <video:description><![CDATA[As 1st concertmaster of the Berliner Philharmoniker for many years, Kirill Petrenko is the fourth chief conductor Daniel Stabrawa has worked with. In this new concert of the Berlin Phil Series, the musician performs the only violin concerto by his Polish compatriot Andrzej Panufnik and – alongside orchestral colleagues – a trio by Antonín Dvořák. A film featuring Stabrawa in interviews and concert excerpts completes the evening as a touching portrait of the musician. The programme also includes a performance of Sibelius’s Fourth Symphony from the concert archive, conducted by Sir Simon Rattle.]]></video:description>
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      <video:duration>175</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53010</loc>
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      <video:title><![CDATA[The Berlin Phil Series: “Kirill Petrenko Live”]]></video:title>
      <video:description><![CDATA[Three weeks after the European Concert, chief conductor Kirill Petrenko appeared again with members of the Berliner Philharmoniker in an otherwise empty Philharmonie. Debussy’s atmospheric, dream-like Prélude à l’après-midi d’un faune was followed by the wild sounds of Hindemith’s Kammermusik No. 1, whose borrowings from popular music were perceived as a provocation by contemporary audiences. The concert ended with the sensuous Verklärte Nacht, an early masterstroke by Arnold Schoenberg. “You can’t play it more beautifully than this” (rbbKulturradio).]]></video:description>
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      <video:duration>236</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53008</loc>
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      <video:title><![CDATA[The Berlin Phil Series: “Berlin Phil Brass”]]></video:title>
      <video:description><![CDATA[The new episode of the Berlin Phil series features fanfares, chorales and marches with brass players of the Berliner Philharmoniker and organist Sebastian Heidl. The selection includes works by Beethoven, Handel and Elgar as well as compositions from the distinguished French organ tradition. The charming combination of the church instrument with the colours of the symphony orchestra resounds at the end of the concert in the finale from Camille Saint-Saëns’s “Organ Symphony”. The conductor of the performance from the archive of the Digital Concert Hall was Zubin Mehta.]]></video:description>
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      <video:publication_date>2020-05-20T13:20:00+00:00</video:publication_date>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53006</loc>
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      <video:title><![CDATA[The Berlin Phil Series: An evening in Vienna]]></video:title>
      <video:description><![CDATA[This episode of the Berlin Phil Series is a musical portrait of the city of Vienna. The concert features newly recorded chamber music works by Mozart and Beethoven as well as archive recordings of orchestral songs by Franz Schubert and Hugo Wolf. The chamber musicians include the two principal clarinets of the Berliner Philharmoniker, Wenzel Fuchs and Andreas Ottensamer who as Austrians, will guarantee an authentic Viennese colour. Fuchs can be heard in Mozart’s famous clarinet quintet, and Ottensamer in Beethoven’s lively “Gassenhauer Trio”.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53365</loc>
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      <video:title><![CDATA[2020 Europakonzert from the Philharmonie Berlin with Kirill Petrenko]]></video:title>
      <video:description><![CDATA[Despite the corona crisis, the traditional Europakonzert was still able to take place almost 30 years after its inception. Members of the orchestra performed under the baton of chief conductor Kirill Petrenko in an otherwise empty Philharmonie. After works by Arvo Pärt, György Ligeti and Samuel Barber, Gustav Mahler’s Fourth Symphony was performed in a version for chamber orchestra with soprano Christiane Karg. “The Philharmoniker soloists exude dedication – and an inexhaustible world opens up in miniature” (Tagesspiegel).]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53004</loc>
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      <video:title><![CDATA[The Berlin Phil Series: An American in Berlin]]></video:title>
      <video:description><![CDATA[Music by American composers is on the programme for the second instalment of the Berlin Phil Series. In a range of chamber formations, Noah Bendix-Balgley, 1st concertmaster of the Berliner Philharmoniker, and other members of the orchestra play pieces by George Gershwin, John Cage, and the composer Amy Beach, among others. Symphonic dances from Leonard Bernstein’s West Side Story are heard under the baton of chief conductor Kirill Petrenko, and his predecessor Sir Simon Rattle inspires the orchestra to a spectacular performance of Scott Bradley’s soundtrack to a Tom and Jerry cartoon.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53000</loc>
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      <video:title><![CDATA[The Berlin Phil Series: Vive la France!]]></video:title>
      <video:description><![CDATA[In a new concert series in which members of the Berliner Philharmoniker perform chamber music in the Digital Concert Hall, Emmanuel Pahud, Amihai Grosz and Marie-Pierre Langlamet start things off with French music from Rameau to Debussy for flute, viola and harp. In this way, the musicians will be able to maintain contact with each other and with their audiences even during the time of the corona crisis. The programme closes with a recording from 2009 of Debussy’s composition La Mer, performed by the Berliner Philharmoniker under the baton of their former chief conductor Claudio Abbado.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53226</loc>
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      <video:title><![CDATA[Easter@Philharmonie Festival: Episode 4]]></video:title>
      <video:description><![CDATA[The finale of the Easter@Philharmonie Festival is dedicated entirely to the music of Ludwig van Beethoven, whose works were to be the focus of the Easter Festival in Baden-Baden which was cancelled due to the corona crisis. In addition to newly recorded chamber music works, the programme includes excerpts from Berliner Philharmoniker concerts conducted by Nikolaus Harnoncourt, Zubin Mehta and Daniel Barenboim plus the chief conductors Claudio Abbado and Sir Simon Rattle. The online festival closes with a performance of Beethoven’s Seventh Symphony with their successor Kirill Petrenko.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53224</loc>
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      <video:title><![CDATA[Easter@Philharmonie Festival: Episode 3]]></video:title>
      <video:description><![CDATA[With the third instalment of the Easter@Philharmonie Festival, the Berliner Philharmoniker would again like to keep in touch with its audience during the concert-free period. Herbert Blomstedt and Tugan Sokhiev, who were originally to appear at the Easter Festival in Baden-Baden, are the conductors in archive videos – including a complete recording of Mussorgsky’s Pictures at an Exhibition. And two first concertmasters and brass players of the orchestra play chamber music in the Philharmonie especially for the festival.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53222</loc>
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      <video:title><![CDATA[Easter@Philharmonie Festival: Episode 2]]></video:title>
      <video:description><![CDATA[The second episode of our Easter@Philharmonie festival is dedicated entirely to the music of Gustav Mahler. Excerpts from Mahler performances under the baton of Sir Simon Rattle, Gustavo Dudamel and Andris Nelsons are on the programme, as is an appearance by soprano Anna Prohaska in the Philharmonie. Other guests are the baritone Christian Gerhaher and principal horn player Stefan Dohr. Finally, we hear the monumental finale from Mahler’s Sixth Symphony under the direction of Kirill Petrenko.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53220</loc>
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      <video:title><![CDATA[Easter@Philharmonie Festival: Episode 1]]></video:title>
      <video:description><![CDATA[The Philharmonie Berlin is closed, and our Easter Festival in Baden-Baden cannot take place either. So we have come up with something for you: the digital Easter@Philharmonie Festival! The first episode is about the history of the Easter Festival, with current and historic recordings. Plus, there is chamber music, performed especially for this occasion in an empty Philharmonie. The finale is a recording of Tchaikovsky’s Fifth Symphony with Kirill Petrenko.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/52518</loc>
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      <video:title><![CDATA[2019 New Year’s Eve Concert with Kirill Petrenko and Diana Damrau]]></video:title>
      <video:description><![CDATA[For the first time, the new chief conductor Kirill Petrenko was at the helm for the Berliner Philharmoniker’s New Year’s Eve Concert – which revealed a new, vibrant facet to Petrenko’s repertoire. While German and Russian composers have been the main focus of his previous Philharmoniker concerts, this evening’s programme takes us on a musical journey to the USA: with dances from Bernstein’s West Side Story and Gershwin’s An American in Paris. You can also hear star soprano Diana Damrau in captivating songs from musicals.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/52535</loc>
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      <video:title><![CDATA[Simon Rattle conducts Berio and Bartók]]></video:title>
      <video:description><![CDATA[To help contain the coronavirus, the Philharmonie has been closed since 11 March. A last concert under the direction of Simon Rattle could still be given – but without an audience in the auditorium, exclusively and free of charge for visitors of the Digital Concert Hall. It opened with Luciano Berio’s Sinfonia, which plays creatively with sounds, noises and language. The highlight of the programme is Béla Bartók’s Concerto for Orchestra, which shifts between melancholy and vigorous rebellion.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/52533</loc>
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      <video:title><![CDATA[Simon Rattle conducts Strauss and Beethoven]]></video:title>
      <video:description><![CDATA[In his Oboe Concerto, Richard Strauss magically succeeded in composing in the spirit of Mozart and Schubert without denying his own artistic identity. Simon Rattle performs the work with the Philharmoniker’s principal oboe Jonathan Kelly. He then presents Beethoven’s oratorio Christus am Ölberge, which conveys less spiritual devotion than operatic expressiveness, such as in a dramatically escalating scene depicting the arrest of Jesus.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/52532</loc>
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      <video:title><![CDATA[Mahler’s Third Symphony with Elīna Garanča and Lorenzo Viotti]]></video:title>
      <video:description><![CDATA[In his Third Symphony, Gustav Mahler gives musical form to elemental symbols of nature – including stories of flowers and animals – with which he creates a gigantic world panorama, culminating in a hymn of overwhelming beauty. In this performance we hear Lorenzo Viotti, who steps in for Yannick Nézet-Séguin, and Elīna Garanča, who not only has “beauty of voice, but also that indefinable magic called charisma” (The Telegraph).]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/52528</loc>
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      <video:title><![CDATA[Kirill Petrenko conducts Stravinsky, Zimmermann and Rachmaninov]]></video:title>
      <video:description><![CDATA[The music of the 20th century is often considered inaccessible. Kirill Petrenko shows how wrong this prejudice is with three works written between 1940 and 1950 which differently convey sensuousness and energy. We experience rhythmic power in Stravinsky’s Symphony in Three Movements, the combination of innovation and Brazilian flair in Zimmermann’s Alagoana and finally, the voluptuous melancholy of Rachmaninov’s Symphonic Dances.]]></video:description>
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      <video:duration>193</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/53056</loc>
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      <video:title><![CDATA[Kirill Petrenko conducts Puccini’s “Suor Angelica”]]></video:title>
      <video:description><![CDATA[The first opera in the Philharmonie Berlin led by Kirill Petrenko: Giacomo Puccini’s drama Suor Angelica, which takes place in a convent and tells the moving story of a young nun. Even if the period and setting have little to do with the realities of life today, the message of the opera is more current than ever: it concerns humanity in an inhuman environment and the struggle for one’s own dignity. In this production, it is given a contemporary setting by director Nicola Hümpel and performed by up-and-coming singers, the choir of the Vocal Heroes choral programme, and the Karajan Academy.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/52523</loc>
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      <video:title><![CDATA[Paavo Järvi and Stefan Dohr]]></video:title>
      <video:description><![CDATA[Romanticism was not only an epoch of sensibility, but also of radical concepts. No work shows this more clearly than Hector Berlioz’s Symphonie fantastique. It portrays a drug-induced frenzy, a murder of passion, an execution and a witch’s Sabbath. No less exciting is Berlioz’s sound world: excessive, glaring, brutal – and then again enchantingly graceful. Paavo Järvi also conducts the world premiere of a horn concerto by Hans Abrahamsen. The soloist is Stefan Dohr.]]></video:description>
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      <video:duration>187</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/52522</loc>
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      <video:title><![CDATA[Kirill Petrenko conducts Mahler’s Sixth Symphony]]></video:title>
      <video:description><![CDATA[For the first time, Kirill Petrenko presents himself with the Berliner Philharmoniker as an interpreter of Mahler. The Sixth Symphony is one of the composer’s most disturbing works, bringing together turmoil and idyll, triumph and catastrophe, nature, and life and death. It conveys a world panorama as well as an intimate insight into Mahler’s inner world. For as his widow Alma explained, “No work has flowed from his heart as directly as this”.]]></video:description>
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      <video:duration>93</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/52521</loc>
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      <video:title><![CDATA[Herbert Blomstedt and Leif Ove Andsnes]]></video:title>
      <video:description><![CDATA[A medieval city, a knight on horseback, and the sound of the forest were atmospheric inner images that inspired Anton Bruckner to create his mysteriously luminous Fourth Symphony. The conductor of this performance is Herbert Blomstedt, one of the foremost interpreters of Bruckner. In Mozart’s Piano Concerto No. 22 – which audibly picks up on the soundscape of the opera Le nozze di Figaro which he wrote at the same time – we also hear Leif Ove Andsnes, the Berliner Philharmoniker’s Pianist in Residence for 2010/11.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/52519</loc>
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      <video:title><![CDATA[Kirill Petrenko and Daniel Barenboim]]></video:title>
      <video:description><![CDATA[Kirill Petrenko, the new man at the head of the Berliner Philharmoniker, encounters a decades-long friend of the orchestra: Daniel Barenboim. Together, they present Beethoven’s Piano Concerto No. 3, whose appeal lies in its self-assured showmanship and distinctive C Minor colouring. The music of Josef Suk, which has received far too little attention, is also a matter close to Kirill Petrenko’s heart. Here we hear his Second Symphony, an expressive work full of pain and sonority.]]></video:description>
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      <video:publication_date>2020-01-16T15:00:00+00:00</video:publication_date>
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      <video:duration>179</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/52517</loc>
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      <video:title><![CDATA[Daniel Harding, Frank Peter Zimmermann and Christian Gerhaher]]></video:title>
      <video:description><![CDATA[Three particularly close and long-term friends of the Berliner Philharmoniker meet in this concert: the conductor Daniel Harding, the violinist Frank Peter Zimmermann and the baritone Christian Gerhaher. The programme includes Beethoven’s Violin Concerto, which combines tender cantabile from the soloist with vigorous symphonic power. Gustav Mahler’s songs from Des Knaben Wunderhorn, on the other hand, impress with their Romantic, folk-like tone, unfiltered melancholy and subtle humour.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/52651</loc>
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      <video:title><![CDATA[Family concert: “Merry QUIZmas!”]]></video:title>
      <video:description><![CDATA[In this concert, music lovers of all ages and quiz masters are called for! As part of their Education Programme, the Berliner Philharmoniker start off the Christmas season with a concert entitled Merry QUIZmas! There is an exciting competition between two audience teams, music from the horns of the Berliner Philharmoniker, and lots of surprises. The Christmas quiz will be presented in German by the horn player Sarah Willis and the actor, singer and children’s television presenter Malte Arkona.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/52516</loc>
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      <video:title><![CDATA[Jakub Hrůša presents symphonic dramas and a discovery]]></video:title>
      <video:description><![CDATA[Jakub Hrůša presents enthralling settings of three dark tales. We experience Shakespeare’s Othello in the gripping tonal language of Antonín Dvořák, witness the last moments of Cleopatra in Hector Berlioz’s eponymous psychological drama (soloist: Stéphanie d’Oustrac), and Béla Bartók tells with brutal energy the sinister story of The Miraculous Mandarin. Plus a discovery: the inexorable progress of the passacaglia Mysterium času (Mystery of Time) by Miloslav Kabeláč.]]></video:description>
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      <video:publication_date>2019-12-19T12:55:00+00:00</video:publication_date>
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      <video:live>no</video:live>
      <video:duration>91</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/52514</loc>
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      <video:title><![CDATA[A Strauss evening with Christian Thielemann and Anja Kampe]]></video:title>
      <video:description><![CDATA[Christian Thielemann, an outstanding interpreter of Strauss, dedicates an entire concert to the composer – with two discoveries and a crowd pleaser. The evening opens with the extremely charming Sonatina for 16 Winds No. 1, followed by the equally sonorous and expressive Three Hymns, op. 71 (soloist: Anja Kampe). The finale of the concert is an instrumental suite from Strauss’s bittersweet opera Der Rosenkavalier: dramatic, melancholic, humorous but always overwhelmingly beautiful.]]></video:description>
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      <video:publication_date>2019-12-13T09:20:00+00:00</video:publication_date>
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      <video:duration>215</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/52511</loc>
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      <video:title><![CDATA[Teodor Currentzis’s debut with Verdi’s Requiem]]></video:title>
      <video:description><![CDATA[The reviews were rapturous: when Teodor Currentzis conducted Verdi’s Requiem at the Elbphilharmonie in April, it had the high suspense of a psychological thriller. For his debut with the Berliner Philharmoniker, Currentzis conducts the same work, in which Verdi describes the existential terrors of a human being in the face of death. And by bringing all his experience as an opera composer into play, he creates a unique fusion of liturgy and human emotion.]]></video:description>
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      <video:title><![CDATA[Kirill Petrenko conducts Beethoven’s Ninth Symphony at the Brandenburg Gate]]></video:title>
      <video:description><![CDATA[For the first time ever: Berliners were introduced to Kirill Petrenko, the new chief conductor of the Berliner Philharmoniker, at an open-air concert. The scene was the Brandenburg Gate: an international symbol for overcoming differences and borders. With its humanistic message of the brotherhood of all mankind, Beethoven’s Ninth Symphony breathes the same spirit.]]></video:description>
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      <video:title><![CDATA[Zubin Mehta conducts Bruckner’s Eighth Symphony]]></video:title>
      <video:description><![CDATA[The Berliner Philharmoniker and their honorary member Zubin Mehta are travelling to Japan – with Bruckner’s Eighth Symphony. Zubin Mehta confesses to feeling particularly close to this mammoth work. Above all, the warm-sounding Adagio is “among the greatest Romantic movements, and when the cellos and violas sing out freely in the second theme, it breaks your heart”. Before setting off for Japan, the conductor and orchestra present their tour programme at the Berlin Philharmonie.]]></video:description>
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      <video:title><![CDATA[Zubin Mehta conducts Strauss and Beethoven]]></video:title>
      <video:description><![CDATA[In this concert, Zubin Mehta and the Berliner Philharmoniker present musical tales of heroes. On the one hand, there is the knight Don Quixote, who in his fanciful imagination experiences exciting adventures with giants, robbers and a flying horse – inspiring Richard Strauss to create a wonderfully effective score. In contrast, the hero in Beethoven’s Eroica remains anonymous – it is rather a principle that is celebrated here: the determined struggle for a better world.]]></video:description>
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      <video:title><![CDATA[François-Xavier Roth and Pierre-Laurent Aimard]]></video:title>
      <video:description><![CDATA[Pierre-Laurent Aimard is one of the foremost musicians of our time – a “thinker at the piano” (The Washington Post). Together with François-Xavier Roth, general music director of the city of Cologne, he performs Béla Bartók’s Third Piano Concerto, a work permeated by a soft parlando tone and gentle melancholy. The other works on the programme are wonderfully energetic – albeit in very different ways: Joseph Haydn’s Fire Symphony, and Arcana by Edgard Varèse.]]></video:description>
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      <video:title><![CDATA[“Late Night” concert with François-Xavier Roth]]></video:title>
      <video:description><![CDATA[Most of Edgard Varèse’s works are witty miniatures. But at the time of their creation nearly a hundred years ago, they embodied a tangible revolution – with new forms of composition and a hitherto unknown fusion of sound and music. This is shown, for example, by the famous Ionization in which percussion, pianos and sirens create a mysterious nocturnal scene. In this Late Night concert, François-Xavier Roth presents original works by the French composer.]]></video:description>
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      <video:title><![CDATA[Emmanuelle Haïm conducts Handel’s “Music for the Royal Fireworks”]]></video:title>
      <video:description><![CDATA[In Handel’s famous Music for the Royal Fireworks, Baroque music shows its most magnificent side. In this concert, the work will be conducted by Emmanuelle Haïm, who in energetic performances repeatedly succeeds in “unleashing the wild and daring side of the Baroque” (The New York Times). The second part of the concert is dedicated to Handel’s cantata Apollo e Dafne – an early work that in sometimes highly virtuosic and enchantingly delicate arias reveals Handel’s interest in Italian opera.]]></video:description>
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      <video:title><![CDATA[Janine Jansen plays Tchaikovsky’s Violin Concerto]]></video:title>
      <video:description><![CDATA[The New York Times attests that the violinist Janine Jansen has “a kind of radiant modesty”, and indeed: even in moments of utmost virtuosity, her performances captivate with introspection and substance. This ability is particularly well demonstrated in Tchaikovsky’s Violin Concerto, which, despite its fast yet expressive tempos, is always interspersed with subtle nuances. To bring the concert to a close, Paavo Järvi conducts Robert Schumann’s sonorous and exuberant »Rhenish« Symphony.]]></video:description>
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      <video:title><![CDATA[Works by Mozart and Haydn with Adam Fischer and Julia Lezhneva]]></video:title>
      <video:description><![CDATA[He has conducted an acclaimed Ring in Bayreuth, is a guest of the foremost symphony orchestras and an honorary member of the Wiener Staatsoper – and yet: Adam Fischer is still considered one of the conducting world’s best kept secrets. The audience of the Berliner Philharmoniker can now experience him conducting symphonies by composers who are particularly close to his heart: Wolfgang Amadeus Mozart and Joseph Haydn. The highly virtuoso soprano Julia Lezhneva is also a guest as the soloist in a Mozart aria and a Haydn cantata.]]></video:description>
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      <video:title><![CDATA[Iván Fischer and Anna Vinnitskaya]]></video:title>
      <video:description><![CDATA[Overwhelming virtuosic, magnificently colourful, sometimes Romantic, sometimes avant-garde: such is Sergei Prokofiev’s Second Piano Concerto with which the internationally acclaimed pianist Anna Vinnitskaya makes her debut with the Berliner Philharmoniker. Iván Fischer, who stands in for Mikko Franck, also presents two works of musical Impressionism: Ravel’s famous ballet music Daphnis et Chloé and Debussy’s Printemps – a wonderful early work, full of freshness and optimism.]]></video:description>
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      <video:title><![CDATA[Santtu-Matias Rouvali and Alice Sara Ott]]></video:title>
      <video:description><![CDATA[The London Telegraph described pianist Alice Sarah Ott as the “hottest new talent in classical music”. She now makes her debut with the Berliner Philharmoniker performing Ravel’s vibrant, jazz-influenced Piano Concerto in G major. Another artist making his debut is the Finnish conductor Santtu-Matias Rouvali, who shows the music of his homeland from its most passionate side: with Jean Sibelius’s Tchaikovsky-inspired First Symphony, and music by the internationally too little known Uuno Klami.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/52494</loc>
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      <video:title><![CDATA[Daniel Harding conducts Berlioz’s “Roméo et Juliette”]]></video:title>
      <video:description><![CDATA[Although love is the all-encompassing theme in Romeo and Juliet, there are many more emotional states to experience: a gloriously festive atmosphere, the hatred of a family feud and, of course, sadness and horror in the face of a tragic double suicide. In Berlioz’s version – part symphony, part cantata – he captures all of this with drama, opulence and invention. The conductor of this performance is Daniel Harding, who has been exploring the work for many years.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/52493</loc>
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      <video:title><![CDATA[Peter Eötvös and Isabelle Faust]]></video:title>
      <video:description><![CDATA[This concert is innovative, virtuosic and cosmopolitan. Conductor and composer Peter Eötvös presents his Violin Concerto No. 3, known as the Alhambra (soloist: Isabelle Faust), which musically roams the fortress of the same name in Granada. In contrast to this airy Mediterranean world are Edgard Varèse’s famous impressions Amériques from the noisy New York of the 1920s. An insider tip is Shaar by Iannis Xenakis: eerily inscrutable and ingeniously eccentric.]]></video:description>
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      <video:title><![CDATA[Inaugural concert: Kirill Petrenko conducts Beethoven’s Ninth Symphony]]></video:title>
      <video:description><![CDATA[Finally the time has come! This evening, Kirill Petrenko will stand before the Berliner Philharmoniker as their new chief conductor for the first time. It is a spectacular season opening concert with Beethoven’s Ninth Symphony whose overwhelmingly joyful finale is perfect for the festive occasion. The concert also presents – in both Beethoven’s Symphony and Berg’s expressive Lulu Suite – the soprano Marlis Petersen as Artist in Residence of the new 2019/20 season.]]></video:description>
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      <video:publication_date>2019-08-29T13:30:00+00:00</video:publication_date>
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      <video:duration>174</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/51867</loc>
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      <video:title><![CDATA[Tugan Sokhiev conducts Prokofiev and Ravel at the Waldbühne]]></video:title>
      <video:description><![CDATA[The Berliner Philharmoniker and conductor Tugan Sokhiev – music director of Moscow’s Bolshoi Theater – distinguish themselves as storytellers at this outdoor concert. We hear Prokofiev’s humorous music for the film satire Lieutenant Kijé, travel to the Orient with Maurice Ravel’s shimmering, sensuous song cycle Shéhérazade (soloist: Marianne Crebassa) and witness the most famous love story of all time in Prokofiev’s ballet music Romeo and Juliet.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/52950</loc>
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      <video:title><![CDATA[Bernard Haitink conducts Mahler’s Third Symphony]]></video:title>
      <video:description><![CDATA[Gustav Mahler’s Third Symphony is a musical exploration of the natural and human world that includes landscapes, animal and human voices, and the earthly and the transcendental. It ends with a hymn to love – both powerful and tender, and majestic and deeply human at the same time: one of the most moving final movements ever. The conductor of this performance is Bernard Haitink – a pioneer of last century’s Mahler renaissance.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/500</loc>
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      <video:title><![CDATA[Daniel Barenboim plays Mozart’s Piano Concertos Nos. 20 to 27]]></video:title>
      <video:description><![CDATA[Daniel Barenboim is one of the rare pianists with a keen sense for Mozart’s tone – that seemingly light-footed idiom that is in fact immeasurably multi-faceted and full of drama. In the 1980s, Barenboim recorded the composer’s last eight piano concertos with the Berliner Philharmoniker in the Siemens Villa in Berlin: performances that beautifully document this decades-long partnership.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/52916</loc>
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      <video:title><![CDATA[Bernard Haitink conducts Mahler’s Second Symphony]]></video:title>
      <video:description><![CDATA[Gustav Mahler’s Second Symphony revolves around the great metaphysical questions. At the very beginning a funeral service is evoked before the following movements celebrate the beauty of life and nature. Faith and the resurrection of man characterise the conclusion. Bernard Haitink is the ideal conductor to bring out the sonority and the transcendental aspects of the work.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/52915</loc>
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      <video:title><![CDATA[Bernard Haitink conducts Mahler’s First Symphony]]></video:title>
      <video:description><![CDATA[When the young Gustav Mahler composed his First Symphony, he was at a crossroads: should he turn to the cutting edge programme music or find new directions for absolute music? Mahler chose a middle path which combines both goals with great virtuosity: atmospheric sounds of the world of nature and lieder quotes on the one hand, and an impressive symphonic grand concept on the other. The conductor is Bernard Haitink, one of Mahler’s most notable interpreters.]]></video:description>
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      <video:publication_date>2019-07-25T13:15:00+00:00</video:publication_date>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/52115</loc>
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      <video:title><![CDATA[2019 Europakonzert with Daniel Harding from the Musée d’Orsay, Paris]]></video:title>
      <video:description><![CDATA[This year’s Europakonzert at the Musée d’Orsay in Paris is is dedicated to Franco-German friendship. Daniel Harding, music director of the Orchestre de Paris, conducts works by Wagner, Berlioz and Debussy which shed light on the diverse cultural interconnections between the two musical nations. The soloist is the Welsh bass-baritone Bryn Terfel who appears again with the Philharmoniker for the first time in 18 years.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/52891</loc>
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      <video:title><![CDATA[A “St Petersburg Night” with Daniel Barenboim and Zubin Mehta at the Waldbühne]]></video:title>
      <video:description><![CDATA[This concert sees the meeting of two musicians who have enjoyed an unusually long friendship with each other and with the orchestra: Daniel Barenboim and Zubin Mehta. In glorious weather and against an atmospheric backdrop at the Waldbühne, they presented an evening of Russian music ranging from Glinka to Rimsky-Korsakov with the theme of a “Saint Petersburg Night”. Barenboim, a pianist rarely seen in the Russian repertoire, shone in Tchaikovsky’s famous First Piano Concerto.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/52890</loc>
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      <video:title><![CDATA[Europakonzert from Prague with Sir Simon Rattle and Magdalena Kožená]]></video:title>
      <video:description><![CDATA[On 1 May 2013, the Berliner Philharmoniker gave their annual Europakonzert in Prague for the third time. The venue on this occasion was the Czech capital’s famous medieval castle. Conducted by chief conductor Sir Simon Rattle, they performed Beethoven’s Pastoral Symphony, a work by Ralph Vaughan Williams, and Antonín Dvořák’s Biblical Songs with mezzo-soprano Magdalena Kožená in the castle’s sumptuous Spanish Hall.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/51866</loc>
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      <video:title><![CDATA[Andris Nelsons and Daniil Trifonov]]></video:title>
      <video:description><![CDATA[Alexander Scriabin’s Piano Concerto is a work that is performed with surprising infrequency. During this concert you can discover the work for yourself: its drama and passion, its boundless wealth of emotional nuances. The soloist is Daniil Trifonov, “perhaps the most exciting pianist to have emerged internationally in the last 30 years” (The Guardian). Andris Nelsons also conducts Shostakovich’s Symphony No. 11, which impresses listeners with the vividness of a film score.]]></video:description>
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      <video:publication_date>2019-06-27T13:11:00+00:00</video:publication_date>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/51841</loc>
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      <video:title><![CDATA[Constantinos Carydis conducts Mozart and Shostakovich]]></video:title>
      <video:description><![CDATA[It is always exciting to hear the expressive range that can be achieved even with a small orchestra. That is demonstrated in this concert, at which Constantinos Carydis makes his debut with the Berliner Philharmoniker. The programme is framed by Mozart’s Symphonies No. 34 and 38, in which tonal radiance is combined with delicate expressive nuances. We also hear works by Dimitri Shostakovich, including his Chamber Symphony op. 110a, which sensitively and movingly reflects the horror of war.]]></video:description>
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      <video:publication_date>2019-06-20T08:00:00+00:00</video:publication_date>
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      <video:duration>195</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/51864</loc>
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      <video:title><![CDATA[Daniel Barenboim and Maria João Pires]]></video:title>
      <video:description><![CDATA[A great friend of the Berliner Philharmoniker celebrates an important anniversary: Daniel Barenboim conducted the orchestra for the first time 50 years ago. The programme of that concert can now be heard again, with works by Haydn, Beethoven and Schumann which trace the development from Viennese Classicism to the rapturous era of Romanticism. The soloist in Beethoven’s Piano Concerto No. 4 is Maria João Pires.]]></video:description>
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      <video:publication_date>2019-06-14T08:06:00+00:00</video:publication_date>
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      <video:duration>226</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/52014</loc>
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      <video:title><![CDATA[“Late Night” between jazz and classical music with Michael Wollny and Christian Jost]]></video:title>
      <video:description><![CDATA[Jazz pianist and composer Michael Wollny and conductor and composer Christian Jost are two exceptional artists from seemingly opposing musical worlds who strive for a feeling of being “as spontaneous as possible”. In addition to the performance of some of Wollny’s solo pieces, the encounter with members of the Berliner Philharmoniker is the focus of this Late Night concert.]]></video:description>
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      <video:publication_date>2019-06-10T15:26:00+00:00</video:publication_date>
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      <video:duration>213</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/51862</loc>
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      <video:title><![CDATA[Michael Sanderling and Bruno Delepelaire]]></video:title>
      <video:description><![CDATA[Joseph Haydn’s Second Cello Concerto is one of the most important works of Viennese Classicism. Its warm, melodious solo part is captivating, excitingly alternating between melancholy and cheerfulness. At this concert it is played by Bruno Delepelaire, first principal cellist of the Berliner Philharmoniker. At his debut with the Philharmoniker, Michael Sanderling also conducts Shostakovich’s Leningrad Symphony: a nightmarishly brutal panorama of the Second World War.]]></video:description>
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      <video:publication_date>2019-06-06T08:00:00+00:00</video:publication_date>
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      <video:duration>203</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/51861</loc>
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      <video:title><![CDATA[Paavo Järvi conducts Berg and Bruckner]]></video:title>
      <video:description><![CDATA[In this concert with Paavo Järvi, we experience sensuously delicate tonal beauty, composed by two pioneers of Modernism. Anton Webern’s richly coloured arrangement of a ricercare by Bach is followed by Alban Berg’s Seven Early Songs (soloist: Mojca Erdmann), which capture the tender mood of young love. Bruckner’s Second Symphony concludes the programme – an early work which already has unmistakable Brucknerian power.]]></video:description>
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      <video:publication_date>2019-06-03T08:00:00+00:00</video:publication_date>
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      <video:duration>192</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/51860</loc>
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      <video:title><![CDATA[Herbert Blomstedt and Yefim Bronfman]]></video:title>
      <video:description><![CDATA[Yefim Bronfman is a musician whose powerful, energetic playing and brilliant technique recall the great Russian pianistic tradition of the 20th century. At this concert he interprets Beethoven’s Second Piano Concerto. The conductor is the charismatic Herbert Blomstedt, who will also conduct a work from his native Sweden: Wilhelm Stenhammar’s Second Symphony, a late Romantic discovery with fascinating Nordic timbres.]]></video:description>
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      <video:publication_date>2019-05-23T08:20:00+00:00</video:publication_date>
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      <video:duration>188</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/51859</loc>
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      <video:title><![CDATA[Bernard Haitink conducts Mozart and Bruckner]]></video:title>
      <video:description><![CDATA[In his last concert conducting the Berliner Philharmoniker, Bernard Haitink performed Bruckner’s Seventh Symphony – a work whose particular solemnity and darkened colour palette intrigued even his contemporaries. Also on the programme was Mozart’s introverted Piano Concerto in B flat major, K. 595, with which Paul Lewis made his debut with the Berliner Philharmoniker.]]></video:description>
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      <video:duration>136</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/52033</loc>
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      <video:title><![CDATA[Vocal Heroes choir project: Jonathan Dove’s “There was a Child”]]></video:title>
      <video:description><![CDATA[A modern oratorio about a tragic death: Jonathan Dove’s There was a Child is an homage to the son of friends who died in a diving accident in Thailand at the age of 19. The composer traces the panorama of a young life – charming impertinence, carefree playfulness, childlike worries, youthful thirst for adventure. In this choir project of the Education Programme, the Vocal Heroes youth choir, amateur singers, members of the Berliner Philharmoniker and guests share the stage of the Philharmonie.]]></video:description>
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      <video:publication_date>2019-05-16T14:50:00+00:00</video:publication_date>
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      <video:duration>149</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/51979</loc>
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      <video:title><![CDATA[The National Youth Orchestra of Germany and Ingo Metzmacher with the “Alpine Symphony”]]></video:title>
      <video:description><![CDATA[Following its performance under the direction of Kirill Petrenko, the National Youth Orchestra of Germany is now making its second appearance at the Philharmonie to mark its 50th birthday – this time under the baton of Ingo Metzmacher. In the two works he conducts, two opposing worlds collide: the loud, vibrant, dynamic urban life of New York, portrayed musically by Edgard Varèse in his orchestral work Amériques, and the rural, contemplative world of the Bavarian mountains depicted by Richard Strauss in his Alpine symphony.]]></video:description>
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      <video:publication_date>2019-05-10T08:10:00+00:00</video:publication_date>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/51858</loc>
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      <video:title><![CDATA[Zubin Mehta conducts “Otello”]]></video:title>
      <video:description><![CDATA[The 75-year-old Giuseppe Verdi once again reached a new artistic level with Otello. None of his other operas is as compelling or has such dramatic force, right up to the murderous finale. Following the performances at the Easter Festival in Baden-Baden, the Berliner Philharmoniker present their interpretation of this dark, expressive score to the Berlin public together with a cast of prominent singers and conductor Zubin Mehta.]]></video:description>
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      <video:publication_date>2019-05-09T13:00:00+00:00</video:publication_date>
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  </url>
  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/52621</loc>
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      <video:title><![CDATA[Kurt Sanderling conducts Tchaikovsky and Saint-Saëns]]></video:title>
      <video:description><![CDATA[Kurt Sanderling was one of a group of legendary conductors that included Sergiu Celibidache, Georg Solti and Günter Wand, all of whom were born in 1912. For the present concert with the Berliner Philharmoniker in 1992, he chose two 19th-century masterpieces: Saint-Saëns’s Second Piano Concerto, in which the brilliant soloist was the young Yefim Bronfman, and Tchaikovsky’s impassioned Symphony No. 4, one of Sanderling’s calling cards.]]></video:description>
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      <video:publication_date>2019-04-18T10:20:00+00:00</video:publication_date>
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      <video:duration>103</video:duration>
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  </url>
  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/52592</loc>
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      <video:title><![CDATA[Georges Prêtre conducts a “French Night” at the Waldbühne]]></video:title>
      <video:description><![CDATA[Georges Prêtre was one of the most impressive conductors of his generation, an outstanding interpreter of the French repertory and at the same time a civilized figure of great charm and vitality. All the more valuable is this unique television broadcast of his work with the Berliner Philharmoniker: a concert recorded at the Berlin Waldbühne in 1992 and featuring a number of French gems, including Ravel’s Concerto for the Left Hand with Leon Fleisher as the soloist.]]></video:description>
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      <video:publication_date>2019-04-11T10:45:00+00:00</video:publication_date>
      <video:family_friendly>yes</video:family_friendly>
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      <video:duration>151</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/51857</loc>
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      <video:title><![CDATA[Daniel Harding conducts Mahler’s First Symphony]]></video:title>
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      <video:title><![CDATA[Sir Simon Rattle conducts Schumann and Lachenmann]]></video:title>
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      <video:title><![CDATA[Jörg Widmann conducts the Junge Deutsche Philharmonie]]></video:title>
      <video:description><![CDATA[The Junge Deutsche Philharmonie is one of the best youth orchestras in Germany. For this year’s performance at the Berlin Philharmonie, the ensemble has invited a threefold talent: Jörg Widmann is a composer, clarinetist and conductor, and in this concert presents himself in all three functions – with the clarinet sonata in E flat major by Felix Mendelssohn which he has transcribed for orchestra, Robert Schumann’s Second Symphony, and his 2005 Mass for Orchestra.]]></video:description>
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      <video:title><![CDATA[Bach’s “St John Passion” with Simon Rattle and Peter Sellars]]></video:title>
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      <video:title><![CDATA[Kirill Petrenko and Patricia Kopatchinskaja]]></video:title>
      <video:description><![CDATA[In this concert, Kirill Petrenko made his last appearance with the Berliner Philharmoniker before taking up office as their chief conductor. First, soloist Patricia Kopatchinskaja showed how much virtuosity and expressive variety there is in Arnold Schoenberg’s Violin Concerto. Then came Tchaikovsky’s passionate Fifth Symphony in a performance full of power and dedication, “with a final passage like a casting out of devils .... The hall was completely breathless with enthusiasm and anticipation of what the future holds” (Frankfurter Allgemeine Zeitung).]]></video:description>
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      <video:title><![CDATA[“Late Night” concert with Patricia Kopatchinskaja]]></video:title>
      <video:description><![CDATA[The mysterious, expressionistic miniatures of Arnold Schoenberg’s Pierrot lunaire cycle are perfect for a Late Night concert. The wonderful violinist Patricia Kopatchinskaja, who enjoys the experimental, recites the poems that underlie the work. The concert also includes waltzes by Johann Strauss II in arrangements by Arnold Schoenberg and Anton Webern. In these arrangements, Patricia Kopatchinskaja returns to her usual role as a violinist.]]></video:description>
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      <video:title><![CDATA[Zubin Mehta and Martin Grubinger]]></video:title>
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      <video:title><![CDATA[Piano recital with Daniil Trifonov]]></video:title>
      <video:description><![CDATA[“He has everything and more, there is tenderness and also the demonic element. I never heard anything like that,” was how Martha Argerich expressed her astonishment at Daniil Trifonov, the Berliner Philharmoniker’s Artist in Residence this season. He can now be heard in a solo recital in the Philharmonie. With works by Schumann, Prokofiev and Rachmaninov he travels through the almost one and a half centuries when piano music flourished.]]></video:description>
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      <video:title><![CDATA[Yannick Nézet-Séguin conducts Debussy and Prokofiev]]></video:title>
      <video:description><![CDATA[The culmination of this concert with Yannick Nézet-Séguin is Sergei Prokofiev’s Fifth Symphony, a both overpowering and vivid work, which also includes “the primitive nature of Russian song ... in its melodies” (A. Khachaturian). The French-Canadian Nézet-Séguin opens the concert with French repertoire: Maurice Ravel’s charming Menuet antique and Claude Debussy’s dazzling La Mer – a masterpiece of musical Impressionism.]]></video:description>
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      <video:title><![CDATA[2018 New Year’s Eve Concert with Daniel Barenboim]]></video:title>
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      <video:title><![CDATA[Marek Janowski conducts Bruckner’s Sixth Symphony]]></video:title>
      <video:description><![CDATA[The international press praised Marek Janowski’s complete recording of Anton Bruckner’s symphonies for its “verve” and “passion for detail”. In this concert, he turns to the Sixth whose appeal, in contrast to other Bruckner symphonies, lies less in metaphysical aspects than in its decisive forward drive. The concert also includes Bruckner’s E Minor Mass, whose orchestration consisting exclusively of wind instruments evokes an intriguingly archaic atmosphere.]]></video:description>
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      <video:title><![CDATA[Alan Gilbert and Lisa Batiashvili]]></video:title>
      <video:description><![CDATA[Sergei Prokofiev’s Violin Concerto No. 2 is a work of compelling, pure beauty, and for its tone, which both sings and speaks, Lisa Batiashvili is the ideal interpreter. Alan Gilbert, chief conductor designate of the NDR Elbphilharmonie Orchestra, also presents Richard Strauss’s Symphonia domestica in which the composer portrays his family both humorously and musically. Gilbert also presents the European premiere of Metacosmos by the Icelandic composer Anna Thorvaldsdottir.]]></video:description>
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      <video:title><![CDATA[Mariss Jansons and Evgeny Kissin]]></video:title>
      <video:description><![CDATA[This concert with Mariss Jansons is in a sense a late-Romantic family reunion: Richard Wagner’s Rienzi overture will be presented alongside the triumphant First Piano Concerto by his father-in-law, Franz Liszt. His musical “descendant”, Richard Strauss, in turn, perfected the symphonic poem originally developed by Liszt, such as the famous Also sprach Zarathustra which is also performed in this concert. The evening’s soloist is Evgeny Kissin, one of the great pianists of our time.]]></video:description>
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      <video:title><![CDATA[Tugan Sokhiev conducts Rachmaninov, Borodin and Prokofiev]]></video:title>
      <video:description><![CDATA[In this concert, Tugan Sokhiev, director of the Bolshoi Theatre in Moscow, conducts a Russian programme supported by the choir of his legendary opera house. While Alexander Borodin’s Polovtsian Dances and Sergei Prokofiev’s cantata Alexander Nevsky are full of primitive power and recount historical Russian war heroes, Sergei Rachmaninov’s operatic scene Spring takes an intimate private drama as its theme.]]></video:description>
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      <video:title><![CDATA[Iván Fischer and Christian Gerhaher]]></video:title>
      <video:description><![CDATA[The lieder of Hugo Wolf are unique in their clear-cut directness. Their aim is not the artistic sublimation of emotions, but real, unfiltered expression. Christian Gerhaher, the “foremost lieder singer of our time” (The New York Times), performs selected settings by Wolf of Goethe and Mörike. Conductor Iván Fischer also presents Franz Schubert’s Great Symphony, with its shifts between the idyllic and the abyss.]]></video:description>
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      <video:title><![CDATA[Andris Nelsons conducts Mahler’s Second Symphony]]></video:title>
      <video:description><![CDATA[Gustav Mahler’s Second Symphony is a work which exceeds all limits. The composition was intended to depict nothing less than the entire universe: the lofty and the humble, tradition and avant-garde, pastoral serenity and demonic grotesques, songs and chorales, and death and resurrection, all expressed in music that is correspondingly multifarious and grandiose. It is conducted here by Andris Nelsons, music director of the Boston Symphony Orchestra and kapellmeister of the Gewandhausorchester Leipzig.]]></video:description>
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      <video:title><![CDATA[Valery Gergiev conducts Stravinsky’s “Firebird”]]></video:title>
      <video:description><![CDATA[Music based on three colourful Russian fairytales are to be heard in this concert with Valerie Gergiev: the bloodthirsty story of The Golden Cockerel set to music by Nikolai Rimsky-Korsakov, excerpts from Prokofiev’s humorous and charming ballet Cinderella, and from Stravinsky, his iridescent, energetic Firebird. The concert opens with another magical, but very different work: Debussy’s Prélude a l’après-midi d’un faune.]]></video:description>
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      <video:title><![CDATA[Family concert: “Winter Drummerland”]]></video:title>
      <video:description><![CDATA[“I Got Rhythm” was the theme of the Berliner Philharmoniker’s family Christmas concert on the 1st Advent Sunday of 2018. On this occasion, the percussion section of the orchestra took centre stage. The concert, which was presented by the Philharmoniker’s horn player Sarah Willis, combined the informative (in the form of short presentations about the instruments) with the entertaining (in the form of a performance with spoons) and regularly encouraged the audience to participate in the proceedings.]]></video:description>
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      <video:title><![CDATA[1993 Europakonzert from London with Bernard Haitink and Frank Peter Zimmermann]]></video:title>
      <video:description><![CDATA[London’s monumental Royal Albert Hall is one of the most impressive concert venues in Europe, and it was here, on 1 May 1993, that the Berliner Philharmoniker presented their third Europakonzert. On this occasion their musical partners were Bernard Haitink, who was then the music director of the city’s Royal Opera House, and – as the soloist in Mozart’s Violin Concerto No. 3 – Frank Peter Zimmermann. The high point of the concert was Stravinsky’s visionary ballet music to Le Sacre du printemps.]]></video:description>
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      <video:title><![CDATA[New Year’s Eve Concert with Simon Rattle, Thomas Quasthoff and Pauline Malefane]]></video:title>
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      <video:title><![CDATA[With Gustavo Dudamel in Taiwan]]></video:title>
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      <video:title><![CDATA[Simon Rattle and Elīna Garanča at the Baden-Baden Easter Festival]]></video:title>
      <video:description><![CDATA[In this Baden-Baden Easter Festival concert, Simon Rattle presents a sonorous snapshot of the European music scene in the early 20th century. It includes Richard Strauss’s self-confidently impressive Don Juan, sumptuous songs by Alban Berg, Ravel’s overwhelmingly sensual song cycle Shéhérazade and finally Stravinsky’s both groundbreaking and nostalgic Petrushka. The star guest is the Latvian mezzo-soprano Elīna Garanča.]]></video:description>
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      <video:title><![CDATA[Gustavo Dudamel conducts Bernstein and Shostakovich]]></video:title>
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    <loc>https://www.digitalconcerthall.com/en/concert/51839</loc>
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      <video:title><![CDATA[Gustavo Dudamel conducts Mahler’s Fifth Symphony]]></video:title>
      <video:description><![CDATA[Gustav Mahler described his Fifth Symphony as a “cursed work” that “no-one understands”. While the extreme variety of expression actually overwhelmed the audience at the time, the symphony enjoys the highest popularity today, especially thanks to its gossamer-like Adagietto movement. Gustavo Dudamel, music director of the Los Angeles Philharmonic, also conducts Leonard Bernstein’s cheeky occasional piece, Divertimento, which – here in Europe at least – is far too rarely heard.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/51838</loc>
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      <video:title><![CDATA[Paavo Järvi conducts Brahms and Lutosławski]]></video:title>
      <video:description><![CDATA[Witold Lutosławski’s captivating Concerto for Orchestra combines the acerbic power of traditional Polish folk music with ingenious, pioneering construction. A charming contrast is formed by Johannes Brahms’s joyous Second Symphony, written during a holiday at the Wörthersee in which, according to the composer, “The melodies fly so thick here that you have to be careful not to step on one”. The conductor for this concert is Paavo Järvi.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/51837</loc>
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      <video:title><![CDATA[A “Czech Evening” with Jakub Hrůša and Frank Peter Zimmermann]]></video:title>
      <video:description><![CDATA[Frank Peter Zimmermann is one of the foremost violinists of our time and a great admirer of Bohuslav Martinů’s rarely played Violin Concerto No. 1, a both sonorous and expressive work, which he presents in this concert. Jakub Hrůša, chief conductor of the Bamberg Symphony and a guest of the Berliner Philharmoniker for the first time, also presents Dvořák’s symphonic poem The Golden Spinning Wheel and Janáček’s Rhapsody Taras Bulba.]]></video:description>
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  <url>
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      <video:title><![CDATA[Sakari Oramo and Alban Gerhardt]]></video:title>
      <video:description><![CDATA[Two fabulous, mythical travel stories from Scandinavia are on the programme in this concert: Edvard Grieg’s Peer Gynt Suite No. 1 and Jean Sibelius’ Lemminkäinen Suite. Between these two works will be the European premiere of the Cello Concerto by Brett Dean, one of the most sought-after composers of our time and former violist with the Berliner Philharmoniker. The conductor is Sakari Oramo, who currently heads the BBC Symphony Orchestra. The soloist is Alban Gerhardt.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/51835</loc>
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      <video:title><![CDATA[Semyon Bychkov and Katia & Marielle Labèque]]></video:title>
      <video:description><![CDATA[In this concert, conductor Semyon Bychkov and the famous piano duo Katia and Marielle Labèque make the case for a wonderful rarity: Max Bruch’s Concerto for Two Pianos which captivates with its sparkling virtuosity and a warm, orchestral sound reminiscent of Brahms. The other works of the evening were also inspired by Brahms: Antonín Dvořák’s Seventh Symphony and Detlev Glanert’s orchestral piece Weites Land.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/51833</loc>
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      <video:title><![CDATA[Daniel Harding conducts Bruckner’s Fifth Symphony]]></video:title>
      <video:description><![CDATA[Posterity has given Anton Bruckner’s Fifth Symphony the most varied soubriquets, from the "Tragic", the "Faustian", and the "Catholic", while the composer himself spoke of his "Fantastic" Symphony. Above all, it demonstrates the variety of worlds of expression that can be found in this monumental work – from ruminative whispering to incandescent displays of bravura. The concert is conducted by Daniel Harding.]]></video:description>
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      <video:title><![CDATA[François-Xavier Roth and Carolin Widmann]]></video:title>
      <video:description><![CDATA[François-Xavier Roth, Generalmusikdirektor of the City of Cologne, presents an evening of fascinating contrasts. He interweaves movements from Debussy’s vividly iridescent Images with the spherical soundscapes of György Ligeti’s famous works Lontano and Atmosphères. In addition there is Bernd Alois Zimmermann’s colourful Violin Concerto with Carolin Widmann as the soloist – the “most headstrong violinist of her generation” (Die Zeit).]]></video:description>
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      <video:title><![CDATA[Sir George Benjamin conducts the Berliner Philharmoniker]]></video:title>
      <video:description><![CDATA[George Benjamin has made a name for himself as the creator of powerful, multi-layered works, and this season is the Berliner Philharmoniker’s Composer in Residence. On this occasion in the role of conductor, he presents music by Boulez, Ravel and Ligeti, which show musical Modernism from its most original side. We also hear Benjamin’s own Palimpsests – a work that is “full of contrasts. In just eight minutes, it packs in as much as some entire symphonies” (The Guardian).]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/51891</loc>
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      <video:title><![CDATA[Kirill Petrenko conducts Beethoven and Strauss at the Berlin Palace]]></video:title>
      <video:description><![CDATA[A special concert at a special location: the Berliner Philharmoniker and Kirill Petrenko, their chief conductor designate, perform Beethoven’s Seventh Symphony and tone poems by Richard Strauss in the reconstructed Berlin Palace. The building, which was badly damaged during the Second World War and demolished in 1950, does not reopen until 2019, so this open-air concert in the splendid Baroque Schlüterhof allows us a first glimpse.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/51834</loc>
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      <video:title><![CDATA[Season opening 2018: Kirill Petrenko conducts Beethoven and Strauss]]></video:title>
      <video:description><![CDATA[In a way, this concert looks ahead to a new era. One year before Kirill Petrenko took up his post as the Berliner Philharmoniker’s new chief conductor, he conducted the opening concert of the 2018/19 season. At the same time, he presented his interpretation of core works of the Philharmoniker’s repertoire: Beethoven’s Seventh Symphony and Richard Strauss’s tone poems Don Juan and Tod und Verklärung. “What was revealed in this great moment was more than the magic of a beginning. This union will bring forth great things” (Die Zeit).]]></video:description>
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      <video:publication_date>2018-08-30T14:00:00+00:00</video:publication_date>
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    <loc>https://www.digitalconcerthall.com/en/concert/52363</loc>
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      <video:title><![CDATA[Claudio Abbado conducts an “Italian Night” at the Waldbühne]]></video:title>
      <video:description><![CDATA[Claudio Abbado was born and grew up in the shadow of La Scala in Milan, with the result that he practically imbibed a love of Italian opera with his mother’s milk, and so for his second Waldbühne concert he presented a dazzling operatic gala in the form of “An Italian Night” made up of popular favourites by Verdi, Bellini and Rossini. He was joined by three outstanding soloists, Angela Gheorghiu, Bryn Terfel and Sergei Larin, and the Berlin Rundfunkchor.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/52362</loc>
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      <video:title><![CDATA[Daniel Barenboim and Plácido Domingo at the 1992 Europakonzert in the Escorial]]></video:title>
      <video:description><![CDATA[With its combined function of monastery and royal palace, the Basilica of the Escorial near Madrid is the largest Renaissance building in the world. It was here that Daniel Barenboim conducted the Berliner Philharmoniker at the orchestra’s 1992 Europakonzert, with Schubert’s Unfinished as the main symphonic work on the programme. A further highlight was the appearance of star tenor Plácido Domingo, who made his Philharmoniker debut in works by Verdi, Berlioz and Wagner.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/51006</loc>
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      <video:title><![CDATA[Simon Rattle and Magdalena Kožená at the Waldbühne]]></video:title>
      <video:description><![CDATA[A celebratory finale to an era with the Berliner Philharmoniker. With this concert at the Waldbühne, Sir Simon Rattle’s tenure as chief conductor of the orchestra ends after 16 years. It is a colourful, sparkling farewell – with works by Gershwin, Fauré, Khachaturian and Respighi. The star guest is Sir Simon’s wife, mezzo-soprano Magdalena Kožená, who sings excerpts from Joseph Canteloube’s charming Chants d’Auvergne.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/52316</loc>
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      <video:title><![CDATA[Daniel Barenboim conducts the 1997 Europakonzert from Versailles]]></video:title>
      <video:description><![CDATA[The Palace of Versailles is the very epitome of Baroque magnificence. In 1997 it was the scene of the Europakonzert given annually by the Berliner Philharmoniker. The conductor was Daniel Barenboim, who was also the soloist in Mozart’s Piano Concerto No. 13. The programme additionally featured Beethoven’s Eroica Symphony and, as a tribute to the venue, Ravel’s Le Tombeau de Couperin, a delightful homage to François Couperin, who was once court composer in Versailles.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/52315</loc>
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      <video:title><![CDATA[Claudio Abbado conducts music inspired by the Prometheus myth]]></video:title>
      <video:description><![CDATA[One of the hallmarks of Claudio Abbado’s years with the Berliner Philharmoniker was his fondness for programming cycles of concerts on particular themes. Central to this concert is the myth of Prometheus. It features music by Beethoven, Liszt and Nono, culminating in Scriabin’s highly virtuosic Prométhée in which the piano soloist is Martha Argerich. No less remarkable is the original filming by director Christopher Swann.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/51193</loc>
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      <video:title><![CDATA[2018 Europakonzert from Bayreuth with Paavo Järvi and Eva-Maria Westbroek]]></video:title>
      <video:description><![CDATA[An architectural gem is the venue for this Europakonzert: the Margravial Opera House in Bayreuth, one of the few originally preserved theatrical buildings of the Baroque. Paavo Järvi, who has caused a sensation particularly for his interpretations of Beethoven, conducts the composer’s Fourth Symphony, and of course Richard Wagner could not be missed out in a Bayreuth concert either. The soloist in his Wesendonck Lieder is Eva-Maria Westbroek.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/52305</loc>
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      <video:title><![CDATA[Mariss Jansons conducts music from the Austro-Hungarian Empire at the Waldbühne]]></video:title>
      <video:description><![CDATA[Travellers who visited the Austro-Hungarian Empire in the 19th century would have come into contact with the most disparate musical idioms: Austrians, Bohemians and Hungarians all wrote works that were individually coloured but characterized by a shared sense of verve and radiance. Mariss Jansons conducted highlights of this fascinating culture at the Waldbühne in Berlin. The works performed were pieces by Johann Strauss, Franz Liszt and George Enescu.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/51231</loc>
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      <video:title><![CDATA[Simon Rattle’s farewell with Mahler’s Sixth]]></video:title>
      <video:description><![CDATA[On 14 November 1987, a promising conductor made his Berliner Philharmoniker debut with Gustav Mahler’s Sixth Symphony: Simon Rattle. In retrospect Rattle says, “I felt that I was finding my voice on that day.” Mahler’s multifaceted work was also on the programme when Sir Simon gave his last concert in the Philharmonie as the orchestra’s chief conductor. The wheel comes full circle.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/51225</loc>
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      <video:title><![CDATA[Krystian Zimerman and Simon Rattle perform Bernstein’s “The Age of Anxiety”]]></video:title>
      <video:description><![CDATA[As chief conductor of the Berliner Philharmoniker, Simon Rattle has impressively shown again and again what variety and richness are couched in the term “modern music” – and he does so again at this concert. We hear three short premieres, enter the world of film and television with Robin Hood and Tom and Jerry, and experience Bernstein’s jazz-influenced Second Symphony, with world star Krystian Zimerman as piano soloist.]]></video:description>
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      <video:title><![CDATA[Simon Rattle conducts Mahler and Rachmaninov in Singapore]]></video:title>
      <video:description><![CDATA[It was in November 2010 that the Berliner Philharmoniker first visited Singapore, where they gave an acclaimed concert in the magnificent setting of the Esplanade Theatres on the Bay under their chief conductor Sir Simon Rattle. On the programme were Rachmaninov’s Symphonic Dances, in which the composer looks back on his Russian homeland from his exile in America, and Mahler’s First Symphony, a work full of youthful vigour and witty irony.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/52275</loc>
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      <video:title><![CDATA[Simon Rattle’s first Waldbühne concert]]></video:title>
      <video:description><![CDATA[In 1995, four years before the orchestra elected him its chief conductor, Simon Rattle conducted his first Waldbühne Concert with the Berliner Philharmoniker. It was with tremendous verve that he introduced local audiences to highlights of the American repertory, which at that date was still a rarity at Philharmonic concerts. Many of the orchestra’s fans must have been surprised to discover how original and magnificent are works like Bernstein’s Candide and Gershwin’s Porgy and Bess.]]></video:description>
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      <video:title><![CDATA[Simon Rattle conducts Brahms, Lutosławski and Widmann]]></video:title>
      <video:description><![CDATA[This concert is almost a condensed retrospective of the Rattle era. For example, Sir Simon’s enthusiasm for contemporary music is revealed in the premiere of a short work by Jörg Widmann; in Lutosławski’s Third Symphony, on the other hand, he once again shows what imaginative music the 20th century has left behind, and finally, Rattle’s continuous work on the great classics of the repertoire is represented by Brahms’s First Symphony.]]></video:description>
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      <video:title><![CDATA[Simon Rattle conducts the completed Ninth Symphony by Anton Bruckner]]></video:title>
      <video:description><![CDATA[Simon Rattle is certain that if Anton Bruckner had lived only two months longer, he would have been able to complete the finale of his Ninth Symphony. In a sensational concert in 2011, Rattle presented a reconstruction of “monolithic, threatening presence” (Gramophone magazine), based on Bruckner’s extensive sketches. As a central work of the Rattle era, the completed symphony can now be heard again.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/51208</loc>
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      <video:title><![CDATA[Simon Rattle conducts a hundred amateur musicians in the BE PHIL Orchestra]]></video:title>
      <video:description><![CDATA[The performance by the BE PHIL Orchestra is one of the most moving projects of the Simon Rattle era. On 21 May 2018, amateur musicians from 30 countries played Johannes Brahms’s First Symphony under the direction of Sir Simon – with great musicality and, above all, unparalleled enthusiasm. For all of them, the concert was an unforgettable experience that once again demonstrated the power that music has to unite people from all over the world.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/51204</loc>
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      <video:title><![CDATA[Mikko Franck conducts Schumann’s “Paradise and the Peri”]]></video:title>
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      <video:title><![CDATA[Sing along and have fun!]]></video:title>
      <video:description><![CDATA[In this concert, sitting still is not allowed! – for as soon as the music starts, the education programme’s vocal heroes choirs, under the direction of their choral conductors Carolin Strecker, Tobias Walenciak and Johannes Wolff, invite Berlin school classes to join them together in the Philharmonie – and everyone is expected to join in the fun! Sing along!]]></video:description>
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      <video:title><![CDATA[Tugan Sokhiev and Yefim Bronfman perform Beethoven]]></video:title>
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      <video:title><![CDATA[Paavo Järvi and Lisa Batiashvili with Sibelius’s Violin Concerto]]></video:title>
      <video:description><![CDATA[“The first notes of Jean Sibelius’s Violin Concerto rarely shine simultaneously as clearly and as focused as with Lisa Batiashvili,” was what Bayerischer Rundfunk said in its review. The Georgian violinist, who in this concert stands in for the indisposed Janine Jansen, presents the darkly timbred work, whose free, rhapsodic form requires most creative of skills. Paavo Järvi also conducts Shostakovich’s Sixth Symphony, which reflects the horrors of the Stalin era with brooding resignation and grotesque savagery.]]></video:description>
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      <video:title><![CDATA[Alan Gilbert and Wenzel Fuchs with Mozart’s Clarinet Concerto]]></video:title>
      <video:description><![CDATA[Mozart was a great fan of the then still new clarinet. He composed a splendid concerto, his last work in that genre, for this instrument, whose tone closely resembles the sound of the human voice. The performers in this concert are Alan Gilbert and the Berliner Philharmoniker’s principal clarinet Wenzel Fuchs. The programme also includes Thomas Ades’s highly original Three Studies from Couperin and Debussy’s shimmering Images pour orchestra.]]></video:description>
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      <video:title><![CDATA[A Mozart evening with Daniel Harding]]></video:title>
      <video:description><![CDATA[Mozart’s C minor Mass is one of the most beautiful works of sacred music ever composed. Choruses of archaic power strikingly alternate with graceful solos, which are perhaps so inspired because Mozart wrote one of the soprano parts for his wife Constanze. Conductor Daniel Harding devotes the rest of the concert to the secular Mozart with the brief, exuberant Symphony No. 32 and two expressive concert arias.]]></video:description>
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      <video:title><![CDATA[Britten’s “War Requiem” with the National Youth Orchestra of Germany]]></video:title>
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      <video:title><![CDATA[Simon Rattle conducts “Parsifal”]]></video:title>
      <video:description><![CDATA[Richard Wagner’s Parsifal, which once again deals with Wagner’s metaphysical lifelong theme of redemption, is characterised by scintillating, almost narcotic music of unparalleled allure. In 2018, Simon Rattle conducted the work in a performance with a top-class ensemble including Stuart Skelton and Nina Stemme. The audience reacted enthusiastically, and the press also praised this “shimmering, iridescent, and lustrous Parsifal for the 21st century”.]]></video:description>
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      <video:title><![CDATA[A Beethoven evening with Daniel Barenboim, Itzhak Perlman and Yo-Yo Ma]]></video:title>
      <video:description><![CDATA[“Beethoven’s music is universal. Anywhere in the world, it speaks to all people,” according to Daniel Barenboim, conducting the composer’s Choral Fantasy and the Triple Concerto in this 1995 concert – works which are seldom heard in the concert hall due to the unusual orchestral forces they require. Barenboim played the piano part himself in this case and was supported by two famous string players: Itzhak Perlman and Yo-Yo Ma.]]></video:description>
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      <video:title><![CDATA[The Junge Deutsche Philharmonie with David Afkham and Steven Isserlis]]></video:title>
      <video:description><![CDATA[The Junge Deutsche Philharmonie and conductor David Afkham present a marvellous French programme. In addition to Berlioz’s famous Symphonie fantastique, the musicians – all German conservatory students – play two less familiar gems: Messiaen’s meditative Les Offrandes oubliées and the sublime soundscapes of Dutilleux’s Cello Concerto Tout un monde lointain ... with the highly renowned cellist Steven Isserlis.]]></video:description>
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      <video:title><![CDATA[Simon Rattle conducts Mozart and Strauss at the 2006 New Year’s Eve Concert]]></video:title>
      <video:description><![CDATA[A musical double portrait of Wolfgang Amadeus Mozart and Richard Strauss enhanced the 2006 New Year’s Eve Concert with Simon Rattle. There were fascinating connections: with Strauss’s interpretation of the Don Juan story, a subject which was also known to inspire Mozart, and music from the Rosenkavalier, Strauss’s homage to 18th century Vienna. The soloists were Camilla Nylund, Magdalena Kožená, Laura Aikin and – in Mozart’s D minor piano concerto – Mitsuko Uchida.]]></video:description>
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      <video:title><![CDATA[Daniel Harding and Gerald Finley with works by Schubert and Strauss]]></video:title>
      <video:description><![CDATA[Richard Strauss was not only a master of orchestration but an enthusiastic mountaineer as well. Thus, it is not surprising that in his last symphonic poem he depicted a hike in the Alps – vivid and haunting, with an endless palette of tonal colours. Conductor Daniel Harding and bass-baritone Gerald Finley also present familiar Schubert songs in rarely heard orchestral arrangements by Berlioz, Brahms and Reger.]]></video:description>
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      <video:title><![CDATA[Simon Rattle and Daniel Barenboim with Bartók’s Piano Concerto No. 1]]></video:title>
      <video:description><![CDATA[In 1964, Daniel Barenboim made his acclaimed debut with the Berliner Philharmoniker playing Bartók’s Piano Concerto No. 1. Now, with Simon Rattle as conductor, he again devotes himself to this fascinating piece in which the piano is featured as an unrelenting percussion instrument. The other works on the programme are also marked by energetic urgency: Janáček’s Sinfonietta with its striking fanfares and Dvořák’s Slavonic Dances.]]></video:description>
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      <video:title><![CDATA[Family concert: Children’s opera “Knight Parceval”]]></video:title>
      <video:description><![CDATA[Henrik Albrecht’s children’s opera Ritter Parceval deals with the fascinating question of how a little boy becomes a knight. Especially when no-one believes he has what it takes to be a hero. Not his own overprotective mother Herzeloyde, the evil magician Klingsor or the virtuous Gurnemanz. In an end result that is moving, fascinating and daring, Albrecht sets the development of the young Parceval to music based on motifs from Richard Wagner.]]></video:description>
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      <video:title><![CDATA[Michael Barenboim’s and Vasily Petrenko’s debuts with the Berliner Philharmoniker]]></video:title>
      <video:description><![CDATA[Schoenberg’s Violin Concerto demands everything from the soloist: tremendous interval leaps, awkward fingerings, breakneck tempos and richly nuanced expressiveness. Michael Barenboim presents all of this in his debut with the Philharmoniker. There are also two colourful works on the programme in which Ravel adapts the cultural heritage of other European countries: the Viennese Waltz in La Valse and an ancient love story in Daphnis et Chloé. Conductor is Vasily Petrenko, who also makes his debut with the Berliner Philharmoniker.]]></video:description>
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      <video:title><![CDATA[Paul Whiteman’s greatest hits with Simon Rattle and Max Raabe]]></video:title>
      <video:description><![CDATA[To this day Paul Whiteman is regarded as the “King of Jazz”. With his fabulous orchestra and ingenious arrangements, he ensured that jazz became respectable and found its way into high culture from the 1920s onwards. Simon Rattle has long had a weakness for Whiteman’s unmistakable sound and brings it to life again in this Late Night concert: a wonderful journey into the world of symphonic jazz. Star guest of the evening is the singer Max Raabe, acclaimed internationally for his performances of songs from the 1920s and 30s.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/51127</loc>
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      <video:title><![CDATA[Adam Fischer and Leonidas Kavakos]]></video:title>
      <video:description><![CDATA[Dark tones in every shade dominate the beginning of this concert. For example, Alban Berg’s Violin Concerto, written in memory of the 19-year-old Manon Gropius, is one of the most poignant works of Modernism. Anton Webern’s delicate Passacaglia was written with the death of the composer’s own mother still fresh in his mind. In contrast to these is Antonín Dvořák’s Ninth Symphony From the New World with its folkloric cheerfulness and ingenious combination of American and Bohemian idioms.]]></video:description>
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      <video:title><![CDATA[Dima Slobodeniouk and Baiba Skride]]></video:title>
      <video:description><![CDATA[This programme of music from north-eastern Europe is wonderfully austere, at times melancholy, at times brutal. We hear the mythical sounds of Jean Sibelius’s tone poem Tapiola, the industrial power of Sergei Prokofiev’s Second Symphony and Dmitri Shostakovich’s Second Violin Concerto, which alternates between passion and disenchanted sadness. Dima Slobodeniouk makes his conducting debut with the orchestra; the violin soloist is Baiba Skride.]]></video:description>
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      <video:title><![CDATA[Mariss Jansons and Daniil Trifonov with Schumann’s Piano Concerto]]></video:title>
      <video:description><![CDATA[In this concert, Mariss Jansons, a celebrated interpreter of the Romantic repertoire, reveals the entire musical and emotional range of this epoch. On the one hand, the wild virtuosity of Schumann’s rapturous Piano Concerto, on the other, the deeply religious grandeur of Bruckner’s Sixth Symphony. The piano soloist is Daniil Trifonov, who combines sensational technique with sensitivity and maturity of expression.]]></video:description>
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      <video:title><![CDATA[Mikko Franck conducts Ravel’s “L’Enfant et les sortilèges”]]></video:title>
      <video:description><![CDATA[Ravel’s short opera L’Enfant et les sortilèges is a work full of imagination, charm and humour. Like in a revue, the composer employs a wide range of musical styles one after another, from neo-Baroque sounds to ragtime. The conductor of this concert performance is Mikko Franck, who steps in for Seiji Ozawa. The focus of the first part of the evening is our 1st concertmaster, Noah Bendix-Balgley, who plays (without the participation of Mikko Franck) works by Mozart and Saint-Saëns.]]></video:description>
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  <url>
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      <video:title><![CDATA[Antonio Pappano and Véronique Gens]]></video:title>
      <video:description><![CDATA[Sir Antonio Pappano, music director of London’s Royal Opera House and the Accademia Nazionale di Santa Cecilia in Rome, returns to the Berliner Philharmoniker after a 12-year absence. He presents a colourful programme that contrasts delicate French music by Ravel and Duparc with the brutal power of Russian works by Mussorgsky and Scriabin. The vocal soloist is Véronique Gens.]]></video:description>
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      <video:title><![CDATA[2017 New Year’s Eve Concert with Simon Rattle and Joyce DiDonato]]></video:title>
      <video:description><![CDATA[With her flexible, slender but darkly timbred mezzo-soprano, Joyce DiDonato has already delighted audiences at the Philharmonie on several occasions. Now she is the star guest at Sir Simon Rattle’s side during the New Year’s Eve Concert, singing Richard Strauss’s lavishly beautiful orchestral songs. The programme also includes works by Dvořák, Stravinsky, Bernstein and Shostakovich – full of virtuosity, gracefulness and humour.]]></video:description>
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      <video:title><![CDATA[Iván Fischer and Vilde Frang present Bartók’s Violin Concerto No. 1]]></video:title>
      <video:description><![CDATA[An unhappy love affair inspired Béla Bartók’s Violin Concerto No. 1, which is characterised by extraordinary tenderness and emotional depth. The soloist is Vilde Frang, who made her debut with the Philharmoniker at the 2016 European Concert and impressed the audience with her passionate, singing tone. Conductor Iván Fischer also presents excerpts from Mendelssohn’s magical, gossamer-light music for A Midsummer Night’s Dream.]]></video:description>
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      <video:title><![CDATA[Christian Thielemann conducts Beethoven’s “Missa solemnis”]]></video:title>
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      <video:title><![CDATA[A “Late Night” concert with French chamber music and Simon Rattle at the piano]]></video:title>
      <video:description><![CDATA[The two French chamber music works of this Late Night concert show evidence of existential crises – but without sacrificing elegance. Olivier Messiaen wrote his Quatuor pour la fin du temps in 1940/41 in a German prisoner-of-war camp, surrounded by death. Claude Debussy composed his violin sonata in 1917, while he was seriously ill. Members of the Berliner Philharmoniker perform with Sir Simon Rattle at the piano.]]></video:description>
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      <video:title><![CDATA[Herbert Blomstedt and Maria João Pires]]></video:title>
      <video:description><![CDATA[Anton Bruckner’s Third Symphony has the same organ-like power as his later works – but is still overshadowed by them. Bruckner himself was never entirely satisfied with the symphony and revised it several times. This concert conducted by Herbert Blomstedt offers a rare opportunity to discover the first version. Maria João Pires, famous for her sensitive touch, opens the programme with Mozart’s Piano Concerto No. 23.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/51364</loc>
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      <video:title><![CDATA[An invitation from the Vocal Heroes: Sing-along Christmas concert]]></video:title>
      <video:description><![CDATA[There is a sure recipe for getting into the Christmas spirit: singing together! You have an opportunity to do just that with this invitation from the Vocal Heroes choirs of our Education Programme to the great Christmas singalong concert in the Berlin Philharmonie. Berlin school children present Christmas songs from all over the world – and look forward to your vocal support.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/51077</loc>
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      <video:title><![CDATA[Bernard Haitink conducts Mahler’s Ninth Symphony]]></video:title>
      <video:description><![CDATA[It is almost inconceivable today that Gustav Mahler’s works were long marginalised in musical life. Bernard Haitink, who has an exceptionally fine feel for the fragmented nature of this music, is one of the conductors who brought about the Mahler renaissance in the 1960s. Mahler, says Haitink, “has always troubled me because he doesn’t validate you”. In this concert, he conducts Mahler’s farewell to the world, the Ninth Symphony.]]></video:description>
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      <video:title><![CDATA[Ton Koopman conducts Bach’s Mass in B Minor]]></video:title>
      <video:description><![CDATA[The B minor Mass is Johann Sebastian Bach’s legacy to vocal music: a cosmos of all the forms and styles that make his sacred works so rich. There are arias of dance-like lightness as well as austere Renaissance singing, ingeniously constructed fugues and jubilant choruses. In this concert the work is performed under the baton of Ton Koopman, a conductor, organist and harpsichordist who is one of the great Bach interpreters of our time.]]></video:description>
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      <video:title><![CDATA[First concert of the Asian tour with Simon Rattle and Seong-Jin Cho]]></video:title>
      <video:description><![CDATA[The Berliner Philharmoniker are on a tour of Asia – their last under the direction of Simon Rattle as chief conductor. In the Hong Kong Cultural Centre, the orchestra has the opportunity to show off the full diversity of its sound in the dark cantabile of Brahms’s Fourth Symphony, the spectacular swagger of Richard Strauss’s Don Juan, and the elusive mixture of French flair and jazz in Ravel’s Piano Concerto in G major. The soloist is the Korean rising star Seong-Jin Cho.]]></video:description>
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      <video:description><![CDATA[Before the Berliner Philharmoniker travel to Asia for the last time under the direction of Simon Rattle, they present their tour programme in Berlin. In addition to sonorous works by Brahms and Strauss, the concert includes Ravel’s G major Piano Concerto, with its shifts between enchanting delicacy and jazz-influenced fervour. Standing in for an unfortunately indisposed Lang Lang, the evening’s soloist is the Korean rising star Seong-Jin Cho, winner of the legendary Chopin competition in Warsaw in 2015.]]></video:description>
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      <video:title><![CDATA[Simon Rattle conducts “Petrushka”]]></video:title>
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      <video:title><![CDATA[Yannick Nézet-Séguin conducts Brahms’s “Ein deutsches Requiem”]]></video:title>
      <video:description><![CDATA[Brahms’s Ein deutsches Requiem is a powerful, solemn work, yet its message shows the utmost compassion. While the horrors of the last judgement are the focus in traditional requiem settings, Brahms’s work sings sensitively of sorrow and consolation in the face of death. The conductor of this performance is Yannick Nézet-Séguin, music director of the Philadelphia Orchestra and music director designate of the Met in New York.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/51047</loc>
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      <video:title><![CDATA[Simon Rattle conducts Janáček’s “The Cunning Little Vixen”]]></video:title>
      <video:description><![CDATA[The hero in Leoš Janáček’s opera The Cunning Little Vixen is not a princess or a knight but an animal of the forest. This is a unique piece of music theatre in other respects as well, such as its magically luminous music, its poetry and its comedy. Simon Rattle presents the work together with star director Peter Sellars, with whom he has already realised many exciting projects, including their acclaimed interpretations of Bach’s Passions.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/23492</loc>
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      <video:title><![CDATA[Simon Rattle conducts “Tosca” in Baden-Baden]]></video:title>
      <video:description><![CDATA[In Puccini’s Tosca, moments of love and intimacy alternate with jealousy, hatred and sadistic brutality at a breathtaking pace. Puccini characterises this wide range of emotions with a musical language that is both beautiful and has psychological depth. In 2017, Simon Rattle conducted the work to great applause at the Easter Festival in Baden-Baden. The principal roles were sung by Kristine Opolais, Marcelo Álvarez and Marco Vratogna.]]></video:description>
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      <video:title><![CDATA[Simon Rattle with Mitsuko Uchida and Amihai Grosz]]></video:title>
      <video:description><![CDATA[Delicate melancholy and lyrical sensuousness characterise the two solo concertos on this programme with Simon Rattle, Mitsuko Uchida and Amihai Grosz. Wolfgang Amadeus Mozart seems to reflect on his life in his last piano concerto, while William Walton’s Viola Concerto is dominated by the dark tone of the solo instrument. As a counterpoint, the concert closes with Zoltán Kodály’s humorously grotesque Háry János Suite.]]></video:description>
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      <video:title><![CDATA[Daniele Gatti conducts Hindemith and Brahms]]></video:title>
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  <url>
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      <video:title><![CDATA[Alain Altinoglu debuts with the Berliner Philharmoniker]]></video:title>
      <video:description><![CDATA[The transition to Modernism is one of the most exciting phases in musical history. In this concert, works by Maurice Ravel, Béla Bartók, Claude Debussy and Albert Roussel reveal the richness of late Romanticism combined with originality and pioneering spirit. Alain Altinoglu, the “sensitive magician of timbre” (Süddeutsche Zeitung), makes his debut conducting the Berliner Philharmoniker with Máté Szűcs as the soloist in Bartók’s Viola Concerto.]]></video:description>
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      <video:title><![CDATA[Marek Janowski conducts Bruckner’s Fourth Symphony]]></video:title>
      <video:description><![CDATA[Marek Janowski is regarded as the perfect embodiment of the kapellmeister tradition and a master of late-Romantic repertoire, and this programme with Bruckner’s Fourth Symphony and preludes from Pfitzner’s Palestrina emphasizes these qualities. The special charm of both works is the way they look to the past: Pfitzner evokes the world of the Renaissance, while Bruckner immerses himself in a medieval age full of knights and sounds of the forest.]]></video:description>
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      <video:title><![CDATA[Susanna Mälkki and Gil Shaham]]></video:title>
      <video:description><![CDATA[The works of this evening with Susanna Mälkki look both back to the past and forward to the future. For example, Béla Bartók’s Second Violin Concerto, with soloist Gil Shaham, is in the tradition of Beethoven and Brahms but also experiments with the twelve-tone technique. Jean Sibelius’s Second Symphony, on the other hand, combines echoes of Tchaikovsky with innovative form, while Ferruccio Busoni’s Tanz-Walzer conjures up the atmosphere of a coffee house.]]></video:description>
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      <video:title><![CDATA[Seiji Ozawa conducts a “Russian Night” at the Waldbühne]]></video:title>
      <video:description><![CDATA[Few other countries have enriched the world of classical music with such dynamic compositions as Russia, a point well illustrated by a concert held in the Berlin Waldbühne, when Tchaikovsky’s delicately whirling Nutcracker was coupled with Stravinsky’s tremendous Firebird and the archaic weight of Borodin’s Polovtsian Dances. The conductor of this Russian Night was Seiji Ozawa, whose energy and élan likewise seemed to know no bounds.]]></video:description>
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      <video:title><![CDATA[Season opening 2017: Simon Rattle conducts Haydn’s “Creation”]]></video:title>
      <video:description><![CDATA[Simon Rattle is one of the outstanding Haydn conductors of our time. To open his last season as chief conductor of the Berliner Philharmoniker, he presents Haydn’s oratorio The Creation, which combines groundbreaking harmonies, humorous tone painting and powerful choruses to form a spectacular cosmic panorama. The acclaimed performance showed all the musical facets of the work: its power as well as its delicate details.]]></video:description>
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      <video:title><![CDATA[Itzhak Perlman and Daniel Barenboim perform Brahms’s Violin Concerto]]></video:title>
      <video:description><![CDATA[“Perlman made his violin sound jubilant, pouring out passion, gently shimmering and dancing à l’hongroise,” the Berlin press reported when the exceptional American violinist performed Brahms’s Violin Concerto, a magnificent piece filled with obvious and not so obvious passages of tremendous beauty. The conductor at this performance in the Berlin Schauspielhaus was Daniel Barenboim.]]></video:description>
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      <video:title><![CDATA[Gustavo Dudamel conducts Wagner and Schumann at the Waldbühne]]></video:title>
      <video:description><![CDATA[The orchestral music from Wagner’s Ring des Nibelungen is ideal for a concert at Berlin’s Waldbühne. Particularly with such a dynamic conductor as Gustavo Dudamel, pieces like the Ride of the Valkyries develop an impact that reaches even the very last rows of the enormous auditorium. Like Wagner’s opera cycle, Robert Schumann’s Third Symphony leads us to the Rhine, inspiring the composer to vibrating and sonorous music.]]></video:description>
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      <video:title><![CDATA[Europakonzert 2012 from Vienna with Gustavo Dudamel and Gautier Capuçon]]></video:title>
      <video:description><![CDATA[The Spanish Riding School in Vienna houses one of the world’s most unique institutions within a magnificent Baroque setting. The Berliner Philharmoniker gave their annual Europakonzert here in 2012 under the direction of Gustavo Dudamel – with music from Austria, of course. The main work was Beethoven’s revolutionary Fifth Symphony, while the brilliant soloist in Haydn’s First Cello Concerto was Gautier Capuçon, making his Philharmoniker debut.]]></video:description>
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      <video:title><![CDATA[The 1995 Europakonzert from Florence with Zubin Mehta and Sarah Chang]]></video:title>
      <video:description><![CDATA[The Maggio Musicale in Florence is one of the world’s most prestigious music festivals, and it was there that the Berliner Philharmoniker elected to perform their 1995 Europakonzert. The Festival’s artistic director Zubin Mehta conducted a varied programme in the city’s Palazzo Vecchio, including Stravinsky’s Petrushka, a score notable for its shifting perspective between modernity and nostalgia. The guest soloist in the highly virtuosic opening movement of Paganini’s First Violin Concerto was the fourteen-year-old Sarah Chang.]]></video:description>
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      <video:title><![CDATA[Itzhak Perlman and Daniel Barenboim perform Beethoven’s Violin Concerto]]></video:title>
      <video:description><![CDATA[In 1992, Daniel Barenboim and Itzhak Perlman gave four concerts with the Berliner Philharmoniker at the Schauspielhaus am Gendarmenmarkt – the orchestra’s temporary home at the time, as the Philharmonie Berlin had to be extensively renovated. The two programmes featured the violin concertos by Beethoven and Brahms. They were each complemented by less familiar works, and so on the first two evenings Liszt’s rarely performed Dante Symphony formed a delightful contrast to Beethoven’s classic of the violin repertoire.]]></video:description>
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      <video:title><![CDATA[Lisa Batiashvili and Simon Rattle at the Easter Festival in Baden-Baden]]></video:title>
      <video:description><![CDATA[The appearance by Lisa Batiashvili was a highlight of the 2017 Easter Festival. The violinist not only has spectacular technique, but also the gift of “musical storytelling” (Gramophone magazine). In this recording, she performs a work rich in cantilena, Antonín Dvořák’s Violin Concerto. In Bartók’s Concerto for Orchestra, Simon Rattle then shows Middle European music from a more angular, but no less appealing, side.]]></video:description>
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      <video:title><![CDATA[2017 Europakonzert from Cyprus with Mariss Jansons and Andreas Ottensamer]]></video:title>
      <video:description><![CDATA[The 2017 Europakonzert took the Berliner Philharmoniker to Cyprus, more precisely: to the ancient port city of Pafos. Before the city’s Byzantine castle, the orchestra played works by Carl Maria von Weber and Antonín Dvořák which impress with their lyrical zest and warm colours. The conductor was Mariss Jansons, a close friend of the orchestra for several decades, and the soloist in Weber’s Clarinet Concerto No. 1 was Andreas Ottensamer.]]></video:description>
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      <video:title><![CDATA[Simon Rattle conducts Dvořák, Turnage and Brahms]]></video:title>
      <video:description><![CDATA[Rarely is classical music as cheerful as in the serenades of the 18th century. Simon Rattle shows at this concert how ingeniously the genre was taken up in the late romantic era. Thus, for instance, Antonín Dvořák expanded traditional forms in his wind serenade to include Bohemian colours. Johannes Brahms, whose Serenade No. 2 has almost symphonic dimensions, went even one step further. There is also a new work by Mark-Anthony Turnage.]]></video:description>
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      <video:title><![CDATA[Vocal Heroes choir project: Andrew Norman’s “A Trip to the Moon”]]></video:title>
      <video:description><![CDATA[Singing together and inspiring an interest in making music is the goal of our Education Programme’s Vocal Heroes project, and to achieve this, Vocal Hero choirs for children and young people have been founded all over in Berlin. Under the direction of Simon Rattle, they present Andrew Norman’s children’s opera A Trip to the Moon: a fantastical adventure in outer space whose themes include encountering strangers and overcoming prejudices.]]></video:description>
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      <video:title><![CDATA[Ludovic Morlot and Joyce DiDonato]]></video:title>
      <video:description><![CDATA[Hector Berlioz’s cantata La Mort de Cléopâtre is a highly concentrated drama of sometimes delicate, sometimes overwhelming expressiveness. Mezzo-soprano Joyce DiDonato sang the work in June 2017 and was acclaimed by the audience for her powerful stage presence. Conductor Ludovic Morlot also presented Maurice Ravel’s charming suite Ma Mère l’Oye and Igor Stravinsky’s pioneering ballet music The Firebird.]]></video:description>
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      <video:title><![CDATA[Gustavo Dudamel conducts Dvořák’s Symphony “From the New World”]]></video:title>
      <video:description><![CDATA[Antonín Dvořák’s Ninth Symphony, composed in New York, presents itself as colourful, yearning, with a somewhat exotic touch – an inspired fusion of American impressions and symphonic music. In an exciting juxtaposition, Gustavo Dudamel also conducts John Adams’s City Noir. Here too there is a fascinating mixture of styles, this time between classical music and jazz of the 1940s and 1950s.]]></video:description>
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      <video:title><![CDATA[Simon Rattle conducts “Le Sacre du printemps”]]></video:title>
      <video:description><![CDATA[“Simon Rattle and friends”: that’s how one could describe this concert from June 2017. The composer Thomas Adès, whose Powder Her Face Suite we hear here, and Imogen Cooper, the soloist in Mozart’s Piano Concerto No. 25, have both been artistic associates for many years. One could say the same about Stravinsky’s Le Sacre du printemps, which Rattle has conducted in Berlin repeatedly, including in 2003 at the first dance project of the Philharmoniker’s Education Programme.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/23513</loc>
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      <video:title><![CDATA[Andrés Orozco-Estrada and Leif Ove Andsnes]]></video:title>
      <video:description><![CDATA[Although Sergei Rachmaninov was of a melancholic disposition, his Fourth Piano Concerto is full of colour and spontaneity, qualities that pianist Leif Ove Andsnes brings out in his transparent, sinewy performance from May 2017. The virtuoso programme also included Richard Strauss’s Macbeth and Shostakovich’s Symphony No. 5. Making his debut conducting the Berliner Philharmoniker was Andrés Orozco-Estrada.]]></video:description>
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      <video:title><![CDATA[Semyon Bychkov and Gautier Capuçon]]></video:title>
      <video:description><![CDATA[Richard Strauss often came in for caustic criticism for his innovative music. He traces these conflicts in his tone poem Ein Heldenleben: biting, original, with an opulent orchestra sound. Dmitri Shostakovich’s battles in the dictatorship under Stalin were even more existential. Here too, there is an echo of this in the composer’s music, including in the First Cello Concerto – which can be heard here with Gautier Capuçon as the soloist. Semyon Bychkov conducts.]]></video:description>
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      <video:title><![CDATA[Simon Rattle conducts Beethoven and Mendelssohn at the Waldbühne]]></video:title>
      <video:description><![CDATA[“Be embraced, you millions!” says Ludwig van Beethoven rapturously to the whole of mankind in his Ninth Symphony. This global message is particularly impressively conveyed in this 2013 concert from the Berlin Waldbühne – in front of an audience of over 20,000 people. Simon Rattle conducted this memorable evening, and the soloist in Felix Mendelssohn’s Violin Concerto is Christian Tetzlaff.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/23508</loc>
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      <video:title><![CDATA[Simon Rattle conducts Bruckner’s Eighth Symphony]]></video:title>
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      <video:title><![CDATA[Mariss Jansons conducts Sibelius, Weber and Bartók]]></video:title>
      <video:description><![CDATA[Three composers, three distinct musical languages: that’s on offer on this programme with Mariss Jansons and clarinetist Andreas Ottensamer. Thus in Jean Sibelius’s First Symphony, his characteristic Nordic idiom is already unmistakeable. Weber’s first Clarinet Concerto, in turn, combines stupendous virtuosity and Romantic cantilena. And finally Béla Bartók with The Miraculous Mandarin: a rare fusion of uncompromising modernity and sensuousness of sound.]]></video:description>
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      <video:title><![CDATA[Simon Rattle conducts “Tosca”]]></video:title>
      <video:description><![CDATA[In 2017, the audience in the Philharmonie rewarded Simon Rattle’s interpretation of Puccini’s operatic thriller Tosca with standing ovations. In particular, the tonal splendour and vibrant tension of the concert performance received special praise. The Berliner Zeitung wrote: “Equally outstanding was the Latvian soprano Kristine Opolais, whose voice soars above the orchestra with fascinating lightness and at the same time gives Tosca the necessary dramatic weight.”]]></video:description>
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      <video:title><![CDATA[Simon Rattle conducts Berlin school orchestras]]></video:title>
      <video:description><![CDATA[In this recording, Simon Rattle rehearses with more than 100 Berlin school pupils with a lot of humour and all the experience of his great conducting career. This 15th Berliner Philharmoniker school orchestra extravaganza takes as its theme music “from the New World” – with works by Leonard Bernstein, John Adams and, of course, an extract from Antonín Dvořák’s Ninth Symphony.]]></video:description>
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      <video:title><![CDATA[Kirill Petrenko conducts Mozart and Tchaikovsky]]></video:title>
      <video:description><![CDATA[With Kirill Petrenko conducting the Berliner Philharmoniker for the first time since the orchestra elected him their future chief conductor two years ago, anticipation and expectations were high. The programme included Mozart’s Haffner Symphony, Tchaikovsky’s Pathétique and John Adams’s The Wound-Dresser. Petrenko brought out the most subtle of nuances as vividly as a great psychological drama, rightfully receiving standing ovations: “A triumph” (Kulturradio).]]></video:description>
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      <video:title><![CDATA[Simon Rattle conducts “Bluebeard’s Castle”]]></video:title>
      <video:description><![CDATA[Béla Bartók’s only opera Bluebeard’s Castle sounds enigmatic and dark. This is a spectral psychological drama, clad in an impressionist music rich in allusions. The vocal soloists at this performance with Simon Rattle are Rinat Shaham and Gábor Bretz. As a counterpoint there is – with Emanuel Ax as soloist – a new piano concerto by HK Gruber, whose style is characterised by subtle wit and jazzy swing.]]></video:description>
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      <video:title><![CDATA[“Late Night” concert with Simon Rattle and Magdalena Kožená]]></video:title>
      <video:description><![CDATA[This Late Night concert with Simon Rattle and Magdalena Kožená is delicate, enigmatic and virtuoso. The concert opens with Ravel’s gently flowing songs based on poems by Stéphane Mallarmé. Vocal artistry is in demand, in contrast, in Berio’s Sequenza III. The main work on this evening is Berio’s spherical Laborintus II for voices, instruments and tape.]]></video:description>
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      <video:title><![CDATA[An invitation from the Vocal Heroes: Spring sing-along concert]]></video:title>
      <video:description><![CDATA[In this special spring concert, the music-making took place not only on the podium – the whole auditorium rang with song. It was all thanks to the Vocal Hero choirs of the Berliner Philharmoniker’s Education Programme who invited school pupils from all over Berlin to this grand singalong concert which includes songs and canons from all over the world, plus some lively choreography. The concert was presented and conducted by Simon Halsey and the Vocal Heroes’ coaches.]]></video:description>
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      <video:title><![CDATA[Benefit Concert of the Federal President of Germany with Zubin Mehta and Pinchas Zukerman]]></video:title>
      <video:description><![CDATA[One of his last appearances as Federal President of Germany brought Joachim Gauck to the Berliner Philharmoniker – as the host of a benefit concert for UNICEF. Two world stars accepted his invitation: Zubin Mehta and Pinchas Zukerman. The programme featured Tchaikovsky’s late-Romantically agitated Fifth Symphony and Edward Elgar’s Violin Concerto, which is characterised by its at once emotional and modern tonal language.]]></video:description>
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      <video:title><![CDATA[Zubin Mehta and Anoushka Shankar]]></video:title>
      <video:description><![CDATA[The Indian sitar player Ravi Shankar was one of the great musical intermediaries between East and West. His work Raga-Mālā links the art of sitar improvisation with the performed playing of a classical concert: an exciting journey into a faraway world. The soloist in this performance from 2017 is the composer’s daughter Anoushka Shankar; the conductor is Zubin Mehta, who was his friend for many years. Bartók’s Concerto for Orchestra concludes the evening.]]></video:description>
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      <video:title><![CDATA[Ligeti’s “Le Grand Macabre” with Simon Rattle and Peter Sellars]]></video:title>
      <video:description><![CDATA[György Ligeti had a good sense of humour. The best proof of that is his ludicrous opera Le Grand Macabre, which Sir Simon Rattle performed in 2017 with an illustrious ensemble of singers. The work is a grotesque parable about war, enriched with elements from the theatre of the absurd, the mediaeval dance of death and a wild carnival. As for earlier operatic projects of the Berliner Philharmoniker, Peter Sellars was enlisted as the director.]]></video:description>
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      <video:title><![CDATA[Simon Rattle and Patricia Kopatchinskaja]]></video:title>
      <video:description><![CDATA[The culmination of this concert with Sir Simon Rattle is Gustav Mahler’s Fourth Symphony which stands out from the monumental works of the composer through its sunny disposition. The concert opens with the world premiere of Wolfgang Rihm’s Gruß-Moment 2 – in Memoriam Pierre Boulez, followed by György Ligeti’s Violin Concerto: an equally complex and playful work which soloist Patricia Kopatchinskaja ends with a humorous and surprising cadenza.]]></video:description>
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      <video:title><![CDATA[Simon Rattle conducts “The Gospel According to the Other Mary”]]></video:title>
      <video:description><![CDATA[Maria Magdalena is one of the most fascinating female figures in the Bible. In The Gospel According to the Other Mary, composer John Adams and librettist Peter Sellars recount the Passion of Christ from her perspective. Just as multi-faceted as the story is Adams’s irresistible music, in which minimalism is mixed with imaginative orchestration and jazzy verve. Sir Simon Rattle conducts the Berliner Philharmoniker.]]></video:description>
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      <video:title><![CDATA[Bartók and Brahms with Herbert Blomstedt and András Schiff]]></video:title>
      <video:description><![CDATA[Béla Bartók’s Third Piano Concerto is one of the most touching of the 20th century. The gravely ill composer found his way to a tone for which he had not previously been known: more melodic, softer, almost religious. András Schiff, a favourite of the Berlin audience and closely bound to Bartók through his shared Hungarian origin, interprets the work with Herbert Blomstedt, who conducts Johannes Brahms’s First Symphony afterwards.]]></video:description>
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      <video:title><![CDATA[The National Youth Orchestra of Germany and National Youth Ballet perform Mendelssohn’s “Reformation” Symphony]]></video:title>
      <video:description><![CDATA[A substantial jubilee shapes this 2017 guest concert by the National Youth Orchestra of Germany: the 500th anniversary of the Protestant Reformation. Besides Felix Mendelssohn’s splendid Reformation Symphony and Bach’s graceful Orchestral Suite No. 3, two newer works reflecting on the occasion can also be heard. As a special bonus, the German National Youth Ballet performs. Alexander Shelley conducts; John Neumeier is one of the choreographers.]]></video:description>
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      <video:title><![CDATA[Marek Janowski conducts Verdi’s Requiem]]></video:title>
      <video:description><![CDATA[Verdi’s Requiem is unique in musical history. As in his great stage works, the Italian operatic composer wanted to convey profound emotions rather than spiritual transcendence. In this concert from 2017, we hear the Berliner Philharmoniker together with the Berliner Rundfunkchor. The conductor was Marek Janowski, who returned to the orchestra after an absence of more than 20 years.]]></video:description>
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      <video:title><![CDATA[2016 New Year’s Eve Concert with Simon Rattle and Daniil Trifonov]]></video:title>
      <video:description><![CDATA[The London Times described Daniil Trifonov as “the most amazing young pianist of our time” when he presented his first Rachmaninov recording. On New Year’s Eve 2016, Trifonov played the composer’s Piano Concerto No. 3, regarded by many as the most difficult piano concerto of all time. Simon Rattle also presents Antonín Dvořák’s virtuoso Slavonic Dances and enters the world of British humour with orchestral pieces from William Walton’s Façade.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/23468</loc>
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      <video:title><![CDATA[Simon Rattle conducts Wagner]]></video:title>
      <video:description><![CDATA[It is almost a miniature opera: the first act of Richard Wagner’s Walküre, in which Siegmund, Sieglinde and Hunding encounter each other in tense and exciting scenes. Simon Rattle presented this musical chamber play in December 2016 with a first-class ensemble of singers experienced in Bayreuth, consisting of Eva-Maria Westbroek, Simon O’Neill and John Tomlinson. The evening kicks off with Wagner’s gossamer Siegfried Idyll.]]></video:description>
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      <video:title><![CDATA[Beethoven and Bruckner with Christian Thielemann and Rudolf Buchbinder]]></video:title>
      <video:description><![CDATA[It’s always a source of celebration for friends of Bruckner when Christian Thielemann conducts the composer. Not many others have been given the gift to make the dark glow and the broad arches of this music resound so impressively. At this concert, Thielemann interprets Bruckner’s Seventh Symphony, which once marked his breakthrough as a composer. In addition, we encounter Rudolf Buchbinder as the soloist in Beethoven’s Piano Concerto No. 1.]]></video:description>
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      <video:title><![CDATA[Christian Thielemann and Gidon Kremer]]></video:title>
      <video:description><![CDATA[After almost a decade, Gidon Kremer returned to the Berliner Philharmoniker with this concert from 2016. The programme included Sofia Gubaidulina’s violin concerto In tempus praesens, in which a spiritual and filigree solo part meets a powerful orchestral sound. Conductor and Bruckner specialist Christian Thielemann also presented the composer’s Mass in F minor, a monumental work clearly inspired by Beethoven’s Missa solemnis.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/23657</loc>
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      <video:title><![CDATA[“Late Night” concert with Simon Rattle and Barbara Hannigan]]></video:title>
      <video:description><![CDATA[Numerous times the enchanting soprano Barbara Hannigan together with Simon Rattle has presented musical discoveries that are impressive for both their modernity and their intense sensuality. This Late Night concert consists of the song cycle Quatre Chants pour franchir le seuil by Gérard Grisey, a fragile, atmospheric music full of unworldly melancholy.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/23819</loc>
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      <video:title><![CDATA[Family concert: “Ho, Ho, Horn!”]]></video:title>
      <video:description><![CDATA[The horn is the star in this Christmas concert. As always, horn player Sarah Willis is our charming and funny host who, together with her colleagues, presents the distinctive, warm tone of the instrument in music from opera and film, and from the Classical, Romantic and jazz repertoire. Plus there is a special surprise at the end: one hundred professional and amateur horn players from Berlin who bring the concert to a full-toned, Christmassy finish.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/23463</loc>
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      <video:title><![CDATA[Alan Gilbert and Frank Peter Zimmermann]]></video:title>
      <video:description><![CDATA[Modern music of the fleet-footed type characterises the beginning of this concert: with Béla Bartók’s youthfully animated Second Violin Concerto and the ingenious, jazzy minimalism of John Adams. The main symphonic work of the evening is a contrast: Tchaikovsky’s Fourth with its powerful world-weary sounds. Alan Gilbert conducts, and the soloist is the violinist Frank Peter Zimmermann.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/23447</loc>
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      <video:title><![CDATA[Simon Rattle conducts Brahms, Schoenberg, Berg and Webern]]></video:title>
      <video:description><![CDATA[Brilliant, but non-sensuous: that is many concertgoers’ opinion about the music of Arnold Schönberg and his pupils Alban Berg and Anton Webern. This concert, in which Simon Rattle presents orchestral pieces by the three composers, shows just how wrong they are: virtuoso music of overwhelming expressiveness. One important inspiration for Schoenberg’s circle was Johannes Brahms, whose sun-drenched Second Symphony ends the concert.]]></video:description>
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      <video:duration>155</video:duration>
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  <url>
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      <video:title><![CDATA[James Levine conducts Wagner and Strauss at the Waldbühne]]></video:title>
      <video:description><![CDATA[For the 1999 Waldbühne concert, conductor James Levine and heldentenor Ben Heppner chose not light fare but a programme of late Romantic masterpieces by Wagner and Richard Strauss. In addition to Strauss’s Don Juan and Till Eulenspiegel, the audience was regaled with excerpts from well-known music dramas by both composers, including Der Rosenkavalier, Lohengrin, Tristan und Isolde and Die Meistersinger.]]></video:description>
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      <video:title><![CDATA[Iván Fischer and Christiane Karg]]></video:title>
      <video:description><![CDATA[Mozart’s qualities as a music dramatist also manifest themselves in his Prague Symphony, whose operatic contrasts conjure up the world of Don Giovanni and of Figaro time and again. In addition, conductor Iván Fischer presents selected Mozart arias with soprano Christiane Karg. This is preceded by a work by Béla Bartók as visionary as it is captivating: the innovatively instrumented Music for Strings, Percussion and Celesta.]]></video:description>
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      <video:title><![CDATA[Concert with Mariss Jansons and Hilary Hahn from Suntory Hall]]></video:title>
      <video:description><![CDATA[Since its opening in 1986, the Berliner Philharmoniker have performed at Suntory Hall in Tokyo on each of their trips to Japan. The Philharmonie Berlin was the architectural inspiration for the hall, which also benefits from seating which is arranged like a vineyard. In November 2000, the orchestra performed in its second home with Mariss Jansons and Hilary Hahn. They played Dvořák’s Eighth Symphony and Shostakovich’s First Violin Concerto.]]></video:description>
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      <video:title><![CDATA[Tugan Sokhiev and Nikolai Lugansky]]></video:title>
      <video:description><![CDATA[Russian music should be melancholy and voluminous – or at least that’s the cliché. Tugan Sokhiev, Music Director of the Bolshoi Theatre, provides proof of the contrary. Rimsky-Korsakov’s Scheherazade develops oriental magic and impressionist richness of colour, while a tongue in cheek charm repeatedly shines through in Rachmaninov’s Paganini Rhapsody, regardless of its tremendous virtuosity. Nikolai Lugansky debuts as piano soloist with the Berliner Philharmoniker.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/23442</loc>
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      <video:title><![CDATA[Bernard Haitink conducts Schubert and Mahler]]></video:title>
      <video:description><![CDATA[They are among the most expressive symphonic works ever: Mahler’s Lied von der Erde and Schubert’s Unfinished Symphony. An exciting conceptual parallel can be drawn by juxtaposing them: in both cases, fragile folksy gaiety suddenly changes into sheer despair. Besides Bernard Haitink, who is especially highly esteemed as a Mahler interpreter, you can experience tenor Christian Elsner and baritone Christian Gerhaher.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/23439</loc>
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      <video:title><![CDATA[Manfred Honeck and Matthias Goerne]]></video:title>
      <video:description><![CDATA[The orchestral songs by Richard Strauss are gems in which the intimacy of the Lied is combined with virtuoso mastery of the orchestral sound. Besides the Strauss songs, Conductor Manfred Honeck and baritone Matthias Goerne, who is in demand around the world, will present Schubert Lieder in new orchestra arrangements. On the second half of the concert, you can hear Dvořák’s Eighth, a symphony which can be described as “in good spirits” – quite a rarity in the late Romantic era.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/23437</loc>
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      <video:title><![CDATA[Daniele Gatti conducts masterworks of French modernism]]></video:title>
      <video:description><![CDATA[Few works have so profoundly shaped our image of French music as Claude Debussy’s La Mer with its impressionist images of nature. At his guest appearance, Daniele Gatti, chief conductor of the Amsterdam Concertgebouw Orchestra, also shows other facets of French style: Henri Dutilleux’s sublimely sparkling Métaboles and Arthur Honegger’s expressive Symphonie liturgique, which reflects the horrors of the Second World War.]]></video:description>
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      <video:title><![CDATA[John Adams conducts John Adams]]></video:title>
      <video:description><![CDATA[John Adams is one of the best-known composers of minimal music – although on occasion he mixes it with a decidedly melodious, sometimes almost late-Romantic tonal language. In the 2016/17 season, Adams was the Berliner Philharmoniker’s Composer in Residence and made his debut conducting the orchestra in this concert. The programme included his famous Harmonielehre and the violin concerto Scheherazade.2 with soloist Leila Josefowicz.]]></video:description>
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      <video:title><![CDATA[Andris Nelsons conducts the “Symphonie fantastique”]]></video:title>
      <video:description><![CDATA[Fanatical love, drug rapture, execution: there’s hardly an extreme experience that Hector Berlioz’s Symphonie fantastique leaves out. At the same time, the feverish expressivity is based on a cleverly calculated use of a tremendously large orchestra. In addition, Andris Nelsons and the Berliner Philharmoniker are presenting Debussy’s dreamy Prélude à l’après-midi d’un faune and Edgard Varèse’s orchestral work Arcana, which conjures up cosmic forces, on this French programme.]]></video:description>
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      <video:title><![CDATA[Simon Rattle conducts Mahler’s Seventh Symphony at the Royal Albert Hall]]></video:title>
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      <video:title><![CDATA[Season opening 2016: Simon Rattle conducts Mahler’s Seventh Symphony]]></video:title>
      <video:description><![CDATA[The press described this evening with Simon Rattle conducting Mahler’s Seventh Symphony as a “spectacular concert that started the 2016/17 season with a bang”. According to the composer, the work has a “predominantly cheerful character”, but this optimism always remains fragile, ambiguous, on the edge of the abyss. The concert opened with Pierre Boulez’s Éclat – a concentrated work of tonally sensual sophistication.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/17029</loc>
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      <video:title><![CDATA[Gustavo Dudamel conducts Tchaikovsky and Brahms at the Waldbühne]]></video:title>
      <video:description><![CDATA[At his second Waldbühne Concert Gustavo Dudamel marked the 450th anniversary of Shakespeare’s birth by conducting two works by Tchaikovsky: his popular fantasy overture Romeo and Juliet and his symphonic fantasy on The Tempest, a work far too infrequently heard. After the interval came a cornerstone of the late Romantic German repertory: Brahms’s First Symphony.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/337</loc>
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      <video:title><![CDATA[A “Night of Love” with Ion Marin and Renée Fleming at the Waldbühne]]></video:title>
      <video:description><![CDATA[For this Waldbühne concert, conductor Ion Marin and star soprano Renée Fleming presented a “Night of Love” with opera arias of longing and yearning by Giacomo Puccini, Antonín Dvořák, Erich Wolfgang Korngold and Richard Strauss. Plus there are orchestral classics such as Mussorgsky’s dark and terrifying Night on the Bald Mountain and Tchaikovsky’s early masterpiece Romeo and Juliet.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/15467</loc>
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      <video:title><![CDATA[Daniel Barenboim conducts Mozart at the 2006 Europakonzert from Prague]]></video:title>
      <video:description><![CDATA[In 2006 – the 250th anniversary of Mozart’s birth – the Berliner Philharmoniker travelled to Prague to perform an all-Mozart programme at the famous Estates Theatre. Daniel Barenboim not only conducted the “Haffner” and “Linz” Symphonies but was also the soloist in the Piano Concerto No. 22. In the First Horn Concerto the brilliant soloist was Radek Baborák, the orchestra’s principal horn player.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/22416</loc>
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      <video:title><![CDATA[Yannick Nézet-Séguin conducts a “Czech Evening” at the Waldbühne]]></video:title>
      <video:description><![CDATA[Czech music represents passion, verve and colour – and is thus ideally suited to get the audience in the right mood at a Waldbühne summer concert. Yannick Nézet-Séguin, one of the world stars of the younger generation of conductors, presents Antonín Dvořák’s sunny and folkloric Sixth Symphony, as well as Bedřich Smetana’s famous Moldau. In another piece by Dvořák, his violin concerto, we encounter the wonderful violinist Lisa Batiashvili.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/12216</loc>
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      <video:title><![CDATA[2001 New Year’s Eve Concert with Daniel Barenboim and dance music]]></video:title>
      <video:description><![CDATA[On this New Year’s Eve, it was hard to keep your feet still: Daniel Barenboim conducted dance music from three centuries to celebrate the turn of the year – from a Bach gavotte to the Brazilian Tico Tico. Likewise, the waltz king Johann Strauss – otherwise a rare guest at the Philharmonie – could not, of course, be left out. And not only the orchestra showed its versatility, but also the conductor, who took to the piano for a rondo by Mozart.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/2702</loc>
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      <video:title><![CDATA[2010 Europakonzert from Oxford with Daniel Barenboim and Alisa Weilerstein]]></video:title>
      <video:description><![CDATA[For their 20th Europakonzert, the Berliner Philharmoniker were guests of the magnificent Sheldonian Theatre in Oxford, where they had last performed under Herbert von Karajan in 1978. This time the conductor was Daniel Barenboim with a programme including the Prelude to Act 3 of Wagner’s Die Meistersinger von Nürnberg, Brahms’s First Symphony and Elgar’s soulful Cello Concertowith the young American cellist Alisa Weilerstein as the soloist.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/12091</loc>
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      <video:title><![CDATA[“Rhythm and Dance” with Kent Nagano and Susan Graham at the Waldbühne]]></video:title>
      <video:description><![CDATA[The theme of this Waldbühne concert by the Berliner Philharmoniker was Rhythm and Dance. Kent Nagano assembled a number of popular works by George Gershwin alongside Maurice Ravel’s La Valse and the Second Suite from Daphnis et Chloé plus a lesson in the Japanese art of drumming to create a summer evening’s concert remarkable for its verve and virtuosity. Guest stars included the American mezzo-soprano Susan Graham and the legendary Japanese drummer Eitetsu Hayashi.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/22415</loc>
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      <video:title><![CDATA[Yannick Nézet-Séguin and Lisa Batiashvili]]></video:title>
      <video:description><![CDATA[At this concert, Yannick Nézet-Séguin, chief conductor of the Philadelphia Orchestra, encounters Lisa Batiashvili – a both virtuoso and sensitive violinist, and thus the ideal interpreter of Bartók’s yearning Violin Concerto No. 1, in which the composer came to terms with an unrequited love. Following this, the orchestra performs Shostakovich’s 13th Symphony: a staggering accusation against anti-Semitism in the Soviet Union.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/22414</loc>
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      <video:title><![CDATA[Simon Rattle and Emanuel Ax]]></video:title>
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      <video:title><![CDATA[Vocal Heroes choir project: “The Two Fiddlers”]]></video:title>
      <video:description><![CDATA[When goblins grant a wish, things can only end badly – as the fiddler Gavin, the hero of Sir Peter Maxwell Davies’s children’s opera based on an ancient legend The Two Fiddlers, finds out to his cost. In addition to members of the Berliner Philharmoniker and Sir Simon Rattle, the performers are young instrumentalists and the Vocal Heroes project choir.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/22413</loc>
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      <video:title><![CDATA[Simon Rattle conducts Dvořák, Elgar and a première]]></video:title>
      <video:description><![CDATA[In this concert, the Berliner Philharmoniker take a musical journey to neighbouring European countries. Simon Rattle conducts a work from his native England: Edward Elgar’s unusually orchestrated Introduction and Allegro for string quartet and string orchestra, followed by the Slavonic Dances by Antonín Dvořák. In addition, a series initiated by Sir Simon of world premieres of short works begins, under the title “Tapas”.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/22460</loc>
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      <video:title><![CDATA[“Late Night” concert with Simon Rattle]]></video:title>
      <video:description><![CDATA[In the world of music, people know Don Quixote primarily in Richard Strauss’s powerful interpretation. With Manuel de Falla’s El retablo de maese Pedro, our Late Night concert with Simon Rattle presents a portrayal more characterised by humour and Spanish atmosphere. Besides this work, there is chamber music by Claude Debussy and Betsy Jolas of a bittersweet mood similar to the story of the “Knight of the Sad Countenance”.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/22412</loc>
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      <video:title><![CDATA[John Eliot Gardiner conducts Stravinsky]]></video:title>
      <video:description><![CDATA[After an absence of 14 years, Sir John Eliot Gardiner returned to the Berliner Philharmoniker with this Stravinsky evening. The focus is on the opera oratorio Oedipus Rex, whose archaic force unmistakeably inspired Carl Orff in composing his Carmina Burana. The ballet Apollon musagète also harks back to older music – but in its bright Baroque grace conjures up an entirely different world of sound.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/22411</loc>
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      <video:title><![CDATA[Juanjo Mena makes his debut with the Berliner Philharmoniker]]></video:title>
      <video:description><![CDATA[Juanjo Mena brought a Spanish and Latin American programme along for his debut with the Berliner Philharmoniker. While Claude Debussy in Ibéria conveys a dreamy summer image of Spain, Manuel de Falla’s ballet music The Three-Cornered Hat vibrates with Mediterranean energy. And then there’s the Argentinian Alberto Ginastera, whose harp concerto combines southern folklore with new sounds in an appealing way.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/23846</loc>
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      <video:title><![CDATA[Simon Rattle conducts a Beethoven evening in Taipei]]></video:title>
      <video:description><![CDATA[A particularly warm relationship has developed between the Taiwanese audience and the Berliner Philharmoniker since their first guest appearance in 2005. For this guest performance at the Taipei National Concert Hall in May 2016, the orchestra and its chief conductor Sir Simon Rattle present Beethoven’s First and Ninth Symphony – effectively a highly concentrated substratum of the celebrated Beethoven cycle that shaped the Philharmoniker’s entire 2015/16 season.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/22410</loc>
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      <video:title><![CDATA[Andris Nelsons conducts Wagner and Bruckner]]></video:title>
      <video:description><![CDATA[Ever since he appeared at the Bayreuth Festival, Andris Nelsons has been considered one of the outstanding interpreters of Richard Wagner. In this concert, he presents the prelude and the Karfreitagszauber from Parsifal to the Berliner Philharmoniker audience. This is followed by Anton Bruckner’s Third Symphony, dedicated to Wagner “with the most profound respect”, in which Bruckner’s individual sound, inspired by the organ, unfolds its full potential for the first time.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/22499</loc>
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      <video:title><![CDATA[Simon Rattle conducts the 2016 Europakonzert in Røros]]></video:title>
      <video:description><![CDATA[This Europakonzert from 2016 takes us to the beautiful Baroque church in the Norwegian mining town of Røros. Simon Rattle conducts works including Beethoven’s revolutionary Eroica and Mendelssohn’s noble, songful Violin Concerto in E Minor. The soloist, playing a home fixture, so to speak, is the virtuoso, sensitive and charming Norwegian violinist Vilde Frang.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/22409</loc>
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      <video:title><![CDATA[Tugan Sokhiev and Jean-Yves Thibaudet]]></video:title>
      <video:description><![CDATA[Although French music often comes across as rather fragile, there are also powerful counterexamples. Thus, César Franck’s D minor Symphony and Gabriel Fauré’s Pelléas et Mélisande radiate – besides French flair – a Beethovenian will to find the right form. Maurice Ravel, in contrast, strikes a crisp, jazzy tone in the Finale of his G major piano concerto, as one might more readily expect from Gershwin. Tugan Sokhiev conducts; at the piano is Jean-Yves Thibaudet.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/22408</loc>
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      <video:title><![CDATA[Semyon Bychkov and Kirill Gerstein]]></video:title>
      <video:description><![CDATA[Rarely has the Russian soul been captured in music so impressively as in Sergei Rachmaninov’s Piano Concerto No. 2 – in its melancholy brooding, its singing and revolt. In this performance with Semyon Bychkov, pianist Kirill Gerstein debuts with the Berliner Philharmoniker. Piotr Ilyich Tchaikovsky fosters a completely different attitude in his Third Symphony, which is shaped by the festive cheer and dancing brilliance of his famous ballets.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/22406</loc>
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      <video:title><![CDATA[Seiji Ozawa returns to the Berliner Philharmoniker]]></video:title>
      <video:description><![CDATA[A happy reunion: After a long absence due to illness, Seiji Ozawa returned to conduct the Berliner Philharmoniker again in April 2016. The focus of the evening is on the First Viennese School. Following Mozart’s Serenade Gran Partita, performed by members of the orchestra without a conductor, there is then Beethoven’s Egmont Overture and the Choral Fantasy: a work that unmistakably looks ahead to his Ninth Symphony.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/22418</loc>
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      <video:title><![CDATA[The National Youth Orchestra of Germany with Sebastian Weigle]]></video:title>
      <video:description><![CDATA[100 extraordinarily talented young musicians come together regularly to work with renowned conductors and teachers in the National Youth Orchestra of Germany. The Berliner Philharmoniker became patrons of the orchestra in 2013 and contribute the soloists to this colourful programme. Sebastian Weigle, general music director of the Oper Frankfurt, conducts.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/23688</loc>
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      <video:title><![CDATA[“World Encores” with Mariss Jansons and Vadim Repin at the Waldbühne]]></video:title>
      <video:description><![CDATA[A concert made up only of encores – this is conceivable only at the end-of-season concert that the Berliner Philharmoniker give each summer at the city’s Waldbühne. Here, they presented a varied panorama of World Encores – with operatic music by Massenet, Mascagni and Wagner, and New Year’s Eve Concert classics by Ziehrer and Lumbye. Plus, there were spectacular virtuoso pieces by Paganini and Kreisler performed by Russian star violinist Vadim Repin.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/22405</loc>
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      <video:title><![CDATA[“Tristan und Isolde” with Simon Rattle, Eva-Maria Westbroek and Stuart Skelton]]></video:title>
      <video:description><![CDATA[No greater love is conceivable than that between Tristan and Isolde. But although Richard Wagner conveys yearning and ecstasy in unparalleled intensity in his opera, what’s lacking is any of the effortlessness of happiness – the tragic end is woven into the music right from the outset. After performances at the 2016 Baden-Baden Easter Festival, Sir Simon Rattle presented the complex work with Eva-Maria Westbroek and Stuart Skelton in the Berlin Philharmonie.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/22497</loc>
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      <video:title><![CDATA[Beethoven and Mozart with Simon Rattle and Mitsuko Uchida at the Easter Festival]]></video:title>
      <video:description><![CDATA[Hardly any other work is more suitable for festive occasions than Beethoven’s Ninth Symphony, with its jubilant vision of a better world. After the Berliner Philharmoniker enjoyed success in Berlin and on tour with Beethoven’s symphonies, they presented the pinnacle of the cycle at the Easter Festival in Baden-Baden. The concert also included Mitsuko Uchida as the soloist in Mozart’s Piano Concerto in E Flat Major K. 482.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/22496</loc>
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      <video:title><![CDATA[Manfred Honeck and Yo-Yo Ma at the Easter Festival]]></video:title>
      <video:description><![CDATA[In this concert from the 2016 Easter Festival, Manfred Honeck conducts Robert Schumann’s Cello Concerto with Yo-Yo Ma as the soloist, and Tchaikovsky’s Pathétique – Romantic late works which could hardly be more contrasting. While Schumann in his work finds his way to contemplation and inward singing, Tchaikovsky in his last symphony aggressively bares his pain as his pride to the listener.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/22404</loc>
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      <video:title><![CDATA[Mariss Jansons and Truls Mørk]]></video:title>
      <video:description><![CDATA[Dmitri Shostakovich reflects unsparingly on the horrors of the Stalin era with his Tenth Symphony. Specifically, the manic brutal second movement was conceived as a portrait of the dictator. The work is conducted at this concert by Mariss Jansons, whose musical origins were in the renowned Leningrad Shostakovich tradition; he was considered one of the best Shostakovich interpreters. We encounter soloist Truls Mørk in Henri Dutilleux’s yearning cello concerto.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/23677</loc>
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      <video:title><![CDATA[“Welcome among us”: Concert for fugitives and helpers]]></video:title>
      <video:description><![CDATA[In March 2016, the Staatskapelle Berlin, the Konzerthausorchester Berlin, the Berliner Philharmoniker and their chief conductors welcomed people who have fled to Germany to escape war and distress in their home countries under the banner “Welcome among us”. The oft-quoted, miraculous ability of music to build bridges between people and cultures was impressively evident. The conductors are Daniel Barenboim, Iván Fischer and Sir Simon Rattle.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/22626</loc>
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      <video:title><![CDATA[Family concert: “The Toy Box”]]></video:title>
      <video:description><![CDATA[For this concert, the Berlin Philharmonie transforms itself into a “toy box” full of musical surprises. Under the guidance of the Star Man, members of the Berliner Philharmoniker and two dancers, the audience – both young and old – are whisked away to an enchanted world full of dolls and toys. Claude Debussy’s ballet music La Boîte à joujoux is the work that forms the basis of this magically staged family spectacle!]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/22403</loc>
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      <video:title><![CDATA[Simon Rattle and Daniel Stabrawa]]></video:title>
      <video:description><![CDATA[Albert Roussel and Jean-Philippe Rameau – though born 200 years apart – were brothers in spirit: individual, surprising, with a unique sense of timbre. All these qualities manifest themselves in this concert with Roussel’s Le Festin de l’araignée and Rameau’s Les Boréades. In addition, Simon Rattle and Daniel Stabrawa interpret Karol Szymanowski’s Violin Concerto No. 2, which shimmers wonderfully between Impressionism and Polish folk music.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/22402</loc>
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      <video:title><![CDATA[Simon Rattle conducts a concert “à la française”]]></video:title>
      <video:description><![CDATA[Although Maurice Ravel’s international fame is due principally to Boléro, the ballet Daphnis et Chloé is considered his real masterpiece. It seems full of sunlight and playful – and then again inscrutable and brutal. Sir Simon Rattle also presents two delightful rarities: Francis Poulenc’s cantata Figure humaine, filled with fragile beauty, and Charles Koechlin’s witty adaptation of the Jungle Book material.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/22459</loc>
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      <video:title><![CDATA[“Late Night” concert with Simon Rattle and Stefan Dohr]]></video:title>
      <video:description><![CDATA[Ironic, witty and surprising – that sums up the programme at this Late Night concert with Simon Rattle. For instance, the creation of the world is an exceptionally jazzy affair in Darius Milhaud’s La Création du monde; Igor Stravinsky makes cheerful use of Baroque models in his chamber concerto Dumbarton Oaks; and in Richard Ayres’s NONcerto for horn, even the title announces the humorous play with the audience’s expectations.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/22401</loc>
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      <video:title><![CDATA[Herbert Blomstedt conducts Dvořák and Berwald]]></video:title>
      <video:description><![CDATA[Melancholy while powerful, never maudlin: that’s Antonín Dvořák’s Seventh Symphony. The mixture of varied moods is particularly compelling, for instance, in the Scherzo, which is at the same time lugubrious and dance-like. Together with it, Herbert Blomstedt conducts a rediscovery: Franz Berwald’s Third Symphony, a stirring work sometimes reminiscent of Mendelssohn that the Berliner Philharmoniker last performed in 1950.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/2593</loc>
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      <video:title><![CDATA[Andris Nelsons conducts Tchaikovsky at the Waldbühne]]></video:title>
      <video:description><![CDATA[Passion, tragedy and brilliance are the hallmarks of Tchaikovsky’s musical world. In this Waldbühne concert, Andris Nelsons dedicates an entire programme to the composer. In addition to two spectacular orchestral staples – the Fifth Symphony and the 1812 Overture – the programme also features three pieces with solo violin by the sensitive Tchaikovsky. The soloist is Daishin Kashimoto, first concertmaster of the orchestra.]]></video:description>
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      <video:publication_date>2016-02-10T13:00:00+00:00</video:publication_date>
      <video:family_friendly>yes</video:family_friendly>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/22400</loc>
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      <video:title><![CDATA[Iván Fischer conducts Mahler’s Symphony No. 3]]></video:title>
      <video:description><![CDATA[Mahler’s Third Symphony is a gigantic work in every respect. Firstly, in terms of length – just the opening movement is longer than Beethoven’s Fifth Symphony. Most notably, however, Mahler creates here a cosmos of the most diverse expressive worlds. Iván Fischer leads us into this cosmos in this concert with mezzo-soprano Anna Larsson; his recording of all the Mahler symphonies has been showered with prizes.]]></video:description>
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      <video:publication_date>2016-02-02T15:00:00+00:00</video:publication_date>
      <video:family_friendly>yes</video:family_friendly>
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      <video:duration>70</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/22399</loc>
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      <video:title><![CDATA[Daniel Harding and Frank Peter Zimmermann]]></video:title>
      <video:description><![CDATA[Magnus Lindberg is a contemporary composer who writes in highly sensuous timbres. “It is not about making a manifesto. Music is something which is about emotion! It is an experience” – says the composer, whose violin concerto is presented here by Daniel Harding and Frank Peter Zimmermann. Just as haunting is Boulez’s colourful and multi-faceted Mémoriale, heard in this concert with Emmanuel Pahud as the soloist. The evening ends with Robert Schumann’s Second Symphony.]]></video:description>
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      <video:publication_date>2016-01-27T10:00:00+00:00</video:publication_date>
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      <video:duration>219</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/22471</loc>
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      <video:title><![CDATA[“Late Night” concert with Matthias Pintscher and the Scharoun Ensemble]]></video:title>
      <video:description><![CDATA[The highly esteemed composer Matthias Pintscher conducts a tribute to three important colleagues. György Kurtág is represented by his expressive song cycle Messages of the Late Miss R V Troussova; Friedrich Cerha fits optimally into the late night mood with Bruchstück, geträumt. The 10th anniversary of György Ligeti’s death is commemorated with his fascinating and shimmering chamber concerto.]]></video:description>
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  <url>
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      <video:title><![CDATA[Chopin’s Piano Concerto No. 1 with Maurizio Pollini and Christian Thielemann]]></video:title>
      <video:description><![CDATA[No music collection should be without Maurizio Pollini’s legendary Chopin recordings. In this concert, he presents the First Piano Concerto with Christian Thielemann in the Philharmonie. In other ways as well, the evening revolves around the Romantic era: with Schumann’s Genoveva overture, Aribert Reimann’s Schumann fragments and symphonic interludes from Strauss’s opera Intermezzo that virtuosically oscillate between luscious late Romantic sound and pioneering originality.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/22397</loc>
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      <video:title><![CDATA[Christian Thielemann conducts a concert “à la française”]]></video:title>
      <video:description><![CDATA[This French programme with conductor Christian Thielemann presents itself as delicate and passionate. Ernest Chausson’s sumptuous song cycle Poème de l’amour et de la mer with mezzo-soprano Sophie Koch is followed by Debussy’s graceful dances for harp and strings. The climax is the peaceful Requiem by Gabriel Fauré, which culminates in a touchingly optimistic vision of the hereafter.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/22396</loc>
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      <video:title><![CDATA[2015 New Year’s Eve Concert with Simon Rattle and Anne-Sophie Mutter]]></video:title>
      <video:description><![CDATA[For this New Year’s Eve Concert, the Berliner Philharmoniker presented themselves in French musical garb: Under the direction of Sir Simon Rattle, the programme included orchestral works by Chabrier, Poulenc, Massenet and Ravel. With links to the Philharmoniker that go back over many years, star violinist Anne-Sophie Mutter gave sparkling performances of Saint-Saëns’s Introduction et Rondo capriccioso and the Tzigane by Maurice Ravel.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/22395</loc>
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      <video:title><![CDATA[“Pelléas et Mélisande” with Simon Rattle, Christian Gerhaher and Magdalena Kožená]]></video:title>
      <video:description><![CDATA[Thriller, chamber play, romantic drama: Debussy’s Pelléas et Mélisande is all of this and much more. The New York Times wrote about this performance with Simon Rattle: “The result surpasses even the expectations raised by the Bach Passions. Mr. Sellars’s staging completely captures the human essence of Maurice Maeterlinck’s play. The singers are as fine as one could wish for.”]]></video:description>
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      <video:duration>279</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/22394</loc>
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      <video:title><![CDATA[Bernard Haitink conducts Mozart and Bruckner]]></video:title>
      <video:description><![CDATA[It’s always a magic moment for Bruckner fans when Bernard Haitink conducts. In this concert, the programme consists of the work with which Bruckner bade farewell to the world: his Ninth Symphony, dedicated “to the beloved God”. Till Fellner debuts as the soloist in Mozart’s gentle and melancholy Piano Concerto K. 503. A free, singing pianistic tone is ensured, as is acute, precise musical modulation.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/22393</loc>
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      <video:title><![CDATA[A “French Evening” with François-Xavier Roth and Anna Caterina Antonacci]]></video:title>
      <video:description><![CDATA[A diverse cross-section of three centuries of French music is on offer at this concert from December 2015 – from the Baroque master Jean-Baptiste Lully to Claude Debussy, Maurice Ravel and Edgard Varèse. The Italian soprano Anna Caterina Antonacci sings in Hector Berlioz’s sensuous Nuits d’été. With this programme, conductor François-Xavier Roth makes his debut with the Berliner Philharmoniker.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/22564</loc>
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      <video:title><![CDATA[Family concert: “Merry Quizmas!”]]></video:title>
      <video:description><![CDATA[Smart alecks – take a look! The traditional Christmas concert of our education programme took place in 2015 in the form of a quiz show: the presenters Sarah Willis and Malte Arkona test the audience with fascinating questions on the topics of music, instruments, orchestras and Christmas. Of course, there is also Christmas music with members of the Berliner Philharmoniker.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/12179</loc>
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      <video:title><![CDATA[Plácido Domingo conducts a “Spanish Night” at the Waldbühne]]></video:title>
      <video:description><![CDATA[The international tenor Plácido Domingo, who was born in Madrid to two zarzuela singers, has a natural affinity for Spanish music, and in July 2001 it was with visible pleasure that he presented a Spanish Night at the Waldbühne in Berlin. The occasion also marked his debut as a conductor with the Berliner Philharmoniker. The evening’s two soloists were the soprano Ana María Martínez and the violinist Sarah Chang, whose passionate performances delighted their audience.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/23416</loc>
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      <video:title><![CDATA[Daniel Barenboim conducts the Berliner Philharmoniker at the Staatsoper Unter den Linden]]></video:title>
      <video:description><![CDATA[In April 1998 the Berlin Staatsoper threw a very special party for its musical neighbours when, for the first time since German reunification, the Berliner Philharmoniker visited the opera’s legendary home on Unter den Linden. The Staatsoper’s general music director, Daniel Barenboim, presided over a programme of works spanning much of the nineteenth century – with Beethoven’s Eighth Symphony, Schumann’s Konzertstück for four horns, and Liszt’s Les Préludes.]]></video:description>
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      <video:publication_date>2015-11-19T10:00:00+00:00</video:publication_date>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/15573</loc>
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      <video:title><![CDATA[An “Oriental Night” with Neeme Järvi and Janine Jansen at the Waldbühne]]></video:title>
      <video:description><![CDATA[The Thousand and One Nights was the theme of the 2006 open-air concert at the Waldbühne with which the Berliner Philharmoniker said their farewells for the summer: the programme included famous fairytale figures from the Orient such as Scheherazade, who tells stories to save her own life, the wily Aladdin and the seductive Thaïs. Conductor Neeme Järvi was joined by another guest, the fantastic violinist Janine Jansen who made her debut with the orchestra in this concert.]]></video:description>
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      <video:duration>151</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/22392</loc>
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      <video:title><![CDATA[Andris Nelsons conducts Strauss’s “Alpine Symphony”]]></video:title>
      <video:description><![CDATA[Richard Strauss’ spectacularly orchestrated Alpine Symphony, a showpiece of the Berliner Philharmoniker since the days of Herbert von Karajan, was given its premiere in Berlin on 28 October 1915. The orchestra celebrated the 100th anniversary of this event with a colourful and expressive performance under the baton of Andris Nelsons. The programme also includes Shostakovich’s disturbing, virtuoso Violin Concerto No. 1 with Baiba Skride as the soloist.]]></video:description>
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      <video:title><![CDATA[The 12 Cellists and Anna Prohaska]]></video:title>
      <video:description><![CDATA[For decades, the 12 Cellists of the Berliner Philharmoniker have been playing from one success to the next. Together with soprano Anna Prohaska, this concert takes on an atmospheric South America programme with music by Heitor Villa-Lobos, Astor Piazzolla and Horacio Salgán. Compositions by Gabriel Fauré in artful arrangements for 12 violoncelli add some French flair.]]></video:description>
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      <video:title><![CDATA[Giovanni Antonini and Piotr Anderszewski in works by Mozart and Haydn]]></video:title>
      <video:description><![CDATA[This concert takes us to the heyday of the First Viennese School: with two late Haydn symphonies – Nos. 101 and 103 – and Mozart’s dark and dramatic Piano Concerto in C minor. The conductor, Giovanni Antonini, is a preeminent early music interpreter. The Mozart concerto is a reunion with Piotr Anderszewski, whose playing captivates with “myriad colourings” and “poetic sensibility” (The New York Times).]]></video:description>
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      <video:title><![CDATA[Simon Rattle conducts Beethoven’s Symphony No. 9]]></video:title>
      <video:description><![CDATA[It’s a moving moment in Beethoven’s Ninth Symphony and in the history of music overall: when the instruments audibly struggle for the right expression in the Finale, fail – and the jubilant singing of human voices is needed to convey Beethoven’s marvellous vision of a humane, joyful world. With this concert, Simon Rattle and the Berliner Philharmoniker wrap up their interpretation of all the Beethoven symphonies.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/22386</loc>
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      <video:title><![CDATA[Simon Rattle conducts Beethoven’s Symphonies Nos. 4 and 7]]></video:title>
      <video:description><![CDATA[Like a “slender Greek maiden between two Nordic giants” – that’s the effect Beethoven’s Fourth Symphony made on Robert Schumann. However, this maiden is anything but harmless; she repeatedly shows a biting humour. This humour becomes still greater in the almost manic verve of the Seventh Symphony. At the same time, the work is steeped in a melancholy flavour that develops unchecked in the famous darkly striding Allegretto.]]></video:description>
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      <video:title><![CDATA[Simon Rattle conducts Beethoven’s Symphonies Nos. 6 and 8]]></video:title>
      <video:description><![CDATA[Even though Beethoven often felt alien among his fellow humans, he was close to nature. He manifested his enthusiastic connection to life in the countryside most impressively in the colourful natural scenes of his Sixth Symphony. The humorous Eighth behaves in a less balanced way; its Finale gave Louis Spohr the impression that someone was sticking his tongue out in the middle of a conversation.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/22388</loc>
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      <video:title><![CDATA[Simon Rattle conducts Beethoven’s Symphonies Nos. 2 and 5]]></video:title>
      <video:description><![CDATA[Beethoven’s Symphony No. 2 was composed at a time when the composer was expressing despondency about his increasing deafness in the famous Heiligenstadt Testament. Here too, the cheerfulness of the work keeps collapsing into an expression of shimmering agitation. In the Fifth Symphony, in contrast, we encounter a different Beethoven who addresses his destiny with forceful determination, all the way to the Finale that is sure of victory.]]></video:description>
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      <video:description><![CDATA[Performing all the Beethoven symphonies is always a unique project. After a first series in 2008, the Berliner Philharmoniker and Simon Rattle presented their interpretation once again in October 2015. The starting point is the First Symphony, whose dissonant opening chord already announces the exciting individuality of the cycle – before the fierce Eroica conclusively breaks with all musical standards of the time.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/22385</loc>
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      <video:title><![CDATA[Zubin Mehta conducts Saint-Saëns’s “Organ Symphony”]]></video:title>
      <video:description><![CDATA[There’s a lot to admire in Camille Saint-Saëns’s Organ Symphony: this original work is extremely multi-faceted – on the one hand gossamery and delicate, on the other festively roaring in its organ finale. Like the symphony, the other works of this evening with Zubin Mehta are steeped in late Romantic rapture: the Intermezzo from Franz Schmidt’s opera Notre Dame and Erich Wolfgang Korngold’s Violin Concerto with Gil Shaham as the soloist.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/22384</loc>
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      <video:title><![CDATA[Simon Rattle conducts Mozart and Haydn in Lucerne]]></video:title>
      <video:description><![CDATA[Join the Berliner Philharmoniker and Sir Simon Rattle in Lucerne! The musicians present Mozart’s charming Sinfonia concertante for violin and viola (soloists: Daishin Kashimoto and Amihai Grosz), and an “imaginary orchestra journey” through the music of Joseph Haydn which combines the wittiest, most thoughtful and most eccentric moments from the composer’s gigantic oeuvre.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/22382</loc>
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      <video:title><![CDATA[Matthias Pintscher and Renaud Capuçon]]></video:title>
      <video:description><![CDATA[Matthias Pintscher is considered not only one of the preeminent composers of our day, but also among its most exciting conductors, particularly since being appointed head of the famous Ensemble intercontemporain in 2013. At this concert from September 2015, he makes his debut with the Berliner Philharmoniker. The programme includes works by Fauré, Schoenberg and Debussy, as well as Pintscher’s own mar’eh with violinist Renaud Capuçon as the soloist.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/23275</loc>
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      <video:title><![CDATA[Season finale at the Waldbühne with Daniel Barenboim]]></video:title>
      <video:description><![CDATA[Being Argentinian himself, Daniel Barenboim has a affinity to music from Latin climes, which is shown impressively in this concert with the Berliner Philharmoniker with a programme full of fiery energy. On the most beautiful of summer evenings, the Berlin Waldbühne resounded to the sounds of Latin American tangos, melodies from Carmen, Ravel’s Bolero and the legendary Concierto de Aranjuez with a doyen of the guitar: John Williams.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/22383</loc>
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      <video:title><![CDATA[Season opening 2015: Simon Rattle conducts Britten and Shostakovich]]></video:title>
      <video:description><![CDATA[To open the 2015/2016 season, the Berliner Philharmoniker and chief conductor Sir Simon Rattle presented two works that blend virtuosity with irony in very different ways. While Benjamin Britten lovingly portrays the character traits of his teacher Frank Bridge in his set of variations, the parody in Shostakovich’s Fourth Symphony has a more serious background, reflecting the grotesque features of the Stalinist dictatorship.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/23262</loc>
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      <video:title><![CDATA[Seiji Ozawa conducts a Gershwin Night at the Waldbühne]]></video:title>
      <video:description><![CDATA[George Gershwin loved performing at open-air concerts, so it made perfect sense for the Berliner Philharmoniker to dedicate their 2003 Waldbühne concert exclusively to his most famous works. Supported by the Marcus Roberts Trio, conductor Seiji Ozawa presented An American in Paris, the Rhapsody in Blue and the Concerto in F, turning the Waldbühne into a vast, swinging jazz club.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/11463</loc>
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      <video:title><![CDATA[Celibidache’s return to the Berliner Philharmoniker after 38 years]]></video:title>
      <video:description><![CDATA[In 1946, in the dramatic years of post-war Germany, the young Sergiu Celibidache was appointed conductor of the Berliner Philharmoniker where he remained for six years; an appointment which proved to be a sensational stroke of good fortune. After 38 long years, he returned to his former domain. It was an emotional reunion, which culminated in a haunting performance of Bruckner’s Seventh Symphony: a truly great moment in the history of the Berliner Philharmoniker.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/23213</loc>
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      <video:title><![CDATA[The 1999 Europakonzert in Krakow with Bernard Haitink, Emanuel Ax and Christine Schäfer]]></video:title>
      <video:description><![CDATA[To mark the 150th anniversary of Chopin’s death in 1999, the orchestra travelled to Poland where, under the direction of Bernard Haitink, they held their ninth Europakonzert in the magnificent setting of Krakow’s Gothic St Mary’s Basilica. The soloist in the Second Piano Concerto by Poland’s national composer was Emanuel Ax. Plus, there was music by Wolfgang Amadeus Mozart – with Christine Schäfer as the soloist – and Robert Schumann’s Spring Symphony.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/42</loc>
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      <video:title><![CDATA[The 2009 Europakonzert in Naples with Riccardo Muti]]></video:title>
      <video:description><![CDATA[It was after an absence of seventeen years that Riccardo Muti returned to conduct the Berliner Philharmoniker on 1 May 2009. The programme of the Europakonzert that was held in the magnificent setting of the newly restored Teatro di San Carlo in Naples featured Schubert’s Symphony in C major (“Great”), a Verdi overture and Giuseppe Martucci’s song cycle La canzone dei ricordi, a genuine rarity that is all too infrequently heard today.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/1612</loc>
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      <video:title><![CDATA[“Fellini, Jazz & Co.” with Riccardo Chailly at the Waldbühne]]></video:title>
      <video:description><![CDATA[For his Waldbühne concert in 2011 Riccardo Chailly was keen to present a programme that went “beyond the typical repertory”. The result was a concert that included several works that the orchestra had never performed before, from Shostakovich’s Jazz Suite No. 2 to Nino Rota’s film music to La strada. Further impressions of Italy were provided by the tone poems of Ottorino Respighi, which whisked the audience away to the parks and fountains of Rome.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/12111</loc>
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      <video:title><![CDATA[Lorin Maazel conducts the “Ring without words”]]></video:title>
      <video:description><![CDATA[As bold as it may seem to compress Wagner’s operatic tetralogy Der Ring des Nibelungen into 75 minutes, the result of Lorin Maazel’s “symphonic synthesis”, which is documented here, is just as impressive. This synthesis includes practically all of the musical high points of Wagner’s tremendous tetralogy from the opening notes of Das Rheingold to the final chord of Götterdämmerung. The perfect concert for Wagner fans and those new to his music.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/23170</loc>
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      <video:title><![CDATA[2003 Europakonzert from Lisbon with Pierre Boulez and Maria João Pires]]></video:title>
      <video:description><![CDATA[Pierre Boulez was an outstanding interpreter of Bartók and Ravel, making this film document of the 2003 Europakonzert with Bartók’s Concerto for Orchestra and Ravel’s Le Tombeau de Couperin all the more precious. This concert from the spectacularly beautiful Mosterio dos Jerónimos near Lisbon also provides the rare opportunity to experience Boulez conducting Mozart in the composer’s Piano Concerto No. 20, with Lisbon-born Maria João Pires as the soloist.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/20456</loc>
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      <video:title><![CDATA[Simon Rattle conducts film scores at the Waldbühne]]></video:title>
      <video:description><![CDATA[For this open-air concert at the Waldbühne, the Berliner Philharmoniker and Sir Simon Rattle surrounded themselves with plenty of stars of the silver screen, including Indiana Jones, E.T., Robin Hood, Tom and Jerry, Ben Hur and the heroes of Star Wars. They were all brought to life musically when the orchestra struck up some of Hollywood’s most famous film music.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/20453</loc>
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      <video:title><![CDATA[Vocal Heroes choir project: “The Monster in the Maze”]]></video:title>
      <video:description><![CDATA[Vocal Heroes: this is the title under which the Berliner Philharmoniker’s Education Programme gathers children to sing together in choirs founded expressly for that purpose. To end the season, there was a joint concert with the Berliner Philharmoniker, Simon Rattle and an exciting children’s opera. The Monster in the Maze is the title of the work composed by Jonathan Dove, which was premiered at this concert.]]></video:description>
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      <video:duration>201</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/20450</loc>
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      <video:title><![CDATA[Krystian Zimerman plays Brahms]]></video:title>
      <video:description><![CDATA[Krystian Zimerman is a pianist, who looks for the truth behind the notes with a ruthless unwillingness to compromise – which is why all of his recordings are a precious rarity. Here, we present his performance of Brahms’s Piano Concerto No. 1. The performance with Sir Simon Rattle is as multifaceted as Brahms’s work: floating poetically, spirited and forceful, but always infused with the dark introspection of late Romanticism.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/20447</loc>
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      <video:title><![CDATA[Brahms’s Violin Concerto with Christian Tetzlaff and Simon Rattle]]></video:title>
      <video:description><![CDATA[Violinist Christian Tetzlaff is hailed by the press as someone who combines “sparkling technique and analytical acuity with dazzling musicality and a healthy dose of mischief”. In the 2014/15 season, he was Artist in Residence with the Berliner Philharmoniker. This concert with Brahms’s Violin Concerto under the baton of Simon Rattle marks the high point of his time with the orchestra.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/20998</loc>
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      <video:title><![CDATA[Barbara Hannigan and Simon Rattle with “Façade” by William Walton]]></video:title>
      <video:description><![CDATA[What a programme Sir Simon Rattle and soprano Barbara Hannigan assembled for this Late Night: naughty, sophisticated, sexy and subversive – and also very British. William Walton’s 1923 “entertainment” Façade brought him overnight the reputation – deservedly – of an enfant terrible of modern English music.]]></video:description>
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      <video:title><![CDATA[Gustavo Dudamel conducts Mozart and Mahler]]></video:title>
      <video:description><![CDATA[The young Gustavo Dudamel is famous for his sparkling energy, and in this concert he conducts works that are equally bursting with youthful spirit. First, there’s the Posthorn Serenade by 23-year old Wolfgang Amadeus Mozart: jaunty and tight with splendid brass soli. Gustav Mahler, too, was only in his mid-20’s when he composed his First Symphony – a powerful, vernal start to a great career as a composer.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/20441</loc>
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      <video:title><![CDATA[Daniel Barenboim conducts Tchaikovsky and a discovery]]></video:title>
      <video:description><![CDATA[Piotr Tchaikovsky said about his Sixth Symphony, the Pathétique, that he was “repeatedly reduced to tears” while composing it. However, the emotional high pressure did not prevent him from creating a work full of complexity and ingenuity. To open this concert, Daniel Barenboim conducts the symphonic hymnos Teufel Amor by Jörg Widmann.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/20438</loc>
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      <video:title><![CDATA[Bernard Haitink conducts Schubert and Shostakovich]]></video:title>
      <video:description><![CDATA[Dmitri Shostakovich’s last symphony is a masterpiece of ambiguity. Through his use of quotations from his own compositions and from works by Wagner and Rossini, he combines an autobiographical record with a walk through the history of music. Bernard Haitink conducted the work here with, to quote the press, “unsurpassable precision”. Also on the programme: Franz Schubert’s Fifth Symphony.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/20435</loc>
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      <video:title><![CDATA[Gianandrea Noseda debuts with Strauss and Tchaikovsky]]></video:title>
      <video:description><![CDATA[Two visions of death that could not be more different: The old Richard Strauss looks toward his death confidently and calmly with his Vier letzte Lieder – soloist: Camilla Nylund. In his Fourth Symphony, Peter Tchaikovsky reflects uneasily with high emotional pressure an existential crisis that drove him to attempt suicide. With this concert, conductor Gianandrea Noseda made his debut with the Berliner Philharmoniker.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/20432</loc>
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      <video:title><![CDATA[Yuja Wang’s debut with the Berliner Philharmoniker]]></video:title>
      <video:description><![CDATA[This performance had been eagerly anticipated: In May 2015, the Chinese pianist Yuja Wang made her first appearance with the Berliner Philharmoniker, playing Sergei Prokofiev’s Second Piano Concerto, one of the most difficult pieces of the repertoire. Conductor Paavo Järvi also performs Dmitri Shostakovich’s First Symphony – a masterstroke by the 19-year-old!]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/20466</loc>
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      <video:title><![CDATA[Octets by Franz Schubert and Jörg Widmann]]></video:title>
      <video:description><![CDATA[Schubert’s Octet is one of the works with which the composer wanted to “prepare the way for the grand symphony”. And so here the delightful charm of the divertimento is mixed with an expression of orchestral grandeur. We also hear the multifaceted Octet of Jörg Widmann which is clearly inspired by Schubert. In addition to members of the Berliner Philharmoniker, the performers include the violinist Christian Tetzlaff, Artist in Residence in the 2014/2015 season.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/20462</loc>
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      <video:title><![CDATA[Christian Tetzlaff and the Karajan Academy of the Berliner Philharmoniker]]></video:title>
      <video:description><![CDATA[There are composers who wrote captivating works in their early years – but who never thought to continue on the same path in their later years. This applies equally to Arnold Schoenberg’s voluptuous, late Romantic tone poem Verklärte Nacht as well as to violin concertos by the 19-year-old Wolfgang Amadeus Mozart. The Karajan Academy of the Berliner Philharmoniker and Christian Tetzlaff present some of these early gems.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/20463</loc>
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      <video:title><![CDATA[An evening of chamber music with Christian Tetzlaff and members of the Berliner Philharmoniker]]></video:title>
      <video:description><![CDATA[In this chamber music concert, Christian Tetzlaff, Artist in Residence of the 2014/15 season, performs with members of the Berliner Philharmoniker. Together they play string quintets by Mendelssohn and Brahms, which convey a surprisingly orchestral power and sonority. A more delicate contrast is provided by Béla Bartók’s magical, folkloric violin duets.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/20429</loc>
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      <video:title><![CDATA[Mariss Jansons and Frank Peter Zimmermann]]></video:title>
      <video:description><![CDATA[In this concert, Mariss Jansons and the Berliner Philharmoniker presented an extraordinarily colourful programme with Bartók’s Music for Strings, Percussion and Celesta, Ravel’s Daphnis et Chloé and Shostakovich’s Violin Concerto No. 2; Frank Peter Zimmermann was the soloist. In different ways the works convey a shared message: namely, that unconditional modernity and sensuous magic in sound are by no means mutually exclusive.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/11291</loc>
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      <video:title><![CDATA[Claudio Abbado’s Inaugural Concert from 1989]]></video:title>
      <video:description><![CDATA[It was only logical that Claudio Abbado should start his tenure with the Berliner Philharmoniker in December 1989 conducting Mahler’s First Symphony. Firstly, because Abbado was even then considered one of the great Mahler conductors, and secondly because this symphony is infused with an irresistible expression of freshness and new beginnings. Even today we can feel the special magic of this new beginning.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/20417</loc>
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      <video:title><![CDATA[Andris Nelsons conducts Mahler’s Fifth Symphony]]></video:title>
      <video:description><![CDATA[When people think of Mahler’s Fifth Symphony, they think of the Adagietto – at least ever since the movement was used as the soundtrack to Luchino Visconti’s Death in Venice, making a significant contribution to the morbid charm of the Thomas Mann adaptation. In addition to Mahler’s music, Andris Nelsons also offers an exciting discovery in this concert: HK Gruber’s Trumpet Concerto Aerial which shifts between wistful jazz and ironic dance music. The soloist is Håkan Hardenberger.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/20420</loc>
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      <video:title><![CDATA[Simon Rattle conducts the 2015 Europakonzert in Athens]]></video:title>
      <video:description><![CDATA[In 2015, the Berliner Philharmoniker’s Europakonzert could hardly have been more European, taking the orchestra to Greece, the country the name “Europe” comes from, and the cradle of democracy. In the Athens concert hall Megaron, Sir Simon Rattle conducted a programme which takes us on a whistle-stop tour of Europe with works by Gioacchino Rossini, Robert Schumann and Jean Sibelius. The soloist is the Greek star violinist Leonidas Kavakos.]]></video:description>
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      <video:duration>168</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/20523</loc>
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      <video:title><![CDATA[The National Youth Orchestra of Germany with Karl-Heinz Steffens and Christian Tetzlaff]]></video:title>
      <video:description><![CDATA[The National Youth Orchestra of Germany is without a doubt one of the best ensembles of its kind. It is here that today’s stars such as clarinettist Sabine Meyer and violist Tabea Zimmermann have their musical roots. Karl-Heinz Steffens, former principal clarinetist with the Berliner Philharmoniker conducts this concert which includes Béla Bartók’s Second Violin Concerto and Pyotr Ilyich Tchaikovsky’s Fourth Symphony. The soloist is Christian Tetzlaff.]]></video:description>
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      <video:duration>152</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/21246</loc>
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      <video:title><![CDATA[“La Damnation de Faust” with Simon Rattle, Joyce DiDonato and Charles Castronovo]]></video:title>
      <video:description><![CDATA[La Damnation de Faust is less about the philosophical dimension of the material than about passion, conflicts, and of course the protagonist’s dramatic damnation. With this work, the magician of sound Hector Berlioz created an evocative, imaginary opera, interpreted in our concert by Simon Rattle and two outstanding American singers: Joyce DiDonato as Marguerite and Charles Castronovo as Faust. The role of Mephisto is sung by Ludovic Tézier.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/221</loc>
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      <video:title><![CDATA[Karajan conducts Beethoven’s “Missa solemnis” in Salzburg]]></video:title>
      <video:description><![CDATA[Beethoven’s Missa solemnis is one of the most impressive sacred compositions there is, in which religious affirmation, virtuosic vocal music and a large-scale symphonic framework combine to create a powerful whole. Herbert von Karajan, who was a deeply committed Christian, realised an equally devout and powerful rendition in this performance at the Salzburg Easter Festival.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/224</loc>
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      <video:title><![CDATA[Karajan conducts Beethoven’s Ninth Symphony at the 1977 New Year’s Eve Concert]]></video:title>
      <video:description><![CDATA[This recording from New Year’s Eve 1977 holds a special place among the many Karajan made of Beethoven’s Ninth Symphony – not only because of the inspired performance, but also as it was the first occasion a Berliner Philharmoniker concert was broadcast on TV around the world. At the same time, this is one of the few video productions of Karajan which was recorded under completely live conditions.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/222</loc>
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      <video:title><![CDATA[Karajan conducts Beethoven, Weber, Rossini and Wagner]]></video:title>
      <video:description><![CDATA[Herbert von Karajan laid the foundation of his career as an opera conductor. His fine dramatic instinct manifests itself impressively in this programme with overtures to stage works by Ludwig van Beethoven, Carl Maria von Weber, Gioacchino Rossini and Richard Wagner, which often – such as in the case of the preludes to Tannhäuser and Der Freischütz – come across like condensed versions of the respective full works.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/20390</loc>
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      <video:title><![CDATA[Donald Runnicles conducts a concert “à la française”]]></video:title>
      <video:description><![CDATA[Maurice Duruflé’s Requiem – conducted here by Donald Runnicles – is among those sacred works that convey a notion of a better world beyond. Echoes of Gregorian chant are mixed with scintillating Impressionist colours to create a magical and ethereal whole. The remaining programme consisting of works by Claude Debussy and Olivier Messiaen is also French and transcendental.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/20387</loc>
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      <video:title><![CDATA[A Beethoven evening with Bernard Haitink and Isabelle Faust]]></video:title>
      <video:description><![CDATA[In this concert, Bernard Haitink conducts two of Beethoven’s most popular works. In the Pastorale, the composer shows an unusually relaxed side of himself: the focus is not on drama and conflict but rather human sensations in the face of nature. In the Violin Concerto performed in the first half, the soloist is Isabelle Faust, whose tone captivates in equal measure with “passion, grit, warmth and sweetness” (The New York Times).]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/20384</loc>
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      <video:title><![CDATA[Hélène Grimaud and Valery Gergiev]]></video:title>
      <video:description><![CDATA[This concert includes a meeting of two exceptional musicians: the French pianist Hélène Grimaud, known for her subtle and headstrong interpretations of a repertoire ranging from Bach to Bartók, and the sensitive eccentric, Valery Gergiev, who raised the venerable Mariinsky Theatre to new heights as its artistic director. The programme includes Beethoven’s Piano Concerto No. 4 and Prokofiev’s Sixth Symphony.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/218</loc>
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      <video:title><![CDATA[Herbert von Karajan and Mstislav Rostropovich with Strauss’s “Don Quixote”]]></video:title>
      <video:description><![CDATA[Herbert von Karajan was a great admirer of Richard Strauss and is still considered an outstanding interpreter of his music. With Karajan, the tonal splendour and virtuosity of the orchestration was in the best of hands, especially in Strauss’s tone poem Don Quixote which he held in particular high regard. In this famous recording from 1975, the solo cello, which represents the eponymous hero, is played by Mstislav Rostropovich.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/220</loc>
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      <video:title><![CDATA[Karajan conducts Tchaikovsky’s Symphonies Nos. 4–6]]></video:title>
      <video:description><![CDATA[Hardly any other composer bequeathed a legacy of such uninhibitedly emotional music as did Peter Tchaikovsky, who brilliantly fused personal experience and suffering with superb compositional art. It is evident that Herbert von Karajan, master of voluptuous sound and emphasis, was an ideal Tchaikovsky interpreter. In these recordings from 1973 he conducts the last three symphonies, including the famous Pathétique.]]></video:description>
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      <video:title><![CDATA[Violins of Hope]]></video:title>
      <video:description><![CDATA[A special concert for a special occasion: On the 70th anniversary of the liberation of Auschwitz, musicians of the Berliner Philharmoniker played on violins which had once belonged to victims of the Holocaust. This project was made possible by the Israeli violin maker Amnon Weinstein who has collected and restored these instruments over many years.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/20353</loc>
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      <video:title><![CDATA[Conclusion of the Sibelius cycle with Simon Rattle]]></video:title>
      <video:description><![CDATA[Complete symphonic performances are always a special event for the Berliner Philharmoniker. That includes this Sibelius cycle from 2015, which culminated in Simon Rattle conducting three symphonies in a row. Sibelius’s Symphonies Nos. 5, 6 and 7 fuse the qualities of the preceding works: the effusive Nordic tone of the first two symphonies, and the experimental form language and harmonies of Symphonies Nos. 3 and 4.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/21173</loc>
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      <video:title><![CDATA[A Sibelius evening with Simon Rattle and Leonidas Kavakos]]></video:title>
      <video:description><![CDATA[In the second part of their performance of the complete Sibelius symphonies, Simon Rattle and the Berliner Philharmoniker presented the Third and Fourth Symphonies, both of which are characterised by a fusion of Nordic musical expression and innovative conception. The soloist in Sibelius’s Violin Concerto is the Greek star violinist Leonidas Kavakos who, to quote the press, played “with an admirable slender tone”.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/20350</loc>
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      <video:title><![CDATA[Simon Rattle conducts Sibelius’s Symphonies Nos. 1 and 2]]></video:title>
      <video:description><![CDATA[“Clear-sighted and fervent” was how the press described the interpretation of all Sibelius’s symphonies presented by the Berliner Philharmoniker and Sir Simon Rattle in February 2015. On this first night of the cycle, the programme included the First and the Second Symphonies – decidedly late Romantic works whose expressiveness is likely to have been inspired by Tchaikovsky’s only slightly older Pathétique.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/20347</loc>
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      <video:title><![CDATA[Simon Rattle conducts Mahler’s Second Symphony]]></video:title>
      <video:description><![CDATA[Few works are as close to Simon Rattle’s heart as Gustav Mahler’s monumental Second Symphony, which he conducted as a teenager at the London Academy of Music. The press wrote about his performance with the Berliner Philharmoniker that it was “philosophically underpinned and intoxicating at the same time, colourful and overwhelming”. In addition, we take a trip through the magical sound spaces of Helmut Lachenmann’s Tableau for orchestra.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/20341</loc>
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      <video:title><![CDATA[Christian Thielemann conducts Brahms’s “Deutsches Requiem”]]></video:title>
      <video:description><![CDATA[With the Deutsches Requiem, Johannes Brahms established his reputation as the leading composer of his time. Despite its monumental structure, the work’s message is humane: the focus is not on otherworldly salvation, but rather on temporal solace for the bereaved. The conductor of this performance is Christian Thielemann, an outstanding interpreter of late Romantic music. The soloists are Siobhan Stagg and Christian Gerhaher.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/20338</loc>
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      <video:title><![CDATA[Christian Thielemann conducts Beethoven’s “Eroica”]]></video:title>
      <video:description><![CDATA[The history of the symphony entered a new phase with Beethoven’s “Eroica”. The symphony was no longer just playing with themes and instruments, but rather dedicated to an idea – the idea of the heroic, which lends the work an incomparable dynamism. In addition to the symphony, conductor Christian Thielemann presents works by Franz Liszt and Hans Werner Henze.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/20335</loc>
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      <video:title><![CDATA[Herbert Blomstedt conducts Bruckner’s Eighth Symphony]]></video:title>
      <video:description><![CDATA[“More than any other composer, Bruckner was able to depict the endlessness of time and space in music,” says Herbert Blomstedt, the great Bruckner conductor, who also succeeds in filling the monumental escalations and arcs of this music with unrelenting energy. This quality is particularly impressively evident in Bruckner’s most monumental symphony, the Eighth, which is played in this concert.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/20332</loc>
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      <video:title><![CDATA[2014 New Year’s Eve Concert with Simon Rattle and Menahem Pressler]]></video:title>
      <video:description><![CDATA[The Berliner Philharmoniker and Sir Simon Rattle celebrate New Year’s Eve 2014! Including Mozart’s Piano Concerto K. 488 and the legendary Menahem Pressler. The Financial Times wrote: “Pressler breathes the air of a different era, where each note is articulated like a spoken word, and each phrase communicates more than language.” There are also sparkling colours and dance-like energy in works by Rameau, Kodály and Dvořák.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/20329</loc>
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      <video:title><![CDATA[Simon Rattle and Yefim Bronfman]]></video:title>
      <video:description><![CDATA[One of the most yearning compositions ever written opens this concert: Wagner’s Tristan prelude. The main works of this evening conducted by Simon Rattle are Jean Sibelius’s mystical tone poem The Swan of Tuonela and his austere Nordic Fifth Symphony, plus the premiere of the piano concerto Trauermarsch by Jörg Widmann, one of the most interesting composers of the younger generation, with Yefim Bronfman as the soloist.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/20326</loc>
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      <video:title><![CDATA[A “Russian Evening” with Tugan Sokhiev and Vadim Gluzman]]></video:title>
      <video:description><![CDATA[Both forward-looking and intelligible to all – that’s what music was intended to be in the Soviet Union. In this concert you can hear works that accord ingeniously with this challenging mission: Prokofiev’s Second Violin Concerto, with Vadim Gluzman as the soloist, and Shostakovich’s Fifth Symphony, probably his most popular one. The conductor is Tugan Sokhiev.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/21028</loc>
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      <video:title><![CDATA[Family concert: “O TannenBRASS!”]]></video:title>
      <video:description><![CDATA[A Christmassy atmosphere, great music and exciting stories from the world of musical instruments: All this can be found in our Family Christmas concerts. It is also impossible to imagine them without the charming, quick-witted and entertaining presenter, horn player Sarah Willis. In this concert she welcomed the Brass Ensemble of the Berliner Philharmoniker, which in Christmas songs ranging from classical to jazz, enthralls the audience with its ringing, splendorous sound.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/20323</loc>
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      <video:title><![CDATA[Daniel Harding conducts Mahler’s Sixth Symphony]]></video:title>
      <video:description><![CDATA[The Sixth Symphony is one of Gustav Mahler’s most extreme works. Not only its instrumentation – exceeding anything ever composed before – but also its expressive intensity place intense demands on the orchestra, especially in those moments of virtually brute force with which Mahler reflects the brutality of the approaching 20th century. The conductor of this concert is Daniel Harding.]]></video:description>
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      <video:publication_date>2014-12-10T13:00:00+00:00</video:publication_date>
      <video:family_friendly>yes</video:family_friendly>
      <video:requires_subscription>yes</video:requires_subscription>
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      <video:duration>92</video:duration>
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  </url>
  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/20995</loc>
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    <xhtml:link rel="alternate" hreflang="de" href="https://www.digitalconcerthall.com/de/concert/20995"/>
    <xhtml:link rel="alternate" hreflang="fr" href="https://www.digitalconcerthall.com/fr/concert/20995"/>
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      <video:title><![CDATA[Schubert’s “Winterreise” with Christian Elsner and Simon Rattle]]></video:title>
      <video:description><![CDATA[Sir Simon Rattle sees Franz Schubert’s song cycle Winterreise as a major inspiration for later composers such as Mahler and Schoenberg. In its subjective yet sensitive treatment, Hans Zender’s adaptation of the work for voice and 24 instrumentalists brings out the modern aspects of Schubert’s music. In November 2014, Rattle, the tenor Christian Elsner and members of the Karajan Academy performed Zender’s 1993 “composed interpretation”.]]></video:description>
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      <video:publication_date>2014-12-05T15:00:00+00:00</video:publication_date>
      <video:family_friendly>yes</video:family_friendly>
      <video:requires_subscription>yes</video:requires_subscription>
      <video:live>no</video:live>
      <video:duration>128</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/20314</loc>
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      <video:title><![CDATA[Martha Argerich’s return to the Berliner Philharmoniker]]></video:title>
      <video:description><![CDATA[Concerts with Martha Argerich are always a special event – such as this guest performance with which the pianist returned to the Berliner Philharmoniker after an absence of seven years. The programme included a work which sums up everything about Romantic music: Schumann’s lyrical Piano Concerto. Conductor Riccardo Chailly also presented Rachmaninov’s Third Symphony, a work which can be said to reflect the Romantic era from a Russian perspective.]]></video:description>
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      <video:publication_date>2014-12-03T10:00:00+00:00</video:publication_date>
      <video:family_friendly>yes</video:family_friendly>
      <video:requires_subscription>yes</video:requires_subscription>
      <video:live>no</video:live>
      <video:duration>215</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/21073</loc>
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      <video:title><![CDATA[Simon Rattle conducts Berlin school orchestras]]></video:title>
      <video:description><![CDATA[Many young musicians dream of having the chance to play once in their lives in the Philharmonie Berlin. For the participants of our School Orchestra Extravaganza, this is a dream that comes true. In November 2014, the programme included a very special repertoire: three film scores that probably everyone knows and which were rehearsed under the direction of chief conductor Sir Simon Rattle.]]></video:description>
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      <video:publication_date>2014-11-29T17:00:00+00:00</video:publication_date>
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      <video:requires_subscription>no</video:requires_subscription>
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      <video:duration>137</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/20311</loc>
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      <video:title><![CDATA[Alan Gilbert conducts landscape scenes by Mendelssohn and Nielsen]]></video:title>
      <video:description><![CDATA[Landscapes and folklore have inspired the creativity of many great composers. Alan Gilbert presents two lovely examples in this concert. While Mendelssohn’s Scottish Symphony reflects impressions of his travels in Scotland, Carl Nielsen’s musical language is shaped almost entirely by the composer’s Danish home, as his atmospherically dense Symphony Nr. 3 proves.]]></video:description>
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      <video:publication_date>2014-11-26T15:00:00+00:00</video:publication_date>
      <video:family_friendly>yes</video:family_friendly>
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      <video:duration>232</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/219</loc>
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      <video:title><![CDATA[Karajan conducts Bach]]></video:title>
      <video:description><![CDATA[Although Herbert von Karajan was a great admirer of Bach, his interpretations of the composer’s music were rarely recorded on video. Here we present two of these productions with the Third Brandenburg Concerto and the Orchestral Suite No. 2, which Karajan conducts from the harpsichord. The soloist in the Suite is Karlheinz Zöller, who was principal flautist with the Philharmoniker for many years. The recordings were made in Paris in 1967/68.]]></video:description>
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      <video:publication_date>2014-11-20T11:00:00+00:00</video:publication_date>
      <video:family_friendly>yes</video:family_friendly>
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      <video:live>no</video:live>
      <video:duration>132</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/20290</loc>
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    <xhtml:link rel="alternate" hreflang="de" href="https://www.digitalconcerthall.com/de/concert/20290"/>
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      <video:title><![CDATA[Concert celebrating the 25th Anniversary of the Fall of the Berlin Wall]]></video:title>
      <video:description><![CDATA[The Berlin Wall fell on 9 November 1989. 25 years later, the Berliner Philharmoniker and Sir Simon Rattle commemorated this historical date with this special concert. What work could be more suitable for this purpose than Beethoven’s Ninth Symphony with its message of freedom and fraternity? The victims of the division of Berlin and the world were also remembered in a performance of Karol Szymanowski’s poignant Stabat mater.]]></video:description>
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      <video:publication_date>2014-11-09T22:00:00+00:00</video:publication_date>
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      <video:duration>188</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/20287</loc>
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    <xhtml:link rel="alternate" hreflang="de" href="https://www.digitalconcerthall.com/de/concert/20287"/>
    <xhtml:link rel="alternate" hreflang="fr" href="https://www.digitalconcerthall.com/fr/concert/20287"/>
    <xhtml:link rel="alternate" hreflang="es" href="https://www.digitalconcerthall.com/es/concert/20287"/>
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    <xhtml:link rel="alternate" hreflang="ko" href="https://www.digitalconcerthall.com/ko/concert/20287"/>
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      <video:title><![CDATA[Emmanuelle Haïm conducts Handel’s “La resurrezione”]]></video:title>
      <video:description><![CDATA[The oratorio La resurrezione by the young George Frideric Handel is one of the little-known treasures of Baroque vocal music. The arias and ensembles are not only full of wonderful melodies, but convey an intensity that is more associated with the opera house. This performance is conducted by the Early music specialist Emmanuelle Haïm.]]></video:description>
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      <video:publication_date>2014-11-06T12:00:00+00:00</video:publication_date>
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      <video:live>no</video:live>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/20284</loc>
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    <xhtml:link rel="alternate" hreflang="de" href="https://www.digitalconcerthall.com/de/concert/20284"/>
    <xhtml:link rel="alternate" hreflang="fr" href="https://www.digitalconcerthall.com/fr/concert/20284"/>
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      <video:title><![CDATA[Daniele Gatti’s journey from the Romantic to the modern era]]></video:title>
      <video:description><![CDATA[In this concert, Daniele Gatti undertakes a fascinating journey from the Romantic to the Classical Modern era: Brahms is followed by his antipode Wagner with orchestra music from Götterdämmerung, including the famous funeral march. The programme ends with Alban Berg, who was inspired by both Brahms and Wagner – but nonetheless unmistakably marked the dawn of a new musical epoch.]]></video:description>
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      <video:family_friendly>yes</video:family_friendly>
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      <video:live>no</video:live>
      <video:duration>129</video:duration>
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  </url>
  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/20281</loc>
    <xhtml:link rel="alternate" hreflang="en" href="https://www.digitalconcerthall.com/en/concert/20281"/>
    <xhtml:link rel="alternate" hreflang="de" href="https://www.digitalconcerthall.com/de/concert/20281"/>
    <xhtml:link rel="alternate" hreflang="fr" href="https://www.digitalconcerthall.com/fr/concert/20281"/>
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    <xhtml:link rel="alternate" hreflang="ko" href="https://www.digitalconcerthall.com/ko/concert/20281"/>
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      <video:title><![CDATA[Andris Nelsons and Emanuel Ax perform Mozart and Strauss]]></video:title>
      <video:description><![CDATA[The epitome of classical music par excellence: the opening fanfare from Richard Strauss’s symphonic poem Also sprach Zarathustra. In this concert, Andris Nelsons combines the powerful work with Strauss’s witty Burleske for piano and orchestra. The soloist is Emanuel Ax, who also plays Mozart’s Piano Concerto K. 449, about which the composer himself said it was “of a very special kind”.]]></video:description>
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      <video:publication_date>2014-10-21T13:00:00+00:00</video:publication_date>
      <video:family_friendly>yes</video:family_friendly>
      <video:requires_subscription>yes</video:requires_subscription>
      <video:live>no</video:live>
      <video:duration>213</video:duration>
    </video:video>
  </url>
  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/217</loc>
    <xhtml:link rel="alternate" hreflang="en" href="https://www.digitalconcerthall.com/en/concert/217"/>
    <xhtml:link rel="alternate" hreflang="de" href="https://www.digitalconcerthall.com/de/concert/217"/>
    <xhtml:link rel="alternate" hreflang="fr" href="https://www.digitalconcerthall.com/fr/concert/217"/>
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    <xhtml:link rel="alternate" hreflang="ko" href="https://www.digitalconcerthall.com/ko/concert/217"/>
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      <video:title><![CDATA[Concert, conversation and master class: Karajan conducts Beethoven’s Symphony No. 5]]></video:title>
      <video:description><![CDATA[In this film, director Henri-Georges Clouzot provides a fascinating insight into the working methods of Herbert von Karajan – including the secret of the legendary “Karajan sound”. We experience the conductor not only in a performance of Beethoven’s Fifth Symphony, but also in a master class in which he passes on his vast knowledge of rehearsal technique and musical interpretation.]]></video:description>
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      <video:publication_date>2014-10-16T13:00:00+00:00</video:publication_date>
      <video:family_friendly>yes</video:family_friendly>
      <video:requires_subscription>yes</video:requires_subscription>
      <video:live>no</video:live>
      <video:duration>210</video:duration>
    </video:video>
  </url>
  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/216</loc>
    <xhtml:link rel="alternate" hreflang="en" href="https://www.digitalconcerthall.com/en/concert/216"/>
    <xhtml:link rel="alternate" hreflang="de" href="https://www.digitalconcerthall.com/de/concert/216"/>
    <xhtml:link rel="alternate" hreflang="fr" href="https://www.digitalconcerthall.com/fr/concert/216"/>
    <xhtml:link rel="alternate" hreflang="es" href="https://www.digitalconcerthall.com/es/concert/216"/>
    <xhtml:link rel="alternate" hreflang="ja" href="https://www.digitalconcerthall.com/ja/concert/216"/>
    <xhtml:link rel="alternate" hreflang="ko" href="https://www.digitalconcerthall.com/ko/concert/216"/>
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      <video:title><![CDATA[Karajan conducts Brahms’s “German Requiem” in Salzburg]]></video:title>
      <video:description><![CDATA[We now show a live recording of Brahms’s Deutsches Requiem from the 1978 Salzburg Festival with Herbert von Karajan conducting and Gundula Janowitz and José van Dam as the soloists. Brahms’s Requiem is a work full of consolation and warmth, which Karajan conducts with a full sound and generous breath. In addition to the Berliner Philharmoniker, the performers include the Wiener Singverein which was once conducted by Brahms himself.]]></video:description>
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      <video:publication_date>2014-10-10T08:30:00+00:00</video:publication_date>
      <video:family_friendly>yes</video:family_friendly>
      <video:requires_subscription>yes</video:requires_subscription>
      <video:live>no</video:live>
      <video:duration>192</video:duration>
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      <video:title><![CDATA[The 1989 concert for citizens of the GDR]]></video:title>
      <video:description><![CDATA[The Berlin Wall fell on 9 November 1989, thus ending the decades-long division of Europe and the world. It was an event of both political and emotional significance which the Berliner Philharmoniker celebrated three days later with a concert which itself is now considered a historic event. Especially for citizens of the GDR, Daniel Barenboim conducted the First Piano Concerto (with himself as soloist), and the Seventh Symphony by Ludwig van Beethoven.]]></video:description>
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      <video:duration>175</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/20260</loc>
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      <video:title><![CDATA[Fourth concert in the Brahms/Schumann cycle with Simon Rattle]]></video:title>
      <video:description><![CDATA[The Fourth symphonies of Brahms and Schumann embody excitingly contrasting worlds. On the one hand Brahms’s masterful late work, advancing inexorably, on the other, the effervescent symphony of the young Schumann – heard here in an early version, which for Simon Rattle is superior to the established later version.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/20257</loc>
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      <video:title><![CDATA[Third concert in the Brahms/Schumann cycle with Simon Rattle]]></video:title>
      <video:description><![CDATA[The third symphonies of Johannes Brahms and Robert Schumann which Simon Rattle conducts in this 2014 concert demonstrate that Romanticism was not only a period of reflection but also of confidence. The Brahms work, which was sometimes compared to Beethoven’s Eroica, comes across as powerful and optimistic, while Schumann’s Rhenish Symphony shows an unusually exuberant side of the composer.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/20254</loc>
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      <video:title><![CDATA[Second concert in the Brahms/Schumann cycle with Simon Rattle]]></video:title>
      <video:description><![CDATA[In this concert, Sir Simon Rattle pairs the second symphonies of Johannes Brahms and Robert Schumann. Just the juxtaposition of these works reveals much of the inner working of the two composers: On the one hand, the masterfully gripping work by Brahms, on the other, Schumann’s Second, which he wrote while suffering excruciating auditory hallucinations.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/20250</loc>
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      <video:title><![CDATA[First concert in the Brahms/Schumann cycle with Simon Rattle]]></video:title>
      <video:description><![CDATA[Complete performances of the symphonies of Brahms and Schumann have been among the most outstanding events of the Simon Rattle era with the Berliner Philharmoniker. Here, the orchestra and conductor directly juxtaposed the symphonies of both composers, creating an intriguing double portrait. This concert, with Brahms’s and Schumann’s symphonic debuts, marks the beginning of the cycle.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/20854</loc>
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      <video:title><![CDATA[“Late Night” concert with Patricia Kopatchinskaja]]></video:title>
      <video:description><![CDATA[Patricia Kopatchinskaja, born to a Moldovan family of musicians, is a bundle of energy, as anyone who has ever experienced the passionate bowing style of the violinist in concert can confirm. In this Late Night concert, she performs – a real discovery – the expressive music of Shostakovich’s student Galina Ustvolskaya and treasures of Early music.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/20247</loc>
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      <video:title><![CDATA[Birthday concert for Peter Eötvös]]></video:title>
      <video:description><![CDATA[He is one of the most important composers of our time: Peter Eötvös, whose 70th birthday was celebrated by the Berliner Philharmoniker in this concert. The best birthday present was brought by the guest of honour who also conducted the concert: a new violin concerto, which was acclaimed by the press for its “irresistible charm and dance-like esprit”. The soloist was the Moldovan violinist Patricia Kopatchinskaja.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/20226</loc>
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      <video:title><![CDATA[Simon Rattle conducts Rachmaninov and Stravinsky]]></video:title>
      <video:description><![CDATA[They were contemporaries and fellow countrymen – and yet could not have been more different: Igor Stravinsky, who took the world by storm with his stunning ballets, and the phlegmatic Sergei Rachmaninov, who many regarded as “the last of the Romantics”. With this concert of Stravinsky’s Firebird and Rachmaninov’s Symphonic Dances, Sir Simon Rattle opened the Berliner Philharmoniker’s 2014/15 season.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/214</loc>
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      <video:title><![CDATA[Karajan conducts Ravel and Debussy]]></video:title>
      <video:description><![CDATA[Herbert von Karajan was a master of the fine blending of acoustic colours. This quality is shown to its best advantage in this programme of masterpieces of French Impressionism. Works include Debussy’s multifaceted La Mer, and his lascivious, dream-like Prélude à l’après-midi d’un faune, and Ravel’s Suite No. 2 from Daphnis et Chloé, a work which combines shimmering transience with uncompromising energy.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/212</loc>
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      <video:title><![CDATA[Karajan and Weissenberg perform Tchaikovsky and Rachmaninov]]></video:title>
      <video:description><![CDATA[“If anyone can follow me, then it is Alexis Weissenberg” – Vladimir Horowitz is reported to have once said. Herbert von Karajan also had a high opinion of the Bulgarian pianist whose full sound approached his own aesthetic. Together, they realised many joint projects, including this recording of Piotr Ilyich Tchaikovsky’s First Piano Concerto and Sergei Rachmaninov’s Second Piano Concerto.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/17021</loc>
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      <video:title><![CDATA[Simon Rattle and Daniel Barenboim play Brahms]]></video:title>
      <video:description><![CDATA[In this special concert from June 2014, the Berliner Philharmoniker and Daniel Barenboim celebrate the 50th anniversary of their work together with a performance of Brahms’s both technically and musically demanding Piano Concerto No. 1. The soloist is Daniel Barenboim with Sir Simon Rattle conducting. The programme also includes Charles Ives’s The Unanswered Question and Richard Strauss’s Metamorphosen.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/210</loc>
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      <video:title><![CDATA[Karajan conducts Beethoven’s Symphony No. 5]]></video:title>
      <video:description><![CDATA[“Throw away your first hundred Fifths!” Karajan would tell younger conductors, such are the challenges of this Beethoven symphony. In this recording from 1972, we experience on the other hand a definitive interpretation. The orchestral sound combines the velvety opulence typical of his predecessors with the brilliance and power Karajan brought to the Berlin tradition.]]></video:description>
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      <video:duration>146</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/209</loc>
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      <video:title><![CDATA[Karajan conducts Beethoven’s Symphonies Nos. 1 & 4]]></video:title>
      <video:description><![CDATA[Herbert von Karajan devotes himself with seriousness and commitment to Ludwig van Beethoven’s often underrated Symphonies Nos. 1 and 4. In the First, he puts the young, revolutionary Beethoven in the foreground, while in the Fourth, he brings out the lyrical charm and the perfect balance of the music. Both performances are from 1971 with the First Symphony documented in a studio recording with a very individual visual aesthetic.]]></video:description>
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  <url>
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      <video:title><![CDATA[Karajan conducts Beethoven’s Symphonies Nos. 2 and 8]]></video:title>
      <video:description><![CDATA[For many years, Beethoven’s Second and Eighth symphonies were regarded as more minor works in the cycle of the nine symphonies. Due in no small part to Karajan’s decisive, clearly structured interpretations with the Berliner Philharmoniker made in the 1960s, the importance of these symphonies in Beethoven’s œuvre was clearly demonstrated. The present performances from 1971 were documented as studio recordings.]]></video:description>
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  <url>
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      <video:title><![CDATA[Karajan conducts Beethoven’s Sixth Symphony]]></video:title>
      <video:description><![CDATA[The emotional and real storms in Beethoven’s Pastoral are vividly expressed in this rousing performance from 1967 with the Berliner Philharmoniker and Herbert von Karajan. These are intensified all the more by the award-winning avant-garde director Hugo Niebeling’s innovate and often expressionistic film concept: an experiment whose aesthetic boldness impresses to this day.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/206</loc>
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      <video:title><![CDATA[Karajan conducts Beethoven’s Ninth Symphony]]></video:title>
      <video:description><![CDATA[Beethoven’s Ninth Symphony, the Berliner Philharmoniker and Herbert von Karajan: A triad which is virtually the epitome of classical music. The present performance is based on concerts given in the Berlin Philharmonie on New Year’s Eve and New Year’s Day 1968 with Gundula Janowitz, Christa Ludwig, Jess Thomas and Walter Berry. In this, his first video recording of the symphony, Karajan also makes his debut as a film director.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/204</loc>
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      <video:title><![CDATA[Karajan conducts Beethoven’s Symphonies Nos. 3 & 7]]></video:title>
      <video:description><![CDATA[With his Third Symphony, the Eroica, Ludwig van Beethoven presents himself for the first time as a Titan who fearlessly faces his fate. Herbert von Karajan and the Berliner Philharmoniker are equally gripping in their interpretation, which was documented by director Hugo Niebeling with an intriguing visual concept. Beethoven’s Seventh is presented here in the same format.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/201</loc>
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      <video:title><![CDATA[Karajan conducts Brahms’s Symphonies Nos. 1–4]]></video:title>
      <video:description><![CDATA[Johannes Brahms’s symphonies were among the cornerstones of Herbert von Karajan’s repertoire – and his compositions have also played a more important role in the work of the Berliner Philharmoniker than almost any other composer’s. So when it came to this music, the partnership between orchestra and conductor was a particularly happy one, as these 1973 recordings of all four Brahms symphonies show: performances full of passion and dark fire.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/200</loc>
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      <video:title><![CDATA[Performance and conversation: Karajan conducts Dvořák’s Symphony No. 9]]></video:title>
      <video:description><![CDATA[In Antonín Dvořák’s Symphony From the New World, Herbert von Karajan and the Berliner Philharmoniker were able to show the whole of their vast range of tonal colours. In this black and white documentary film from 1966, directed by Henri-Georges Clouzot, Karajan appears not only as the conductor but also discusses his personal view of Dvořák’s most popular work in interview.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/10123</loc>
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      <video:title><![CDATA[Karajan conducts the 1978 New Year’s Eve Concert]]></video:title>
      <video:description><![CDATA[We normally think of Herbert von Karajan as an awe-inspiring maestro of the great Classical works. This festive, virtuoso New Year’s Eve Concert, which includes excerpts from Georges Bizet’s L’Arlésienne suites, Franz Liszt’s Hungarian Rhapsody No. 2, plus music by Giuseppe Verdi, Hector Berlioz, Pietro Mascagni and Franz von Suppè, demonstrates his passion and precision in popular highlights, too.]]></video:description>
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      <video:title><![CDATA[Gustavo Dudamel conducts Mahler’s Third Symphony]]></video:title>
      <video:description><![CDATA[The press wrote enthusiastically about the “fire and precision” of Gustavo Dudamel’s interpretation of Mahler’s Third Symphony in this concert from June 2014. And it is exactly these qualities that are required to bring out the full wealth of this vast, complex work: from the first movement – the longest Mahler ever wrote – to the warm tones of the hymn-like Finale.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/17013</loc>
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      <video:title><![CDATA[Semyon Bychkov conducts Strauss and Schubert]]></video:title>
      <video:description><![CDATA[In this concert from June 2014, the Berliner Philharmoniker and Semyon Bychkov commemorate the 150th anniversary of the birth of Richard Strauss. With Bruno Delepelaire and Máté Szűcs as the soloists, the programme included the composer’s Don Quixote, a work regarded as the epitome of symphonic tragi-comedy. Contrasting emotions were also in evidence in Franz Schubert’s Great Symphony, which constantly shifts in its expression of beauty and the abyss.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/17011</loc>
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      <video:title><![CDATA[Tugan Sokhiev and Hilary Hahn]]></video:title>
      <video:description><![CDATA[Hilary Hahn caused a sensation in the music world at the end of the 1990s as a young violinist who enthralled audiences not only with her perfect technique, but also with her consummate musicianship and creative powers. In this performance of Vieuxtemps’s absurdly virtouso Violin Concerto No. 4, she is accompanied by Tugan Sokhiev who also conducts Tchaikovsky’s rarely heard Manfred Symphony in the second part of the concert.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/17009</loc>
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      <video:title><![CDATA[Krzysztof Urbański and Sol Gabetta]]></video:title>
      <video:description><![CDATA[The cellist Sol Gabetta is one of the young global stars of the classical music scene. In this concert from May 2014, she plays Bohuslav Martinů’s colourful and soulful Cello Concerto No. 1 – which the press described as “a performance to fall in love with”. This all-Czech programme also includes works by Bedřich Smetana and Antonín Dvořák’s Seventh Symphony. The concert also sees the debut of conductor Krzysztof Urbański with the Berliner Philharmoniker.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/17007</loc>
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      <video:title><![CDATA[Memorial concert for Claudio Abbado with Simon Rattle and Frank Peter Zimmermann]]></video:title>
      <video:description><![CDATA[In this concert from May 2014, the Berliner Philharmoniker remember their former chief conductor Claudio Abbado who died 4 months earlier on 20 January. In remembrance of this sad loss, Frank Peter Zimmermann plays Wolfgang Amadeus Mozart’s Violin Concerto in G major without conductor. In the second part of the concert, Sir Simon Rattle performs Bruckner’s Symphony No. 7.]]></video:description>
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      <video:title><![CDATA[Myung-Whun Chung conducts Brahms, Chin and Weber]]></video:title>
      <video:description><![CDATA[In May 2014, Myun-Whun Chung made an exciting guest appearance at the Philharmonie. Two core works of the Romantic repertoire – Weber’s dark and foreboding Freischütz overture and Brahms’s sun-lit Second Symphony – framed Unsuk Chin’s stunning and multi-facetted Cello Concerto. The soloist is Alban Gerhardt whose – to quote the composer – “unique artistry” provided the inspiration for this work.]]></video:description>
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      <video:title><![CDATA[The National Youth Orchestra of Germany and the National Youth Ballet]]></video:title>
      <video:description><![CDATA[The outstanding young musicians of the National Youth Orchestra of Germany are regular guests in the Philharmonie and the Digital Concert Hall. For the beginning of this celebrated concert from May 2014, the orchestra is joined by the German National Youth Ballet which performs impressive choreographies to works by Paul Dukas, James MacMillan and Joseph Haydn. The evening is conducted by Alexander Shelley.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/17003</loc>
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      <video:title><![CDATA[Daniel Barenboim conducts the 2014 Europakonzert in Berlin]]></video:title>
      <video:description><![CDATA[For their Europakonzert, the Berliner Philharmoniker perform at a venue of cultural significance every year. This doubtlessly includes the Philharmonie which celebrated its 50th birthday in the 2013/2014 season and was therefore an excellent choice of venue. The programme, conducted by Daniel Barenboim, has an international flavour with the overture to Otto Nicolai’s The Merry Wives of Windsor, Elgar’s Falstaff and Tchaikovsky’s Fifth Symphony.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/17001</loc>
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      <video:title><![CDATA[Simon Rattle conducts “Manon Lescaut”]]></video:title>
      <video:description><![CDATA[Giacomo Puccini’s Manon Lescaut is a shocking tale, told in softly melting vocal lines and seductive orchestral colours. Following staged performances at the Baden-Baden Easter Festival, the audience of the Philharmonie had the opportunity to enjoy a concert version in April 2014. Sir Simon Rattle conducts an illustrious ensemble of singers with the magnificent Dutch soprano Eva-Maria Westbroek in the title role.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/17547</loc>
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      <video:title><![CDATA[Simon Rattle conducts Henze’s Requiem]]></video:title>
      <video:description><![CDATA[With the death of Hans Werner Henze on 27 October 2012, the music world lost one of its most versatile and influential contemporary composers. In this Late Night concert, Sir Simon Rattle and members of the Berliner Philharmoniker pay their homage: on the programme is Henze’s Requiem, a series of sacred concerti for solo piano, concertante trumpet and large chamber orchestra.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/16999</loc>
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      <video:title><![CDATA[Simon Rattle and Sol Gabetta]]></video:title>
      <video:description><![CDATA[The Easter Festival has always been an occasion for the Berliner Philharmoniker to work with young, aspiring soloists for the first time. This was also the case at the 2014 Baden-Baden Festival, where cellist Sol Gabetta made her Philharmoniker debut in a performance of Edward Elgar’s virtuoso and elegiac Cello Concerto. Sir Simon Rattle also conducts works by Ligeti and Wagner, plus Stravinsky’s revolutionary Le Sacre du printemps.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/2498</loc>
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      <video:title><![CDATA[The 2011 New Year’s Eve Concert with Simon Rattle and Evgeny Kissin]]></video:title>
      <video:description><![CDATA[To mark the end of 2011 in the Berlin Philharmonie, Simon Rattle conducted dance music of a particularly discerning kind by Dvořák, Grieg, Ravel, Strauss, Stravinsky and Brahms. There was also a highlight for all piano fans: Grieg’s Piano Concerto with Evgeny Kissin – one of the great musical personalities of the present day. His playing blends the richness of sound and soul of the old Russian school of pianists with taut energy and intelligent interpretation.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/16907</loc>
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      <video:title><![CDATA[Simon Rattle conducts “Manon Lescaut” at the Easter Festival]]></video:title>
      <video:description><![CDATA[The eponymous heroine of Puccini’s Manon Lescaut shifts constantly between true love and her lust for luxury, and inspired the composer to create music full of passion and drama, ravishing melodies and seductive instrumental colours. This highlight of the second Easter Festival in Baden-Baden is conducted by Simon Rattle with Eva-Maria Westbroek in the title role in a production by Sir Richard Eyre.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/1620</loc>
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      <video:title><![CDATA[Europakonzert 2011 from Madrid with Simon Rattle and Cañizares]]></video:title>
      <video:description><![CDATA[In this 2011 Europakonzert from the Teatro Real in Madrid, Simon Rattle generates a lot of Spanish heat with works including Emmanuel Chabrier’s exuberant rhapsody España and Joaquín Rodrigo’s world famous Concierto de Aranjuez with the flamenco virtuoso Cañizares as the soloist. In an appealing contrast to these works, we also hear Sergei Rachmaninov’s Second Symphony, a piece full of Slavonic melancholy and an entrancingly wistful Adagio movement.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/21179</loc>
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      <video:title><![CDATA[Simon Rattle conducts “Russian rhythms” at the Waldbühne]]></video:title>
      <video:description><![CDATA[In 2009, like every year, the Berliner Philharmoniker and Simon Rattle ended their season with an open-air concert at the Waldbühne. With the theme of “Russian rhythms”, wintry sounds from Tchaikovsky’s Nutcracker contrasted with the summer atmosphere. Yefim Bronfman gave a resounding interpretation of Rachmaninov’s Third Piano Concerto, before Stravinsky’s Le Sacre du printemps brought the evening to a vigorous close.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/16903</loc>
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      <video:title><![CDATA[Yannick Nézet-Séguin conducts Mahler and Reinicke]]></video:title>
      <video:description><![CDATA[In this concert from March 2014, and in the farewell season of his 45-year-career as principal flautist with the Berliner Philharmoniker, Andreas Blau gives a sparkling performance of Carl Reinecke’s lyrically Romantic Flute Concerto in D major, a work which the orchestra plays here for the very first time. Under the baton of the young Canadian conductor Yannick Nézet-Séguin, the programme also includes Gustav Mahler’s graceful Fourth Symphony.]]></video:description>
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      <video:title><![CDATA[Bernard Haitink conducts Bruckner’s Symphony No. 4]]></video:title>
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      <video:title><![CDATA[Bach’s “St John Passion” with Simon Rattle and Peter Sellars]]></video:title>
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      <video:title><![CDATA[Simon Rattle conducts Brahms, Debussy and Haas]]></video:title>
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      <video:title><![CDATA[Simon Rattle and Mitsuko Uchida]]></video:title>
      <video:description><![CDATA[This juxtaposition of Mozart’s Piano Concerto No. 18 and Olivier Messiaen’s Oiseaux exotiques shows that grace and seriousness are not mutually exclusive, with both works demonstrating a light playfulness and profound substance in a performance by Mitsuko Uchida. To end with, conductor Simon Rattle presents a surprising “eccentric journey through Haydn”!]]></video:description>
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      <video:title><![CDATA[Herbert Blomstedt conducts the “Symphonie fantastique”]]></video:title>
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      <video:title><![CDATA[Alan Gilbert, Daniel Müller-Schott and Magnus Lindberg]]></video:title>
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      <video:title><![CDATA[Zubin Mehta and Rudolf Buchbinder with Beethoven and Strauss]]></video:title>
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      <video:title><![CDATA[Zubin Mehta conducts Bruckner’s Symphony No. 9]]></video:title>
      <video:description><![CDATA[Anton Bruckner dedicated his last symphony “to God the Beloved”. Yet here he not only created a valedictory work, but ventured into new, modern harmonic spheres. In this concert from February 2014, conductor Zubin Mehta couples the symphony with George Crumb’s song cycle Ancient Voices of Children, which likewise looks towards the transcendent, but from the perspective of the 20th century.]]></video:description>
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      <video:description><![CDATA[Menahem Pressler, pianist of the famous Beaux Arts Trio for more than 50 years, is a legend. In January 2014, the 90-year-old made his debut with the Berliner Philharmoniker with Mozart’s Piano Concerto No. 17 and enchanted the audience with his sensitive, warm and eloquent playing. The conductor is Semyon Bychkov, who leads the orchestra in a performance of Dmitri Shostakovich’s enigmatic Eleventh Symphony in the second half of the concert.]]></video:description>
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      <video:title><![CDATA[Riccardo Chailly conducts Liszt’s “Faust Symphony”]]></video:title>
      <video:description><![CDATA[Faust is one of the great legends in literary history, and in his Faust Symphony, Franz Liszt draws fascinating portraits of the characters of the story. The richly coloured work with its magnificent choral finale was given a fiery and insightful performance under the baton of Riccardo Chailly in November 2013. The concert also included a rarity based on the same subject: Richard Wagner’s early Faust Overture.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/17541</loc>
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      <video:title><![CDATA[“Late Night” concert with Simon Rattle and Katia and Marielle Labèque]]></video:title>
      <video:description><![CDATA[In this Philharmoniker Late-Night concert, the musical “crossovers” Leonard Bernstein, Osvaldo Golijov and Gonzalo Grau are in the hands of Katia and Marielle Labèque, whose telepathically connected playing has made them one of the world’s foremost piano duos. In their late evening programme, they appear together with Sir Simon Rattle and members of the Berliner Philharmoniker.]]></video:description>
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      <video:title><![CDATA[Andris Nelsons and Barbara Hannigan]]></video:title>
      <video:description><![CDATA[In addition to the German repertoire, the Latvian conductor Andris Nelsons’s favourite compositions include works from north-east Europe. His preference is also reflected the concert with Brahms’s Fourth Symphony, and two wistfully sensuous contemporary works by the Latvian composer Pēteris Vasks and the Danish-born Hans Abrahamsen. The soloist is the soprano Barbara Hannigan.]]></video:description>
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      <video:title><![CDATA[Daniel Harding conducts Schumann’s “Scenes from Goethe’s Faust”]]></video:title>
      <video:description><![CDATA[Robert Schumann’s Scenes from Goethe’s Faust is one of the most fascinating treatments of the Faust material. In this concert, conductor Daniel Harding reveals its full potential, from its rousing choral and orchestral scenes to its many intimate moments. The title role is sung by Christian Gerhaher in a performance which the Frankfurter Allgemeine Zeitung described as “devilishly good”.]]></video:description>
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      <video:publication_date>2013-12-15T19:00:00+00:00</video:publication_date>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/17418</loc>
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      <video:title><![CDATA[Family concert: “Stringle Bells!”]]></video:title>
      <video:description><![CDATA[This Family Christmas Concert features the most numerous section of the Berliner Philharmoniker: The strings. In addition, the orchestra’s percussionists are present with their impressive collection of bells. A colleague from the brass section is also there too: Horn player Sarah Willis presents this entertaining and educational concert with great skill, charm and wit.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/17133</loc>
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      <video:title><![CDATA[Vivaldi’s “Four Seasons” with the Berliner Barock Solisten]]></video:title>
      <video:description><![CDATA[The Berlin Baroque Soloists always inspire their audiences with the “brilliance, cohesion and sensitivity of their interpretations” (Der Tagesspiegel). In this concert from December 2013, they look back on the old year with a performance of Vivaldi’s Four Seasons – with the Philharmoniker’s concertmaster Daishin Kashimoto as the soloist. There are also works by Arcangelo Corelli, including the famous “Christmas Concerto”.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/16940</loc>
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      <video:title><![CDATA[Gustavo Dudamel conducts Beethoven, Schubert and Stravinsky]]></video:title>
      <video:description><![CDATA[Gustavo Dudamel is acclaimed all over the world as a spirited conductor of passionate music, and in this concert too, he shows himself to be the ideal interpreter of Igor Stravinsky’s fiery and vibrant Suites Nos. 1 and 2. The fact that he is now also a master of the fine shading required for the music of the First Viennese School can be heard in his astutely balanced performance of the fourth symphonies of Ludwig van Beethoven and Franz Schubert.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/16925</loc>
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      <video:title><![CDATA[Simon Rattle with Bruckner’s Seventh in Taipei]]></video:title>
      <video:description><![CDATA[“We are probably the luckiest musicians on the planet,” Sir Simon Rattle shouted to the enthusiastic crowd who cheered the Berliner Philharmoniker and its chief conductor on the square in front of the Chiang Kai-shek Memorial Hall in November 2013. The overwhelming reception followed a concert with performances of Boulez’s Notations and Bruckner’s Symphony No. 7.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/16872</loc>
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      <video:title><![CDATA[Simon Rattle conducts Schumann and Prokofiev]]></video:title>
      <video:description><![CDATA[In his First and Fourth symphonies, we see Robert Schumann at his happiest. In this concert with Simon Rattle from November 2013, the Fourth is heard in the seldom-performed original of 1841. Sergei Prokofiev’s Violin Concerto No. 1, strongly inspired by the First Viennese School, is also a cheerful work. The soloist is Daishin Kashimoto, 1st concertmaster of the Berliner Philharmoniker.]]></video:description>
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      <video:title><![CDATA[Simon Rattle conducts “Gurre-Lieder”]]></video:title>
      <video:description><![CDATA[Arnold Schoenberg is primarily known as the founder of twelve-tone music. However, with his 1899 Gurre-Lieder, based on a wild and romantic folk tale, he showed himself to be a master of the voluminous musical style of late Romanticism. Sir Simon Rattle and the Berliner Philharmoniker presented the work here as the finale to the Philharmonie’s 50th anniversary celebrations.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/16914</loc>
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      <video:title><![CDATA[Anniversary concert “50 years of the Berlin Philharmonie”]]></video:title>
      <video:description><![CDATA[The Philharmonie Berlin is an icon of classical music – a wonderful auditorium with outstanding acoustics, whose visionary architect inspired many subsequent concert halls all over the world. In October 2013, the Philharmonie celebrated the 50th anniversary of its opening. The Berliner Philharmoniker, Sir Simon Rattle and a host of celebrity guests celebrated this anniversary with a spectacular gala concert on the theme of “spatial music”.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/16913</loc>
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      <video:title><![CDATA[Bach’s “St Matthew Passion” with Simon Rattle and Peter Sellars]]></video:title>
      <video:description><![CDATA[Bach’s St Matthew Passion in the staging by Peter Sellars is one of the landmarks of the Simon Rattle era with the Berliner Philharmoniker. In this haunting version, Bach’s monumental work is not only explored from a new perspective; in a way never seen before, the Philharmonie itself proved to be a great venue for staged performances. This recording comes from the second series of performances in October 2013.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/16915</loc>
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      <video:title><![CDATA[Karl-Heinz Steffens conducts Beethoven, Zimmermann and Schubert]]></video:title>
      <video:description><![CDATA[Here, a former member of the Berliner Philharmoniker conducted the orchestra for the very first time: erstwhile principal clarinetist Karl-Heinz Steffens. The much applauded concert in this recording includes works by Ludwig van Beethoven, Franz Schubert and Bernd Alois Zimmermann. “A strong programme for a strong debut,” as one critic summed up the evening.]]></video:description>
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      <video:title><![CDATA[Works of the early Classical period with Reinhard Goebel]]></video:title>
      <video:description><![CDATA[The music from the transitional period between the Baroque and the First Viennese School is often considered to be charming, but innocuous. The fact that this judgement is wrong can be heard in this concert with Reinhard Goebel, who conducts works by Jean-Fery Rebel, Christian Cannabich and Johann Christian Bach, all of whom experiment intriguingly with sounds and effects. The programme also includes W.A. Mozart’s no less original Notturno for four orchestras from the generation that followed.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/16939</loc>
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      <video:title><![CDATA[Daniel Harding conducts Mahler’s Symphony No. 10]]></video:title>
      <video:description><![CDATA[What if Mahler had not died in May 1911 at just 50 years of age? What if he had been able to complete the fragment of his 10th Symphony? This is the question musicologist Deryck Cooke asked himself, and created an intriguing reconstruction from the surviving sketches. In this concert, the reconstruction is conducted by Daniel Harding.]]></video:description>
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  <url>
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      <video:title><![CDATA[Antoni Wit conducts Penderecki’s “St Luke Passion”]]></video:title>
      <video:description><![CDATA[More than almost any other composer of the second half of the 20th century, Krzysztof Penderecki represents the fusion of modernism and expressiveness. A key work in this sense is his St Luke Passion, which contributed significantly to Penderecki’s fame and which is conducted here by Antoni Wit, a student of the composer himself.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/16937</loc>
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      <video:title><![CDATA[Alan Gilbert and Thomas Zehetmair]]></video:title>
      <video:description><![CDATA[“The man at the conductor’s desk ... bristled with musicality and interpretive single-mindedness,” wrote the Berliner Morgenpost after Alan Gilbert conducted the Berliner Philharmoniker for the first time in February, 2006. Eastern European classical modernism is the focus of his current guest appearance, with works by Witold Lutosławski, Leoš Janáček and Béla Bartók.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/16936</loc>
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      <video:title><![CDATA[Simon Rattle and Christian Gerhaher]]></video:title>
      <video:description><![CDATA[Primitive power as if from a wild, faraway past mixes with the vibrancy of the modern in Leoš Janáček’s Glagolitic Mass. An eye to the past and the future is also evident in Gustav Mahler’s Lieder eines fahrenden Gesellen which combine innovative expression with a Romantic, folk-like sound. The soloist is Christian Gerhaher. The conductor is Simon Rattle, who also presents Witold Lutosławski’s Second Symphony.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/16918</loc>
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      <video:title><![CDATA[Simon Rattle conducts Mozart’s Symphonies Nos. 39, 40 & 41]]></video:title>
      <video:description><![CDATA[In their radiance, elegance and drama, Mozart creates almost a résumé of his worlds of expression in his last three symphonies, Simon Rattle opened the 2013/14 season with these works and reveals by way of example the Mozart style of the Berliner Philharmoniker at that time, in which transparency as well as warm sonority are given full scope. As one critic wrote, “Simon Rattle draws the full depth from the Mozart symphonies”.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/17065</loc>
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      <video:title><![CDATA[Simon Rattle conducts Beethoven’s Ninth Symphony in Madrid]]></video:title>
      <video:description><![CDATA[In the Digital Concert Hall, experiencing the Berliner Philharmoniker outside their home base – the Philharmonie – always has a special appeal. In this recording, we take you to the impressive Teatro Real in Madrid where in the summer of 2013 Sir Simon Rattle conducted Beethoven’s Ninth Symphony. “A miracle,” was how the newspaper El País described the concert before immediately correcting itself: “No, reality in its most beautiful form.”]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/3470</loc>
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      <video:title><![CDATA[Sir Simon Rattle conducts Britten’s “War Requiem”]]></video:title>
      <video:description><![CDATA[Benjamin Britten’s War Requiem has a unique place in the history of music. Rather than an abstract, liturgical work, it directly conveys the horrors and devastating grief unleashed by war. In 2013, the year in which the 100th anniversary of Britten’s birth was celebrated, Simon Rattle performed the Requiem for the first time with the Berliner Philharmoniker. In addition to the Rundfunkchor Berlin, the singers included an outstanding ensemble of soloists.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/3464</loc>
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      <video:title><![CDATA[Simon Rattle conducts Bruckner’s Symphony No. 7]]></video:title>
      <video:description><![CDATA[Bruckner’s Seventh Symphony is one of the few works by the composer which was received with tremendous applause during his lifetime. This was due, for example, to the gloriously melodious first movement and the Adagio, whose escalating waves of sound are almost physically palpable. In this concert, Simon Rattle also performs a selection from Pierre Boulez’s Notations, orchestral miniatures whose range is spectacularly expressive.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/3463</loc>
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      <video:title><![CDATA[Herbert Blomstedt conducts Beethoven and Nielsen]]></video:title>
      <video:description><![CDATA[Here, Herbert Blomstedt presented a programme full of spring-like freshness: Ludwig van Beethoven is rarely as relaxed and cheerful as he comes across in his Fourth Symphony, and in Carl Nielsen’s Fifth which brings the concert to a close, we hear a wonderful blend of Scandinavian flair and his innovative, individual sound.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/3462</loc>
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      <video:title><![CDATA[Claudio Abbado’s last concert with the Berliner Philharmoniker]]></video:title>
      <video:description><![CDATA[In his final concert with the Berliner Philharmoniker in May 2013, Claudio Abbado once again presented a fascinating programme which included two portrayals of dreams that could hardly be more different: Felix Mendelssohn’s perfectly balanced music for A Midsummer Night’s Dream and Hector Berlioz’s wildly unbridled Symphonie fantastique, a contrast which reveals not least the diversity and richness of musical Romanticism.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/3460</loc>
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      <video:title><![CDATA[Jaap van Zweden makes his debut with the Berliner Philharmoniker]]></video:title>
      <video:description><![CDATA[In this concert from May 2013, Jaap van Zweden made his debut with the Berliner Philharmoniker. He began his musical career as a 19-year-old with the Concertgebouw Orchestra in Amsterdam as first concertmaster before he launched an international career as a conductor which has taken him to the top position with the New York Philharmonic. The concert programme includes Johannes Brahms’ First Symphony and Béla Bartók’s Concerto for Orchestra.]]></video:description>
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      <video:duration>169</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/3458</loc>
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      <video:title><![CDATA[Simon Rattle conducts Tippett’s “A Child of Our Time”]]></video:title>
      <video:description><![CDATA[It is one of the most significant oratorios of the 20th century: Michael Tippett’s A Child of our Time. Based on a story from the Nazi era, the work is a call for humanity and justice. The concert also includes the premiere of Brett Dean’s The Last Days of Socrates – another innovative work whose aim is to breathe new life into the genre of the oratorio. Simon Rattle conducts.]]></video:description>
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      <video:publication_date>2013-04-27T18:00:00+00:00</video:publication_date>
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      <video:duration>211</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/17322</loc>
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      <video:title><![CDATA[Simon Rattle conducts “Noye’s Fludde”]]></video:title>
      <video:description><![CDATA[In 2013, the Berliner Philharmoniker celebrated the tenth anniversary of their Education Programme with a performance of Benjamin Britten’s children’s opera Noye’s Fludde. And there was a lot to cheer about, such as Britten’s sprightly score, full of catchy tunes but never simplistic. Then there was the imaginative staging which included an ark made from shopping bags – and of course the fantastic musicians conducted by Sir Simon Rattle.]]></video:description>
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      <video:publication_date>2013-04-21T16:00:00+00:00</video:publication_date>
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      <video:duration>184</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/4499</loc>
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      <video:title><![CDATA[Simon Rattle conducts Beethoven’s “Pastoral” Symphony and Modernist concertos]]></video:title>
      <video:description><![CDATA[“Finest drawing, subtle humour, heartfelt singing, and when they needed to let rip, they really let it rip,” was how one critic praised Simon Rattle’s interpretation of Beethoven’s Pastoral. In addition, the concert includes Lutosławski’s Double Concerto and Dutilleux’s Violin Concerto with the mysterious title The Tree of Dreams with Leonidas Kavakos as the soloist – exceptional works of the 20th century full of brilliance and magic.]]></video:description>
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      <video:publication_date>2013-04-20T18:00:00+00:00</video:publication_date>
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      <video:duration>205</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/3851</loc>
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      <video:title><![CDATA[“Late Night” concert with Simon Rattle and Martin Löhr]]></video:title>
      <video:description><![CDATA[A first glimpse at this programme is sure to elicit a grin: the Overture to “The Flying Dutchman”, as sight-read by a second-rate spa ensemble at the fountain at 7 am. There are also many other surprises in this Late Night concert with Simon Rattle, including just how fresh and up-to-date a prelude and fugue can sound when it comes from such an ingenious innovator of sound as Witold Lutosławski.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/3455</loc>
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      <video:title><![CDATA[Paavo Järvi conducts Beethoven and Hindemith]]></video:title>
      <video:description><![CDATA[This concert with Paavo Järvi offers many fresh perspectives. Beethoven’s First Symphony sounds as bright and new as if the composer had just written it. Järvi also presents Paul Hindemith’s somewhat neglected Violin Concerto, whose appeal lies in its originality and a dark, Romantic tone. Frank Peter Zimmermann is ideally matched for the sometimes swirling, sometimes rapturous solo part.]]></video:description>
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      <video:duration>123</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/3929</loc>
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      <video:title><![CDATA[The National Youth Orchestra of Germany: East meets West]]></video:title>
      <video:description><![CDATA[This concert with the National Youth Orchestra of Germany under the direction of Howard Griffith offers a range of exciting encounters between East and West, including music by Mozart and Ravel which incorporates sounds from Turkey and Morocco in a totally natural way. A special highlight is the breathtaking percussionist Murat Coşkun. The press were delighted: “The concert hall became a melting pot – rarely has crossover sounded so intelligent.”]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/3454</loc>
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      <video:title><![CDATA[Simon Rattle conducts Mozart’s “Magic Flute”]]></video:title>
      <video:description><![CDATA[Mozart’s Magic Flute was the highlight of the first Easter Festival in Baden-Baden in April 2013. Following the festival, the orchestra also gave a concert performance of the production in which the singers enchanted the audience with both their vocal and dramatic skills. Simon Rattle also revealed himself to be an excellent interpreter of Mozart, bringing out the whole transparency, tonal beauty and drama of the score.]]></video:description>
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      <video:duration>249</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/3443</loc>
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      <video:title><![CDATA[Mozart’s “Magic Flute” from Baden-Baden]]></video:title>
      <video:description><![CDATA[With a memorable performance of Mozart’s Magic Flute, Sir Simon Rattle opened the first Easter Festival in Baden-Baden in March 2013. The Financial Times spoke of a “top-drawer cast”: “Pavol Breslik is all you could wish for in a Tamino, Michael Nagy’s Papageno is charismatic and lithe, Kate Royal gives Pamina subtle complexity as well as grace.”]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/3439</loc>
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      <video:title><![CDATA[Andris Nelsons conducts Mozart, Wagner and Shostakovich]]></video:title>
      <video:description><![CDATA[Here, Andris Nelsons presents an impressively multifaceted programme which ranges from the Classical balance of Mozart’s Symphony No. 33 and the evocative music of Wagner’s Tannhäuser, to Shostakovich’s sometimes garish, sometimes brooding Sixth Symphony. The Frankfurter Allgemeine Zeitung praised in particular the “moving calmness” of the concert: “No climax was forced, everything developed organically.”]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/3429</loc>
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      <video:title><![CDATA[Sir Simon Rattle and Miklós Perényi]]></video:title>
      <video:description><![CDATA[The 20th century was rich in ingeniously conceived music. However, there were fewer works whose substance unfolds in a playful rather than intellectual way which, although intellectually stimulating, also sound sensuous and spontaneous. Here, Simon Rattle presents two such precious creations: Dutilleux’s Métaboles and Lutosławski’s Cello Concerto with Miklós Perényi as the soloist. The concert closes with Robert Schumann’s Second Symphony.]]></video:description>
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      <video:publication_date>2013-02-22T19:00:00+00:00</video:publication_date>
      <video:family_friendly>yes</video:family_friendly>
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      <video:duration>288</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/4087</loc>
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  </url>
  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/3427</loc>
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      <video:title><![CDATA[Simon Rattle conducts Schumann and Dutilleux]]></video:title>
      <video:description><![CDATA[Hopeful enthusiasm and flashes of disturbance and depression: the fusion of these contradictory states characterise Robert Schumann, not only as a man but also as a composer. They are also evident in both his “Rhenish” Symphony and the overture to the opera Genoveva which Simon Rattle conducts in this concert. Plus, soloist Barbara Hannigan sings Henri Dutilleux’s mystical, filigree song cycle Correspondances.]]></video:description>
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      <video:duration>131</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/3425</loc>
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      <video:title><![CDATA[Anne-Sophie Mutter plays Dvořák’s Violin Concerto]]></video:title>
      <video:description><![CDATA[The career of Anne-Sophie Mutter, who made her debut with the Berliner Philharmoniker under the direction of Herbert von Karajan when she was only thirteen, is inextricably linked with the orchestra. Here she performs Dvořák’s Violin Concerto under the direction of Manfred Honeck. As always, the unique tone of the violinist is astounding: velvety and rich while still fresh and flexible, unspeakably beautiful but never aiming for superficial gloss.]]></video:description>
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      <video:duration>182</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/3422</loc>
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      <video:title><![CDATA[Gustavo Dudamel conducts Strauss and Barber]]></video:title>
      <video:description><![CDATA[The Berliner Philharmoniker have a very special relationship with Richard Strauss. Not least, because the composer himself made guest conducting appearances with the orchestra over many years. Here, Gustavo Dudamel conducts two Strauss tone poems whose appeal lies in their fire and sophistication: Don Juan and Till Eulenspiegel. Plus there is Samuel Barber’s overwhelmingly poignant Adagio for Strings.]]></video:description>
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      <video:publication_date>2013-02-03T18:45:00+00:00</video:publication_date>
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      <video:duration>290</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/3420</loc>
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      <video:title><![CDATA[A Mozart evening with Louis Langrée]]></video:title>
      <video:description><![CDATA[Probably no other work in music history marries gracefulness and despair as impressively as Mozart’s Symphony No. 40 in G minor – certainly one reason for the work’s popularity. Louis Langrée conducted the work for his debut with the Berliner Philharmoniker in 2013. The concert also includes two of Mozart’s less well known gems: the overture to the opera La clemenza di Tito and the cantata Davide penitente.]]></video:description>
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      <video:publication_date>2013-01-25T19:00:00+00:00</video:publication_date>
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      <video:duration>196</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/3849</loc>
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      <video:title><![CDATA[“Late Night” concert with Simon Rattle and a new masterpiece]]></video:title>
      <video:description><![CDATA[For Simon Rattle, Georg Friedrich Haasʼ in vain is “one of the first masterpieces of the 21st century.” It is mysterious, multiperspectival music that in some way resembles the images of M. C. Escher. The effect is strengthened by the lighting directions given by the composer which create a wide variety of atmospheres. Simon Rattle performs the work with members of the Karajan Academy.]]></video:description>
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      <video:publication_date>2013-01-18T21:30:00+00:00</video:publication_date>
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      <video:duration>116</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/3418</loc>
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      <video:title><![CDATA[Murray Perahia with works by Mozart and Schubert]]></video:title>
      <video:description><![CDATA[Murray Perahia is one of the great pianists of our time, and has often appeared with the Berliner Philharmoniker. In this concert, he makes his debut with the Philharmoniker as a conductor where in Mozart’s Piano Concerto No. 27 he, of course, is also the soloist. The second part of the concert sees Franz Schubert’s rarely performed Grand Duo in the arrangement for orchestra by Joseph Joachim.]]></video:description>
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      <video:duration>167</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/3414</loc>
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      <video:title><![CDATA[Riccardo Chailly conducts Bruckner’s Sixth Symphony]]></video:title>
      <video:description><![CDATA[Riccardo Chailly’s performances of Bruckner are famous for their unusual transparency and streamlined energy. In the Sixth Symphony, which Bruckner himself described as his “boldest”, these qualities are shown to their best advantage. Sinewy strength also dominates in his performance of the Italian Symphony by Felix Mendelssohn who, incidentally, was a predecessor of Chailly as head of the Gewandhaus Orchestra.]]></video:description>
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      <video:publication_date>2013-01-11T19:00:00+00:00</video:publication_date>
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      <video:duration>119</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/3566</loc>
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      <video:title><![CDATA[Kirill Petrenko conducts Scriabin, Stravinsky and Stephan]]></video:title>
      <video:description><![CDATA[It is one of the most exciting periods of musical history: the transition from the opulent music of late-Romanticism to early Modernism with its concentrated energy. Kirill Petrenko portrayed this era with works by Rudi Stephan, Alexander Scriabin and Igor Stravinsky, the highlight of which was Scriabin’s monumental Poème de l’extase in which, according to one critic, Pertrenko presented “an alert mind and his famous will for clear contours”.]]></video:description>
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      <video:duration>232</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/4083</loc>
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      <video:title><![CDATA[Family concert: “Merry ChRHYTHMas!”]]></video:title>
      <video:description><![CDATA[Our Education Programme’s Christmas concerts are not only festive, they are also entertaining and educational. In this concert, it is the percussionists of the Berliner Philharmoniker who take to the stage to show the colourful diversity of their instruments. Horn player Sarah Willis guides us through the concert and on behalf of the young audience, asks everything you ever wanted to know about percussion.]]></video:description>
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      <video:duration>265</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/3847</loc>
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      <video:title><![CDATA[“Late Night” concert with Simon Rattle and Barbara Hannigan]]></video:title>
      <video:description><![CDATA[Barbara Hannigan has endeared herself to Berlin audiences on many occasions with her stunning voice, stage presence and taste for bizarre humour. These qualities also come to bear in this Late Night concert with Simon Rattle, in which, among other things, she performs William Walton’s experimental and whimsical Façade in which we see Sir Simon in a very unusual role.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/3409</loc>
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      <video:title><![CDATA[Christian Thielemann and Maurizio Pollini with Mozart’s Piano Concerto No. 21]]></video:title>
      <video:description><![CDATA[Maurizio Pollini, grand segnieur of the piano, here plays Mozart’s Piano Concerto No. 21 – as the press wrote – with his “familiar finesse, dexterity and virtuoso brilliance”. Christian Thielemann also conducts two popular works by Franz Listz – Les Préludes and Mazeppa – plus the rarely played Von der Wiege bis zum Grabe, Listz’s final and surprisingly chamber music-like tone poem.]]></video:description>
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      <video:duration>139</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/3408</loc>
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      <video:title><![CDATA[A Verdi evening with Christian Thielemann]]></video:title>
      <video:description><![CDATA[Christian Thielemann devotes this concert entirely to the music of Giuseppe Verdi. Subtle beauty is to be discovered in three ballets: the understated passion in the Ballo della Regina from Don Carlos, the dynamic Otello ballet, and the dances from Macbeth that capture all the dark edginess of the opera. The main work of the concert is the moving Quattro pezzi sacri, created by Verdi at the end of a long life as a composer as a kind of musical and religious conclusion.]]></video:description>
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      <video:duration>244</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/3923</loc>
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      <video:title><![CDATA[“40 Years of the Orchestra Academy” Gala Concert with Simon Rattle]]></video:title>
      <video:description><![CDATA[Ten double basses, twelve French horns, sextuple woodwind: the orchestra with which Simon Rattle performed Bruckner’s Eighth Symphony on 2 December 2012 was certainly ample. But what was more remarkable was not its size, but the origins of the orchestral musicians. They were all former or current members of the Berliner Philharmoniker’s Karajan Academy and came together for this concert to celebrate the 40th birthday of this renowned institution.]]></video:description>
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      <video:title><![CDATA[Simon Rattle conducts Schumann, Wagner, Ravel, Debussy and Ligeti]]></video:title>
      <video:description><![CDATA[This programme of this concert under the direction of Simon Rattle could be headlined “magical sounds”. The works in the first part all soar high above the temporal world: Ligeti’s atmosphères, Wagner’s Lohengrin prelude, Debussy’s Jeux and Ravel’s Daphnis et Chloé. The concert closes with Schumann’s “Rhenish” Symphony, a work of energetic urgency, but here too there are many ambiguities and shifts in emotion.]]></video:description>
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      <video:title><![CDATA[Simon Rattle conducts Stravinsky and Rachmaninov]]></video:title>
      <video:description><![CDATA[In the anxious years before the First World War, many composers sought a foothold in the past and tradition – while others pounced on the promise of the 20th century. With its emotional warmth, Rachmaninov’s The Bells belongs to the former category, while Stravinksky’s Le Sacre du printemps in its day pushed the boundaries of classical music. Simon Rattle conducts the works in an exciting juxtaposition.]]></video:description>
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  <url>
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      <video:title><![CDATA[Iván Fischer and Lisa Batiashvili]]></video:title>
      <video:description><![CDATA[Iván Fischer conducts exhilarating music from the 20th century, starting with Stravinsky’s Jeu de cartes, a sparkling score, full of irony and surprising accents. Grotesque humour is also to be found in Prokofiev’s First Violin Concerto, played here by soloist Lisa Batiashvili about whom the press wrote that she was a “ballerina on the violin” whose “fingers unerringly danced, flew and sprang about her Stradivarius”.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/3398</loc>
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      <video:title><![CDATA[Andris Nelsons and Christian Tetzlaff]]></video:title>
      <video:description><![CDATA[The works in this concert with Andris Nelsons portray movement in all its forms. Whether the anxious pacing of Britten’s Passacaglia from Peter Grimes, the giddy gyrations of La Valse by Ravel or the play of the waves in Debussy’s La Mer, they all display a dynamism of unmistakable character. The soloist in Jörg Widmann’s elegiac, singing Violin Concerto is Christian Tetzlaff.]]></video:description>
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      <video:title><![CDATA[Kristjan Järvi conducts Tchaikovsky and Messiaen]]></video:title>
      <video:description><![CDATA[Kristjan Järvi presents works that focus on happiness and salvation with, in the words of the press, “masterly conducting”. Carl Nielsen’s Overture En Fantasirejse til Færøerne dreams of the natural landscape of the Faroe Islands, before Olivier Messiaen’s L’Ascension, sometimes ecstatic, sometimes deeply meditative, reflects on Christ’s ascension and the redemption of man. Finally, we experience man’s struggle for happiness in the face of destiny in Tchaikovsky’s Fourth Symphony.]]></video:description>
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      <video:title><![CDATA[A Vivaldi evening with Andrea Marcon and soloists of the Berliner Philharmoniker]]></video:title>
      <video:description><![CDATA[The music of Antonio Vivaldi is full of Venetian magic – spirited and charming, but also virtuoso and innovative. Andrea Macon is one of the most renowned interpreters of Vivaldi, and here devotes an entire concert to his music – with many members from the Berliner Philharmoniker at his side as soloists. The concert closes with Vivaldi’s brilliant Gloria, one of the most exhilarating sacred choral works there is.]]></video:description>
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      <video:title><![CDATA[Bernard Haitink conducts Beethoven and Wagner]]></video:title>
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      <video:title><![CDATA[Simon Rattle conducts Beethoven, Haydn and Widmann]]></video:title>
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      <video:title><![CDATA[Simon Rattle conducts “Porgy and Bess”]]></video:title>
      <video:description><![CDATA[A love story as poignant as any Puccini opera, immortal melodies plus pulsating, swinging “street life”: George Gershwin’s Porgy and Bess is the perfect fusion of musical and dramatic depth and entertainment. In what the reviews called an “exceptional event beyond compare”, Simon Rattle conducted the work in September 2012 with a first-class ensemble of singers headed by Willard White and Latonia Moore.]]></video:description>
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      <video:title><![CDATA[“Late Night” concert with Pierre-Laurent Aimard]]></video:title>
      <video:description><![CDATA[Charles Ives’s Concord Sonata is like a pianistic cosmos. There are intense lyrical moods, impressionistic dreams – and then again new sounds, sudden outbursts, and humorous quotes. All this adds up to a surprisingly coherent whole, a nocturne with avant-garde ambition. With dedication and sensitivity, Pierre-Laurent Aimard explores this multiform work.]]></video:description>
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      <video:duration>138</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/3373</loc>
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      <video:title><![CDATA[An “American Evening” with Ingo Metzmacher and Pierre-Laurent Aimard]]></video:title>
      <video:description><![CDATA[In this concert, Ingo Metzmacher presents the many facets of the music of the United States – such as the big band sound in Gershwin’s Cuban Overtureand the modernity of George Antheil’s Jazz Symphony. The main works of the concert are Charles Ives’s enigmatic Fourth Symphony and the Symphonic Dances from Bernstein’s West Side Story – the perfect example of the American fusion of musical innovation and explosive vitality.]]></video:description>
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      <video:duration>133</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/4496</loc>
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      <video:title><![CDATA[Season opening 2012: Simon Rattle and Yefim Bronfman]]></video:title>
      <video:description><![CDATA[In the words of one critic, the performance of Witold Lutoławski’s Third Symphony, with which Simon Rattle opened the season 2012/13 was a “pleasure”. And in fact, this is a wonderful case of uncompromisingly modern music which at the same time excites with its atmosphere and vitality. The concert opens with Brahms’s Second Piano Concerto with Yefim Bronfman who brings out both the powerful and the delicate sides of the work.]]></video:description>
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      <video:duration>171</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/2591</loc>
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      <video:title><![CDATA[Andris Nelsons and Matthias Goerne with works by Tchaikovsky and Mahler]]></video:title>
      <video:description><![CDATA[In his Fifth Symphony, Piotr Ilyich Tchaikovsky uses grand gestures to portray his personal psychological drama. Andris Nelsons fully savours the emotional and tonal power of the music – and juxtaposes it intriguingly with Gustav Mahler’s songs from Des Knaben Wunderhorn. Here, there are also fearful chasms, but they occur subliminally, in a seemingly simple folk-song style. The soloist is the outstanding lieder singer Matthias Goerne.]]></video:description>
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      <video:duration>153</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/2589</loc>
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      <video:title><![CDATA[Yannick Nézet-Séguin conducts works by Tchaikovsky and Ravel]]></video:title>
      <video:description><![CDATA[This concert sees Yannick Nézet-Séguin present two of the greatest love stories in world literature – in settings whose music just quivers with emotion. First, there are Romeo and Juliet, portrayed by Piotr Ilyich Tchaikovsky with late-Romantic indulgence. In contrast are Daphnis and Chloé, whose story from atiquity is retold by Maurice Ravel in a tonal language that is sometimes delicate and sometimes angular and archaic.]]></video:description>
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      <video:duration>165</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/2886</loc>
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      <video:title><![CDATA[Mariss Jansons conducts Dvořák’s Symphony “From the New World”]]></video:title>
      <video:description><![CDATA[Anyone thinking of Czech music has a specific sound in mind: colourful, passionate, decidedly rhythmical and almost always with a melancholy undertone. These and many other facets of the music of Bohemia and Moravia are to be found in this concert with Mariss Jansons and violinist Frank Peter Zimmermann. Following works by Smetana and Bohuslav Martinů, the evening culminates in Antonín Dvořák’s famous Symphony No. 9 From the New World.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/2585</loc>
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      <video:title><![CDATA[Herbert Blomstedt conducts Beethoven’s “Missa solemnis”]]></video:title>
      <video:description><![CDATA[Beethoven himself called it his “greatest work”: the Missa solemnis. This monumental piece of sacred music no longer subordinates itself to the dictates of the liturgy, but unrestrainedly conveys the thoughts and feelings of the composer. Here the mass can be heard in a performance by the Berliner Philharmoniker, the choir of Bayerischer Rundfunk and the conductor Herbert Blomstedt.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/2580</loc>
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      <video:title><![CDATA[Sir Simon Rattle conducts Wagner’s “Die Walküre”]]></video:title>
      <video:description><![CDATA[Die Walküre is undoubtedly the most popular part of Wagner’s Ring des Nibelungen – perhaps because the mighty gods here struggle with very human feelings. Simon Rattle präsentierte das Werk voller »Ausdrucksgewalt« und »überwältigend schön«, so die Presse. Also taking part are Evelyn Herlitzius as Brünnhilde, Terje Stensvold as Wotan, Christian Elsner as Siegmund and Eva-Maria Westbroek as Sieglinde.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/2583</loc>
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      <video:title><![CDATA[Dance project: “Carmen”]]></video:title>
      <video:description><![CDATA[Few choreographers have had a greater influence on modern dance theatre than Sasha Waltz. All the greater then was the response to her interpretation of the Carmen story as part of the Berliner Philharmoniker’s Education Dance Project in 2012. This Carmen, however, plays out on the streets of Berlin. The performance, conducted by Simon Rattle, featured Berlin schoolchildren who took a very unique approach to the opera.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/2575</loc>
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      <video:title><![CDATA[Claudio Abbado conducts works by Schumann and Berg]]></video:title>
      <video:description><![CDATA[In this concert, Claudio Abbado conducts music full of sensitivity, including Robert Schumann’s Second Symphony, a highly sensitive piece, full of fragile nervousness. He is joined by two top-class soloists in works by Alban Berg: mezzo-soprano Anne Sofie von Otter in the Altenberg-Lieder, and in the Violin Concerto, Isabelle Faust, who impressed the audience with her “soaring, almost halucinatory tone” (Frankfurter Allgemeine Zeitung).]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/2963</loc>
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      <video:title><![CDATA[Birthday concert of the 12 Cellists of the Berliner Philharmoniker]]></video:title>
      <video:description><![CDATA[The 12 Cellists of the Berliner Philharmoniker are as renowned for their versatility as for their musical mastery – qualities which are displayed admirably in this concert celebrating the ensemble’s 40th birthday: the large-scale orchestral power of the music from Once Upon a Time in the West is conveyed just as authentically as the tender melancholy of Yesterday. Guest artists of the evening are the soprano Annette Dasch and trumpeter Till Brönner.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/2885</loc>
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      <video:title><![CDATA[Gustavo Dudamel conducts “Also sprach Zarathustra”]]></video:title>
      <video:description><![CDATA[The musically powerful optimism conveyed in Richard Strauss’s Also sprach Zarathustra is in good hands with a conductor as energetic as Gustavo Dudamel. But there are other colours in this concert, such as in Maurice Ravel’s Ma Mère l’Oye: fairy tale scenes full of elegance, poetry and wit. Erich Wolfgang Korngold’s Violin Concerto also radiates virtuosity and full-bodied Hollywood sound, performed here with Leonidas Kavakos as the soloist.]]></video:description>
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      <video:publication_date>2012-04-28T18:00:00+00:00</video:publication_date>
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      <video:duration>170</video:duration>
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  </url>
  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/2565</loc>
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      <video:title><![CDATA[“Carmen” with Simon Rattle, Magdalena Kožená and Jonas Kaufmann]]></video:title>
      <video:description><![CDATA[Probably no other opera contains so many “hits” as Carmen. Yet despite its popularity, there is always something new to be discovered in the work – which is also the case in this concert performance from the Philharmonie Berlin. Here, Simon Rattle presents Carmen not as an overblown grand opera, but brings out the many nuances of the score, its lightness and refinement. The main characters are sung by Magdalena Kožená and Jonas Kaufmann.]]></video:description>
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      <video:title><![CDATA[Murray Perahia and Simon Rattle with Schumann’s Piano Concerto]]></video:title>
      <video:description><![CDATA[Murray Perahia is one of the great poets among pianists, as this performance of Robert Schumann’s Piano Concerto reveals. Its qualities – melodic playing, gentle story-telling and Romantic rhapsodising – are brilliantly realised by Perahia. Gabriel Fauré’s Requiem is a similarly sensitive work: a funeral mass of almost serene tranquillity. Simon Rattle conducts the Berliner Philharmoniker and the Rundfunkchor Berlin.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/2632</loc>
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      <video:title><![CDATA[The Berliner Barock Solisten with an “Anglo-Italian Evening”]]></video:title>
      <video:description><![CDATA[“A perfect blend of ‘modern’ playing with ‘historical’ awareness,” was how the magazine Gramophone described the Berliner Barock Solisten, which counts members of the Berliner Philharmoniker among its recruits. In this concert, they explore the fascinating relationship between English and Italian composers of the 17th and 18th centuries. The performers include the tenor Mark Padmore singing arias by George Frideric Handel.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/2717</loc>
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      <video:title><![CDATA[Zubin Mehta conducts Bruckner’s Eighth Symphony]]></video:title>
      <video:description><![CDATA[Like many of his contemporaries, Hugo Wolf was also overwhelmed when Bruckner’s Eighth Symphony was premiered in 1892: “This symphony is the creation of a giant and surpasses all the master’s other symphonies in spiritual dimension, richness and greatness.” Here, Zubin Mehta conducts the work unhurriedly, with a free, powerful sound and airy spaciousness.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/2540</loc>
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      <video:title><![CDATA[Christian Thielemann conducts Tchaikovsky’s “Pathétique”]]></video:title>
      <video:description><![CDATA[According to Pyotr Ilyich Tchaikovsky, he “wept bitterly” while composing his poignant Pathétique. Whereby it probably needs a minimum of serenity in order to create such an ingeniously constructed work in which there is, for example, a waltz in the complicated 5/4 time. Christian Thielemann makes space for both of the symphony’s worlds, its emotion and its skilful structure. The programme also includes works by Debussy and Messiaen.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/2537</loc>
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      <video:title><![CDATA[Christian Thielemann and Albrecht Mayer with works by Strauss and Bruckner]]></video:title>
      <video:description><![CDATA[Christian Thielemann’s international fame rests not least on his highly acclaimed interpretations of Bruckner. In this concert, he conducts the composer’s most popular work, the Fourth Symphony. As the epithet Romantic implies, Bruckner here creates a vision of a better past. Richard Strauss’s Oboe Concerto which opens the concert has a similarly nostalgic flavour. The soloist is Albrecht Mayer.]]></video:description>
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  <url>
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      <video:title><![CDATA[Simon Rattle conducts Mahler’s Second Symphony]]></video:title>
      <video:description><![CDATA[It was a concert with Gustav Mahler’s Second Symphony that inspired the 12-year-old Simon Rattle to become a conductor. Explaining his continued fascination with the work, Rattle said, “Mahler aimed to put the entire world into a symphony. And this world goes from the death rites of some hero through a memory of what life was in both its beauty and its horror and final redemption.”]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/2519</loc>
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      <video:title><![CDATA[Symphonic pictures with Sir Simon Rattle]]></video:title>
      <video:description><![CDATA[In this concert, Simon Rattle guides us through a gallery of symphonic pictures: a delicate scene from antiquity in Debussy’s Prélude à l’après-midi d’un faune; colourful, fairy-tale illustrations in Dvořák’s Golden Spinning Wheel, and an Expressionist drama in Schoenberg’s Verklärte Nacht. The concert closes in the portrait gallery with Elgar’s Enigma Variations, a series of highly original and affectionate portrayals of the composer’s friends.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/2516</loc>
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      <video:title><![CDATA[Simon Rattle conducts the completed Ninth Symphony of Anton Bruckner]]></video:title>
      <video:description><![CDATA[Although Anton Bruckner died while working on the finale of his Ninth Symphony, he left countless sketches behind. In 2012, Simon Rattle conducted the work in a fascinating reconstruction. The completed movement reveals many disturbing moments as well as Bruckner-like grandeur. But, as Simon Rattle says, “everything that is strange about this finale is 100% Bruckner. And one can see the terror and the fear and the passion which he was going through in his life at that time.”]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/2513</loc>
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      <video:title><![CDATA[Andris Nelsons and Guy Braunstein with works by Brahms and Strauss]]></video:title>
      <video:description><![CDATA[Brahms’s Violin Concerto impresses not with artistry, but with the marvellously delicate interplay between soloist and orchestra. Guy Braunstein and Andris Nelsons showed off the concerto’s charms in a performance that was both dynamic and without affectation. Its discreet virtuosity contrasts here with a work of almost unashamed self-confidence: Richard Strauss’s Ein Heldenleben.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/2510</loc>
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      <video:title><![CDATA[Simon Rattle and Magdalena Kožená with songs by Dvořák and Mahler]]></video:title>
      <video:description><![CDATA[Delicate melancholy characterises this concert with Simon Rattle. Mezzo-soprano Magdalena Kožená sings songs by Dvořák and Mahler which find the greatest intensity of expression through concentration and restraint. The same applies to Ravel’s Le Tombeau de Couperin, which combines mourning with Baroque grace. A similar approach but with a more voluminous sound is to be found in Schubert’s Unfinished Symphony with its intense world-weariness.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/2849</loc>
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      <video:title><![CDATA[A birthday concert for Frederick the Great]]></video:title>
      <video:description><![CDATA[The 300th Birthday of Frederick the Great in 2012 provided the occasion for this artistic summit. It includes works from the court of the music-loving monarch, performed by two leading Early music ensembles: the Berliner Barock Solisten and the Akademie für Alte Musik Berlin. The concert also features readings by star actors Burghart Klaußner and Armin Mueller-Stahl. An evening full of atmosphere, spirit and grace.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/2884</loc>
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      <video:title><![CDATA[“Late Night” concert with HK Gruber’s “Frankenstein!!”]]></video:title>
      <video:description><![CDATA[This Philharmoniker Late Night concert is a feast for fans of black humour. The main work is the miniature Singspiel Frankenstein!! by the chansonnier and composer HK Gruber. In this jazzy, cabaret-style pandemonium, we encounter bizarre villains who hide their true beings behind a mask of innocence. The performers include members of the Berliner Philharmoniker and, not least, the composer himself.]]></video:description>
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      <video:duration>198</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/2504</loc>
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      <video:title><![CDATA[Liszt’s Piano Concerto No. 1 with Tugan Sokhiev and Boris Berezovsky]]></video:title>
      <video:description><![CDATA[Boris Berezovsky – “Ultra-virtuoso of the piano” (Der Tagesspiegel) – performs Franz Listz’s Piano Concerto No. 1 with conductor Tugan Sokhiev – a work that moves confidently between raging fury and delicate cantabile and at the same time extends the expression and tone of the piano to the limits of possibility. Other items on the programme include Rachmaninov’s Symphonic Dances and Albert Roussel’s far too little-known ballet Bacchus et Ariane.]]></video:description>
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      <video:duration>195</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/2501</loc>
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      <video:title><![CDATA[Daniel Barenboim conducts Elgar’s “The Dream of Gerontius”]]></video:title>
      <video:description><![CDATA[While Edward Elgar’s The Dream of Gerontius enjoys nearly the same esteem as Handel’s Messiah and Mendelssohn’s Elijah in his native England, almost every performance abroad is seen as a rediscovery. And it is to such that the Berliner Philharmoniker and conductor Daniel Barenboim invite you here, presenting a work with an individual musical language and the penetrating power of faith.]]></video:description>
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      <video:duration>135</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/2495</loc>
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      <video:title><![CDATA[Nicola Luisotti conducts Poulenc’s Gloria and Prokofiev’s Fifth Symphony]]></video:title>
      <video:description><![CDATA[Composing works which were both modern and understandable – that was the supreme discipline for many composers of the 20th century. Nicola Luisotti here presents works which realise this concept most beautifully: Francis Poulenc’s Gloria, which shifts between meditation and exuberant joy, and Sergei Prokofiev’s distinctive Fifth Symphony. Plus, Emmanuel Pahud plays pieces for solo flute by Claude Debussy und Luciano Berio.]]></video:description>
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      <video:duration>214</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/2493</loc>
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      <video:title><![CDATA[Simon Rattle conducts Mahler’s “Das Lied von der Erde”]]></video:title>
      <video:description><![CDATA[Simon Rattle and the Berliner Philharmoniker brought their performance of all of Gustav Mahler’s major orchestral works to a close with Das Lied von der Erde. Mahler himself described it as “probably the most personal work I have written so far”. And indeed, Mahler, already terminally ill at the time of composition, eulogises here the departure from life with a sincerity that still moves us today.]]></video:description>
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      <video:duration>281</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/2883</loc>
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      <video:title><![CDATA[“Late Night” concert with Sir Simon Rattle and Andreas Buschatz]]></video:title>
      <video:description><![CDATA[This Late Night concert with Simon Rattle is an irresistible combination of music and vocal acrobatics. In György Ligeti’s Aventures, for example, three singers snort, cackle and babble their way through all human emotions imaginable. In contrast, Unsuk Chin’s Akrostichon-Wortspiel is based on the written word. However, the texts are jumbled together, resulting in intriguing art idioms.]]></video:description>
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      <video:duration>208</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/2491</loc>
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      <video:title><![CDATA[Donald Runnicles conducts works by Strauss and Elgar]]></video:title>
      <video:description><![CDATA[Both works in this concert with Donald Runnicles represent the brilliance of the art of orchestration at the turn of the 19th to the 20th century – and yet they could be hardly more contrasting in terms of expression and attitude. For while Edward Elgar’s First Symphony impresses with its nobility and sensitivity, Richard Strauss’s Don Quixote is, not least, a biting satire. The soloists are the cellist Ludwig Quandt and the violist Amihai Grosz.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/2489</loc>
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      <video:title><![CDATA[Iván Fischer and Daniel Stabrawa]]></video:title>
      <video:description><![CDATA[Here Iván Fischer conducts gems from his Hungarian homeland: Ernő Dohnányi and Jenő Hubay with Daniel Stabrawa as the soloist. Both discoveries are full of spirit and original ideas, and there is also Franz Schubert’s Fifth Symphony from the core Classical-Romantic repertoire.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/2866</loc>
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      <video:title><![CDATA[Family concert: “Cello Christmas”]]></video:title>
      <video:description><![CDATA[Fiery, funny, jazzy and sometimes uncontrollably emotional: this is how the 12 Cellists of the Berliner Philharmoniker play their way through the world’s music. In this Christmas concert, they present highlights of their repertoire. Horn player Sarah Willis guides the audience through the programme and asks the most pressing questions on the subject of the cello, such as what such an instrument costs, and how can you best make it sound like a cow.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/2478</loc>
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      <video:title><![CDATA[Simon Rattle conducts Bruckner, Ravel and Hosokawa in Taiwan]]></video:title>
      <video:description><![CDATA[In this guest appearance in Taiwan, the Berliner Philharmoniker and Simon Rattle demonstrate the full range of their qualities. Following colourful works by Maurice Ravel and Toshio Hosokawa, the concert culminates in a powerful performance of Anton Bruckner’s Ninth Symphony in which the full, velvety strings of the orchestra are able to unfold, as can the sonorous and brilliant sound of its wind section.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/2477</loc>
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      <video:title><![CDATA[Simon Rattle conducts Mahler’s Ninth Symphony in Taiwan]]></video:title>
      <video:description><![CDATA[When Simon Rattle and the Berliner Philharmoniker played in Taiwan in 2011, their concerts were seen not only in the auditorium of the National Concert Hall, but also at six public screenings. In addition to the performance of Gustav Mahler’s Ninth Symphony, this concert also features a moving encounter between the orchestra members and the audience of these public broadcasts.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/2465</loc>
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      <video:title><![CDATA[Simon Rattle conducts Mahler’s Ninth Symphony]]></video:title>
      <video:description><![CDATA[Here, the Berliner Philharmoniker and chief conductor Sir Simon Rattle perform Gustav Mahler’s Ninth Symphony. Many regard this work as a kind of musical harbinger of death – partly because Mahler died a year after its completion, but principally because the character of the symphony is determined by disintegration and dissolution. The press wrote that the orchestra was “rarely to be heard as well-balanced and dedicated” as in this concert.]]></video:description>
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      <video:family_friendly>yes</video:family_friendly>
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      <video:duration>159</video:duration>
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      <video:title><![CDATA[“Late Night” concert with Sir Simon Rattle, Magdalena Kožená and Olaf Ott]]></video:title>
      <video:description><![CDATA[With this concert from 2011, Simon Rattle launched the Philharmoniker’s Late Night series. A nocturnal mood is created in particular by de Falla’s Impressionist vocal scene Psyché and Dallapiccola’s Piccola musica notturna – whose title means nothing other than “Little Night Music”. The two works by Luciano Berio, in contrast, the Sequenza V for solo trombone with Olaf Ott and the Folk Songs with Magdalena Kožená, are colourful and lively.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/2463</loc>
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      <video:title><![CDATA[A Beethoven evening with Nikolaus Harnoncourt]]></video:title>
      <video:description><![CDATA[This Beethoven evening from October 2011 marks Nikolaus Harnoncourt’s final guest appearance with the Berliner Philharmoniker – the end of an exceptionally happy and fruitful collaboration which had begun in 1991. The concert demonstrates the undiminished vitality of this partnership with a rousing interpretation of the Fifth Symphony.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/2461</loc>
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      <video:title><![CDATA[Pablo Heras-Casado conducts Mendelssohn’s “Scottish” works]]></video:title>
      <video:description><![CDATA[Evocative impressions of Scotland by Felix Mendelssohn – the overture The Hebrides and the Third Symphony – form the first and last items in this concert with Pablo Heras-Casado. Between these two works, we also hear Karol Szymanowski’s Fourth Symphony, a refined Impressionist work whose piano part – played here by star pianist Marc-André Hamelin – invokes the great tradition of the Romantic solo concerto.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/2459</loc>
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      <video:title><![CDATA[Simon Rattle conducts “Weltethos” by Jonathan Harvey and Hans Küng]]></video:title>
      <video:description><![CDATA[“There will be no peace among the nations without peace among the religions.” – This basic principle of the Swiss theologian Hans Küng also forms the basis of his libretto to the choral work Weltethos. The piece is set to music by Jonathan Harvey – in the words of Simon Rattle, “probably the most spiritual of our British composers”. Weltethos was given its premiere in this concert under the direction of Simon Rattle.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/2456</loc>
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      <video:title><![CDATA[Juraj Valcuha and Nikolaj Znaider with the Violin Concerto by Jean Sibelius]]></video:title>
      <video:description><![CDATA[“A violinist of real substance,” was how Gramophone magazine described Nikolaj Znaider – a musician “who is not afraid to go his own way and say something different”. Here, Znaider together with conductor Juraj Valcuha perform Jean Sibelius’s Violin Concerto. The programme also includes two Romantic works, full of verve and brilliant colours: Tchaikovsky’s First Symphony and Weber’s overture to Euryanthe.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/2454</loc>
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      <video:title><![CDATA[Anniversary concert with Zubin Mehta and Mahler’s First Symphony]]></video:title>
      <video:description><![CDATA[A fascinating idea for an impressive anniversary: In 2011, 50 years after his debut with the Berliner Philharmoniker, Zubin Mehta presented the same programme he conducted for his first guest appearance. The main work is Mahler’s First Symphony, including the rarely performed, emotional Blumine movement. Together with soloist Johannes Moser, Mehta also performs Schumann’s Cello Concerto, whose appeal lies in its sensitive narrative tone.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/2451</loc>
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      <video:title><![CDATA[Semyon Bychkov conducts Berio and Walton]]></video:title>
      <video:description><![CDATA[What musical direction would Franz Schubert have taken had he not died in 1828 when he was only 31 years of age? One possible answer is Luciano Berio’s symphonic collage Rendering, which assembles Schubert’s sketches from the last weeks of his life. In this concert, Semyon Bychkov also conducts William Walton’s First Symphony, a work full of fire and colour, revealing occasional flashes of the influence of Bruckner and Hindemith.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/2448</loc>
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      <video:title><![CDATA[Simon Rattle conducts Mahler’s “Symphony of a Thousand”]]></video:title>
      <video:description><![CDATA[The choirs stretched into the audience galleries when Simon Rattle conducted a much applauded and cheered performance of Gustav Mahler’s Symphony of a Thousand. Even the premiere in 1910 attended by Siegfried Wagner, Richard Strauss, Arnold Schoenberg, Bruno Walter, Stefan Zweig and Thomas Mann was the most triumphant success in the life of Mahler. And the composer himself felt the symphony to be “the grandest thing I have done yet”.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/2457</loc>
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      <video:title><![CDATA[Andris Nelsons conducts sumptuous works of the 20th century]]></video:title>
      <video:description><![CDATA[In this ingenious programme, Andris Nelsons presents composers from the early 20th century who were creatively and innovatively inspired by music of the past – such as Gregorian chant, revitalised by Hans Pfitzner in his prelude to Palestrina, Baroque music in Heinrich Kaminski’s Dorian Music, and the Viennese waltz in Richard Strauss’s Der Rosenkavalier. Wolfgang Rihm’s Marsyas, in contrast, is thoroughly modern yet always melodious.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/2424</loc>
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      <video:title><![CDATA[Season opening 2011: Simon Rattle conducts Mahler’s Seventh Symphony]]></video:title>
      <video:description><![CDATA[With this “unrelentingly brilliant” (Berliner Morgenpost) performance of Gustav Mahler’s Seventh Symphony, Simon Rattle opened the Philharmoniker’s 2011/12 season. The most striking movement of the work is undoubtedly the overwhelming, celebratory finale. More nuanced, on the other hand, are the middle movements which conjure up a unique nocturnal atmosphere, full of poetry and nature, with a ghostly scherzo at its centre.]]></video:description>
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      <video:duration>160</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/65</loc>
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      <video:title><![CDATA[Dance project: Season’s Whims]]></video:title>
      <video:description><![CDATA[The appeal of Jean-Philippe Rameau’s music lies in its Baroque gracefulness, but at the same time, it is full of exciting expressiveness and variety. In addition to sarabandes, marches and chaconnes, there’s thunder, storms and the sounds of war – perfect for a student ballet, as the Berliner Philharmoniker demonstrated in their Education Programme. The conductor of this performance is the Early music specialist, Emanuelle Haïm.]]></video:description>
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      <video:duration>144</video:duration>
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  </url>
  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/1647</loc>
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      <video:title><![CDATA[Emmanuelle Haïm conducts Handel and Rameau]]></video:title>
      <video:description><![CDATA[The Early music specialist Emmanuelle Haïm conducts works by Handel, including his famous Water Music, plus pieces by Jean-Philippe Rameau who is still too little known outside France. The two suites, compiled especially for this concert from the composer’s stage works, demonstrate not only Baroque gracefulness but also the originality of Rameau, who experimented masterfully with sounds and effects.]]></video:description>
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      <video:publication_date>2011-06-23T18:00:00+00:00</video:publication_date>
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      <video:title><![CDATA[Peter Eötvös conducts the premiere of his Cello Concerto Grosso]]></video:title>
      <video:description><![CDATA[For Peter Eötvös, composing is “the enchantment of the listener through sound”. Here, the composer presented one result of this concept with the premiere of his Cello Concerto Grosso. In addition, there is tempestuous music and psychological drama in the second half of the concert, when Eötvös conducts the Coronation and Death Scenes from Mussorgsky’s Boris Godunov. The soloists are the cellist Miklós Perényi and the bass-baritone Ferruccio Furlanetto.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/1660</loc>
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      <video:title><![CDATA[Vladimir Jurowski conducts Mahler and Stravinsky]]></video:title>
      <video:description><![CDATA[Gustav Mahler’s Das klagende Lied, conducted here by Vladimir Jurowski, combines horror and fantasy. The composer himself was convinced that in this work he had found his own style. And indeed, although there is a wealth of forest murmurs and leitmotifs in the best Wagner style, there is also that difficult to describe but unmistakeable Mahler sound.]]></video:description>
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      <video:title><![CDATA[Simon Rattle conducts Mahler’s Sixth Symphony]]></video:title>
      <video:description><![CDATA[“There could hardly be a more awake, more clear-sighted, more meaningful Mahler at the moment”, wrote the Tagesspiegel in 2011 about this performance of Mahler’s Sixth Symphony with Simon Rattle. This work certainly gives orchestras the opportunity to show their full potential. Mahler breaks new ground in orchestration, for example in the finale with its legendary hammer blows. But also in terms of intensity of expression, Mahler demands everything from his interpreters.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/1644</loc>
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      <video:title><![CDATA[Stanisław Skrowaczewski conducts Bruckner]]></video:title>
      <video:description><![CDATA[Stanisław Skrowaczewski is one of the grand seigneurs of Bruckner interpretation and has received prestigious awards for his recordings of the symphonies. In this concert, Skrowaczewski performs Bruckner’s Third Symphony – the first where Bruckner’s unmistakable musical language fully blossoms. The concert also includes baritone Matthias Goerne in a Gesangsszene by Karl Amadeus Hartmann.]]></video:description>
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      <video:title><![CDATA[Yutaka Sado conducts Shostakovitch and Takemitsu]]></video:title>
      <video:description><![CDATA[When Yutaka Sado was in sixth grade at school and was asked what his life’s ambition was, he answered: “I want to conduct the Berliner Philharmoniker one day.” In May 2011, Sado’s dream came true when he made his debut with the orchestra. The programme included Tōru Takemitsu’s meditative From me flows what you call time and Dmitri Shostakovitch’s Fifth Symphony with its constant shifts between celebration and parody.]]></video:description>
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      <video:title><![CDATA[Concert with Claudio Abbado to mark the 100th anniversary of Gustav Mahler’s death]]></video:title>
      <video:description><![CDATA[With this concert from 18 May 2011, the Berliner Philharmoniker commemorated the 100th anniversary of Gustav Mahler’s death. Claudio Abbado, with whom the orchestra gave many moving Mahler performances, conducts here two works to mark the event which seem like elegiac meditations on the finiteness of all life: Das Lied von der Erde with Anne Sofie von Otter and Jonas Kaufmann as – and the Adagio from the Tenth Symphony.]]></video:description>
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      <video:title><![CDATA[Claudio Abbado, Maurizio Pollini and Anna Prohaska]]></video:title>
      <video:description><![CDATA[Claudio Abbado and Maurizio Pollini: one of the great artistic friendships of classical music. In this concert, they perform Mozart’s Piano Concerto No. 17. A second Mozart soloist is the soprano Anna Prohaska, who is also heard in Alban Berg’s Symphonic Pieces from Lulu. The concert closes with the Adagio from Mahler’s Tenth Symphony: a manifestation of the hopelessness and a farewell to life.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/1641</loc>
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      <video:title><![CDATA[A Richard Strauss evening with Christian Thielemann, Renée Fleming and Thomas Hampson]]></video:title>
      <video:description><![CDATA[Christian Thielemann once said that with Richard Strauss, he tries “to balance two aspects which seem to be mutually exclusive: transparency and richness”. This Strauss concert demonstrates how marvellously the conductor masters this balancing act. The soloists in a selection of sumptuous orchestral songs and excerpts from the opera Arabella are guest artists Renée Fleming and Thomas Hampson.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/1640</loc>
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      <video:title><![CDATA[Concert to commemorate the 25th anniversary of the Chernobyl nuclear disaster]]></video:title>
      <video:description><![CDATA[In a joint benefit concert in April 2011, the Berliner Philharmoniker and the Staatskapelle Berlin commemorated the 25th anniversary of the Chernobyl reactor disaster. This day of remembrance was all the more relevant given the nuclear disaster in Fukushima just a few weeks previously. The concert, with works by Dmitri Shostakovitch, Pyotr Ilyich Tchaikovsky and Tōru Takemitsu, was conducted by Andrey Boreyko.]]></video:description>
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      <video:title><![CDATA[Dance project: “Surrogate Cities”]]></video:title>
      <video:description><![CDATA[The city, with its vibrant energy and its dangers, has always fascinated artists of all disciplines. One of the most exciting musical representations on this theme is Heiner Goebbels’s Surrogate Cities. In February 2008, the Berliner Philharmoniker presented this composition as a much acclaimed dance project with Berlin school students as part of their Education Programme. The conductor was Simon Rattle.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/1639</loc>
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      <video:title><![CDATA[Simon Rattle conducts Mahler’s Fifth Symphony]]></video:title>
      <video:description><![CDATA[Gustav Mahler’s Fifth Symphony owes its popularity to the Adagietto, a movement full of tenderness, dreaming and hopeful longing. Yet it is easy to overlook the many facets of the other movements: the vehemence of the second and third movements, and the exuberant high spirits of the finale. The press described this performance with Simon Rattle simply as “breath-taking” and “deeply moving”.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/1638</loc>
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      <video:title><![CDATA[Alan Gilbert and Emanuel Ax in works by Mozart and Stravinsky]]></video:title>
      <video:description><![CDATA[Visitors from New York! Alan Gilbert, music director of the New York Philharmonic, and Emanuel Ax, who has also lived in “the Big Apple” for many years, appear together in Mozart’s graceful yet melancholy Mozart’s Piano Concerto No. 22. Gilbert also conducts Stravinsky’s Firebird, one of the most masterful scores of classical Modernism.]]></video:description>
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      <video:title><![CDATA[UNICEF concert for Japan with Simon Rattle and Daniel Barenboim]]></video:title>
      <video:description><![CDATA[Both the Berliner Philharmoniker and the Staatskapelle Berlin have been regular guests in Japan for many years. Following the devastating earthquake and the nuclear disaster at Fukushima in March 2011, the two orchestras gave a joint UNICEF benefit concert for the victims a few weeks later, with Sir Simon Rattle and Daniel Barenboim conducting a programme of Tchaikovsky’s Pathétique and Brahms’s Fourth Symphony.]]></video:description>
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      <video:title><![CDATA[Simon Rattle conducts “Salome”]]></video:title>
      <video:description><![CDATA[The oppressive, dark eroticism of Richard Strauss’s Salome has always delighted and disturbed opera fans. Often the wealth of nuance contained in the opera, from the finely balanced orchestration to the multifaceted character of the eponymous heroine is overshadowed. Simon Rattle presents this masterpiece with both atmospheric and dramatic intensity. The title role is sung by the internationally acclaimed Strauss and Wagner singer Emily Magee.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/1637</loc>
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      <video:title><![CDATA[Bernard Haitink and Leif Ove Andsnes perform Brahms’s Second Piano Concerto]]></video:title>
      <video:description><![CDATA[In this concert, Leif Ove Andsnes, the Philharmoniker’s 2010/11 Pianist in Residence, performs Brahms’s Second Piano Concerto with Bernard Haitink. For many, the work is the epitome of heavyweight late Romanticism – but in Andsnes’s hands, a delicate tone emerges from the thunderous keyboard playing. The programme also features Witold Lutosławski’s highly imaginative and intensely atmospheric Fourth Symphony.]]></video:description>
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      <video:title><![CDATA[Bernard Haitink conducts Bruckner’s Fifth Symphony]]></video:title>
      <video:description><![CDATA[In this concert, the great Bruckner conductor Bernard Haitink performs his Fifth Symphony. The appeal of the Fifth lies in its ingenious polyphony with which Bruckner wanted to persuade the last doubters of his abilities. Wonderfully floating, transcendental choral melodies form a counter-world to the bright construction. The message of the deeply religious composer is clear: that there is something higher than all earthly endeavours.]]></video:description>
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      <video:title><![CDATA[Herbert Blomstedt conducts Bruckner and Hindemith]]></video:title>
      <video:description><![CDATA[Herbert Blomstedt presents works that evoke a distant past with a full, late Romantic sound. In his Mass in F minor, for example, Anton Bruckner provides a powerful reinterpretation of liturgical choral music. Paul Hindemith’s Nobilissima vision on the other hand, tells both sensuously and in strictly archaic style of the life of St Francis – “magical music”, that “dreams itself far away from reality” (Frankfurter Allgemeine Zeitung).]]></video:description>
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      <video:title><![CDATA[Simon Rattle conducts Mahler’s Fourth Symphony]]></video:title>
      <video:description><![CDATA[The sound of sleigh-bells at the beginning make it clear from the outset: Mahler’s Fourth Symphony does not want to show off, but to take us to a magical kingdom. Mahler himself said, “It is the serenity of a higher, unknown world”, which, as he adds, “holds something gruesome and ghastly for us”. In this concert, Simon Rattle combined the work with Stravinsky’s graceful ballet music Apollon musagète.]]></video:description>
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      <video:title><![CDATA[Simon Rattle conducts Haydn, Schubert and Hosokawa]]></video:title>
      <video:description><![CDATA[With Haydn’s Symphony No. 99 and Schubert’s Great C major Symphony, we can follow the both tonally beautiful yet dramatic path from the First Viennese School to Romanticism. Toshio Hosokawa’s Horn Concerto, on the other hand – given its premiere here – is a work of our time. However, it is still infused with delicate echos of Romantic music. Sir Simon Rattle conducts, and the soloist is Stefan Dohr, principal horn with the Philharmoniker.]]></video:description>
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      <video:title><![CDATA[Simon Rattle conducts Mahler’s Third Symphony]]></video:title>
      <video:description><![CDATA[“To me, a symphony means constructing a world with all the technical means at one’s disposal.” – no other work illustrates this quote by Mahler more impressively than his Third Symphony. Raw power and lyrical simplicity, scenes of nature and an orchestral final chorus of ethereal beauty all add up to a multifarious yet coherent whole. Here, the Berliner Philharmoniker and Simon Rattle performed the symphony for the first time together.]]></video:description>
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      <video:title><![CDATA[Sir Simon Rattle and the Orchestra Academy perform Mahler’s “Das Lied von der Erde”]]></video:title>
      <video:description><![CDATA[In this concert, chief conductor Sir Simon Rattle performed Gustav Mahler’s Lied von der Erde with the young scholarship holders in an arrangement for chamber orchestra that poignantly accentuates the intimate, human expression of the work. The concert opened with Hans Werner Henze’s Second Violin Concerto.]]></video:description>
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      <video:title><![CDATA[Simon Rattle conducts Schumann and Fauré]]></video:title>
      <video:description><![CDATA[Robert Schumann wrote his Second Symphony while suffering mental health problems. And – according to the composer – “It seems to me that one can hear this in the music.” Simon Rattle conducted this work alongside Gabriel Fauré’s tone poem Pelléas et Mélisande which wins audiences over with its warm fairytale-like tone. For the press, this concert showed “that no other conductor exploits the potential of this orchestra with more imagination”.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/1631</loc>
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      <video:title><![CDATA[Yo-Yo Ma plays Shostakovich]]></video:title>
      <video:description><![CDATA[Given its premiere on his 60th birthday, Shostakovitch’s Second Cello Concerto comes across like a nuanced reflection on his own life. Only the best cellists are capable of finding the right, often multiply-fractured tone of this concerto. Yo-yo Ma, who performs the work with David Zinman is doubtlessly one of them. The remainder of the programme presents Nordic music: Cold Heat by Anders Hillborg and Carl Nielsen’s Fifth Symphony.]]></video:description>
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      <video:title><![CDATA[A “Russian Evening” with Valery Gergiev and Denis Matsuev]]></video:title>
      <video:description><![CDATA[In this concert, Valery Gergiev conducts two of the most popular Russian works ever: In Sergei Rachmaninov’s Third Piano Concerto – here with Denis Matsuev as the soloist – you hear an irresistible mixture of wistful dreaming and virtuoso bravura. Modest Mussorgsky’s Pictures at an Exhibition on the other hand show a panorama of overwhelmingly vivid scenes – multifaceted, yet always of an unmistakable Russian colouring.]]></video:description>
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      <video:title><![CDATA[Arcadi Volodos plays Tchaikovsky’s Piano Concerto No. 1]]></video:title>
      <video:description><![CDATA[It is the epitome of both the Romantic piano concerto and the “Russian soul”: Pyotr Ilyich Tchaikovsky’s Piano Concerto No. 1. Here, it is played by Arcadi Volodos, often described as a “magician of the keyboard”. Plus, conductor Neeme Järvi presents fascinating discoveries from the Russian repertoire: a suite from Nikolai Rimsky-Korsakov’s opera-ballet Mlada, and the Fourth Symphony of Sergei Taneyev, a pupil of Tchaikovsky.]]></video:description>
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      <video:title><![CDATA[Neeme Järvi conducts Strauss’s “Don Juan” and Shostakovich’s Symphony No. 14]]></video:title>
      <video:description><![CDATA[Shostakovitch’s 14th Symphony is a highly unusual work. With frugal musical forces, it takes death as its theme. It forgoes all pathos yet is all the more haunting because of this. In contrast, this concert with Neeme Järvi also includes Richard Stauss’s Don Juan and Tchaikovsky’s Francesca da Rimini, compositions which also deal with death, however in both cases it is combined with a highly luxurious orchestration.]]></video:description>
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  <url>
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      <video:title><![CDATA[Family concert: Christmas with Tchaikovsky’s “Nutcracker”]]></video:title>
      <video:description><![CDATA[Nine woodwinds along with a celesta and a double bass are all the Berliner Philharmoniker need to capture the essence of the most beautiful pieces from Tchaikovsky’s Nutcracker. Horn player Sarah Willis, who was our presenter, explained not only what happens in the ballet, but also demonstrated the special qualities of the various wind instruments.]]></video:description>
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  <url>
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      <video:title><![CDATA[Sir Simon Rattle conducts Mahler and Rachmaninov]]></video:title>
      <video:description><![CDATA[Mahler was only in his mid-twenties when he wrote his First Symphony, which makes the masterful way in which he employs such vast orchestral forces all the more surprising. The second work of this concert with Simon Rattle contrasts this expression of freshness and new departures: the Symphonic Dances by Sergei Rachmaninov: the composer’s final work, in which he – while in exile in America – invokes the musical language of his Russian homeland.]]></video:description>
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      <video:title><![CDATA[Sir Simon Rattle conducts Mahler’s Symphony No. 2]]></video:title>
      <video:description><![CDATA[In 1973, a student at the London Academy of Music persuaded his fellow students to perform Mahler’s Second Symphony under his direction. The acclaimed concert drew attention to the young conductor for the first time: Simon Rattle. In this performance, Rattle performs the work with the Berliner Philharmoniker. The programme also includes Schoenberg’s harrowing melodrama A Survivor from Warsaw.]]></video:description>
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      <video:title><![CDATA[Yannick Nézet-Séguin makes his debut with Berlioz and Prokofiev]]></video:title>
      <video:description><![CDATA[It was somewhat of a sensation when in 2010 it was announced that the then just 35-year-old Yannick Nézet-Séguin was to be the music director of the Philadelphia Orchestra. Shortly afterwards, he made his debut with the Berliner Phillharmoniker. Together with Yefim Bronfman, he performed Prokofiev’s Piano Concerto No. 2. The concert also included Berlioz’s Symphonie fantastique with its wide-ranging scenarios, from airy waltzes to garish grotesquerie.]]></video:description>
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  <url>
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      <video:title><![CDATA[Andris Nelsons and Baiba Skride make their debuts with the Berliner Philharmoniker]]></video:title>
      <video:description><![CDATA[With two debuts in one evening, this concert had the up-and-coming generation of musicians at its heart. As the main work of the evening, Andris Nelsons conducted Dmitri Shostakovitch’s Eighth Symphony – according to one review, a “sensational concert” and a “brilliant debut”. There was no less praise for violinist Baiba Skride, whose performance of Berg’s Violin Concerto was “simply brilliant”.]]></video:description>
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      <video:title><![CDATA[Vadim Repin and Eivind Gullberg Jensen]]></video:title>
      <video:description><![CDATA[With conductor Eivind Gullberg, Vadim Repin – described by Yehudi Menuhin as “the best, the most perfect violinist I have ever heard” – plays Sofia Gubaidulina’s Offertorium: a contemplative work which both conceptually and thematically looks back to Bach’s The Musical Offering. Sibelius’s First Symphony is, on the other hand, a work of unrestrained emotion, with Scandinavian colours merging with Tchaikovsky-inspired expressiveness.]]></video:description>
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      <video:title><![CDATA[A “Czech Evening” with Magdalena Kožená and Tomáš Netopil]]></video:title>
      <video:description><![CDATA[One well-known work and one discovery define this concert of Czech music. Tomáš Netopil conducts Antonín Dvořák’s Seventh Symphony whose frequently sombre and brittle expression grants us an authentic insight into the inner life of the composer. Plus three fragments from the surreal and magical opera Juliette by Bohuslav Martinů with the mezzo-soprano Magdalena Kožená in the title role.]]></video:description>
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      <video:title><![CDATA[From Bach to Beethoven with Giovanni Antonini]]></video:title>
      <video:description><![CDATA[This concert features Johann Sebastian Bach’s splendid Orchestral Suite No. 1 for only the second time in the history of the Berliner Philharmoniker. Giovanni Antonini, one of the most prominent conductors of the Early music movement, takes the work as the starting point for a musical journey which takes us from the Baroque to early Classical music to Beethoven’s Second Symphony: a fascinating panorama of expressiveness and emotion.]]></video:description>
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      <video:title><![CDATA[Boulez meets Stravinsky]]></video:title>
      <video:description><![CDATA[Pierre Boulez has set standards with his performances of the music of Stravinsky. In this concert, he pays double homage to his older colleague: firstly as the conductor of Stravinsky’s fairytale opera Le Rossignol, and secondly with his own composition ... explosante fixe ..., which he wrote in memory of Stravinsky. The evening’s soloists include flautist Emmanuel Pahud and the soprano Barbara Hannigan.]]></video:description>
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      <video:title><![CDATA[Simon Rattle conducts Stravinsky and Berio]]></video:title>
      <video:description><![CDATA[Igor Stravinsky’s Pulcinella is perhaps the most charming fusion of Baroque music and classical Modernism. Following this performance with Simon Rattle, one critic wrote that the conductor was “in his element, working with virtuosity as the Russian sharpens rhythms and raises energy levels”. Luciano Berio’s Coro, where the new and the old are also brought together – if in a totally different way, forms an ingenious contrast.]]></video:description>
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      <video:title><![CDATA[The Berliner Philharmoniker, Simon Rattle and Karita Mattila at the “Proms”]]></video:title>
      <video:description><![CDATA[“Britain’s favourite musical son was back where he belonged,” was how The Independent described the three concerts given by Sir Simon Rattle and the Berliner Philharmoniker at the BBC “Proms” in the Royal Albert Hall in London in 2010. The intriguing programme ranged from the voluptuous sounds of late Romanticism to the pioneering expressiveness of the Schoenberg school. The soloist in Richard Strauss’s Vier letzte Lieder was Karita Mattila.]]></video:description>
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      <video:title><![CDATA[Season opening 2010: Sir Simon Rattle conducts Mahler and Beethoven]]></video:title>
      <video:description><![CDATA[With this performance of Gustav Mahler’s First Symphony from 2010, the Berliner Philharmoniker and Simon Rattle started a performance of all of the composer’s symphonies, marking both the 150th anniversary of Mahler’s birthday on 7 July 2010 and the 100th of his death on 18 May 2011. What is of particular interest in this cycle, is that each Mahler symphony is paired with another major work – in this case, Beethoven’s Fourth.]]></video:description>
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      <video:title><![CDATA[Bartók’s Viola Concerto with Tabea Zimmermann and Semyon Bychkov]]></video:title>
      <video:description><![CDATA[Béla Bartók’s virtuoso Viola Concerto makes a strong case for an often underrated instrument – especially when it is performed by the internationally acclaimed violist Tabea Zimmermann. “She plays the concerto with a tender cantabile as if it were by Mozart,” as one critic wrote. Conductor Semyon Bychkov also presents Ravel’s delicate Tombeau de Couperin and Brahms’ sunlit Second Symphony.]]></video:description>
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      <video:title><![CDATA[“Swing Symphony” with Simon Rattle and Wynton Marsalis]]></video:title>
      <video:description><![CDATA[It was a very special summit: the joint appearance of the Jazz at Lincoln Center Orchestra, led by star trumpeter Wynton Marsalis, and the Berliner Philharmoniker with chief conductor Sir Simon Rattle. The occasion was the world premiere of Marsalis’s Swing Symphony, which demonstrates just how well the worlds of jazz and classical music can complement and enrich each other. The programme also included: Igor Stravinsky’s ballet music Petrushka.]]></video:description>
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      <video:title><![CDATA[Dance project: “Swing Symphony”]]></video:title>
      <video:description><![CDATA[Swing Symphony: The title alone suggests just how electrifyingly energetic this work by jazz legend Wynton Marsalis is, making it ideally suited for a dance project performance as part of the orchestra’s Education Programme. In addition to the Berliner Philharmoniker and Simon Rattle, the performers included Marsalis himself: a dynamic coming together of classical music and jazz.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/335</loc>
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      <video:title><![CDATA[Herbert Blomstedt conducts Bruckner’s Sixth Symphony]]></video:title>
      <video:description><![CDATA[Bruckner’s Sixth is performed far less than the composer’s other symphonies – unjustly so, as Herbert Blomstedt shows in this vivid performance. As the Tagesspiegel wrote, “The Philharmoniker follow him attentively, surrendering themselves to this smouldering music, with dazzling brass and a string sound of truly intoxicating depth”. Plus, Blomstedt conducts Beethoven’s Triple Concerto with its gloriously driving momentum.]]></video:description>
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      <video:title><![CDATA[Reinhold Glière’s Horn Concerto with Radek Baborak and Dmitri Kitayenko]]></video:title>
      <video:description><![CDATA[In this concert, Radek Baborak, former principal horn with the Berliner Philharmoniker, performs the Horn Concerto by Reinhold Glière, in which a nostalgic tone conjuring up Western Romanticism is charmingly blended with Russian folk songs. Dmitri Kitayenko also conducts Alexander Scriabin’s opulently orchestrated Third Symphony, a hymn to the freedom of the spirit.]]></video:description>
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      <video:title><![CDATA[Simon Rattle conducts Sibelius’s Symphonies Nos. 5–7]]></video:title>
      <video:description><![CDATA[This concert is the culmination of Simon Rattle’s celebrated Sibelius cycle from the 2009/10 season. The programme consists of symphonies nos. 5, 6 and 7, in which the qualities of the earlier works merge: the lyrical Nordic tone of the first two symphonies, and the experimental formal language and harmonies of Symphonies Nos. 3 and 4. An evening which, in the view of the Guardian, revealed “the orchestra’s most precious asset: its total dedication”.]]></video:description>
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      <video:title><![CDATA[Claudio Abbado conducts Schubert, Brahms and Schoenberg]]></video:title>
      <video:description><![CDATA[In this concert, Claudio Abbado introduces the audience to some exquisite rarities. These include lieder by Franz Schubert in rarely heard orchestral arrangements, and Johannes Brahms’s cantata Rinaldo which gives us an idea of what an opera by this composer might have sounded like. The vocal soloists are young stars of the classical music scene: Christianne Stotijn and Jonas Kaufmann.]]></video:description>
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      <video:title><![CDATA[Ligeti’s Violin Concerto with Renaud Capuçon and David Robertson]]></video:title>
      <video:description><![CDATA[György Ligeti’s Violin Concerto is a work of many faces, taking as its inspiration such diverse sources as African music and M. C. Escher’s “impossible reality” pictures. Here, this multi-faceted work is performed by Renaud Capuçon und David Robertson, framed by Liszt’s tone poem Orpheus and Bartók’s ballet music The Wooden Prince.]]></video:description>
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      <video:title><![CDATA[Elgar’s Cello Concerto with Alisa Weilerstein and Daniel Barenboim]]></video:title>
      <video:description><![CDATA[Yo-Yo Ma highlighted her “passion, fearlessness and great musical intelligence” – high praise which the American cellist Alisa Weilerstein demonstrated to everyone she deserved when she made her debut with the Berliner Philharmoniker with Elgar’s sonorous Cello Concerto. In charge of the musical proceedings was Daniel Barenboim, who also conducted the prelude to the third act of Wagner’s Meistersinger and Brahms’s First Symphony.]]></video:description>
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      <video:title><![CDATA[Schoenberg’s Piano Concerto with Pierre-Laurent Aimard and Jiří Bělohlávek]]></video:title>
      <video:description><![CDATA[Jiří Bělohlávek regards the Berliner Philharmoniker as simply “the best orchestra in Europe”. Here he performed together with pianist Pierre-Laurent Aimard at the Philharmonie Berlin. In addition to a suite from Janáček’s opera From the House of the Dead and Brahms’ Fourth Symphony, the concert included Arnold Schoenberg’s Piano Concerto – a work that shows just how colourful, lively and un-cerebral twelve-tone music can be.]]></video:description>
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      <video:title><![CDATA[András Schiff plays Bach, Mozart and Haydn]]></video:title>
      <video:description><![CDATA[In the words of one critic, András Schiff is “a magician of sound who breathes life into works, and who upholds the almost forgotten ideal of piano playing”. As soloist and conductor, he performed two thought-provoking D minor piano concertos by Bach and Mozart as well as the no less dark Military Symphony by Joseph Haydn, works which time and again are interrupted by the horrors of war.]]></video:description>
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      <video:title><![CDATA[Bach’s “St Matthew Passion” with Simon Rattle and Peter Sellars]]></video:title>
      <video:description><![CDATA[Sir Sir Simon Rattle left no doubt: For him the performance of the St. Matthew Passion, which he realised with the Berliner Philharmoniker and the Rundfunkchor Berlin in early 2010, was “the most important thing we’ve ever done here”. Critics around the world agreed with him and praised both the semi-staged production by the American star director Peter Sellars and the outstanding musical performances.]]></video:description>
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      <video:title><![CDATA[Mariss Jansons conducts Verdi’s Requiem]]></video:title>
      <video:description><![CDATA[Probably nowhere else do the worlds of the opera house and the concert hall overlap more seamlessly than in Verdi’s Requiem – the melos, fury and sentiment of Italian music theatre are refined with all the means of symphonic choral and orchestral sound. Even Brahms – not exactly a fan of Verdi – opined: “Only a genius could write such a work”. The conductor of this “outstanding performance” (Der Tagesspiegel) was Mariss Jansons.]]></video:description>
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      <video:title><![CDATA[Neeme Järvi conducts Grieg’s “Peer Gynt” Suites]]></video:title>
      <video:description><![CDATA[They are the epitome of Scandinavian music: Edvard Grieg’s Peer Gynt suites, whose echoes of Norwegian folk music radiate an unmistakably Scandinavian flavour. But when it comes to style and form, the composer remained, in his own words “a German Romantic". Here, overtures by Brahms and Weber show just how much Grieg’s music resembles German music. The conductor, Neeme Järvi, is one of the most well-known exponents of the Nordic repertoire.]]></video:description>
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      <video:title><![CDATA[Beethoven’s Piano Concerto No. 4 with Mitsuko Uchida and Simon Rattle]]></video:title>
      <video:description><![CDATA[Ludwig van Beethoven shows an unusual side of himself in his Fourth Piano Concerto: not bombastic or heroic, but pensive, sensitive, and delicate. The press reported on how Mitsuko Uchida impressively conveys this emotional world, “effortlessly, as if dreamed into the keyboard”. Simon Rattle also conducts Jean Sibelius’s Second Symphony which owes its popularity mainly to its rapturous finale.]]></video:description>
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      <video:description><![CDATA[In his Fifth Piano Concerto, we experience Beethoven’s perhaps most pugnacious side. Here, Mitsuko Uchida and Simon Rattle presents this evidence of impassioned rebellion which even today has lost none of its freshness and vigour. More austere is Sibelius’s Fourth Symphony, whose ascetic severity shocked the audience at the first performance so much that no one dared applaud.]]></video:description>
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      <video:title><![CDATA[Beethoven’s Piano Concertos Nos. 2 and 3 with Mitsuko Uchida and Simon Rattle]]></video:title>
      <video:description><![CDATA[With his second and third piano concertos, the young Beethoven established himself as a virtuoso performer and composer who struck a tone of unprecedented self-confidence in his music. Mitsuko Uchida and Simon Rattle present the works as part of their acclaimed cycle of Beethoven concertos. The middle work of the programme is Jean Sibelius’s Third Symphony which combines Nordic timbre with concentrated modernity.]]></video:description>
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      <video:description><![CDATA[Simon Rattle’s performance of the complete piano concertos of Beethoven was a highlight of the 2009/10 season. The soloist was Mitsuko Uchida: a “queen of her instrument” (The New York Times) who has been charming Berliner Philharmoniker audiences since 1984 with her at once sensitive and sinewy tone. To start off the cycle, the First Piano Concerto was framed by two works by Ligeti and Jean Sibelius’ First Symphony.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/288</loc>
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      <video:title><![CDATA[Ton Koopman conducts Bach]]></video:title>
      <video:description><![CDATA[Ton Koopman – one of the great interpreters of Early Music – admires Johann Sebastian Bach more than any other composer because in his music, “mind and emotion are in a fantastic balance”. And so Bach – in addition to Haydn’s Symphony No. 98 – is also the focus of this concert. We hear courtly splendour in the Orchestral Suite No. 3 and the glories of Baroque vocal music in his Magnificat and the motet “Lobet den Herrn, alle Heiden”.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/286</loc>
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      <video:title><![CDATA[Brahms’s Violin Concerto with Frank Peter Zimmermann and Bernard Haitink]]></video:title>
      <video:description><![CDATA[It is actually astonishing that Brahms’s Violin Concerto is considered one of the most popular as it forgoes any play on the tension between soloist and orchestra; the effect is rather one of mutual support for each other. Here, Frank Peter Zimmermann presents the work “with warmth and intensity” in a “sensational” performance, as the press described it. Bernard Haitink also conducted Bartók’s sharply contoured Concerto for Orchestra.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/280</loc>
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      <video:title><![CDATA[Ravel’s Piano Concerto with Hélène Grimaud and Tugan Sokhiev]]></video:title>
      <video:description><![CDATA[Maurice Ravel’s G major Piano Concerto is a world in itself. Here there are echoes of jazz to be found as well as Stravinsky-like asperity and tender cantilenas. In 2009, Hélène Grimaud brought out the many facets of the work with consummate ease and sensitivity. Tugan Sokhiev, who made his conducting debut with the Berliner Philharmoniker in this concert, closed the evening with Sergei Rachmaninov’s melancholy Second Symphony.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/276</loc>
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      <video:title><![CDATA[Brahms’s Requiem with Donald Runnicles and the Atlanta Symphony Chorus]]></video:title>
      <video:description><![CDATA[It is Brahms of all people, the aloof North German, who has given us perhaps the most human of requiems. In contrast to the Catholic Mass for the Dead, his work does not focus on the vision of the Last Judgement, but on comfort for the bereaved. In a special transatlantic collaboration, the Berliner Philharmoniker perform here together with the Atlanta Symphony Chorus. The conductor is Donald Runnicles.]]></video:description>
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      <video:duration>224</video:duration>
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    <loc>https://www.digitalconcerthall.com/en/concert/274</loc>
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      <video:title><![CDATA[Christian Thielemann conducts choral works by Johannes Brahms]]></video:title>
      <video:description><![CDATA[Brahms composed choral music throughout most of his life. It is not only this regularity but also the emotional depth and range of these works that allow us to sense how particularly important they were to the composer. Here, Christian Thielemann, the Rundfunkchor Berlin and the Berliner Philharmoniker presented several of the most beautiful of Brahms’s choral works. The programme also includes Schoenberg’s late-Romantic colossal tone poem, Pelleas und Melisande.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/272</loc>
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      <video:title><![CDATA[Beethoven’s Violin Concerto with Leonidas Kavakos and Zubin Mehta]]></video:title>
      <video:description><![CDATA[The legendary violin professor Josef Gingold did not believe his ears the first time he heard a recording by Leonidas Kavakos. He could hardly imagine anyone being able to play so quickly and so perfectly without there being some sort of technical trickery used in the recording. However, for the Greek violinist, truthfulness of expression now takes precedence over virtuosity, as this performance of Beethoven’s Violin Concert shows. Zubin Mehta also conducts works by Schubert and Bartók.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/265</loc>
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      <video:title><![CDATA[Simon Rattle presents Schoenberg’s sensuous side]]></video:title>
      <video:description><![CDATA[In this concert, Simon Rattle presents Arnold Schoenberg’s sensuous side: in his Begleitmusik zu einer Lichtspielszene and the monodrama Erwartung we hear nightmarish brutality and psychotic fear. Schoenberg’s orchestration of Brahms’s Piano Quartet No. 1 is quite different – music full of exuberant high spirits. As the soloist in Erwartung, Evelyn Herlitzius makes her debut with the Berliner Philharmoniker.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/260</loc>
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      <video:title><![CDATA[Simon Rattle conducts symphonies between late Romanticism and Modernism]]></video:title>
      <video:description><![CDATA[In this concert, Simon Rattle shows the fascinating transformation the symphony underwent after late Romanticism. In addition, he juxtaposes Johannes Brahms’s sonorously pastoral Second Symphony with Arnold Schoenberg’s Chamber Symphony No. 1 whose free tonality opened up previously unimagined worlds of expression. Dream-like and intimate, Hans Krása’s Symphony for small orchestra from 1923 has by then lost all features typical of the genre.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/256</loc>
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      <video:title><![CDATA[An “Austro-Hungarian Evening” with Iván Fischer]]></video:title>
      <video:description><![CDATA[From a musical perspective, the lands of the old Habsburg monarchy boasted fertile soil: great achievements in the world of art music came from here and a fascinating folk music is just as at home here as is the fiery idiom of the gypsies. Iván Fischer shows the whole spectrum in an Austro-Hungarian programme including works by Haydn, Bartók, Liszt, Brahms and Kodály.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/258</loc>
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      <video:title><![CDATA[Britten’s Violin Concerto with Janine Jansen and Daniel Harding]]></video:title>
      <video:description><![CDATA[It is a mystery why Benjamin Britten’s Violin Concerto is not heard in the concert hall more often. Janine Jansen is one of the work’s most passionate champions and underlines here its outstanding qualities: its demonic virtuosity, refined textures and captivating atmosphere. Daniel Harding also presents Bela Bartók’s Divertimento for Strings and Richard Strauss’s tone poem Tod und Verklärung.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/251</loc>
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      <video:title><![CDATA[Works by Dmitri Shostakovich and Arnold Schoenberg with Semyon Bychkov and Guy Braunstein]]></video:title>
      <video:description><![CDATA[For regular concert goers to Berlin’s Philharmonie he was a well-known face for many years: Guy Braunstein, who was the orchestra’s 1st concertmaster from 2000 to 2013. Here he is the soloist in Shostakovich’s Violin Concerto No. 1, a work characterised by Jewish folk music, with its shifts between cheerfulness and anguish. Semyon Bychkov also conducts Arnold Schoenberg’s expressive classic Verklärte Nacht.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/249</loc>
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      <video:title><![CDATA[Chopin’s Piano Concertos Nos. 1 & 2 with Daniel Barenboim und Asher Fisch]]></video:title>
      <video:description><![CDATA[The subtle yet extravagant outpourings of beauty of his music have made Frédéric Chopin perhaps the most popular piano composer of all. Here, Daniel Barenboim is the soloist in both of the composer’s piano concertos: critics praised the performance for the “magic of the unrepeatable moment”. The concert is conducted by Asher Fisch.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/248</loc>
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      <video:title><![CDATA[Gustavo Dudamel conducts Shostakovich’s Symphony No. 12]]></video:title>
      <video:description><![CDATA[It is rare to experience such a concentration of percussion instruments as there were in this concert with Gustavo Dudamel. In Sofia Gubaidulina’s Glorious Percussion, no less than five percussionists demonstrate the multifaceted sounds and effects their instruments can produce. Dmitri Shostakovich’s 12th Symphony is no less energetic – for the composer an unusually enthusiastic work which was played here by the Berliner Philharmoniker for the very first time.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/245</loc>
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      <video:title><![CDATA[Simon Rattle conducts Shostakovich’s Fourth Symphony]]></video:title>
      <video:description><![CDATA[Dmitri Shostakovich himself complained that his Fourth Symphony suffered from “grandiosomania” – certainly too harsh a judgement, for its power and greatness is flawed, slipping again and again into the surreal. Simon Rattle fully explored the many layers of the work. He also conducted works by Alban Berg und Paul Dessau. The concert’s soloists were Angela Denoke and the pianist Lars Vogt.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/244</loc>
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      <video:title><![CDATA[Simon Rattle conducts Haydn’s “The Seasons”]]></video:title>
      <video:description><![CDATA[According to Sir Simon Rattle himself, there are few other composers with whom he has a closer relationship than with Haydn – it was “love at first sight” when he encountered these works as a young musician. Here, Rattle conducted Haydn’s oratorio The Seasons: a work which entrances through its magnificence and its basically sunny disposition. The vocal soloists are Christiane Oelze, John Mark Ainsley and Thomas Quasthoff.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/243</loc>
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      <video:title><![CDATA[Season opening 2009: Simon Rattle conducts Berlioz’s “Symphonie fantastique”]]></video:title>
      <video:description><![CDATA[Berlioz’s Symphonie fantastique bombarded audiences in 1830 with completely unknown effects and contrasts. “Compared to the Witches Sabbath,” as one critic wrote at the time, “Weber’s Wolf’s Glen is a lullaby”. Simon Rattle presented this seminal work to inaugurate the 2009/10 season in a programme which also included the premiere of Laterna Magica, a colourfully shimmering work by the Finnish composer Saariaho.]]></video:description>
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      <video:duration>205</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/103</loc>
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      <video:title><![CDATA[Simon Rattle conducts Wagner’s “Götterdämmerung” at the Festival d’Aix-en-Provence]]></video:title>
      <video:description><![CDATA[Nothing less than the end of the world can be experienced in Wagner’s Götterdämmerung – although there are also subtly nuanced emotions in intimate scenes. Simon Rattle and the Berliner Philharmoniker presented this monumental work here with outstanding singers at the Festival d’Aix-en-Provence: “One was overwhelmed by a feast of sound that saturated every pore” (Le Figaro).]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/19</loc>
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      <video:title><![CDATA[Daniel Barenboim conducts Strauss and Carter]]></video:title>
      <video:description><![CDATA[“If Haydn were alive today,” says Daniel Barenboim, “he might compose like Elliott Carter did in his last years.” As if to prove his point, Barenboim conducted two late Carter concertos of finely chiselled beauty, with flautist Emmanuel Pahud and pianist Nicolas Hodges as soloists. In contrast to this, were two lush tone poems by Richard Strauss: Don Juan and Till Eulenspiegel.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/41</loc>
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      <video:title><![CDATA[Pierre Boulez and Pierre-Laurent Aimard with works by Ravel, Bartók and Boulez]]></video:title>
      <video:description><![CDATA[Ravel’s Piano Concerto for the Left Hand is one of the most fascinating works ever written. Its intensity and virtuosity make the listener forget the unusual scoring and strikingly combine darkness and jazzy energy. Pierre Boulez and Pierre-Laurent Aimard are the celebrity interpreters of this performance, which was complemented by Bartók’s Music for Strings, Percussion and Celesta and Boulez’s own Notations.]]></video:description>
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      <video:duration>178</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/36</loc>
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      <video:title><![CDATA[Simon Rattle conducts excerpts from Wagner’s “Götterdämmerung”]]></video:title>
      <video:description><![CDATA[The dramatic events in Wagner’s Götterdämmerung occur in various dimensions: from an intimate battle of words to a global conflagration that engulfs everything. In this concert, Simon Rattle presents the highlights of the work, with Katarina Dalayman as Brünnhilde. There is also a premiere by Siegfried Matthus in which five principals from the Philharmoniker are featured as soloists and Sir Simon also makes a surprise appearance.]]></video:description>
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      <video:duration>216</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/31</loc>
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      <video:title><![CDATA[Claudio Abbado conducts Schubert, Debussy and Mahler]]></video:title>
      <video:description><![CDATA[In this concert, Claudio Abbado conducted works by composers with whom he was closely associated, including Schubert’s Rosamunde music, which captivates with its songlike simplicity and dreamy atmosphere. Much more expansive but equally delicate is Debussy’s La Mer, while Gustav Mahler strikes a folksy, down-to-earth note in his Wunderhorn songs. The vocal soloist is Angelika Kirchschlager.]]></video:description>
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      <video:duration>217</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/25</loc>
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      <video:title><![CDATA[Mendelssohn’s “Elijah” with Seiji Ozawa, Matthias Goerne and Annette Dasch]]></video:title>
      <video:description><![CDATA[For many, the oratorio Elijah is the pinnacle of Mendelssohn’s oeuvre. Not only because of the rousing choruses and stunningly beautiful arias, but above all the dramatic power of the work, which is occasionally referred to as “Mendelssohn’s unwritten opera”. Here, Seiji Ozawa conducts a superb ensemble with Matthias Goerne in the title role, along with Annette Dasch, Anthony Dean and Nathalie Stutzmann.]]></video:description>
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      <video:publication_date>2009-05-17T18:00:00+00:00</video:publication_date>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/14</loc>
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      <video:title><![CDATA[Kirill Petrenko conducts Beethoven and Elgar]]></video:title>
      <video:description><![CDATA[When Kirill Petrenko conducted the Berliner Philharmoniker for the second time in 2009, a critic wrote presciently it would be “exciting to see the dimensions Petrenko’s career takes on”. It was not only the extraordinary abilities of the conductor that were clear that evening, but also his special relationship with the orchestra. The programme included Beethoven’s Third Piano Concerto with Lars Vogt as the soloist and Elgar’s Second Symphony.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/32</loc>
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      <video:title><![CDATA[Peter Eötvös conducts Zimmermann’s “Requiem for a Young Poet”]]></video:title>
      <video:description><![CDATA[Bernd Alois Zimmermann’s Requiem for a Young Poet from 1969 is a heart-wrenching and unconventional mass for the dead. Written for two speakers, vocalists, chorus, orchestra and tape, it reveals a powerful, multifaceted panorama of the half century that comprised Zimmermann’s life before he committed suicide in 1970. The conductor of this powerful performance is Peter Eötvös, one of Zimmermann’s students.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/27</loc>
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      <video:title><![CDATA[Dvořák’s Cello Concerto with Steven Isserlis and Alan Gilbert]]></video:title>
      <video:description><![CDATA[Of the few important cello concertos in the repertoire, Antonín Dvořák’s contribution to the genre stands out because of its inexhaustible melodic richness and mellow late Romantic tone. Steven Isserlis – “Britain’s greatest cellist” (The Telegraph) – performs the concerto with Alan Gilbert, who also conducts Bohuslav Martinů’s Fourth Symphony from 1945: a work filled with immense relief at the end of the Second World War.]]></video:description>
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      <video:duration>156</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/29</loc>
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      <video:title><![CDATA[Nikolaus Harnoncourt conducts Haydn’s “Orlando paladino”]]></video:title>
      <video:description><![CDATA[Nikolaus Harnoncourt called Haydn’s Orlando paladino a “totally mad, modern opera” and praised the “combination of pathos and irony, of real feelings and completely overwrought wooing”, which is “carried to extremes in Haydn’s inspired interpretation”. Here, Harnoncourt conducts the work with an outstanding ensemble of soloists, headed by Jane Archibald, Jonathan Lemalu, Kurt Streit and Michelle Breedt.]]></video:description>
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      <video:duration>216</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/21</loc>
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      <video:title><![CDATA[Wagner’s “Wesendonck Lieder” with Anja Kampe and Michael Boder]]></video:title>
      <video:description><![CDATA[Michael Boder conducts an original and varied programme in this concert. Elliott Carter’s dazzling Celebration of Some 100 x 150 Notes is followed by Schumann’s sonorous, high-spirited Rhenish Symphony and Witold Lutosławski’s Concerto for Orchestra, one of the composer’s most striking and accessible works. We also hear soprano Anja Kampe, who has also appeared at Bayreuth, in Wagner’s passionate Wesendonck Lieder.]]></video:description>
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      <video:title><![CDATA[A “Russian Evening” with Gustavo Dudamel and Viktoria Mullova]]></video:title>
      <video:description><![CDATA[He is a “spitfire” – but one with “profound musical understanding and flawless conducting skill”. This is what the press wrote about Gustavo Dudamel when he conducted the Berliner Philharmoniker in the Philharmonie for the first time. The diverse Russian programme was also exciting, with Prokofiev’s Fifth Symphony, Rachmaninov’s Isle of the Dead and Stravinsky’s Violin Concerto, with Viktoria Mullova as soloist.]]></video:description>
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      <video:title><![CDATA[Heinz Holliger conducts Schumann and Zimmermann]]></video:title>
      <video:description><![CDATA[Heinz Holliger can look back on an impressive career not only as an oboist and composer but also as a conductor. In this concert, he offers an exciting double portrait of Robert Schumann and Bernd Alois Zimmermann. Both were able to combine innovation and musical exuberance, as Schumann’s Spring Symphony and Zimmermann’s ballet Alagoana demonstrate. Thomas Zehetmair presents two of the composer’s works with solo violin.]]></video:description>
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      <video:title><![CDATA[A Schumann evening with Simon Rattle and Mitsuko Uchida]]></video:title>
      <video:description><![CDATA[Robert Schumann’s Piano Concerto is the first important work of its genre in the Romantic period: a lyrical journey through psychological landscapes, abounding with lovely melodies. Here, it is sensitively interpreted by Mitsuko Uchida and Simon Rattle. Also on the programme is Schumann’s Fourth Symphony in the original version from 1841 and his Konzertstück for Four Horns and Orchestra, which is rarely heard live, with members of the Berliner Philharmoniker as soloists.]]></video:description>
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      <video:title><![CDATA[Simon Rattle conducts Schumann’s “Paradise and the Peri”]]></video:title>
      <video:description><![CDATA[Robert Schumann’s Paradise and the Peri is one of the works that Simon Rattle would take with him to the proverbial “desert island”. It is music full of inspiration and beauty; in addition, there is probably no other choral work that exudes the spirit of German Romanticism as intensely. Here, it is presented by Sir Simon, an outstanding ensemble of soloists and the Berliner Rundfunkchor.]]></video:description>
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      <video:title><![CDATA[Seiji Ozawa conducts Bruckner’s First Symphony]]></video:title>
      <video:description><![CDATA[Anton Bruckner called his First Symphony a “saucy maid”. And in fact, such high-spirited exuberance is not found in any of the composer’s other works. The culmination is the Finale, in which Bruckner combines his excellent command of polyphonic writing with powerful ferocity. The conductor is Seiji Ozawa – a close friend and honorary member of the Berliner Philharmoniker.]]></video:description>
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      <video:title><![CDATA[Robert Schumann’s Violin Concerto with Isabelle Faust and Sakari Oramo]]></video:title>
      <video:description><![CDATA[Robert Schumann’s Violin Concerto has an atmosphere and beauty all its own. The listener is never cajoled, there is no aggressive virtuosity, but instead an expression of brooding melancholy with unparalleled authenticity. Here, the violinist Isabelle Faust is a zealous advocate of the work and interpreted it sensitively and beautifully during her debut with the Berliner Philharmoniker under conductor Sakari Oramo.]]></video:description>
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      <video:title><![CDATA[Bernard Haitink conducts Mahler’s Seventh Symphony]]></video:title>
      <video:description><![CDATA[Shadowy night scenes, an aggressively jubilant finale: Gustav Mahler’s Seventh Symphony is a work of extreme expressive diversity. Bernard Haitink is one of its most competent interpreters, as this performance shows. “Mahler’s Seventh baffles many conductors,” a critic wrote. “Not Bernard Haitink, who approaches this immense, difficult work with verve and is not content with mere virtuosity.”]]></video:description>
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      <video:title><![CDATA[Zubin Mehta and Murray Perahia with works by Beethoven and Strauss]]></video:title>
      <video:description><![CDATA[According to the press, it was a “triumphant return” when Murray Perahia interpreted Beethoven’s Piano Concerto No. 4 with the Berliner Philharmoniker, after an eleven-year absence. Here, conductor Zubin Mehta also presented Richard Strauss’s Symphonia domestica: one of the composer’s most unusual works, in which he virtuosically and melodiously portrays his family life – including domestic quarrels and children’s screaming.]]></video:description>
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      <video:title><![CDATA[Simon Rattle conducts the first live concert of the Digital Concert Hall]]></video:title>
      <video:description><![CDATA[With this concert, the Berliner Philharmoniker and their chief conductor Sir Simon Rattle celebrated the first live broadcast from the Digital Concert Hall on 6 January 2009, thus opening a new chapter in the orchestra’s media history. The main work on the programme is Johannes Brahms’s First Symphony; in addition, the video platform is introduced with interviews.]]></video:description>
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  <url>
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      <video:title><![CDATA[Zubin Mehta conducts Mahler’s Third Symphony]]></video:title>
      <video:description><![CDATA[Gustav Mahler wrote that “the whole of nature” finds in his Third Symphony “a voice and tells of the kind of profound secrets that might be sensed in a dream”. In this concert, the monumental, world-encompassing work is heard in an interpretation by Zubin Mehta, “whose energy was not expended rashly with sensational flailing about; instead, he devoted himself to the expansive arc of the work with expressive tranquillity” (neue musikzeitung).]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/20</loc>
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      <video:title><![CDATA[Christian Thielemann conducts Bruckner’s Eighth Symphony]]></video:title>
      <video:description><![CDATA[Bruckner’s symphonies convey the ideas of trust in God and the certainty of faith like few other orchestral works. The fact that these compositions also reflect extremely personal psychological dramas can be heard vividly, particularly in the Eighth. The conductor of this performance is Christian Thielemann, about whom the press wrote that he made “the symphony resound relentlessly: its echo of thunder, its terrifying whispers, its general pauses of reflection”.]]></video:description>
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      <video:duration>147</video:duration>
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      <video:title><![CDATA[Simon Rattle conducts Brahms’s Symphonies No. 3 and 4]]></video:title>
      <video:description><![CDATA[The cycle of the complete Brahms symphonies conducted by Simon Rattle was the most important project of the Berliner Philharmoniker during the 2008/2009 season. Two of these works were heard here: the Third and Fourth Symphonies. Die Welt praised the performance as the “ecstatic apotheosis of what modern orchestral playing, fast reactions and concise interpretation can elicit from a work that has long been a classic”.]]></video:description>
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      <video:title><![CDATA[A Brahms evening with Sir Simon Rattle and Lars Vogt]]></video:title>
      <video:description><![CDATA[Johannes Brahms is sometimes described as reserved and austere – an utterly mistaken notion, when one hears the wonderfully dreamy Adagio of his First Piano Concerto. The work also captivates with its expansive sound, providing a clue that the concerto was once planned as a symphony. The interpreters of this recording are Simon Rattle and Lars Vogt. The concert ends with Brahms’s lyrical, melodious Second Symphony.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/39</loc>
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      <video:title><![CDATA[Simon Rattle conducts Haydn’s “Oxford” Symphony and Brahms’s First]]></video:title>
      <video:description><![CDATA[In this concert, Simon Rattle conducts symphonic works which encompass the era of Beethoven, so to speak. We hear the Oxford Symphony by Joseph Haydn, one of Beethoven’s teachers, along with Johannes Brahms’s First Symphony. The fact that Brahms took fourteen years to complete the work clearly reflects his struggle with the powerful example of Beethoven – the musical result is characterized by resoluteness and self-confidence, however.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/33</loc>
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      <video:title><![CDATA[Elgar’s Violin Concerto with Gil Shaham and David Zinman]]></video:title>
      <video:description><![CDATA[Edward Elgar’s Violin Concerto calls for a soloist who can bring its tenderly autumnal, lyrical tone to life without sentimentality. Gil Shaham, who performed the work here with the Berliner Philharmoniker and conductor David Zinman, is such an artist. Also on the programme was Béla Bartók’s Concerto for Orchestra, which brilliantly alternates between elegy and a defiant will to live.]]></video:description>
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  <url>
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      <video:title><![CDATA[David Zinman conducts Beethoven and the “Neruda Songs” by Peter Lieberson]]></video:title>
      <video:description><![CDATA[The Neruda Songs, which Peter Lieberson completed in 2005, are tender, mysterious and intense. In this concert, they are sung by mezzo-soprano Kelley O’Connor: a marvellous discovery for all fans of vocal music. Conductor David Zinman, who made a name for himself as an outstanding Beethoven interpreter, also presents the composer’s Seventh Symphony, which pulsates with graceful energy.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/15</loc>
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      <video:title><![CDATA[A Mozart evening with Trevor Pinnock and Maria João Pires]]></video:title>
      <video:description><![CDATA[Trevor Pinnock, a pioneer of the Early Music movement, presented a concert devoted exclusively to Wolfgang Amadeus Mozart in the Philharmonie Berlin. The programme included the celebrated Symphony No. 40, with its unique blend of grace and drama. Pianist Maria João Pires, who is highly acclaimed in particular as a sensitive Mozart interpreter, appeared as soloist in the so-called Jenamy Concerto.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/11</loc>
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      <video:title><![CDATA[Semyon Bychkov conducts Richard Strauss’s “Alpine Symphony”]]></video:title>
      <video:description><![CDATA[Perhaps the most spectacular climax in orchestral literature occurs when the summit is reached in Richard Strauss’s Alpine Symphony. Overwhelming impressions of nature and instrumental virtuosity also characterize the other scenes of the work, which Semyon Bychkov conducted here with the Berliner Philharmoniker. Composer Detlev Glanert also made his Philharmonie debut at this concert with his Theatrum bestiarium.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/34</loc>
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      <video:title><![CDATA[A magical Ravel concert with Simon Rattle]]></video:title>
      <video:description><![CDATA[This Ravel concerto features fantastic, magical worlds: Sir Simon Rattle first conducts the ballet music Ma Mère l’Oye, a compilation of enchanting fairy-tale scenes. This is followed by the charming children’s opera L’Enfant et les sortilèges, performed by a distinguished ensemble of soloists with Magdalena Kožená in the leading role.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/57</loc>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/23</loc>
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      <video:title><![CDATA[Simon Rattle conducts Bruckner’s Ninth and Schreker’s Chamber Symphony]]></video:title>
      <video:description><![CDATA[Two Austrian composers, two sonorous symphonies on the threshold between late Romanticism and modernism: that is the programmatic concept of this concert with Simon Rattle. Along with Anton Bruckner’s unfinished Ninth Symphony we hear the seductively iridescent Chamber Symphony by Franz Schreker – a composer who was celebrated during his lifetime but is an insider’s tip today.]]></video:description>
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      <video:title><![CDATA[Simon Rattle conducts Messiaen’s “Turangalîla-Symphonie”]]></video:title>
      <video:description><![CDATA[Olivier Messiaen’s Turangalîla-Symphonie is truly cosmic music: mystical, powerful, full of cascading winds and velvety strings, with the glittering electronic sounds of an ondes Mmartenot. There is also a complex, highly virtuosic piano part, which was played by none other than Pierre-Laurent Aimard in this concert. The Berliner Philharmoniker were conducted by Sir Simon Rattle.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/38</loc>
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      <video:title><![CDATA[Season opening 2008: Simon Rattle conducts Brahms and Shostakovich]]></video:title>
      <video:description><![CDATA[The Berliner Philharmoniker and Simon Rattle opened the 2008/09 season with two of the most different symphonies imaginable. On the one hand, Brahms’s Third, about which Clara Schumann wrote that one is “surrounded by the mysterious magic of life in the forest”, and on the other, the darkly aggressive Tenth Symphony by Dmitri Shostakovich. The recording of this concert is the first to be made by the Digital Concert Hall team.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/16133</loc>
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      <video:title><![CDATA[Europakonzert 2008 from Moscow with Simon Rattle and Vadim Repin]]></video:title>
      <video:description><![CDATA[There was a wealth of German-Russian encounters in the Berliner Philharmoniker’s 2008 Europakonzert from Moscow. In the venerable Great Hall of the Tchaikovsky Conservatory, Sir Simon Rattle juxtaposed Beethoven’s Seventh Symphony with Stravinsky’s Symphony in Three Movements. Plus Vadim Repin was the soloist in Max Bruch’s First Violin Concerto, a work full of boundless, late-Romantic emotionalism.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/15991</loc>
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      <video:title><![CDATA[Simon Rattle conducts “Pictures at an Exhibition” at the 2007 New Year’s Eve Concert]]></video:title>
      <video:description><![CDATA[On New Year’s Eve 2007, the Berliner Philharmoniker and Simon Rattle ushered in the new year with the finest of Russian music. In addition to famous highlights such as Modest Mussorgsky’s Pictures at an Exhibition and Alexander Borodin’s Polovtsian Dances, there was also a new discovery: Borodin’s Second Symphony, a masterpiece which combines the power of Russian folk music with a lyrical magic that recalls the world of the fairy tale.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/15833</loc>
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      <video:title><![CDATA[Simon Rattle conducts Rhapsodies at the Waldbühne]]></video:title>
      <video:description><![CDATA[The rhapsody is a very special musical genre: its main principle being its lack of principles – unbound by any formal requirements, a composer can indulge himself, lose himself in dreams, and be as poetic as he pleases. In 2007, Sir Simon Rattle conducted some of the best examples of the genre at the Berlin Waldbühne. At the same time, this concert is a kind of “hall of fame” of virtuosos of timbre, such as Chabrier, Delius, Rachmaninov, Dvořák, Debussy and Enescu.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/15799</loc>
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      <video:title><![CDATA[2007 Europakonzert from Berlin with Simon Rattle, Lisa Batiashvili and Truls Mørk]]></video:title>
      <video:description><![CDATA[To celebrate the orchestra’s 125th anniversary in 2007, the Berliner Philharmoniker and their chief conductor Simon Rattle travelled through time to the years the orchestra was founded: with works from the time by Brahms and Wagner against the backdrop of an impressive cable factory, one of Berlin’s most important industrial monuments of the late 19th century. The soloists were the violinist Lisa Batiashvili and the cellist Truls Mørk.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/15143</loc>
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      <video:title><![CDATA[Sir Simon Rattle conducts a Mozart Gala at the 2005 New Year’s Eve Concert]]></video:title>
      <video:description><![CDATA[Here, the Berliner Philharmoniker anticipated the 250th anniversary of Mozart’s birth with an exhilarating and sparkling Mozart programme. Under the direction of Simon Rattle, it included highlights from Le nozze di Figaro, the “Prague” Symphony and the Piano Concerto No. 9. In addition to a team of internationally acclaimed vocal soloists, the guests included the American star pianist Emanuel Ax.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/14811</loc>
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      <video:title><![CDATA[Simon Rattle and Katia and Marielle Labèque at the Berlin Waldbühne]]></video:title>
      <video:description><![CDATA[Here, the Berliner Philharmoniker delighted their audience at the Waldbühne with a charming and colourful French programme. Under the summer sky, Simon Rattle conducted many popular French works, from Ravel’s Boléro to Dukas’s Sorcerer’s Apprentice. Even the guest stars were French, with Katia and Marielle Labèque playing the piano part in Camille Saint-Saëns’s amusing Carnival of the Animals.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/14787</loc>
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      <video:title><![CDATA[2005 Europakonzert from Budapest with Simon Rattle and Leonidas Kavakos]]></video:title>
      <video:description><![CDATA[It was only to be expected that the Europakonzert in Budapest would include a work from the rich musical tradition of Hungary. Leonidas Kavakos as the soloist in Béla Bartók’s Violin Concerto No. 2 revealed how the work combines delicate fragility with unrestrained energy. Conductor Simon Rattle also presented Stravinsky’s Firebird, a no less spectacular orchestral piece in the Russian tradition.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/14740</loc>
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      <video:title><![CDATA[Sir Simon Rattle conducts “Carmina Burana” at the 2004 New Year’s Eve Concert]]></video:title>
      <video:description><![CDATA[What could be more obvious than to ring in a new year with an appeal to the goddess Fortuna? And this is precisely what happened at this New Year’s Eve Concert, when Sir Simon Rattle conducted the Berliner Philharmoniker in a performance of Carl Orff’s Carmina Burana – a bright musical panorama which wondrously unites the most diverse spheres of expression: the archaic and the modern, grandiosity and humour, and the finest sophistication with raw power.]]></video:description>
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      <video:title><![CDATA[Europakonzert from Athens with Simon Rattle and Daniel Barenboim]]></video:title>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/concert/13038</loc>
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      <video:title><![CDATA[Simon Rattle conducts Bernstein’s “Wonderful Town” at the 2002 New Year’s Eve Concert]]></video:title>
      <video:description><![CDATA[Leonard Bernstein’s Wonderful Town is a wonderfully swinging homage to 1930s New York: full of wit and irony, with beautiful melodies and pulsating rhythms. Simon Rattle presented the work in 2002 at his first New Year’s Eve Concert with the Berliner Philharmoniker with the support of soloists from the stages of Broadway and the celebrated baritone Thomas Hampson as the star guest – a “joyful musical melee”, as the press described the evening.]]></video:description>
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    <loc>https://www.digitalconcerthall.com/en/concert/12988</loc>
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      <video:title><![CDATA[Simon Rattle’s inaugural concert from 2002 with Mahler’s Fifth Symphony]]></video:title>
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      <video:title><![CDATA[2002 Europakonzert from Palermo with Claudio Abbado and Gil Shaham]]></video:title>
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      <video:title><![CDATA[Claudio Abbado conducts Beethoven and Mendelssohn]]></video:title>
      <video:description><![CDATA[Claudio Abbado conducts works here that captivate with powerful choral singing and unusual forms: Beethoven’s Choral Fantasy with Maurizio Pollini at the piano, followed by Mendelssohn’s Second Symphony known as Lobgesang. Although both works are widely known, they are rarely performed together.]]></video:description>
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      <video:title><![CDATA[Claudio Abbado’s Beethoven cycle from Rome]]></video:title>
      <video:description><![CDATA[Only at the end of his tenure as chief conductor of the Berliner Philharmoniker did Claudio Abbado decide to give a performance of the complete symphonies of Ludwig van Beethoven. The venue was the Accademia Nazionale di Santa Cecilia in Rome. In these performances, the monumentality of earlier times was replaced by a leaner, driving energy. The Financial Times spoke of a “revolution”.]]></video:description>
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      <video:description><![CDATA[Even serious music lovers know it: the anticipation of the finale of a symphonic work which brings an audience to its feet. On New Year’s Eve 1999, the Berliner Philharmoniker audience was granted the rare opportunity of enjoying an entire evening of just those spectacular closing movements – from Beethoven, Dvořák, Mahler and many more. Plus, a selection of cheerful encores from the repertoire of Berlin operetta from the 1920s.]]></video:description>
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      <video:description><![CDATA[In a newspaper interview, Claudio Abbado once said Herbert von Karajan had been “like a father” to him. So for Abbado it was not only a duty but also a matter of personal significance to conduct this memorial concert with the Berliner Philharmoniker at Salzburg Cathedral. The programme featured Wolfgang Amadeus Mozart’s Requiem.]]></video:description>
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      <video:description><![CDATA[Songs of Love and Desire was how the Berliner Philharmoniker subtitled their 1998 New Year’s Eve Concert. The various ways these powerful emotions manifest themselves was to be heard in famous arias and scenes by Mozart, Verdi and Tchaikovsky. The evening’s soloists were Christine Schäfer, Simon Keenlyside and Marcelo Álvarez plus special guest Mirella Freni.]]></video:description>
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      <video:description><![CDATA[Carmen is not only a character in an opera, she is also a myth: the epitome of beauty, seduction and the freedom from all social fetters. In their New Year’s Eve Gala from 1997, the Berliner Philharmoniker and Claudio Abbado take on this myth. They are supported by outstanding vocal and instrumental soloist including Anne Sofie von Otter, Roberto Alagna, Bryn Terfel, Mikhail Pletnev and Gil Shaham.]]></video:description>
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      <video:title><![CDATA[Claudio Abbado conducts Brahms’s Requiem in Vienna]]></video:title>
      <video:description><![CDATA[This concert with Brahms’s Deutsches Requiem – recorded in Vienna’s Musikverein on the 100th anniversary of the composer’s death – is among the most memorable performances by the Berliner Philharmoniker under the baton of Claudio Abbado. It is characterised not only by its perfection and tonal beauty, but also by its feeling of humanity and empathy. The singers are Barbara Bonney and Bryn Terfel.]]></video:description>
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      <video:title><![CDATA[Claudio Abbado conducts Brahms and Ravel at the 1996 New Year’s Eve Concert]]></video:title>
      <video:description><![CDATA[The Berliner Philharmoniker and Claudio Abbado bid farewell to 1996 in the Philharmonie with a programme full of verve and flavour. The theme of this “fun occasion” (Gramophone) was the world of dance as portrayed for example in Brahms’s Hungarian Dances. Star guest of the evening was violinist Maxim Vengerov, who gave a both emotional and outrageously virtuoso performance of Ravel’s Tzigane.]]></video:description>
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      <video:description><![CDATA[There are not many opera houses that deserve the attribute “legendary”, but the Mariinsky Theatre in St Petersburg is certainly one of them. In 1996, the Berliner Philharmoniker and Claudio Abbado held their Europakonzert there, presenting a Russian-German programme full of colour and verve – which included Prokofiev’s ballet Romeo and Juliet (which had received its premiere at the Mariinsky Theatre) and Beethoven’s Seventh Symphony.]]></video:description>
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      <video:title><![CDATA[1994 Europakonzert from Meiningen with Claudio Abbado and Daniel Barenboim]]></video:title>
      <video:description><![CDATA[Claudio Abbado and Daniel Barenboim, although friends since their student days and long-time artistic neighbours in Berlin, rarely performed together. The 1994 Europakonzert documents one of these rare occasions with a performance of Beethoven’s Piano Concerto No. 5 – in the beautifully restored Meiningen Theatre, where Hans von Bülow once worked as kapellmeister before laying the foundations for the orchestra’s international fame as the first chief conductor of the Berliner Philharmoniker.]]></video:description>
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      <video:title><![CDATA[Simon Rattle conducts Berlioz’s “Symphonie fantastique” in 1993]]></video:title>
      <video:description><![CDATA[It is no exaggeration to claim that this live recording from November 1993 is a document of historic importance, for it is the first visual and acoustic record of the Berliner Philharmoniker’s work with the man who was to become their chief conductor. The performance shows a young Simon Rattle who inspires the orchestra to perceptive interpretations of Berlioz’s Symphonie fantastique and Jean-Philippe Rameau’s suite Les Boréades.]]></video:description>
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    <lastmod>2026-07-23</lastmod>
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    <lastmod>2026-07-23</lastmod>
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    <lastmod>2026-07-23</lastmod>
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    <lastmod>2026-07-23</lastmod>
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