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    <loc>https://www.digitalconcerthall.com/en/film/232</loc>
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    <lastmod>2026-07-10</lastmod>
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      <video:title><![CDATA[Abbado in Berlin: The first year]]></video:title>
      <video:description><![CDATA[The vote was over, and a decision had been made: Claudio Abbado was the new chief conductor of the Berliner Philharmoniker. So it was in 1989, when – for the first time – the orchestra itself decided who was to be its artistic director. The result was a surprise for the music world – and also for Abbado himself. This documentary traces the first year of the new chief conductor in Berlin.]]></video:description>
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      <video:publication_date>2015-12-01T13:00:00+00:00</video:publication_date>
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      <video:requires_subscription>yes</video:requires_subscription>
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      <video:duration>182</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/401</loc>
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    <lastmod>2026-07-17</lastmod>
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      <video:title><![CDATA[Dreaming of the Waldbühne: The Berliner Philharmoniker in Kawaguchiko]]></video:title>
      <video:description><![CDATA[The annual season finale given by the Berliner Philharmoniker at the impressive open-air venue the Waldbühne has become a tradition since it began in 1984. In Japan, which has been a kind of second home for the orchestra since the Karajan era, concert broadcasts are followed – to some surprise – by the relaxed atmosphere of the Waldbühne and the whistling of Paul Lincke’s Berliner Luft, which is always presented as an encore. In 2025, a dream came true for around 3000 Philharmoniker fans in Kawaguchiko: a concert by the orchestra in a modern open-air theatre with a view of Mount Fuji! Our film reports on this moving guest performance.]]></video:description>
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      <video:publication_date>2025-12-10T14:00:00+00:00</video:publication_date>
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      <video:duration>52</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/74</loc>
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    <lastmod>2026-07-28</lastmod>
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      <video:title><![CDATA[Claudio Abbado: The silence that follows the music]]></video:title>
      <video:description><![CDATA[This documentary about Claudio Abbado from the year 1996 is as much a journey through the recent history of the Berliner Philharmoniker. Director Paul Smaczny shows how the orchestra re-adjusted itself after the end of the Karajan era – such as in electing Abbado as chief conductor, whose friendly approach redefined communication and the artistic work of the orchestra.]]></video:description>
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      <video:publication_date>2015-12-11T09:00:00+00:00</video:publication_date>
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      <video:duration>184</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/388</loc>
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    <lastmod>2026-06-24</lastmod>
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      <video:title><![CDATA[The Berliner Philharmoniker and Frank Peter Zimmermann]]></video:title>
      <video:description><![CDATA[It is more than a long-standing partnership that connects the Berliner Philharmoniker with violinist Frank Peter Zimmermann – it is a friendship. This interview film reflects the special closeness between soloist and orchestra as well as with chief conductor Kirill Petrenko, Alan Gilbert and Daniel Harding. It was made during the joint recording of the violin concertos by Beethoven, Berg and Bartók, about which Zimmermann says: “A greater honour than recording these four concertos is hardly imaginable.”]]></video:description>
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      <video:publication_date>2022-07-14T08:00:00+00:00</video:publication_date>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/233</loc>
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    <lastmod>2026-07-28</lastmod>
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      <video:title><![CDATA[Sergiu Celibidache: The triumphant return]]></video:title>
      <video:description><![CDATA[From 1945 to 1952 Sergiu Celibidache successfully accompanied the Berliner Philharmoniker through a particularly turbulent period in post-war German history. But Berlin audiences then had to wait almost forty years before this magician of the baton returned to conduct the Berliner Philharmoniker again on 31 March 1992. The present documentary accompanies conductor and orchestra on their journey towards this memorable concert, which featured a performance of Bruckner’s Seventh Symphony. A fascinating record indeed!]]></video:description>
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      <video:publication_date>2015-09-16T08:00:00+00:00</video:publication_date>
      <video:family_friendly>yes</video:family_friendly>
      <video:requires_subscription>yes</video:requires_subscription>
      <video:live>no</video:live>
      <video:duration>186</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/394</loc>
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    <xhtml:link rel="alternate" hreflang="de" href="https://www.digitalconcerthall.com/de/film/394"/>
    <xhtml:link rel="alternate" hreflang="fr" href="https://www.digitalconcerthall.com/fr/film/394"/>
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    <lastmod>2026-07-10</lastmod>
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      <video:title><![CDATA[“Please call me Claudio”: The Visionary Claudio Abbado]]></video:title>
      <video:description><![CDATA[An artist with great charisma: Claudio Abbado not only shaped the Berliner Philharmoniker as chief conductor from 1990 to 2002, but also laid invaluable foundations for orchestral culture through his work with youth orchestras. The documentary provides moving insights into his work and above all shows Claudio Abbado the man, who in all modesty preferred to be called simply “Claudio”.]]></video:description>
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      <video:publication_date>2024-01-09T09:00:00+00:00</video:publication_date>
      <video:family_friendly>yes</video:family_friendly>
      <video:requires_subscription>yes</video:requires_subscription>
      <video:live>no</video:live>
      <video:duration>103</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/300</loc>
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    <xhtml:link rel="alternate" hreflang="de" href="https://www.digitalconcerthall.com/de/film/300"/>
    <xhtml:link rel="alternate" hreflang="fr" href="https://www.digitalconcerthall.com/fr/film/300"/>
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    <lastmod>2026-07-28</lastmod>
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      <video:title><![CDATA[Living with Beethoven]]></video:title>
      <video:description><![CDATA[The performance of all of Beethoven’s symphonies in the autumn of 2015 was a high point in the collaboration of the Berliner Philharmoniker and its chief conductor, Sir Simon Rattle. The film Living with Beethoven accompanies the ascent of this “Mount Everest” (Rattle) with many views behind the scenes. The conductor and orchestra musicians all contribute, clearly inspired by the desire to make the often performed works sound again as if they were just written.]]></video:description>
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      <video:publication_date>2016-03-18T09:30:00+00:00</video:publication_date>
      <video:family_friendly>yes</video:family_friendly>
      <video:requires_subscription>no</video:requires_subscription>
      <video:live>no</video:live>
      <video:duration>153</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/370</loc>
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    <xhtml:link rel="alternate" hreflang="de" href="https://www.digitalconcerthall.com/de/film/370"/>
    <xhtml:link rel="alternate" hreflang="fr" href="https://www.digitalconcerthall.com/fr/film/370"/>
    <xhtml:link rel="alternate" hreflang="es" href="https://www.digitalconcerthall.com/es/film/370"/>
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    <xhtml:link rel="alternate" hreflang="ko" href="https://www.digitalconcerthall.com/ko/film/370"/>
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    <lastmod>2026-07-24</lastmod>
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      <video:title><![CDATA[Bernard Haitink: “It comes my way...”]]></video:title>
      <video:description><![CDATA[Bernard Haitink has been one of the most successful and popular figures in the world of classical music since the 1960s. Before he announced his retirement from the concert circuit in 2019, he was one of the Berliner Philharmoniker’s main guest conductors for over 50 years. Through recordings of concerts, rehearsals and personal conversations, our film portrait provides an insight into the intellectual world of Haitink, who describes music as his “elixir of life”.]]></video:description>
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      <video:publication_date>2020-07-21T08:00:00+00:00</video:publication_date>
      <video:family_friendly>yes</video:family_friendly>
      <video:requires_subscription>yes</video:requires_subscription>
      <video:live>no</video:live>
      <video:duration>94</video:duration>
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  </url>
  <url>
    <loc>https://www.digitalconcerthall.com/en/film/250</loc>
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    <xhtml:link rel="alternate" hreflang="de" href="https://www.digitalconcerthall.com/de/film/250"/>
    <xhtml:link rel="alternate" hreflang="fr" href="https://www.digitalconcerthall.com/fr/film/250"/>
    <xhtml:link rel="alternate" hreflang="es" href="https://www.digitalconcerthall.com/es/film/250"/>
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    <lastmod>2026-07-28</lastmod>
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      <video:title><![CDATA[Kirill Petrenko and the Berliner Philharmoniker: Dawn of a new era]]></video:title>
      <video:description><![CDATA[Their joint concert appearances between the election of Kirill Petrenko as chief conductor of the Berliner Philharmoniker and his debut in his new position in August 2019 were experienced by all involved as unusually intensive and exhilarating. And they considerably increased the anticipation of the new Philharmoniker era. In this film, which was made shortly before Petrenko took office, members of the orchestra talk about their new chief conductor. They express the way in which he combines meticulous rehearsal work with unleashed passion in concert, and musical uncompromisingness with personal modesty. Concert excerpts show the orchestra and the conductor performing works by Tchaikovsky, Scriabin and Beethoven.]]></video:description>
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      <video:publication_date>2019-11-11T14:00:00+00:00</video:publication_date>
      <video:family_friendly>yes</video:family_friendly>
      <video:requires_subscription>yes</video:requires_subscription>
      <video:live>no</video:live>
      <video:duration>69</video:duration>
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  </url>
  <url>
    <loc>https://www.digitalconcerthall.com/en/film/376</loc>
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    <xhtml:link rel="alternate" hreflang="de" href="https://www.digitalconcerthall.com/de/film/376"/>
    <xhtml:link rel="alternate" hreflang="fr" href="https://www.digitalconcerthall.com/fr/film/376"/>
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    <lastmod>2026-06-24</lastmod>
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      <video:title><![CDATA[Berlin im Licht: Stories from the Golden Twenties]]></video:title>
      <video:description><![CDATA[Accompanied by historical film footage and the music of Kurt Weill, actress Dagmar Manzel tells the story of Berlin in the 1920s: a city that was characterised in equal measure by cultural splendour and economic misery, political instability and joie de vivre, light music and cutting-edge art. Berlin im Licht is the title of a festival that in 1928 turned night into day in the capital. Weill and Bertolt Brecht wrote the catchy tune of the same name.]]></video:description>
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      <video:publication_date>2021-03-03T11:00:00+00:00</video:publication_date>
      <video:family_friendly>yes</video:family_friendly>
      <video:requires_subscription>yes</video:requires_subscription>
      <video:live>no</video:live>
      <video:duration>33</video:duration>
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  </url>
  <url>
    <loc>https://www.digitalconcerthall.com/en/film/354</loc>
    <xhtml:link rel="alternate" hreflang="en" href="https://www.digitalconcerthall.com/en/film/354"/>
    <xhtml:link rel="alternate" hreflang="de" href="https://www.digitalconcerthall.com/de/film/354"/>
    <xhtml:link rel="alternate" hreflang="fr" href="https://www.digitalconcerthall.com/fr/film/354"/>
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    <lastmod>2026-07-24</lastmod>
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      <video:title><![CDATA[Noah Bendix-Balgley: a portrait]]></video:title>
      <video:description><![CDATA[The 1st concertmaster has a particularly responsible role to play in the orchestra. He not only has to master extremely virtuoso solo passages – such as in the tone poems of Richard Strauss – but he also facilitates communication between conductor and orchestra. You can find out more in this short portrait of Noah Bendix-Balgley who took over this position with the Berliner Philharmoniker in 2014.]]></video:description>
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      <video:publication_date>2017-03-02T09:00:00+00:00</video:publication_date>
      <video:family_friendly>yes</video:family_friendly>
      <video:requires_subscription>no</video:requires_subscription>
      <video:live>no</video:live>
      <video:duration>45</video:duration>
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  </url>
  <url>
    <loc>https://www.digitalconcerthall.com/en/film/371</loc>
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    <lastmod>2026-06-24</lastmod>
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      <video:title><![CDATA[The 12 Cellists of the Berliner Philharmoniker]]></video:title>
      <video:description><![CDATA[Their sound is unmistakable: since its foundation in 1972, the 12 Cellists of the Berliner Philharmoniker have achieved international fame. Stylistically, the ensemble is equally at home in jazz and tango as in contemporary works and arrangements of classical pieces. Enrique Sánchez Lansch’s 2012 documentary Die 12 accompanies the ensemble on a concert tour to China and shows in rehearsal and concert recordings the process leading to the premiere of a commissioned composition by Sofia Gubaidulina.]]></video:description>
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      <video:duration>106</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/350</loc>
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    <xhtml:link rel="alternate" hreflang="de" href="https://www.digitalconcerthall.com/de/film/350"/>
    <xhtml:link rel="alternate" hreflang="fr" href="https://www.digitalconcerthall.com/fr/film/350"/>
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    <lastmod>2026-07-24</lastmod>
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      <video:title><![CDATA[Ludwig Quandt: a portrait]]></video:title>
      <video:description><![CDATA[Ludwig Quandt became a member of the Berliner Philharmoniker in 1991, and in 1993, he was appointed 1st principal cellist. In this portrait, Ludwig Quandt talks about his favourite parts in orchestral works, the unique sound of the cello, which resembles the human voice – and of course his own instrument, which was built by Francesco Ruggieri in Cremona in the 17th century.]]></video:description>
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      <video:requires_subscription>no</video:requires_subscription>
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      <video:duration>79</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/101</loc>
    <xhtml:link rel="alternate" hreflang="en" href="https://www.digitalconcerthall.com/en/film/101"/>
    <xhtml:link rel="alternate" hreflang="de" href="https://www.digitalconcerthall.com/de/film/101"/>
    <xhtml:link rel="alternate" hreflang="fr" href="https://www.digitalconcerthall.com/fr/film/101"/>
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    <lastmod>2026-07-28</lastmod>
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      <video:title><![CDATA[Rhythm Is It!]]></video:title>
      <video:description><![CDATA[Rarely has a documentary about classical music met with such a response or received so many awards as the film Rhythm Is It! which has been shown in cinemas all round the world. This film is not only about great music from the past, but about things that concern all of us: How do young people develop their talents? How can creativity change all of our lives? There are also stunning dance scenes and fantastic music played by the Berliner Philharmoniker, conducted by Sir Simon Rattle.]]></video:description>
      <video:content_loc>https://world-vod.dchdns.net/preview/101-t/preview.mp4</video:content_loc>
      <video:publication_date>2015-12-11T09:00:00+00:00</video:publication_date>
      <video:family_friendly>yes</video:family_friendly>
      <video:requires_subscription>yes</video:requires_subscription>
      <video:live>no</video:live>
      <video:duration>128</video:duration>
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  </url>
  <url>
    <loc>https://www.digitalconcerthall.com/en/film/115</loc>
    <xhtml:link rel="alternate" hreflang="en" href="https://www.digitalconcerthall.com/en/film/115"/>
    <xhtml:link rel="alternate" hreflang="de" href="https://www.digitalconcerthall.com/de/film/115"/>
    <xhtml:link rel="alternate" hreflang="fr" href="https://www.digitalconcerthall.com/fr/film/115"/>
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    <lastmod>2026-07-23</lastmod>
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      <video:title><![CDATA[A magical beginning: The Easter Festival in Baden-Baden]]></video:title>
      <video:description><![CDATA[The year 2013 marked a turning point in the history of the Berliner Philharmoniker: Four decades after the founding of the Easter Festival, the orchestra transferred its very own spring residence from Salzburg to Baden-Baden. A new beginning with new artistic challenges in a new environment. Our documentary A magical beginning accompanies the Berliner Philharmoniker to the first Baden-Baden Easter Festival.]]></video:description>
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      <video:family_friendly>yes</video:family_friendly>
      <video:requires_subscription>no</video:requires_subscription>
      <video:live>no</video:live>
      <video:duration>101</video:duration>
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  </url>
  <url>
    <loc>https://www.digitalconcerthall.com/en/film/211</loc>
    <xhtml:link rel="alternate" hreflang="en" href="https://www.digitalconcerthall.com/en/film/211"/>
    <xhtml:link rel="alternate" hreflang="de" href="https://www.digitalconcerthall.com/de/film/211"/>
    <xhtml:link rel="alternate" hreflang="fr" href="https://www.digitalconcerthall.com/fr/film/211"/>
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    <lastmod>2026-07-23</lastmod>
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      <video:title><![CDATA[Karajan: Beauty as I see it]]></video:title>
      <video:description><![CDATA[The phenomenon that was Herbert von Karajan continues to fascinate us to this day. In his documentary, Robert Dornhelm attempts to identify the man behind the image. Drawing on a wealth of little known archive material, together with statements from colleagues and family members, he creates a multi-layered portrait.]]></video:description>
      <video:content_loc>https://world-vod.dchdns.net/preview/211-t/preview.mp4</video:content_loc>
      <video:publication_date>2015-12-11T09:00:00+00:00</video:publication_date>
      <video:family_friendly>yes</video:family_friendly>
      <video:requires_subscription>yes</video:requires_subscription>
      <video:live>no</video:live>
      <video:duration>148</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/400</loc>
    <xhtml:link rel="alternate" hreflang="en" href="https://www.digitalconcerthall.com/en/film/400"/>
    <xhtml:link rel="alternate" hreflang="de" href="https://www.digitalconcerthall.com/de/film/400"/>
    <xhtml:link rel="alternate" hreflang="fr" href="https://www.digitalconcerthall.com/fr/film/400"/>
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    <xhtml:link rel="alternate" hreflang="zh-Hans" href="https://www.digitalconcerthall.com/zh/film/400"/>
    <lastmod>2026-07-28</lastmod>
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      <video:title><![CDATA[Lisa Batiashvili: A vision for Europe]]></video:title>
      <video:description><![CDATA[“Music’s message shouldn’t just stay in the concert hall – I want it to be heard and seen beyond that.” Violinist Lisa Batiashvili, the Berliner Philharmoniker’s 2023/24 Artist in Residence, is not only a gifted soloist and chamber musician, but also an artist with a keen political awareness. Our film portrait accompanies her during her residency – including to her Georgian homeland, where she performed in the Europakonzert “filled with feelings of happiness”.]]></video:description>
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      <video:publication_date>2025-07-23T08:00:00+00:00</video:publication_date>
      <video:family_friendly>yes</video:family_friendly>
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      <video:duration>87</video:duration>
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  </url>
  <url>
    <loc>https://www.digitalconcerthall.com/en/film/377</loc>
    <xhtml:link rel="alternate" hreflang="en" href="https://www.digitalconcerthall.com/en/film/377"/>
    <xhtml:link rel="alternate" hreflang="de" href="https://www.digitalconcerthall.com/de/film/377"/>
    <xhtml:link rel="alternate" hreflang="fr" href="https://www.digitalconcerthall.com/fr/film/377"/>
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    <lastmod>2026-07-24</lastmod>
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      <video:title><![CDATA[Solène Kermarrec: a portrait]]></video:title>
      <video:description><![CDATA[Solène Kermarrec actually wanted to learn the double bass. But at the music school in her home town of Brest, the five-year-old was advised to start with the smaller cello – changing was then never an option for her. After studying in Paris, Budapest and Berlin, the cellist found her first position in an orchestra with the Berliner Philharmoniker at the age of 23 – and at the same time a home, as she says. In this film portrait, Solène Kermarrec also reveals why she prefers to play in a group rather than alone, how different cellists’s ideas of sound can be, and what her second great passion is besides music.]]></video:description>
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      <video:duration>76</video:duration>
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  </url>
  <url>
    <loc>https://www.digitalconcerthall.com/en/film/113</loc>
    <xhtml:link rel="alternate" hreflang="en" href="https://www.digitalconcerthall.com/en/film/113"/>
    <xhtml:link rel="alternate" hreflang="de" href="https://www.digitalconcerthall.com/de/film/113"/>
    <xhtml:link rel="alternate" hreflang="fr" href="https://www.digitalconcerthall.com/fr/film/113"/>
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    <lastmod>2026-07-28</lastmod>
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      <video:title><![CDATA[The Berlin Philharmonie – A pentagon with aura]]></video:title>
      <video:description><![CDATA[In October 2013, the Berlin Philharmonie celebrated its 50th birthday – a wonderful opportunity to present a portrait of the world-famous concert hall. What is the secret of this building which is held by musicians from all over the world, and of course especially by the Berlin Philharmoniker, with such undivided affection? The documentary The Berlin Philharmonie – a pentagon with aura attempts to answer this question.]]></video:description>
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      <video:publication_date>2015-12-11T09:00:00+00:00</video:publication_date>
      <video:family_friendly>yes</video:family_friendly>
      <video:requires_subscription>yes</video:requires_subscription>
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      <video:duration>127</video:duration>
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  </url>
  <url>
    <loc>https://www.digitalconcerthall.com/en/film/397</loc>
    <xhtml:link rel="alternate" hreflang="en" href="https://www.digitalconcerthall.com/en/film/397"/>
    <xhtml:link rel="alternate" hreflang="de" href="https://www.digitalconcerthall.com/de/film/397"/>
    <xhtml:link rel="alternate" hreflang="fr" href="https://www.digitalconcerthall.com/fr/film/397"/>
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    <lastmod>2026-07-24</lastmod>
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      <video:title><![CDATA[Anton Bruckner and the Berliner Philharmoniker – conductors in conversation]]></video:title>
      <video:description><![CDATA[Anton Bruckner’s darkly glowing, overwhelmingly beautiful and astonishingly innovative tonal language is unmistakable. His music has been part of the Berliner Philharmoniker’s artistic identity for over a hundred years. In our film, specialists such as Herbert Blomstedt, Bernard Haitink and Christian Thielemann talk about Bruckner’s symphonies, which they have performed together with the orchestra and which Berliner Philharmoniker Recordings has released in a CD edition.]]></video:description>
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      <video:family_friendly>yes</video:family_friendly>
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      <video:duration>165</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/392</loc>
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    <xhtml:link rel="alternate" hreflang="de" href="https://www.digitalconcerthall.com/de/film/392"/>
    <xhtml:link rel="alternate" hreflang="fr" href="https://www.digitalconcerthall.com/fr/film/392"/>
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    <xhtml:link rel="alternate" hreflang="zh-Hans" href="https://www.digitalconcerthall.com/zh/film/392"/>
    <lastmod>2026-07-07</lastmod>
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      <video:title><![CDATA[Marie-Pierre Langlamet: a portrait]]></video:title>
      <video:description><![CDATA[“There are no dividing lines between sound and silence on the harp,” says Marie-Pierre Langlamet, harpist with the Berliner Philharmoniker since 1993. In our film portrait, the French-born harpist tells us how difficult it was to find her ideal instrument, and how she has experienced working with the orchestra’s various chief conductors.]]></video:description>
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      <video:duration>88</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/368</loc>
    <xhtml:link rel="alternate" hreflang="en" href="https://www.digitalconcerthall.com/en/film/368"/>
    <xhtml:link rel="alternate" hreflang="de" href="https://www.digitalconcerthall.com/de/film/368"/>
    <xhtml:link rel="alternate" hreflang="fr" href="https://www.digitalconcerthall.com/fr/film/368"/>
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    <xhtml:link rel="alternate" hreflang="ko" href="https://www.digitalconcerthall.com/ko/film/368"/>
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    <lastmod>2026-07-14</lastmod>
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      <video:title><![CDATA[Amihai Grosz: a portrait]]></video:title>
      <video:description><![CDATA[Jerusalem-born Amihai Grosz has been 1st principal viola with the Berliner Philharmoniker since 2010. In this film portrait from the Berliner Philharmoniker and their Instruments series, we see him as the section leader in his orchestra, as a soloist in Philharmoniker concerts, as a chamber musician, and in activities with his family. The young artist also talks about the remarkably warm sound of his instrument, which was made in the 16th century.]]></video:description>
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      <video:publication_date>2019-11-27T09:00:00+00:00</video:publication_date>
      <video:family_friendly>yes</video:family_friendly>
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      <video:live>no</video:live>
      <video:duration>69</video:duration>
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  </url>
  <url>
    <loc>https://www.digitalconcerthall.com/en/film/301</loc>
    <xhtml:link rel="alternate" hreflang="en" href="https://www.digitalconcerthall.com/en/film/301"/>
    <xhtml:link rel="alternate" hreflang="de" href="https://www.digitalconcerthall.com/de/film/301"/>
    <xhtml:link rel="alternate" hreflang="fr" href="https://www.digitalconcerthall.com/fr/film/301"/>
    <xhtml:link rel="alternate" hreflang="es" href="https://www.digitalconcerthall.com/es/film/301"/>
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    <xhtml:link rel="alternate" hreflang="ko" href="https://www.digitalconcerthall.com/ko/film/301"/>
    <xhtml:link rel="alternate" hreflang="zh-Hans" href="https://www.digitalconcerthall.com/zh/film/301"/>
    <lastmod>2026-07-23</lastmod>
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      <video:title><![CDATA[“Guardians of Unity”: Conductors in conversation]]></video:title>
      <video:description><![CDATA[The art of conducting has always been shrouded in mystery. In this film, Simon Halsey, who has worked closely with the Berliner Philharmoniker for many years as conductor of the Berlin Rundfunkchor, interviews renowned conductors about their views of this unique profession, the secret of good baton technique and the relationship between analysis and emotion when working with the masterpieces of music.]]></video:description>
      <video:content_loc>https://world-vod.dchdns.net/preview/301-t/preview.mp4</video:content_loc>
      <video:publication_date>2016-05-18T08:00:00+00:00</video:publication_date>
      <video:family_friendly>yes</video:family_friendly>
      <video:requires_subscription>yes</video:requires_subscription>
      <video:live>no</video:live>
      <video:duration>186</video:duration>
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  </url>
  <url>
    <loc>https://www.digitalconcerthall.com/en/film/114</loc>
    <xhtml:link rel="alternate" hreflang="en" href="https://www.digitalconcerthall.com/en/film/114"/>
    <xhtml:link rel="alternate" hreflang="de" href="https://www.digitalconcerthall.com/de/film/114"/>
    <xhtml:link rel="alternate" hreflang="fr" href="https://www.digitalconcerthall.com/fr/film/114"/>
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    <xhtml:link rel="alternate" hreflang="ko" href="https://www.digitalconcerthall.com/ko/film/114"/>
    <xhtml:link rel="alternate" hreflang="zh-Hans" href="https://www.digitalconcerthall.com/zh/film/114"/>
    <lastmod>2026-07-23</lastmod>
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      <video:title><![CDATA[The Highest Level: Lang Lang with the Berliner Philharmoniker]]></video:title>
      <video:description><![CDATA[In April 2013, the Berliner Philharmoniker, Sir Simon Rattle and Lang Lang came together for their first joint recording. On the programme: Béla Bartók’s Piano Concerto No. 2 and Sergei Prokofiev’s Third Piano Concerto. In our documentary The Highest Level, you can be witness to this summit meeting and with extensive behind-the-scenes footage, follow of the making of a great recording.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/387</loc>
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    <lastmod>2026-07-28</lastmod>
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      <video:title><![CDATA[Close-up: “The Firebird”]]></video:title>
      <video:description><![CDATA[Our Close-up series for the whole family focuses on Igor Stravinsky’s fairytale ballet The Firebird. The film is full of energy, combining music, images and movement. Enjoy exclusive insights into chief conductor Kirill Petrenko’s rehearsals with the Berliner Philharmoniker – and dancer Sara Ezzell introduces you to the world of ballet, dancing to Stravinsky’s multi-coloured, sparkling music.]]></video:description>
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      <video:duration>44</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/358</loc>
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    <lastmod>2026-07-08</lastmod>
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      <video:title><![CDATA[Albrecht Mayer: a portrait]]></video:title>
      <video:description><![CDATA[Oboist Albrecht Mayer is not only one of the Berliner Philharmoniker’s familiar faces, but also regularly appears in the classical music charts as a solo performer. This film portrait gives you the opportunity to get to know the artist. He explains, for example, why the oboe is one of the most challenging and physically demanding instruments of all, and why he never wanted to play anything else.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/109</loc>
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    <lastmod>2026-07-28</lastmod>
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      <video:title><![CDATA[Carlos Kleiber: I am lost to the world]]></video:title>
      <video:description><![CDATA[Even during his lifetime, Carlos Kleiber was a myth: a conductor who was adored by audiences and colleagues. Yet he was haunted by self-doubt, and picked up the baton only reluctantly and – as the years went by – less and less frequently. In this documentary, Georg Wübbolt attempts to show what made Kleiber the phenomenon he was.]]></video:description>
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      <video:duration>216</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/306</loc>
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    <lastmod>2026-07-28</lastmod>
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      <video:title><![CDATA[Short Rides with John Adams]]></video:title>
      <video:description><![CDATA[Among contemporary composers, John Adams is one of the great genre-crossing artists: his music impresses with incredible complexity, but at the same time conveys an unbounded energy that leaves no-one unaffected. In the 2016/17 season, Adams was Artist in Residence with the Berliner Philharmoniker. Our documentary Short Rides with John Adams follows this exciting transatlantic collaboration.]]></video:description>
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      <video:duration>108</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/215</loc>
    <xhtml:link rel="alternate" hreflang="en" href="https://www.digitalconcerthall.com/en/film/215"/>
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    <lastmod>2026-06-25</lastmod>
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      <video:title><![CDATA[Impressions of Herbert von Karajan]]></video:title>
      <video:description><![CDATA[The 1978 documentary Impressions of Herbert von Karajan was the first major Karajan film biography. Without glorifying him, the film shows the conductor’s diverse interests and talents: not only as a musician but also – for example – as a lover of fast cars and aeroplanes. And as the film was made during Karajan’s lifetime, it gives a very authentic impression of the period.]]></video:description>
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      <video:duration>152</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/396</loc>
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    <lastmod>2026-07-28</lastmod>
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      <video:title><![CDATA[The Be Phil Orchestra Japan]]></video:title>
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      <video:duration>45</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/230</loc>
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    <lastmod>2026-07-28</lastmod>
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      <video:duration>76</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/227</loc>
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    <lastmod>2026-07-28</lastmod>
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      <video:title><![CDATA[Cathedrals of Culture – Wim Wenders’s film portrait of the Philharmonie]]></video:title>
      <video:description><![CDATA[The Berlin Philharmonie is one of the most famous concert halls of our time. The multi-award winning filmmaker Wim Wenders presents his vision of the hall: its architecture, its history, and the people who work and perform there. With wonderful images, Wenders shows the Philharmonie from unusual perspectives, from its attics to the office of chief conductor Sir Simon Rattle.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/395</loc>
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    <lastmod>2026-07-10</lastmod>
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      <video:title><![CDATA[Manifestations of light and colours: The Berliner Philharmoniker and Unsuk Chin]]></video:title>
      <video:description><![CDATA[Unsuk Chin draws inspiration from natural phenomena such as the interplay of light and colour. The Berliner Philharmoniker have dedicated The Unsuk Chin Edition to their extensive collaboration with the composer. In the bonus film accompanying the edition, the South Korean-born composer talks about her new beginning in Europe, her lessons with György Ligeti and the search for her own musical voice.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/393</loc>
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    <lastmod>2026-07-28</lastmod>
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      <video:title><![CDATA[15 Years of the Digital Concert Hall – the anniversary broadcast]]></video:title>
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      <video:duration>59</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/398</loc>
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    <lastmod>2026-07-24</lastmod>
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      <video:title><![CDATA[Martin Heinze: a portrait]]></video:title>
      <video:description><![CDATA[Martin Heinze came to his instrument by chance: he actually liked the jazz organ, but the music school offered him the chance to learn the double bass instead. A stroke of luck, as our portrait from the series The Berliner Philharmoniker and their instruments shows. Martin Heinze also explains why he is the only member of the orchestra’s double bass section to have opted for gut strings, and what effect they have on the sound.]]></video:description>
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      <video:duration>45</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/203</loc>
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    <xhtml:link rel="alternate" hreflang="de" href="https://www.digitalconcerthall.com/de/film/203"/>
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    <lastmod>2026-06-24</lastmod>
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      <video:title><![CDATA[Herbert von Karajan – The Second Life]]></video:title>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/223</loc>
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    <lastmod>2026-07-28</lastmod>
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      <video:title><![CDATA[Herbert von Karajan conducts Wagner’s “Das Rheingold”]]></video:title>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/390</loc>
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    <lastmod>2026-06-24</lastmod>
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      <video:title><![CDATA[Madeleine Carruzzo: a portrait]]></video:title>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/389</loc>
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    <lastmod>2026-07-24</lastmod>
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      <video:title><![CDATA[Knut Weber: a portrait]]></video:title>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/385</loc>
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    <lastmod>2026-07-28</lastmod>
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      <video:title><![CDATA[Close-up: “Romeo and Juliet”]]></video:title>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/391</loc>
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    <lastmod>2026-07-07</lastmod>
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      <video:title><![CDATA[Soul of Sound – A Year in the Karajan Academy]]></video:title>
      <video:description><![CDATA[Places at the Karajan Academy of the Berliner Philharmoniker are highly coveted among young musicians. But those like conductor Nodoka Okisawa, violist Sara Ferrández and trumpeter Lennard Czakaj who have earned a place there are still a long way from reaching their goal. The film, which was made for the 50th anniversary of the school for young talents, accompanies the three scholarship holders, who are confronted with very different desires and challenges.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/381</loc>
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    <lastmod>2026-07-20</lastmod>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/383</loc>
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    <lastmod>2026-06-24</lastmod>
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      <video:title><![CDATA[Patricia Kopatchinskaja: Seeing the world through my eyes]]></video:title>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/382</loc>
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    <lastmod>2026-07-24</lastmod>
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      <video:title><![CDATA[A Life in Music – Felix Mendelssohn Bartholdy, Part 1: A child prodigy in Berlin]]></video:title>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/999</loc>
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    <lastmod>2026-07-24</lastmod>
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      <video:description><![CDATA[Following on from Felix Mendelssohn’s childhood and youth in Berlin, Philharmoniker violinist Cornelia Gartemann sheds light on the composer’s eventful travelling years in the second part of our series A Life in Music. On his way from Berliner to cosmopolite, Mendelssohn found creative inspiration in Scotland, a second home in London and not quite what he had hoped for in Italy...]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/386</loc>
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    <lastmod>2026-07-24</lastmod>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/379</loc>
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    <lastmod>2026-07-02</lastmod>
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      <video:description><![CDATA[At the end of the 2020/21 season, the Berliner Philharmoniker will bid farewell to Daniel Stabrawa. The Polish-born violinist became a member of the orchestra in 1983 and took over the important position of 1st concertmaster three years later. In our film portrait, Stabrawa talks about the tasks of the post, his memories of four chief conductors and his passion for chamber music.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/380</loc>
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    <lastmod>2026-07-28</lastmod>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/378</loc>
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    <lastmod>2026-06-25</lastmod>
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      <video:title><![CDATA[Tabea Zimmermann: The viola is my voice]]></video:title>
      <video:description><![CDATA[Almost no other viola player can make the instrument sing so soulfully or bring out its virtuoso potential as brilliantly as Tabea Zimmermann. The Berliner Philharmoniker appointed her as Artist in Residence for the 2020/21 season. In Magdalena Zięba-Schwind’s film The viola is my voice, you can find out how Zimmermann copes with the fact that this season in particular, it was hardly possible to perform in front of an audience, what making music means to her, and why she is fascinated by Paul Hindemith.]]></video:description>
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      <video:duration>59</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/373</loc>
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    <xhtml:link rel="alternate" hreflang="de" href="https://www.digitalconcerthall.com/de/film/373"/>
    <xhtml:link rel="alternate" hreflang="fr" href="https://www.digitalconcerthall.com/fr/film/373"/>
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    <lastmod>2026-06-24</lastmod>
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      <video:title><![CDATA[Philharmoniker – Our history, Part 1: The early years]]></video:title>
      <video:description><![CDATA[Contemporary witnesses of the Berliner Philharmoniker look back: on the history of their orchestra, on former chief conductors, on the development of musical performance. The first episode of this series, produced exclusively for the Digital Concert Hall, deals with the early years, the first recordings under the direction of Arthur Nikisch and, above all, Wilhelm Furtwängler. How did this conductor create his unique dramatic arcs? And what changed with the beginning of the Karajan era?]]></video:description>
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      <video:live>no</video:live>
      <video:duration>49</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/374</loc>
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    <xhtml:link rel="alternate" hreflang="de" href="https://www.digitalconcerthall.com/de/film/374"/>
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    <lastmod>2026-06-24</lastmod>
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      <video:title><![CDATA[Philharmoniker – Our history, Part 2: The West Berlin years]]></video:title>
      <video:description><![CDATA[At the beginning of the second episode of the series Philharmoniker – Unsere Geschichte, the orchestra moves into the newly built Philharmonie. Here, chief conductor Herbert von Karajan and his musicians develop the ethereally beautiful sound that has become the international trademark of the Berliner Philharmoniker. In our documentary, members of the orchestra recall these years, artistic highlights and Karajan’s intriguing personality. The episode also includes rare archive recordings and rehearsal footage.]]></video:description>
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      <video:live>no</video:live>
      <video:duration>84</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/375</loc>
    <xhtml:link rel="alternate" hreflang="en" href="https://www.digitalconcerthall.com/en/film/375"/>
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    <lastmod>2026-06-24</lastmod>
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      <video:title><![CDATA[Philharmoniker – Our history, Part 3: Turning point]]></video:title>
      <video:description><![CDATA[The third and final part of Eric Schulz’s film series Philharmoniker – Unsere Geschichte deals with the late years of the Karajan era when, despite great success, conflicts between chief conductor and orchestra began to emerge. The separation from Karajan and the fall of the Berlin Wall occurred almost simultaneously. Historical recordings show once again how moving and unforgettable the first concert shortly afterwards was for everyone involved.]]></video:description>
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      <video:family_friendly>yes</video:family_friendly>
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      <video:live>no</video:live>
      <video:duration>88</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/366</loc>
    <xhtml:link rel="alternate" hreflang="en" href="https://www.digitalconcerthall.com/en/film/366"/>
    <xhtml:link rel="alternate" hreflang="de" href="https://www.digitalconcerthall.com/de/film/366"/>
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    <lastmod>2026-06-24</lastmod>
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      <video:title><![CDATA[Markus Weidmann: a portrait]]></video:title>
      <video:description><![CDATA[Markus Weidmann is the first bassoonist to be the subject of a film portrait in the series The Berliner Philharmoniker and their Instruments. Weidmann, who became a member of the orchestra in 1997, was formerly also a student at the Karajan Academy. In this film, the musician talks about the character of the deepest instrument in the woodwind family, as well as about the complicated process of making the mouthpieces by hand.]]></video:description>
      <video:content_loc>https://world-vod.dchdns.net/preview/366-t/preview.mp4</video:content_loc>
      <video:publication_date>2019-07-04T08:00:00+00:00</video:publication_date>
      <video:family_friendly>yes</video:family_friendly>
      <video:requires_subscription>no</video:requires_subscription>
      <video:live>no</video:live>
      <video:duration>48</video:duration>
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  </url>
  <url>
    <loc>https://www.digitalconcerthall.com/en/film/308</loc>
    <xhtml:link rel="alternate" hreflang="en" href="https://www.digitalconcerthall.com/en/film/308"/>
    <xhtml:link rel="alternate" hreflang="de" href="https://www.digitalconcerthall.com/de/film/308"/>
    <xhtml:link rel="alternate" hreflang="fr" href="https://www.digitalconcerthall.com/fr/film/308"/>
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    <lastmod>2026-06-25</lastmod>
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      <video:title><![CDATA[The Berliner Philharmoniker in Asia]]></video:title>
      <video:description><![CDATA[In the form of a video diary, this short film documents the Berliner Philharmoniker’s last Asia tour together with its chief conductor Simon Rattle in November 2017 – which makes it a special moment in the history of the orchestra, both musically and emotionally. We see evocative images of cities such as Hong Kong, Wuhan, Seoul and Tokyo, plus there are interviews with the musicians and many impressions from rehearsals, workshops and concerts.]]></video:description>
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      <video:publication_date>2018-07-03T08:00:00+00:00</video:publication_date>
      <video:family_friendly>yes</video:family_friendly>
      <video:requires_subscription>no</video:requires_subscription>
      <video:live>no</video:live>
      <video:duration>52</video:duration>
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  </url>
  <url>
    <loc>https://www.digitalconcerthall.com/en/film/365</loc>
    <xhtml:link rel="alternate" hreflang="en" href="https://www.digitalconcerthall.com/en/film/365"/>
    <xhtml:link rel="alternate" hreflang="de" href="https://www.digitalconcerthall.com/de/film/365"/>
    <xhtml:link rel="alternate" hreflang="fr" href="https://www.digitalconcerthall.com/fr/film/365"/>
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    <lastmod>2026-07-16</lastmod>
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      <video:title><![CDATA[Christoph Hartmann: a portrait]]></video:title>
      <video:description><![CDATA[Oboist Christoph Hartmann has been a member of the Berliner Philharmoniker since 1992. Born in Landsberg in Bavaria, he is the focus of the latest episode of our series The Berliner Philharmoniker and their Instruments. In the film portrait, we learn that Hartmann obtains his instruments from Paris, about the production of the mouthpieces by hand, and about the special expressive possibilities of the oboe: “We can play sad melodies incredibly beautifully.”]]></video:description>
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      <video:publication_date>2019-05-29T08:00:00+00:00</video:publication_date>
      <video:family_friendly>yes</video:family_friendly>
      <video:requires_subscription>no</video:requires_subscription>
      <video:live>no</video:live>
      <video:duration>106</video:duration>
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  </url>
  <url>
    <loc>https://www.digitalconcerthall.com/en/film/364</loc>
    <xhtml:link rel="alternate" hreflang="en" href="https://www.digitalconcerthall.com/en/film/364"/>
    <xhtml:link rel="alternate" hreflang="de" href="https://www.digitalconcerthall.com/de/film/364"/>
    <xhtml:link rel="alternate" hreflang="fr" href="https://www.digitalconcerthall.com/fr/film/364"/>
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    <lastmod>2026-07-24</lastmod>
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      <video:title><![CDATA[Raphael Haeger: a portrait]]></video:title>
      <video:description><![CDATA[Percussionists have a special status in the orchestra – if only because many of them have their musical roots in jazz and rock music. But most of all because they have to master not just one instrument, but a whole arsenal – from vibraphone to castanets. All this is told in this portrait from the series The Berliner Philharmoniker and their Instruments of Raphael Haeger, who has been a percussionist with the orchestra since 2004.]]></video:description>
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      <video:requires_subscription>no</video:requires_subscription>
      <video:live>no</video:live>
      <video:duration>48</video:duration>
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  </url>
  <url>
    <loc>https://www.digitalconcerthall.com/en/film/307</loc>
    <xhtml:link rel="alternate" hreflang="en" href="https://www.digitalconcerthall.com/en/film/307"/>
    <xhtml:link rel="alternate" hreflang="de" href="https://www.digitalconcerthall.com/de/film/307"/>
    <xhtml:link rel="alternate" hreflang="fr" href="https://www.digitalconcerthall.com/fr/film/307"/>
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    <lastmod>2026-07-28</lastmod>
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      <video:title><![CDATA[Simon Rattle: Echoing an era]]></video:title>
      <video:description><![CDATA[Sir Simon Rattle was chief conductor of the Berliner Philharmoniker for 16 years, and the length of this time alone gives his tenure the feeling of an “era”. But also in a qualitative sense, this was a special chapter in the history of the orchestra. This is shown in Eric Schulz’s documentary, which traces the many highlights and achievements of Sir Simon’s Berlin years in interviews, concert excerpts and archive material.]]></video:description>
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      <video:publication_date>2018-06-26T08:00:00+00:00</video:publication_date>
      <video:family_friendly>yes</video:family_friendly>
      <video:requires_subscription>yes</video:requires_subscription>
      <video:live>no</video:live>
      <video:duration>178</video:duration>
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  </url>
  <url>
    <loc>https://www.digitalconcerthall.com/en/film/361</loc>
    <xhtml:link rel="alternate" hreflang="en" href="https://www.digitalconcerthall.com/en/film/361"/>
    <xhtml:link rel="alternate" hreflang="de" href="https://www.digitalconcerthall.com/de/film/361"/>
    <xhtml:link rel="alternate" hreflang="fr" href="https://www.digitalconcerthall.com/fr/film/361"/>
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    <lastmod>2026-07-24</lastmod>
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      <video:title><![CDATA[Sarah Willis: a portrait]]></video:title>
      <video:description><![CDATA[Horn player Sarah Willis has been a member of the Berliner Philharmoniker since 2001 and is also known to audiences as a charming and humorous presenter of family concerts. In this short film portrait, Willis explains how she decided on the French horn as her instrument when she was 14.]]></video:description>
      <video:content_loc>https://world-vod.dchdns.net/preview/361-t/preview.mp4</video:content_loc>
      <video:publication_date>2018-07-12T08:00:00+00:00</video:publication_date>
      <video:family_friendly>yes</video:family_friendly>
      <video:requires_subscription>no</video:requires_subscription>
      <video:live>no</video:live>
      <video:duration>89</video:duration>
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  </url>
  <url>
    <loc>https://www.digitalconcerthall.com/en/film/359</loc>
    <xhtml:link rel="alternate" hreflang="en" href="https://www.digitalconcerthall.com/en/film/359"/>
    <xhtml:link rel="alternate" hreflang="de" href="https://www.digitalconcerthall.com/de/film/359"/>
    <xhtml:link rel="alternate" hreflang="fr" href="https://www.digitalconcerthall.com/fr/film/359"/>
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    <lastmod>2026-06-24</lastmod>
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      <video:title><![CDATA[Alexander von Puttkamer: a portrait]]></video:title>
      <video:description><![CDATA[Alexander von Puttkamer’s instrument puts him in a unique position with the Berliner Philharmoniker: since 2008, he has been the orchestra’s only permanent tuba player. In this portrait, he talks about how his love for the brass section’s deepest instrument slowly developed, and he demonstrates the importance in mastering the tuba of exercising the lips.]]></video:description>
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      <video:publication_date>2018-02-15T09:00:00+00:00</video:publication_date>
      <video:family_friendly>yes</video:family_friendly>
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      <video:duration>65</video:duration>
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  </url>
  <url>
    <loc>https://www.digitalconcerthall.com/en/film/357</loc>
    <xhtml:link rel="alternate" hreflang="en" href="https://www.digitalconcerthall.com/en/film/357"/>
    <xhtml:link rel="alternate" hreflang="de" href="https://www.digitalconcerthall.com/de/film/357"/>
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    <lastmod>2026-06-24</lastmod>
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      <video:title><![CDATA[Janne Saksala: a portrait]]></video:title>
      <video:description><![CDATA[Although it is difficult to overlook the symphony orchestra’s largest instruments, the significance of the double bass is often underestimated. As we learn from Janne Saksala in this film portrait, they give decisive rhythmic and articulatory impulses. “Without a bass, there’s no music,” explains the Finn who has been 1st principal double bass with the Berliner Philharmoniker since 1994.]]></video:description>
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      <video:publication_date>2017-08-31T08:00:00+00:00</video:publication_date>
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      <video:duration>62</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/356</loc>
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    <lastmod>2026-07-16</lastmod>
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      <video:title><![CDATA[Stefan Dohr: a portrait]]></video:title>
      <video:description><![CDATA[The French horn is closely associated with the expressive world of the Romantic period due to its warm and mysterious sound. One of the outstanding players of this instrument is Stefan Dohr, principal horn with the Berliner Philharmoniker since 1993, who you can get to know in this short portrait from the series The Berliner Philharmoniker and their Instruments.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/304</loc>
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    <lastmod>2026-07-28</lastmod>
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      <video:title><![CDATA[Maestros in Democracy]]></video:title>
      <video:description><![CDATA[The Berliner Philharmoniker are the world’s oldest self-governing orchestra of international standing. But what does this mean in practice? The answer is revealed by this film, which follows Sir Simon Rattle’s election as Claudio Abbado’s successor and accompanies the orchestra from the time of Abbado’s announcement that he was stepping down in February 1998 to the decision in favour of Rattle in June 1999.]]></video:description>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/302</loc>
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    <lastmod>2026-07-28</lastmod>
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      <video:title><![CDATA[The Concert and I]]></video:title>
      <video:description><![CDATA[The director Michael Wende, well-known for his highly original documentaries about classical music, has taken on the task of portraying the Berliner Philharmoniker and concert life in an altogether new light. The result are three innovative short films which include the participation of the orchestral musicians as protagonists in an unusual role.]]></video:description>
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      <video:duration>123</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/231</loc>
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    <lastmod>2026-07-17</lastmod>
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      <video:title><![CDATA[“The life I love”: The pianist Menahem Pressler]]></video:title>
      <video:description><![CDATA[As the pianist of the famous Beaux Arts Trio for over 50 years, Menahem Pressler wrote chamber music history – until 2008 when, at over 80 years of age, he started on an amazing solo career. With his heartfelt, uniquely expressive piano tone, Pressler has since then excited audiences around the world in recitals and orchestral concerts. Our film portrait seeks to find out more about this fascinating musician and man.]]></video:description>
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      <video:duration>163</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/226</loc>
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    <lastmod>2026-07-28</lastmod>
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      <video:title><![CDATA[A License to Play – The Karajan Academy of the Berliner Philharmoniker]]></video:title>
      <video:description><![CDATA[How do you actually become a member of the Berliner Philharmoniker? One particularly promising way is through the orchestra’s own academy, founded in 1972 by Herbert von Karajan. Here, outstanding musicians are methodically prepared for the work in a top orchestra. Our documentary presents this unique institution.]]></video:description>
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      <video:duration>81</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/213</loc>
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    <lastmod>2026-07-28</lastmod>
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      <video:title><![CDATA[Karajan conducts Verdi’s “Otello”]]></video:title>
      <video:description><![CDATA[This historically important 1973 film of Verdi’s Otello preserves for us one of the greatest of all twentieth-century Otello casts and productions. For Karajan there was no greater interpreter of the role of Otello than Jon Vickers who is joined by lyric soprano Mirella Freni, another singer much revered by Karajan.]]></video:description>
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      <video:duration>189</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/225</loc>
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    <lastmod>2026-06-25</lastmod>
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      <video:title><![CDATA[Herbert von Karajan: Maestro for the screen]]></video:title>
      <video:description><![CDATA[Herbert von Karajan was not only a brilliant musician, but also a visionary in terms of his use of media to distribute his art. He was the first major conductor to recognise the enormous potential of television for classical music. This film by Georg Wübbolt traces how, step by step, Karajan made the medium his own and developed his own audiovisual aesthetic.]]></video:description>
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      <video:duration>156</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/104</loc>
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    <lastmod>2026-07-28</lastmod>
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      <video:title><![CDATA[Trip to Asia]]></video:title>
      <video:description><![CDATA[The world of the Berliner Philharmoniker: 128 musicians, all masters of their craft who, in the service of a common purpose, combine their individual virtuosity to form the orchestra’s sound. What are the human and artistic secrets that make this possible? Director Thomas Grube explores this question in his film Trip to Asia.]]></video:description>
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      <video:duration>150</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/110</loc>
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    <lastmod>2026-06-24</lastmod>
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      <video:title><![CDATA[Furtwängler’s love]]></video:title>
      <video:description><![CDATA[For us today, Wilhelm Furtwängler is a monument: immense and unapproachable. The documentary Furtwängler’s love from 2004 provides us with the opportunity to get to know the man behind the conductor. At the centre is his wife Elisabeth, who gives a vivid and thoughtful account of her years at Furtwängler’s side, full of charm and wit.]]></video:description>
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      <video:duration>231</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/229</loc>
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    <lastmod>2026-07-15</lastmod>
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      <video:title><![CDATA[Festival at the Kulturforum 2014]]></video:title>
      <video:description><![CDATA[The Berlin Philharmonie is a landmark of the capital’s cultural scene. But there are also other outstanding institutions of art and science in its immediate vicinity, all grouped around the Kulturforum where a large festival was held in June 2014. The finale of the event was a performance of Carl Orff’s Carmina Burana with the Berliner Philharmoniker and Sir Simon Rattle. In our documentary, Philharmoniker horn player Sarah Willis guides us through the festival.]]></video:description>
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      <video:duration>86</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/355</loc>
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    <lastmod>2026-07-15</lastmod>
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      <video:title><![CDATA[Wieland Welzel: a portrait]]></video:title>
      <video:description><![CDATA[A timpanist needs nerves of steel. Every entry must be absolutely precise if he doesn’t want to annoy the audience (and his fellow musicians). In this portrait of the Berliner Philharmoniker and their instruments series, Wieland Welzel, timpanist with the orchestra since 1997, tells of the special requirements of his instrument – and of the opportunities to make the timpani sing.]]></video:description>
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      <video:publication_date>2017-04-06T10:00:00+00:00</video:publication_date>
      <video:family_friendly>yes</video:family_friendly>
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      <video:duration>102</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/228</loc>
    <xhtml:link rel="alternate" hreflang="en" href="https://www.digitalconcerthall.com/en/film/228"/>
    <xhtml:link rel="alternate" hreflang="de" href="https://www.digitalconcerthall.com/de/film/228"/>
    <xhtml:link rel="alternate" hreflang="fr" href="https://www.digitalconcerthall.com/fr/film/228"/>
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    <lastmod>2026-07-15</lastmod>
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      <video:title><![CDATA[Crowd Out: A composition for 1000 voices by David Lang]]></video:title>
      <video:description><![CDATA[Crowds are fascinating. The many different emotions and sounds that arise from crowds are incorporated by composer David Lang in his work Crowd Out. More than 1,000 choristers performed Crowd Out at the festival at the Kulturforum in the summer of 2014 – an exciting experiment that you can relive in this documentary.]]></video:description>
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      <video:publication_date>2015-12-11T09:00:00+00:00</video:publication_date>
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      <video:duration>129</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/108</loc>
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    <lastmod>2026-06-25</lastmod>
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      <video:title><![CDATA[The “Reichsorchester”]]></video:title>
      <video:description><![CDATA[In 2007, the Berliner Philharmoniker celebrated their 125th anniversary. Film director Enrique Sánchez Lansch took this occasion to tell a hitherto unknown chapter in the history of the Berliner Philharmoniker: the years of National Socialism from 1933 to 1945. The film, The Reichsorchester, made in collaboration with musicians of the orchestra and its archive, caused a stir in cinemas around the world.]]></video:description>
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      <video:publication_date>2015-12-11T09:00:00+00:00</video:publication_date>
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      <video:live>no</video:live>
      <video:duration>219</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/352</loc>
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    <lastmod>2026-07-24</lastmod>
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      <video:title><![CDATA[Dominik Wollenweber: a portrait]]></video:title>
      <video:description><![CDATA[The cor anglais, is given important solo passages in works by composers such as Richard Wagner, Hector Berlioz and Dmitri Shostakovich. Since 1993, Wollenweber has dedicated himself to this soulful instrument with the Berliner Philharmoniker. In this film portrait, he speaks about the character of his instrument, the painstaking, hand-crafted production of the mouthpiece, and the challenge of appearing in Digital Concert Hall broadcasts in front of thousands of spectators.]]></video:description>
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      <video:publication_date>2017-01-12T14:00:00+00:00</video:publication_date>
      <video:family_friendly>yes</video:family_friendly>
      <video:requires_subscription>no</video:requires_subscription>
      <video:live>no</video:live>
      <video:duration>66</video:duration>
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  <url>
    <loc>https://www.digitalconcerthall.com/en/film/399</loc>
    <xhtml:link rel="alternate" hreflang="en" href="https://www.digitalconcerthall.com/en/film/399"/>
    <xhtml:link rel="alternate" hreflang="de" href="https://www.digitalconcerthall.com/de/film/399"/>
    <xhtml:link rel="alternate" hreflang="fr" href="https://www.digitalconcerthall.com/fr/film/399"/>
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    <lastmod>2026-07-24</lastmod>
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      <video:title><![CDATA[The Philly Show – Parts 1 to 3]]></video:title>
      <video:description><![CDATA[Philly is bright yellow and has five corners – and has its own quiz show. It involves two teams who compete against each other and have to answer questions about music and the Berliner Philharmoniker – which isn’t so easy! Who knows where the name cor anglais comes from? Philly also dives into the depths of instruments and takes a close look at everything from the inside. Great musical fun for the whole family!]]></video:description>
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      <video:publication_date>2024-09-26T08:00:00+00:00</video:publication_date>
      <video:family_friendly>yes</video:family_friendly>
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      <video:duration>52</video:duration>
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