Concert
Kirill Petrenko conducts Strauss’s “The Woman without a Shadow” Magical sounds – the verrophone
For the climactic moment at the end of his opera The Woman without a Shadow, Richard Strauss used a very special effect: the vibrating glass of the verrophone accompanies the transformation scene with magical sounds. Philipp Marguerre introduces this extraordinary instrument.
© 2023 Berlin Phil Media GmbH
Related concert
Our recommendations
- Nikolai Lugansky in conversation with Stanley Dodds
- Kirill Petrenko in conversation with Ludwig Quandt
- Brett Dean in conversation with Fergus McWilliam
- Kirill Petrenko in conversation with Noah Bendix-Balgley
- Maxim Emelyanychev and Sabine Devieilhe in conversation with Friederike Westerhaus
- Yannick Nézet-Séguin in conversation with Emmanuel Pahud
