Concert
Kirill Petrenko conducts Strauss’s “The Woman without a Shadow”
Magical sounds – the verrophone
For the climactic moment at the end of his opera The Woman without a Shadow, Richard Strauss used a very special effect: the vibrating glass of the verrophone accompanies the transformation scene with magical sounds. Philipp Marguerre introduces this extraordinary instrument.
© 2023 Berlin Phil Media GmbH
Related concert
Artists
Our recommendations
- Emanuel Ax in conversation with Matthew Hunter
- John Adams in conversation with Noah Bendix-Balgley
- Bernard Haitink in conversation with Peter Brem
- Peter Sellars talks about Bach’s “St John Passion”
- Eleonora Buratto and Jonathan Tetelman in conversation with Matthew Hunter
- Seong-Jin Cho in conversation with Kyoungmin Park