直播音乐会

照片： Julia Baier

浪漫主义是感性的也是激进的，埃克托·柏辽兹的《交响曲幻想》就是最好的例子之一：沉迷毒品、过激杀人、暴力与混乱等等。不仅如此，柏辽兹笔下的声音世界同样扣人心弦：先是无所顾忌、凶残粗暴，转而又是令人着迷的优雅。除了这部作品之外，帕沃·雅尔维还将为我们带来汉斯·艾布拉姆森的委约作品《圆号协奏曲》，这将是这部作品的全球首演，由斯蒂芬·道尔担任独奏。

照片： Michael Trippel

基里尔·别特连科在他与柏林爱乐乐团合作的第一场教育项目音乐会中为我们带来了贾科莫·普契尼的歌剧《修女安杰利卡》。这部作品讲述了一位年轻修女在修道院里的发生故事，尽管这似乎在时间和空间上离我们有些遥远，但作品所体现出的思想却是时至今日都值得我们深思的：如何在惨无人性的环境中看到人性，如何誓死力争捍卫自己的尊严。该版本由尼古拉·勋佩尔执导，多位青年女歌唱家、美声群英会合唱团及卡拉扬乐队学院成员联袂出演。

照片： Stephan Rabold

The music of the 20th century is often considered inaccessible. Kirill Petrenko shows how wrong this prejudice is with three works written between 1940 and 1950 which differently convey sensuousness and energy. We experience rhythmic power in Stravinsky’s Symphony in Three Movements, the combination of innovation and Brazilian Flair in Zimmermann’s Alagoana and finally, the voluptuous melancholy of Rachmaninoff’s Symphonic Dances.

照片： Holger Hage

古斯塔夫·马勒不仅在他的《第三交响曲》中描绘了一幅有花有草有动物的大自然写真，更用最悬殊的表达构建出了一个宏大的宇宙世界。不仅如此，其音乐语言也是美轮美奂、绚丽至极。在本场音乐会中，纽约大都会歌剧院的侯任音乐总监雅尼克·尼泽-塞冈将携手次女高音歌唱家叶琳娜·加安卡为我们演绎这部作品。加安卡不仅拥有迷人的嗓音，还无时无刻不散发着令人陶醉的舞台魅力。

照片： Oliver Helbig

In his Oboe Concerto, Richard Strauss magically succeeded in composing in the spirit of Mozart and Schubert without denying his own artistic identity. Simon Rattle performs the work with the Philharmoniker’s principal oboe Jonathan Kelly. He then presents Beethoven’s oratorio Christus am Ölberge, which conveys less spiritual devotion than operatic expressiveness, such as in a dramatically escalating scene depicting the arrest of Jesus.

照片： Oliver Helbig

With Bartók’s Concerto for Orchestra, Simon Rattle conducts one of the most impressive works of the 20th century. The terminally ill composer, who fled to the USA to escape the National Socialists, presents himself here sometimes melancholically, sometimes sarcastically – and then again, quite surprisingly, releases youthful freshness, verve and joie de vivre. The concert opens with Luciano Berio’s Sinfonia, in which he plays creatively and unconventionally with sounds, noises and language: a mysterious musical labyrinth.

照片： Stephan Rabold

Beethoven’s only opera Fidelio is a plea for overcoming the arbitrariness of power and tyranny – and a hymn to love. Beethoven’s lifelong motto, “Freyheit über alles lieben; Wahrheit nie, (auch am Throne nicht) läugnen” (Love freedom above everything else, never disavow truth, not even before the throne), is reflected vividly in his work. Following performances at the Baden-Baden Easter Festival, Kirill Petrenko conducts the work in the Philharmonie. The cast is headed by Marlis Petersen, currently the Berliner Philharmoniker’s Artist in Residence.

照片： Selina Pfrüner

照片： Akos Stiller

照片： Sebastian Hänel

照片： Marco Borggreve

照片： Martin Walz

照片： Mark Hanauer

照片： Mark Hanauer

照片： Holger Kettner

古斯塔沃·杜达梅尔、柏林爱乐乐团、森林剧场露天音乐会——这无疑是一个成功的组合。2008年6月，年仅27岁的委内瑞拉籍指挥古斯塔沃·杜达梅尔第一次与柏林爱乐乐团合作演出了一场西班牙、南美风格的露天音乐会。在本乐季中，杜达梅尔将第四次执棒柏林爱乐的森林剧场露天音乐会，本次露天音乐会的主题是“奥林匹克之夜”。