Interview
Yutaka Sado on the fulfilment of his musical dream Yutaka Sado conducts Shostakovitch and Takemitsu
When Yutaka Sado was in sixth grade at school and was asked what his life’s ambition was, he answered: “I want to conduct the Berliner Philharmoniker one day.” In May 2011, Sado’s dream came true when he made his debut with the orchestra. The programme included Tōru Takemitsu’s meditative From me flows what you call time and Dmitri Shostakovitch’s Fifth Symphony with its constant shifts between celebration and parody.
To open his debut concert, Yutaka Sado performed music from his home country: From me flows what you call time by Tōru Takemitsu, Japan’s most eminent international composer. Audiences should not jump to the wrong conclusion because the work employs five percussionists. From me flows what you call time is no brutal percussive piece, rather a meditative kaleidoscope of delicate colours and accents. Composed just a few years before Takemitsu’s death, the work gives us an insight into his wide-ranging interests, from eastern tradition and western avantgarde, to his extensive work as composer of film music.
While this concert was the first time that the Berliner Philharmoniker played From me flows what you call time, Shostakovich’s Fifth Symphony is regularly to be found in the orchestra’s concert programmes. The composer himself called the work “a Soviet artist’s creative response to justified criticism”, after his Fourth Symphony had been banned by the Stalin dictatorship for being “formalistic”. With his Fifth, he performed a balancing act: it was to be popular and celebratory, but Shostakovich could not stop himself from formulating his revulsion at the hypocrisy of the regime between the lines. As a result, this symphony is a fascinating puzzle, in which grandiosity changes suddenly to the ridiculous and merriness to desperation.
Berliner Philharmoniker
Yutaka Sado
© 2011 Berlin Phil Media GmbH
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