Concert with Mariss Jansons and Hilary Hahn from Suntory Hall

Within days of the official opening of Suntory Hall in October 1986 the Berlin Philharmoniker paid their first visit to this breath-taking concert hall and immediately felt at home, which was hardly surprising since the new hall was modelled on its counterpart in Berlin. After all, the Philharmonie Berlin served as the model for the new building in Tokyo. Right from the start, Suntory Hall established itself in the top league of international concert halls. Jansons first conducted the Berlin Philharmonic in 1976 and since then has developed a particularly close relationship with it. “I love this orchestra. The musicians are not only absolutely fantastic instrumentalists but are also genuinely passionate about their work. Their artistic commitment is incredible. Each time I conduct them, it is a pleasure to appear with this top orchestra.” In Tokyo in November 2000 he led them in a Slav programme. Each of the four movements that make up Dvořák’s Eighth Symphony is marked by the countryside, moods and music of his Bohemian homeland, and we can only agree with Dvořák when he said: “Here I’m not just a pure musician but a poet.”

Hilary Hahn then gave an outstanding performance – one day before her 21st birthday – of Dmitri Shostakovich’s First Violin Concerto, whose technical demands reflect the abilities of its dedicatee, David Oistrakh. Hilary Hahn effortlessly mastered all of these difficulties, having already performed the work at her Philharmonic debut in December 1999, also under Jansons, when she had provoked veritable storms of enthusiasm on the part of the local press. Der Tagesspiegel praised her “perfect projection and soaring phrases played with the most delicate pianissimo”, while the Berliner Morgenpost summed up her performance as follows: “The sensitivity with which she took up the orchestra’s mood of heaviness and oppression in the opening movement with her delicate and extraordinarily beautiful tone attests to a profound understanding of music and presupposes both sensibility and imagination as well as a lively intelligence. The question as to outstanding virtuosity is one that we no longer need to ask with Hilary Hahn, for she possesses it in abundance.”

Berliner Philharmoniker

Mariss Jansons

Hilary Hahn