Simon Rattle and Katia and Marielle Labèque at the Berlin Waldbühne
26 Jun 2005
From the Berlin Waldbühne
Berliner Philharmoniker
Sir Simon Rattle
Katia Labèque, Marielle Labèque
Hector Berlioz
Le Carnaval romain, Ouverture caractéristique, op. 9 (10 min.)Claude Debussy
Prélude à l’après-midi d’un faune (11 min.)Paul Dukas
L’Apprenti sorcier (The Sorcerer’s Apprentice) (13 min.)Francis Poulenc
Concerto for two Pianos and Orchestra in D minor (21 min.)Katia Labèque piano, Marielle Labèque piano
Camille Saint-Saëns
Le Carnaval des animaux (The Carnival of the Animals) (25 min.)Katia Labèque piano, Marielle Labèque piano
Maurice Ravel
Boléro (18 min.)Erik Satie
Gymnopédie No. 1 (4 min.)Maurice Ravel
Daphnis et Chloé, Suite No. 2: Danse générale (7 min.)Paul Lincke
Berliner Luft (6 min.)
To end the 2004/05 concert season the Berliner Philharmoniker gave their traditional open-air concert at the city’s Waldbühne. Conducted by Sir Simon Rattle, the varied programme was made up of works by French composers. And in order to ensure the greatest possible authenticity, the orchestra had invited the sisters Katia and Marielle Labèque to join them.
The Labèques are without doubt one of the finest piano duos of all time and began by demonstrating their prowess in Poulenc’s demanding Concerto for Two Pianos, following this up with a hugely enjoyable series of musical character studies in the form of Saint-Saëns’ Carnival of the Animals, providing much amusement for the audience in the completely sold-out Waldbühne. Orchestra, conductor and soloists were perfectly matched as a team – no coincidence, as Rattle and the sisters have known one another for decades.
According to the critic of the Berliner Morgenpost, this support from two native French speakers also helped to ensure that the other pieces on the programme were performed “in a thoroughly idiomatic manner, with effervescent wit and sensuous charm”. To accompany Ravel’s Boléro, the 23,000 spectators lit sparklers, and following the very last encore – Paul Lincke’s Berliner Luft, in which the orchestra’s chief conductor played the bass drum – this evening of French music, performed against a backdrop of balmy summer weather, ended with what the Morgenpost described as “cheering, fun and a fairground atmosphere – fantastique!”
© 2005 EuroArts Music International
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