James Levine conducts Wagner and Strauss at the Waldbühne
For the 1999 Waldbühne concert, conductor James Levine and heldentenor Ben Heppner chose not light fare but a programme of late Romantic masterpieces by Wagner and Richard Strauss. In addition to Strauss’s Don Juan and Till Eulenspiegel, the audience was regaled with excerpts from well-known music dramas by both composers, including Der Rosenkavalier, Lohengrin, Tristan und Isolde and Die Meistersinger.
Concertgoers who in June 1999 turned up at the Waldbühne expecting the Berliner Philharmoniker to perform lightweight orchestral works at its traditional end-of-season concert had a surprise in store. On the podium was James Levine, music director of the Metropolitan Opera in New York from 1976 to 2016, who together with Ben Heppner presented a programme of works by Wagner and Strauss.
The evening was launched with an ebullient performance of Strauss’s tone poem about the eternal womanizer Don Juan, a work based on Lenau’s verse epic of the same name, which includes the lines “Up and away to ever new conquests as long as youth’s heartbeat continues to pulse!” The three orchestral songs Heimliche Aufforderung, Zueignung and Cäcilie were a reminder that Ben Heppner began his career as a lyric tenor before graduating to heavier heldentenor roles, a development that benefited the Italian Singer’s aria from Der Rosenkavalier. Walther’s Prize Song from Die Meistersinger and Lohengrin’s Grail Narration were both veritable jewels of the art of singing heard here in performances made all the more precious for the fact that Heppner – widely regarded as the leading Tristan of his generation – ended his operatic career in 2014.
James Levine is another experienced Wagnerian – he appeared regularly on Bayreuth’s Green Hill from 1982 to 1998. Under his direction the Prelude and Transfiguration from Wagner’s Tristan und Isolde reflected the composer’s ideas right down to the very last detail: “Their feelings evolve from the most timid remonstration at their sense of insatiable longing, from the most tender and tremulous yearning to the most terrible of all outbursts in which they admit their hopeless love, passing through every phase of their unwinnable battle against the inner fire that consumes them.” And after a thunderous Ride of the Valkyries, the second encore was, as always, Berliner Luft – for the more than 20,000 people in the audience, the perfect end to a wonderful concert evening under the stars.
Berliner Philharmoniker
James Levine
Ben Heppner
© 1999 EuroArts Music International
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