“Rhythm and Dance” with Kent Nagano and Susan Graham at the Waldbühne
The theme of this Waldbühne concert by the Berliner Philharmoniker was Rhythm and Dance. Kent Nagano assembled a number of popular works by George Gershwin alongside Maurice Ravel’s La Valse and the Second Suite from Daphnis et Chloé plus a lesson in the Japanese art of drumming to create a summer evening’s concert remarkable for its verve and virtuosity. Guest stars included the American mezzo-soprano Susan Graham and the legendary Japanese drummer Eitetsu Hayashi.
The summer concerts given by the Berliner Philharmoniker in the city’s open-air Waldbühne amphitheatre are relaxed and sociable occasions that enjoy cult status. Here, Kent Nagano made his debut in this very special arena and conducted a concert under the title Rhythm and Dance, providing an impressive demonstration of just how different rhythms and dance music can sound in different parts of the world.
We start with a trip to Broadway for He Got Rhythm, a tribute to George Gershwin by the French composer Jean Pascal Beintus. It was difficult for listeners to stop their feet from tapping in time with the music’s jazz rhythms. And even Ravel’s valedictory homage to the Viennese waltz, La Valse, encouraged the audience to dance along with it and revel in its triple-time metre.
Next came Eitetsu Hayashi, who gave the audience a lesson in the traditional Japanese art of drumming. The dedicatee of Hi-Ten-Yu – literally “Fly-Heaven- Play” – by the Japanese composer Isao Matsushita, Eitetsu Hayashi proved a virtuoso exponent of the solo writing in this concerto for drums and orchestra. Also from the Far East, but this time from China, came the suite from the film score to Farewell My Concubine, a bitter-sweet love story that helped its director, Chen Kaige, to achieve his breakthrough in the West.
The Second Suite from Ravel’s ballet Daphnis et Chloé provided dance music of the noblest kind before the programme returned to its starting point with a selection of hits by George Gershwin. Susan Graham, who in the view of Gramophone magazine is “America’s favourite mezzo”, brought charm and a meltingly beautiful voice to the final numbers on the programme. After her delightfully relaxed performance of “Summertime”, Kent Nagano, too, leant back, laid aside his baton and left the orchestra to play on its own in the traditional encore, Paul Lincke’s Berliner Luft.
Berliner Philharmoniker
Kent Nagano
Momo Kodama
Mari Kodama
Eitetsu Hayashi
Susan Graham
© 2000 EuroArts Music International
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Our recommendations
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- A “Latin American Night” at the Waldbühne with Daniel Barenboim
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