Mariss Jansons conducts music from the Austro-Hungarian Empire at the Waldbühne
Travellers who visited the Austro-Hungarian Empire in the 19th century would have come into contact with the most disparate musical idioms: Austrians, Bohemians and Hungarians all wrote works that were individually coloured but characterized by a shared sense of verve and radiance. Mariss Jansons conducted highlights of this fascinating culture at the Waldbühne in Berlin. The works performed were pieces by Johann Strauss, Franz Liszt and George Enescu.
The Viennese waltz was always bound to feature prominently in a programme headed “A Night of Dances and Rhapsodies”, and on this occasion the works in question were the overture to Die Fledermaus by Johann Strauss the Younger and the suite of waltzes from Richard Strauss’s Der Rosenkavalier – although here the waltzes are an anachronism since the opera is set in the Vienna of Maria Theresa at a time when the waltz had yet to be discovered. The Waltz King is also represented by his polka Thunder and Lightning, while his father, Johann Strauss the Elder, contributes arguably the most famous march of all time, a work written in honour of Field Marshal Josef Wenzel Count Radetzky von Radetz.
Hungary, Romania and Bohemia also belonged to the Habsburgs’ Austro-Hungarian Empire, and their music inspired Western European composers like Brahms and Liszt to write “Hungarian” works of their own. (Liszt may have been born in what was then Hungary, but he did not speak a word of Hungarian.) Both composers were paying tribute to the contemporary fashion for exotic rhythms and tone colours, while their colleagues Bedřich Smetana and George Enescu were more concerned to give their respective nations a distinctive musical voice.
An undoubted highlight of this Waldbühne concert is Liszt’s arrangement of Schubert’s Wanderer Fantasy, an arrangement that transformed Schubert’s discursive piano piece into a highly virtuosic bravura work for piano and orchestra. The brilliant soloist was the Tashkent-born, Paris-based pianist Mikhail Rudy, a long-time musical associate of Mariss Jansons.
Berliner Philharmoniker
Mariss Jansons
Mikhail Rudy
© 1994 VIDEAL / brilliant media, SFB
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Our recommendations
- “World Encores” with Mariss Jansons and Vadim Repin at the Waldbühne
- A “Night of Love” with Ion Marin and Renée Fleming at the Waldbühne
- “Fellini, Jazz & Co.” with Riccardo Chailly at the Waldbühne
- An “Oriental Night” with Neeme Järvi and Janine Jansen at the Waldbühne
- Georges Prêtre conducts “A French Night” at the Waldbühne
- “Rhythm and Dance” with Kent Nagano and Susan Graham at the Waldbühne
