Concert

Programme guide

The Russian conductor Semyon Bychkov has been one of the orchestra’s close artistic partners for many years, and Herbert von Karajan considered him one of the greatest talents of the next generation. One of Karajan’s favourite compositions was heard during this concert from October 2008 – Richard Strauss’s Alpine Symphony, which Karajan conducted with the Berliner Philharmoniker in 1982; it was the first commercial CD release, with a legendary recording of the work. The choice of this tone poem for the new digital medium is not surprising, since the instrumental virtuosity and wealth of harmonic colours in Strauss’s last symphonic poem demand the utmost of every orchestra. The composition, which was inspired by Nietzsche, depicts a day in the mountains, during which a solitary wanderer is confronted with overwhelming impressions of nature – until perhaps the most spectacular pinnacle of orchestral literature is reached at the summit.

Caligula, whose reign spanned the years AD 37 to 41, was already considered by ancient historians to be the epitome of an unscrupulous tyrant. During the 20th century, writers and film-makers have recognized a forerunner of contemporary dictators like Stalin and Hitler in the brutal Roman emperor, who himself was the victim of murder. In the 1930s the young Albert Camus wrote a play entitled Caligula that is still staged regularly today, which composer Detlev Glanert and his librettist Hans-Ulrich Treichel used as the basis for their opera of the same name, premiered in Frankfurt in 2006. As in other cases, Glanert also used material from the opera for an orchestral work. The evocative composition, entitled Theatrum bestiarium, is dominated by tremendous sound masses and powerful organ chords as well as moments of ominous calm, grotesque dance sequences and echoes of tonality. This work is the first composition by Glanert to be performed by the Berliner Philharmoniker.

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