Daniel Barenboim conducts Smetana’s “Má vlast”

Daniel Barenboim conducts Smetana’s “Má vlast”

A masterpiece of Czech romantic music, Bedřich Smetana’s Má vlast (My Homeland), can be heard at this concert. The cycle of six symphonic poems, composed within five years, is rarely performed in its entirety; one usually hears only “The Moldau”, the best-known part. In terms of content, Smetana is dealing with the myths of his Czech homeland in addition to its landscape. You can look forward to experiencing how Daniel Barenboim, who has been conducting the Berliner Philharmoniker for 51 years by now, will interpret the entire cycle.

Go to concertDaniel Barenboim conducts Smetana’s “Má vlast”

Playlist

From Bohemia and Moravia – Czech music with the Berliner Philharmoniker

This playlist is dedicated to Romantic and Modernist composers who came from the territory of the present-day Czech Republic. This selection of performances by the Berliner Philharmoniker includes not only classics such as Smetana’s “Moldau” and Dvořák’s Ninth Symphony, but also rarities such as Miloslav Kabeláč’s fascinating orchestral study Mystery of Time and Josef Suk’s symphony Asrael – conducted by chief conductor Kirill Petrenko.

Playlist

Female composers

The “New Music Weekend” from October 2020 will be available in the archive of the Digital Concert Hall in a few weeks. Our latest playlist is also dedicated to female composers. Women music makers have now established themselves at the heart of contemporary music. This season, the Berliner Philharmoniker will present new compositions by Unsuk Chin, Anna Thorvaldsdóttir and Kaija Saariaho. Our playlist presents a selection of various works by female composers in performances by the Philharmoniker.

Discover in the archive

Bartók’s Viola Concerto with Tabea Zimmermann and Semyon Bychkov

Béla Bartók’s virtuoso Viola Concerto makes a strong case for an often underrated instrument – especially when it is performed by the internationally acclaimed violist Tabea Zimmermann. “She plays the concerto with a tender cantabile as if it were by Mozart,” as one critic wrote. Conductor Semyon Bychkov also presents Ravel’s delicate Tombeau de Couperin and Brahms’ sunlit Second Symphony.

New in the concert archive

Lahav Shani and Francesco Piemontesi

Lahav Shani and Francesco Piemontesi
Double debut with two rising stars: Lahav Shani, successor to Zubin Mehta as music director of the Israel Philharmonic Orchestra and principal conductor of the Rotterdam Philharmonic Orchestra, and pianist Francesco Piemontesi, considered one of the most interesting Mozart interpreters of his generation. In this concert, he introduces himself with the last piano concerto by the First Viennese School composer. The main symphonic work is Robert Schumann’s First Symphony, which the newly married composer wrote in the euphoric mood of a new beginning.

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Claudio Abbado conducts music inspired by the Prometheus myth

One of the hallmarks of Claudio Abbado’s years with the Berliner Philharmoniker was his fondness for programming cycles of concerts on particular themes. Central to this concert from 1992 is the myth of Prometheus. It features music by Beethoven, Liszt and Nono, culminating in Scriabin’s highly virtuosic Prométhée in which the piano soloist is Martha Argerich. No less remarkable is the original filming by director Christopher Swann.

New in the concert archive

François-Xavier Roth and Tabea Zimmermann

François-Xavier Roth and Tabea Zimmermann
Paul Hindemith is a composer close to Tabea Zimmermann’s heart. It thus comes as no surprise that as artist in residence she will perform his viola concerto Der Schwanendreher. The work owes its peculiar title to a German folk song whose melody forms the basis of the third movement. Béla Bartók was also inspired by folk music in his Divertimento. His work is based on Romanian and Hungarian dance music. The programme, conducted by François-Xavier Roth, opens with Carl Philipp Emanuel Bach’s First Symphony, which already clearly looks ahead to the First Viennese School.

New in the concert archive

Marek Janowski and Noah Bendix-Balgley

Marek Janowski and Noah Bendix-Balgley
With this programme we commemorate Max Bruch, the 100th anniversary of whose death is remembered in 2020. Our 1st concertmaster, Noah Bendix-Balgley, is the soloist in this performance of Bruch’s First Violin Concerto with the Berliner Philharmoniker under the baton of Marek Janowski. With its yearning opening movement and sparkling finale, this work became the composer’s most popular work. The second part of the concert is dedicated to Johannes Brahms, a contemporary of Bruch. His Serenade No. 2 is characterised by the dark, warm sound typical of Brahms and is considered a milestone on the composer’s path to the symphony.

Welcome to the 2020/21 season

The Berliner Philharmoniker have published their plans for the 2020/21 season – and with them the scheduled live broadcasts for the Digital Concert Hall. You can immediately find all concert programmes in our Live Calendar.